Yzabel, Author at The Y Logs

Yzabel / December 17, 2017

Review: The Change 1 – London: Orbital

My rating: [rating=2]

Blurb:

WHERE WERE YOU WHEN THE WORLD CHANGED?

One minute everything was fine and the next… they arrived. Those that saw them died instantly. The unlucky ones survived. Now unimaginable things straight out of nightmares roam the streets of our towns and cities. Nothing is impossible. Nowhere is safe. And no one can escape The Change…

Review:

[I received a copy of this book through NetGalley.]

(For some reason, when I requested it, I thought it was a graphic novel. Probably because of the cover. I really like that cover.)

This was a fast read with good and bad sides, and I’m very much undecided about it.

The quick pace gave a sense of urgency to the plot, and made the events all the more gruesome for the characters involved: some you don’t get to know that much before something happens, but at the same time, in a post-apocalyptic setting where whatever caused all the surrounding may still be around, it does make sense. Can’t have kittens and flowers and all the time in the world, it’s gritty, and it shows.

I liked this first episode’s depiction of a ravaged Greater London, and very likely world in general. There isn’t much information at this point about ‘the Change’, although it’s heavily hinted that whatever it was, those who saw it died, so now nobody really knows. There’s a lot of gory stuff going on, too, as people along the way get picked by… well, what’s following Howard, basically. The way that was depicted conveyed the feeling of horror well enough, and made those parts of the story pretty frightening?

On the downside, the quick pace I mentioned previously was also a two-edged sword. For one thing, it made things confusing. It’s difficult to have a story that unfolds quickly without revealing too many details in one go, but at the same time keeps interest fully up by still giving out enough answers; for me, at this point, I was just lacking that extra bit of information. And with Howard missing his memories, it’s one more point of view that cannot bring answers to the many questions raised throughout the novel, so in the end I had a hard time keeping my attention up.

The pace also made it hard to connect with the characters, which is something that often jars with me in post-ap stories in general, anyway: characters clicking with each other very quickly because ‘we’re all in this together’ vs. ‘the world as we knew it has ended, how can I trust just about anyone I meet?’

Conclusion: There are interesting elements in here, but the story left me more confused than curious about the final answers, and I couldn’t really care about the main characters.

Yzabel / November 14, 2017

Review: The Library of Light and Shadow

The Library of Light and Shadow by M.J. Rose

My rating: [rating=2]

Blurb:

In the wake of a dark and brutal World War, the glitz and glamour of 1925 Manhattan shine like a beacon for the high society set, desperate to keep their gaze firmly fixed to the future. But Delphine Duplessi sees more than most. At a time in her career when she could easily be unknown and penniless, like so many of her classmates from L’École des Beaux Arts, in America she has gained notoriety for her stunning “shadow portraits” that frequently expose her subjects’ most scandalous secrets. Most nights Delphine doesn’t mind that her gift has become mere entertainment—a party trick—for the fashionable crowd.

Then, on a snowy night in February, in a penthouse high above Fifth Avenue, Delphine’s mystical talent leads to a tragedy between two brothers. Devastated and disconsolate, Delphine renounces her gift and returns to her old life in the south of France where Picasso, Matisse, and the Fitzgeralds are summering. There, Delphine is thrust into recapturing the past. First by her charismatic twin brother and business manager Sebastian who attempts to cajole her back to work and into co-dependence, then by the world famous opera singer Emma Calvé, who is obsessed with the writings of the fourteenth-century alchemist Nicolas Flamel. And finally by her ex-lover Mathieu, who is determined to lure her back into his arms, unaware of the danger that led Delphine to flee Paris for New York five years before.

Trapped in an ancient chateau where hidden knowledge lurks in the shadows, Delphine questions everything and everyone she loves the most—her art, her magick, her family, and Mathieu—in an effort to accept them as the gifts they are. Only there can she shed her fear of loving and living with her eyes wide open.

Review:

[I received a copy of this book through NetGalley.]

When I requested this novel, I hadn’t realised it was the third instalment in a series; however, it turned out you can read it even without having read the previous ones, since the narrator does summarise well enough what her family is about, and that’s what you mostly need to know as far as background is concerned.

I liked the premise—Delphine’s gift and how it can turn out badly, the family with witchcraft gifts… I also liked how most characters felt like they had a life of their own: they definitely weren’t just plot devices, but had relationships, past experiences (sometimes together, sometimes not), and generally breathed and lived.

A lot of descriptions, too, were vivid, and allowed me to picture the places and scenes quite clearly. I’m definitely not sure about all of the fine details, though (avenue Franklin D. Roosevelt in Paris in 1920… uhm, it was avenue Victor-Emmanuel III, but even without knowing that it doesn’t make sense), so I advise not getting into that with a historian’s mind. Unless those were corrected in the final copy, that is. Anyway, the prose does have its charm, and whether New York, Paris or Southern France in the mid-twentied, it conjures the needed images easily.

I had more trouble with the pacing. For a good half, Delphine doesn’t do that much, to be honest, apart from being depressed because of her gift (which she probably wouldn’t have been if she hadn’t been such a doormat to her brother) and remembering her love story. I don’t know about the format it was told in (a diary), background info was needed here, yet on the other hand, it felt disjointed from the story. Moreover, while in terms of relationships the characters had a life, indeed, their actions and decisions were at times… silly. I could guess the turns and twists, and seriously, Delphine, that vision you had, that made you run away to the other side of the world… it was so obviously opened to many interpretations that it being a misunderstanding was a given here.

The story picked up after the characters arrived at the castle, but at that point I wasn’t ‘in’ it anymore.

Still, I may try the first book, because the parents’ story could be interesting (there’s a duel and a bargain with the spirit of a dead witch, apparently?).

Yzabel / November 8, 2017

Review: The Voynich Manuscript

The Voynich Manuscript: The Complete Edition of the World’s Most Mysterious and Esoteric Codex by Stephen Skinner

My rating: [rating=4]

Blurb:

The Voynich Manuscript is an extensively illustrated codex featuring cosmological and astrological diagrams interwoven with detailed herbal illustration, relating both to the magical and alchemic view of the universe. It is written in a strangely beautiful cryptographic script.

Review:

[I received a copy of this book through NetGalley.]

I discovered the Voynich Manuscript sometime last year, and since then have been intrigued by it, both its text and illustrations.

Most of the book is devoted to scans and photos of the manuscript’s pages. In that regard, while I got a PDF copy here, but I definitely recommend a paper one to fully appreciate those since the illustrations in the PDF were a little blurry, perhaps because it was an ARC and not the final, sold version (I’d get such a copy myself if I had enough space to keep physical books). A paper copy also lends itself more easily to going back and forth between photos and the introduction & commentary, at the beginning of the book, and I think being able to do that is a must-have here. Finally, for want of deciphering the Voynich, being able to admire and contemplate its content is part of the pleasure, after all—so, paper all the way. (I do hope it’s printed on some nifty glossy paper with a very nice smell; yes, I sniff books, I’m liable not to buy one if it literally stinks.)

Speaking of the introduction, I found it really interesting, regarding the manuscript’s history but also the many interpretations, and descriptions of specific illustrations and why exactly they’re puzzling (such as the one with women bathing in an intestine-like shape—I learnt something new about what that may represent, and further than that, if it’s the right interpretation, what it reveals about the manuscript’s author).

The manuscript itself… Fascinating ‘gibberish’, I wish I had more abilities in deciphering, for I would fail for sure, but at least I might have more of an insight about where to possibly start? It doesn’t seem based on a European language, at least not an alphabetic one, and is thought to rely on a syllabic system. Was it an entirely created language?

I do hope someone will one day fully decrypt it. Preferably while I’m still alive to see it.

Conclusion: 4 stars (well, 3 for an ebook version because you can’t leaf through as easily, but I’m nitpicking).

Yzabel / October 29, 2017

Review: Grip

Grip by David Estes

My rating: [rating=4]

Blurb:

In a tumultuous world of population control, one illegal child has slipped through the cracks. Now, as a teenager, Benson Kelly has escaped certain death at the hands of the Department of Population Control, only to find himself the symbol of a rebellion, something he never intended.

While trying to survive one day at a time, Benson seeks to unravel the tangled knot of secrets left behind when his father died, the key to which has something to do with his mother, Janice Kelly, recently escaped from the insane asylum.

As the rebel group known as the Lifers continue to use brute force to send a message to the government, Benson’s twin, Harrison Kelly, seeks to exploit a loophole that could be the key to freedom for his brother. All that’s required is a simple act of murder.

Meanwhile, Population Control’s attack dog, a sadistic cyborg known as The Destroyer, closes in on Benson and his family. His directive: Kill them all.

Faith, family and love will be pushed to the limits in the GRIPping sequel to Slip.

Review:

[I received a copy of this book through NetGalley.]

Keeping on catching up with my NetGalley readings. I finished the first book earlier this week, now on to book 2, which was also a good one in its own way, and not the dread ‘second book syndrome sufferer’ I usually fear in such cases.

It does pave up the way to the ‘grand finale’ of book 3, of course, among other things by introducing new developments and therefore a third way, so to speak. It’s not about the hunt for Slips only, not anymore; the Lifers are also involved, and no party is all black or all white. The action is not only about running away/reacting this time, although the book does have its share of such scenes since they’re part of its premise, however the characters also start making moves of their own, instead of only the villains setting plans in motion. And even if said moves are a little on the clunky side, the characters are clearly proactive and taking on their enemies now.

The story has its share of twists. Like in the first book, they are partly predictable (e.g. the one where only the audio part is played), yet at the same time some of them are of the gritty kind, that I wouldn’t necessarily have expected in a YA story (this is not YA for 12-year-old, for sure). And as far as I can tell, there’s one major twist that is a definitive one, there’s not going to be any ‘surprise, I’m back’ scene (I hope there won’t be because it was a sad moment, and retconning it would cheapen it).

The ads and propaganda inserts are interesting, too. At first I didn’t care much for them, but little by little they’re helping draw a more comprehensive picture of the world (the technology people have at hand, the comments—both published and deleted—on newspaper articles

The characters keep evolving, Harrison especially is going on a path I like: at first he felt to me like he was ‘just there’, some kind of afterthought patched onto Benson’s story, yet here he takes action, initiates moves that have their own ethical backlashes, gets to go through ordeals as well, discovers betrayal… At the same time, while he does resent his father and seems to unconsciously prevent himself from properly grieving, he’s also accepted his brother like, well, a brother. He’s an interesting counterpoint to Domino: both children had very similar backgrounds (a Slip sibling, one parent being constantly away to take care of the Slip), but Harrison is going a completely different path. On the other hand, I don’t care that much for the Destroyer, perhaps because at this point he’s so broken that even his fighting against his leash doesn’t look like there’ll be much development her, apart from ‘yay I get to be a psychopath 100% of the time now’.

A few new characters get introduced, like Destiny (another Slip, who goes through her own dark moments because of the mistakes she made, and has to learn to outgrow this—all the while showing her inner strength and resourcefulness in terms of survival techniques, -she- didn’t have a Michael Kelly to craft a false ID for her after all!). Or the Agriculturists, more in the background for now but with an agenda of their own.

Conclusion: A solid second book that furthers the overarching plot.

Yzabel / October 26, 2017

Review: Slip

Slip by David Estes

My rating: [rating=3]

Blurb:

Someone must die before another can be born…

As sea levels rise and livable landmasses shrink, the Reorganized United States of America has instituted population control measures to ensure there are sufficient resources and food to sustain the growing population. Birth authorization must be paid for and obtained prior to having a child. Someone must die before another can be born, keeping the country in a population neutral position at what experts consider to be the optimal population. The new laws are enforced by a ruthless government organization known as Pop Con, responsible for terminating any children resulting from unauthorized births, and any illegals who manage to survive past their second birthday, at which point they are designated a national security threat and given the name Slip.

But what if one child slipped through the cracks? What if someone knew all the loopholes and how to exploit them? Would it change anything? Would the delicate resource balance be thrown into a tailspin, threatening the lives of everyone?

And how far would the government go to find and terminate the Slip?

In a gripping story of a family torn apart by a single choice, Slip is a reminder of the sanctity of a single life and the value of the lives we so often take for granted.

Review:

[I received a copy of this book through NetGalley.]

I hadn’t read anything by David Estes in quite a while, and when I saw this series on NetGalley, I thought, well, time to address this state of affairs. I shall also confess that nowadays, I do have a bit of a love-hate relationship with YA dystopias in general, for various reasons, and I was glad that this book, while it is a bit predictable and uses expected tropes, avoids what are the usual pitfalls of the genre for me.

The main characters in general were likeable. Benson is a good mix of resourcefulness, emotions and inner strength. Luce is the obvious ‘love interest’, but without falling in his arms, and with a past that makes it possible (while awful for her) to develop this relationship more slowly and believably than what usually happens in YA novels; she’s also resourceful, daring, and doesn’t hesitate to stand by her friends (well, OK, I guess her decision to face danger with Benson who lied to her was kind of stupid, but…). Michael Kelly as well is an interesting man, torn between his job and his mission of killing unauthorised babies and children, and his desire to protect his son. I didn’t care much for Harrison, though, perhaps because of his ‘perfect athlete and student’ record, and I thought that his mid-book decision came a little out of nowhere, considering he wasn’t seen pondering much about it (and his feelings) before. And I’m on the fence about the Destroyer, in his case I believe I -would- have want to see more of him before he became a Hunter, for his evolution into a psychopath to be better pitched against him as a child (in a way, I love to hate him for his appalling personality, but he’s too one-sided as a villain).

The world in which these characters evolve was also better rounded up than usual in dystopian YA novels (where I often get the feeling of a ‘pocket world’, totally isolated from the rest of Earth, which always makes me wonder where are the other countries and why they’re not poking their noses in). The population control method in those new USA is harsh, however the situation that led to it makes sense: climatic change, rising water levels, drowned coasts, less resources left to feed all the people, and it is logical to expect that the rest of the world has met a similar fate, hence if everybody stays in their corner and develop their own policies, it’s not unbelievable. This world is all the more creepy because it’s not such an impossible future, all in all.

Minor pet peeve: I really have a hard time with the name ‘Pop Con’, that just looks so much like ‘pop corn’ to me. XD (But I do see the naming convention roots à la 1984.)

I found the beginning a little slow, possibly because it devoted quite a few chapters to a part of Benson’s life that I felt I didn’t need so many details about—the story becomes more interesting after the boy grows up and we meet his friends. After that were more action scenes, especially once ‘the chase’ gets into motion (that’s no spoiler, of course at some point people would realise who the Slip is!). There was a bit of a plot hole/flimsy explanation, though, regarding the Wire/Jumpers/Lifers connection; it would’ve demanded some more preparation to be more logical, I think.

Conclusion: 3.5, not perfect but definitely enjoyable, especially its second half.

Yzabel / October 21, 2017

Review: Artemis

Artemis by Andy Weir

My rating: [rating=4]

Blurb:

Jazz Bashara is a criminal.

Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you’re not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you’ve got debts to pay and your job as a porter barely covers the rent.

Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of her problems, as she learns that she’s stepped square into a conspiracy for control of Artemis itself—and that now, her only chance at survival lies in a gambit even riskier than the first.

Review:

[I received a copy of this book through NetGalley.]

I loved “The Martian”, so of course I was bound to request this one. To be fair, I didn’t enjoy it as much, but it was still a good, fun read in several ways.

I found the characters in general likeable enough, in definite ‘shades of grey. The ‘heroes’ of this story are seldom all white, and go about their business with good intentions and shady ways. The businessman who moved to the moon to help his ailing daughter, but is a crook on the side. The economist who almost single-handedly set a whole country as the only entry point to the Moon, and won’t shy away from closing eyes on criminal deals as long as they help keeping Artemis afloat. The city’s policeman (Artemis has something like 2,000 inhabitants, minus the tourists, so Rudy does the job) who’s keeping order by breaking a few arms at times if he deems it’ll be a better punishment than prison. And, of course, Jazz Bashara herself, porter by day, smuggler by night, of sorts, running her little operation with no one the wiser.

(Granted, not everyone is a complete a-hole here, Jazz’s father for instance is a law-abiding citizen who doesn’t want anything to do with his daughter’s shady side; on the other hand, Jazz clearly has him to thank for her own ethical side, the one that makes her never renege on a deal, and puts her in the (trustworthy criminal’ category, so to speak.)

The story itself starts in a fairly typical way for heist stories: Jazz needs money, her criminal activities aren’t bringing in as much as she needs, nor quickly enough, so when a dangerous but particularly juicy deal comes her way, she shoves her qualms in her pocket and accepts it. Only it turns out she’s bitten more than she could chew, and finds herself embroiled in an almost conspiracy, forcing her to gather all her wits, resources and allies in order to find a way out. All in all, the kind of story I like to read: maybe not the most original, but with high potential for action, fun, quirky characters, and, well, capers.

There isn’t as much technical detailing in this novel as there was in “The Martian”, so it’s definitely not hard to follow. The whole caper(s) resting on scientific knowledge and using the moon’s gravity and peculiar sides to work within the plan, that was really interesting for me. Maybe the welding-related descriptions were a little too long at times, though; at least, I didn’t care as much about those as I did about other scientific explanations.

I liked the overall diversity in Artemis. This small city has, from A to Z, a multicultural side that I think worked well, and didn’t rest on the usual ‘Western world colonises space’ (Kenya and its space company holds the entry door to the moon, Artemis’s administrator is a Kenyan woman, the policeman is Canadian, Jazz and her father are from Saudi Arabia, many of Jazz’s contacts are Vietnamese or Slavic, etc.).

I wasn’t totally on board with the way Jazz told the story, though. The wit didn’t work as well here as it did in “The Martian”, mostly, I’d say, because there’s too much of a dichotomy between Jazz’s ‘voice’ and her age: sometime in the middle of the story, we learn she’s 26, but from her tone, attitude, expressions and way of being, I would’ve thought her late teens/20, and not older. There -is- an immature side to her character, so in itself it’s not like her voice doesn’t fit at all, yet it didn’t feel ‘right’ either.

Conclusion: 3.5 stars. Disregard the author’s previous best-seller, take this story as it comes, and enjoy the heist parts, the assembling of Jazz’s motley crew, the description of Artemis, and the outings on the Moon in an EVA suit that can spring a leak just any time due to the characters attempting bold moves and daring rescues.

Yzabel / October 15, 2017

Review: A Beautiful Poison

A Beautiful Poison by Lydia Kang

My rating: [rating=2]

Blurb:

Just beyond the Gilded Age, in the mist-covered streets of New York, the deadly Spanish influenza ripples through the city. But with so many victims in her close circle, young socialite Allene questions if the flu is really to blame. All appear to have been poisoned—and every death was accompanied by a mysterious note.

Desperate for answers and dreading her own engagement to a wealthy gentleman, Allene returns to her passion for scientific discovery and recruits her long-lost friends, Jasper and Birdie, for help. The investigation brings her closer to Jasper, an apprentice medical examiner at Bellevue Hospital who still holds her heart, and offers the delicate Birdie a last-ditch chance to find a safe haven before her fragile health fails.

As more of their friends and family die, alliances shift, lives become entangled, and the three begin to suspect everyone—even each other. As they race to find the culprit, Allene, Birdie, and Jasper must once again trust each other, before one of them becomes the next victim.

Review:

[I received a copy of this book through NetGalley.]

Loved the backdrop in this book. World War I (with the reader knowing it’s nearing its end… but not the characters). The dreadful influenza reaching American shores and starting a war all of its own. Socialites in their own little world, feeling the bigger world as an intrusion that may or may touch them (whether draft or flu). Murders in those ‘higher spheres’, with the reminder that with a little money, nobody will try and look further. The early times of another type of poisoning, too, for the girls who painted clock dials with magic glowing in the dark (if you haven’t done so yet, read The Radium Girls, it’s really interesting).

I liked the beginning well enough: an engagement party, one of the guests falling to her death on the stair, and it turns out the fall isn’t what killed her—poison did. This murder, more than the party itself, reunites the three main characters, who got separated four years prior to these events, due to various reasons, but mostly selfish ones, such as falling out of favour (God forbids your daughter keeps associating with the child of people who committed suicide, right, this is so vulgar and out of taste); and considering the latter, there’s no wonder this relationship is tainted, poisoned, from the start, simmering with both happiness at having friends back yet also with resentment and bitter memories. Which in turn made Allene, Birdie and Jasper unreliable narrators to the power of ten, because in a mystery with murders aplenty, they were part of the pool of potential culprits just as much as other people at the engagement party.

There was a lot of unhealthy tension in this book, because of the characters’ past, and because of other secrets that got revealed later. Although in a way, I liked it, I wasn’t too keen on how it all unfurled; the characters weren’t very likeable, but for me that wasn’t even due to their personalities (I can enjoy a ‘non-likeable’ character), more to the fact they were somewhat inconsistent with what was told of them at first. For instance, Allene is presented as loving chemistry, but this didn’t play as much of a part as I expected (mostly she still remained the socialite totally oblivious to the people around her, unless what affected those people affected her as well). Perhaps Birdie was, all in all, the most consistent of all. I’m not sure where the line was, that line that would’ve made me like these characters more; it just didn’t click with me here.

The narrative, I think, was also poised between too little and too much. Part of me wanted more of the setting (New York, descriptions, parties, how the flu claimed people—horrifying symptoms, and so many deaths), yet at the same time, the setting plus the murders didn’t mesh fully, and the plot felt too convoluted when nearing the end. And, of course, what’s happening to Birdie—as the author mentioned at the end (and I agree), historical accuracy demanded there could be no closure on that specific point, but this means that, well, either you already know about that bit of history, or you don’t, and it makes no sense. Tricky.

Conclusion: It was an OK read for me: mildly entertaining in general, but not a gripping mystery. Here I preferred the setting to the characters.

Yzabel / October 10, 2017

Review: I Will Find You

I Will Find You: Solving Killer Cases from My Life Fighting Crime by Joe Kenda

My rating: [rating=3]

Blurb:

Detective Lt. Joe Kenda, star of the wildly successful crime documentary series Homicide Hunter: Lt. Joe Kenda, shares his deepest, darkest, and never before revealed case files from his 19 years as a homicide detective. TV viewers and readers alike are fascinated and horrified by abhorrent murders. They crave to know the gory details of these crimes, and seek comfort in the solving of the most gruesome. In I WILL FIND YOU, DETECTIVE LIEUTENANT JOE KENDA reminds us that cases like these are very real and can happen even in your backyard.

Joe Kenda investigated 387 murder cases during his 23 years with the Colorado Springs Police Department and solved almost all of them. And he is ready to detail the cases that are too gruesome to air on television, cases that still haunt him, and cases where the killer got away. These cases are horrifyingly real, but the detail is so mesmerizing you won’t be able to look away.

Review:

[I received a copy of this book through NetGalley.]

I never watched the show, so I won’t be able to compare for now (I may watch some episodes later if I can find some episodes that aren’t available for US only or through shady websites); actually, I hadn’t even known about Joe Kenda before requesting this book. The book itself, when I read its blurb, looked interesting, and I was in the mood for crime-related non fiction, so here I am now.

Interesting it was, indeed. I learnt quite a few things about police procedures, all the more because I don’t live in the USA, and basically all I know is what I’ve seen in TV series (no worries, I was kind of already suspecting that TV =/= truth ;)). Not that it surprised me, but it’s always good to see that, well, one was right in wondering ‘do these things really happen like that?’

What also really happens like that is crime itself, and sadly, what Kenda described in the book didn’t surprise me either (I don’t have a very good opinion of man as a species). Again, I can’t compare with the series, and I don’t know if what he writes about here is something watchers already know, or grittier/less gritty than what has been aired. It did seem gruesome enough to me. I’m not easily disgusted to the point of physically having to stop reading, but I can envision this being a turnoff, at least at times, as a reminder that people can do horrible things, including to their kids, innocent bystanders, for the stupidest reasons, for something as trivial as 20 quid, etc.

I wasn’t entirely convinced by the tone/style. Not sure how Joe Kenda fares in the show, but here there were some turns of phrase, some vocabulary, that I felt was… not sure how to explain it, too demeaning or for shock value? I would probably have such words about criminals myself, so it’s nothing like ‘oh noes, swearing is bad’, and more like ‘the stronger the vocabulary/opinion, the lesser the impact’? Yes, I think that’s it: the grit and dark side can very well stand on their own, and they would have more impact if presented in a more ‘neutral’ tone. It may just be me, though.

(On the other hand, of course, you can tell that the author feels very strongly about this, and it’s completely understandable!)

Apart from this, I definitely found this book interesting, both for the police work it presented, and for the other aspect of Kenda’s life (his family, how they too had to cope with his career, how the horrors he’s seen affected his whole home, etc.).

Yzabel / October 2, 2017

Review: A Man of Shadows

A Man of Shadows by Jeff Noon

My rating: [rating=2]

Blurb:

Below the neon skies of Dayzone – where the lights never go out, and night has been banished – lowly private eye John Nyquist takes on a teenage runaway case. His quest takes him from Dayzone into the permanent dark of Nocturna.

As the vicious, seemingly invisible serial killer known only as Quicksilver haunts the streets, Nyquist starts to suspect that the runaway girl holds within her the key to the city’s fate. In the end, there’s only one place left to search: the shadow-choked zone known as Dusk.

Review:

[I received a copy of this book through NetGalley.]

Possibly more ‘SFF’ than truly ‘noir’, for the gritty/detective side was second to the mysterious/dusk/visions side; but I like both genres, so that was fine with me. It took me a while to get into the story, though, and I’m not really sure whether it’s because it didn’t fully grip me, or because I was also busy at the time with other books.

The story follows John Nyquist, jaded detective with quite a few dark shades in his past, after both his parents died; hired to find the runaway daughter of powerful businessman Patrick Bale, he stumbles upon more than what he’s signed for, including the daughter’s true heritage, a drug cartel, and the mysterious killer nicknamed ‘Quicksilver’, who offs their victims in the blink of an eye. As any good noir detective, Nyquist can’t leave enough alone, and feels compelled to help the daughter, who he feels has run away for a reason that’s more than just teenage angst.

The setting is definitely interesting, and would even lend itself to more developments, I’d say, considering the two sides (Nocturna vs. Dayside), the mysterious Dusk in-between, the microcosms in each part (like the bulb monkeys in Dayside, always running from one light bulb to the other in a desperate effort to keep the light going), the time-screwing aspect (how can anyone goo on different timelines that keep changing depending on where they go and what they do?), etc.

I felt that there was a lot going on here, especially with part of the plot revolving around characters and events with a foot in all those parts (as in, things like ‘works in Dayside, lives in Nocturna, has ties with Dusk’); but while some of it was shown, I expected more in that regard—and yet, at the same time, there were moments when the world superseded the narrative, making the latter muddled. I’m not sure if the intent was to show Nyquist’s descent into his own time-related problems, or to echo the ‘time drug’ concept, but it made the plot difficult to follow even though it’s not -that- complex.

In the end I couldn’t decide if this was a novel about these different cities or about the characters—I felt that one way or the other, there wasn’t enough to really keep my interest.

Yzabel / September 22, 2017

Review: Darkover Landfall

Darkover Landfall by Marion Zimmer Bradley

My rating: [rating=1]

Blurb:

Darkover, a planet of wonder, world of mystery, has been a favourite of science fiction readers for many years. For it is a truly alien sphere – a world of strange intelligences of brooding skies beneath a ruddy sun, and of powers unknown to Earth. In this new novel, Mario Zimmer Bradley tells of the original coming of the Earthmen, of the days when Darkover knew not humanity. This is the full bodied novel of what happened when a colonial starship crashlanded on that uncharted planet to encounter for the first time in human existence the impact of the Ghost Wind, of the psychic currents that were native only to that world, and of the price that every Earthling must pay before Darkover can claim for itself.

Review:

Erf. I’ve started re-reading this series, because I remember how much I loved it when I was a teenager… but damn, I didn’t remember this one was so bad. (Or is it because I sometimes used to like shite as a teenager, and that was part of it?)

The story in itself is not uninteresting, all the more since it’s THE origins book in the Darkover series, but the relationships… especially the way women are viewed and treated… Wow. That was one special level of bad.

I can sort of accept a patriarchal society, women being treated as wombs, etc. in the more ‘medieval-like’ novels of the series, because 1) it fits a certain conception of ‘dark ages obscurantism’, as cliché as that may be, and 2) as far as I remember, in those books, it was often presented as something that isn’t so good: while it does remain infuriating, it’s part of the conflict underlying those narratives.

Here, though, in a group of engineers, colonists, space crew, scientists, where men and women have similar levels of skills, with gender equality laws on Earth? Nope. Doesn’t sit with me. Especially not as soon as pregnancies enter the picture, and give yet another reason for males (and some women!) to be patronising, chalk every reaction to ‘she’s pregnant’, veer towards gaslighting at times (because obviously, the guys in the story know better than Judy Lovat who’s the father of her child), and go spouting crap about how not wanting children is some sort of mental illness. Camilla’s arc was particularly painful, because, yes, she is being reduced to a walking womb, what’s with the doctor even threatening to sedate her during her pregnancy (actually, it does happen once), like some kind of stupid, ignorant being who needs to be locked for her own good. Empowering much, right?

So basically, you get accidentally pregnant (not through any fault of hers—ghost wind was to blame, same for her partner), while you thought your contraceptive was doing its job, you don’t want to have a child, but you’re denied an abortion. OK. Not cool. In the context of colonists stranded on a hostile planet, that poses an interesting conundrum (= it’s obvious that either they need to spawn as much as possible, or they’ll die in one or two generations). However, was it really necessary to lay it in such rude and demeaning ways? The Battlestar Galactica reboot has a similar subplot, but the episode about it was at least treated with much more gravitas and moral ambiguity.

It is also important to note that, no, Camilla didn’t sign up for this, so treating her as a spoiled kid throwing a tantrum was inappropriate. Putting it back into context: she’s an engineer and programmer, she signed up to be part of the ship’s crew during the trip, not to be a colonist meant to help populate a new planet. And even in the event of staying on that colony, it would’ve been in a society where she would’ve had a few years to make the decision.

I have no idea if anyone considers this book as a ‘feminist’ work, but if you do, please stop. This is not feminist, it’s patriarchy at its worst: insidious.

[To be fair, I didn’t remember this book as being the best in the series either, nor my favourite at all, so I’m still going to try rereading 2-3 others.]