Yzabel, Author at The Y Logs

Yzabel / April 19, 2016

Review: Monstrous Little Voices

Monstrous Little Voices: New Tales From Shakespeare’s Fantasy World by Jonathan Barnes

My rating: [rating=3]

Blurb:

Mischief, Magic, Love and War.

It is the Year of Our Lord 1601. The Tuscan War rages across the world, and every lord from Navarre to Illyria is embroiled in the fray. Cannon roar, pikemen clash, and witches stalk the night; even the fairy courts stand on the verge of chaos.

Five stories come together at the end of the war: that of bold Miranda and sly Puck; of wise Pomona and her prisoner Vertumnus; of gentle Lucia and the shade of Prospero; of noble Don Pedro and powerful Helena; and of Anne, a glovemaker’s wife. On these lovers and heroes the world itself may depend.

These are the stories Shakespeare never told. Five of the most exciting names in genre fiction today – Jonathan Barnes, Adrian Tchaikovsky, Emma Newman, Foz Meadows and Kate Heartfield – delve into the world the poet created to weave together a story of courage, transformation and magic.

Including an afterword by Dr. John Lavagnino, The London Shakespeare Centre, King’s College London.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

A tale told through five different shorter stories, and by the hand of five different authors. “Monstrous Little Voices” picks some of Shakespeare’s plays (“The Tempest”, “Macbeth”, “Twelfth Night”…) and extrapolates on their themes and characters. Gender identity, the roles a gender may impose on a person, one’s decision to shake off those shackles and keep living without a care for the shape they’re in, the bravery of women acting “like men” (to the dismay of said men, poor creatures!)… More than once are those explored, while all the stories gather around a plot of impending war and intrigue, under the watchful eyes of fairies with their own agendas, and deities with shady plans as well.

There are a lot of cameos and cross-references here, and not knowing the works from which they sprang would lead to missing on quite a few good parts, so be prepared to brush up your Shakespeare before diving into this collection, and to know who we’re talking about when mentioning Miranda, Puck, Paroles or Helen—not to mention those characters who allude at yet other sources… much like Shakespeare himself found inspiration in various sources as well. And so, many, many times, the five tales entertwining here do so with their faire amount of echoes.

The first, second and third were clearly my favourites, both for their plots and for their themes. “Coral Bones” is the story of Miranda’s journey, after she left her island and realised that life among men, abiding by laws written for Man by men, was nothing to write home about. I particularly liked her take on gender, on wanting to be “human” and “oneself” above anything else, of not agreeing with those for whom gender should define one’s behaviour and ways of thinking. And this story definitely shows her as more resourceful and cunning than one would think. “The Course of True Love” was ripe with magic, metamorphoses, questioning about one’s true nature—and seeing older people at the heart of romance was extremely refreshing, showing that love can be born anywhere, anytime. As for “The Unkindest Cut”, I liked its self-fulfilling prophetic contents, and how it played on twisting words and visions; its end is bittersweet, full of dark promises… but here, too, showing another female character who’s determined to take her life between her hands (in an interesting twist, considering how blank she was at first, when all she wanted was to marry The Man).

On the other hand, I admit I didn’t care much for stories #4 and #5. “Even in the Cannon’s Mouth” felt too disjointed, a feeling made stronger as the story sometimes shifted to present tense. Finally, “On the Twelfth Night” tied the other stories in a way that somewhat made sense… but I have such a hard time with second person POV that trudging through those last pages wasn’t too pleasant (it’s even more jarring when the “you” is actually named, and isn’t “you the reader”—this just doesn’t make sense).

Conclusion: the first three stories were the root of most of my enjoyment here; I wished it had been the same with the others. 3,5 stars.

Yzabel / April 17, 2016

Review: Paper Girls vol. 1

Paper Girls Vol. 1 by Brian K. Vaughan

My rating: [rating=2]

Blurb:

In the early hours after Halloween of 1988, four 2-yearold newspaper delivery girls uncover the most important story of all time. Suburban drama and otherworldly mysteries collide in this smashhit series about nostalgia, first jobs, and the last days of childhood. Collects PAPER GIRLS #1-5.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

Intriguing premise, but lacking in execution, as events piled upon each other at a rhythm that obfuscated them a little too much.

It all starts with four 12-year old girls delivering newspapers in the early hours of the morning, in 1988 Cleveland, and quickly moves from mundane occurrings (bullying from shady teenagers) to weird ones. While running after a group of three shrouded figures who’ve slighted them, the girls discover some strange machine in a basement; a bright flash of white light later, everybody’s gone from town, and armoured-clad soldiers on dinosaurs stalk the streets to off every “straggler” they find. And this is only the beginning of Weird…

I liked the basic idea: people disappearing, those four kids armed only with their bikes and walkie-talkies (no internet or cell phones in 1988!), taken in the cross-fire between the armoured people and the shrouded ones, trying to make sense of it all while surviving… Not to mention a certain nostalgia permeating the whole story—enought to be felt, but not too much, not the point of too much name dropping or constantly referring to 80s items (the graphic format allows to put them here without having to underline their presence like a novel may have to).

On the other hand, so many events end up piled upon each other—so many weird things, without any actual revelation— that, just like the girls stumbling from situation to situation without a clue about what to do next, the reader too can feel confused. It’s not about getting all the information immediately, because that’d be no fun; still, there’s a very fine line between “mystery” and “a ton of mystery”, and the latter here is made up of one too many of those strange occurrings. Is it horror? Sci-fi? Is it about aliens or time travel? I had the feeling that the authors wanted to add as many elements as possible to deepen the mystery, without seeing where the line was; as a result, it’s a bit overkill for a first volume.

It would also have been nice to know more about the characters, since this would make it easier to relate to what’s happening to them (Mac’s family, Erin’s nightmares…). I didn’t feel like I had enough of a grasp on these girls to properly care about how they’d cope with events here.

The art and colours are good; my copy had compressed graphics, which dampened a bit my enthusiasm, but as I got a PDF for review, obviously this isn’t in the printed version. Ad it has some fairly decent dialogue linesm too.

Just for the artwork, this is worth keeping an eye on. Nevertheless, the story itself doesn’t sem to be going anywhere, being more a collage of “this weird thing happens, then this other weird thing, then yet another weird thing.”

Yzabel / April 13, 2016

Review: The Star-Touched Queen

The Star-Touched Queen by Roshani Chokshi

My rating: [rating=3]

Blurb:

Cursed with a horoscope that promises a marriage of Death and Destruction, sixteen-year-old Maya has only earned the scorn and fear of her father’s kingdom. Content to follow more scholarly pursuits, her world is upheaved when her father, the Raja, arranges a wedding of political convenience to quell outside rebellions. But when her wedding takes a fatal turn, Maya becomes the queen of Akaran and wife of Amar. Yet neither roles are what she expected. As Akaran’s queen, she finds her voice and power. As Amar’s wife, she finds friendship and warmth.

But Akaran has its own secrets – thousands of locked doors, gardens of glass, and a tree that bears memories instead of fruit. Beneath Akaran’s magic, Maya begins to suspect her life is in danger. When she ignores Amar’s plea for patience, her discoveries put more than new love at risk – it threatens the balance of all realms, human and Otherworldly.

Now, Maya must confront a secret that spans reincarnated lives and fight her way through the dangerous underbelly of the Otherworld if she wants to protect the people she loves.

Review:

[I received an ARC of this novel through NetGalley, in exchange for an honest review.]

A story reminiscent of several “seeking one’s beloved in another world” tales and myths, with an Indian twist and the including of reincarnation. This led to an interesting shift in balance, as both main characters sought each other, first Amar seeking, then Maya searching for Amar.

Amar is, obviously, the Mysterious Stranger of the tale: tall, dark and handsome, with love in his eyes and words but secrets that he cannot reveal before a certain event is past. In a way, his choosing Maya was akin to insta-love, which I usually don’t like; here, it fit within the reincarnation theme permeating the novel, so at least there was *that* explanation. Not the best or the most original, but eh, it worked, and it was logical in that specific setting. Also, it helps that he was a pretty decent person overall: with a dash of “unnerving mysterious love interest”, yet never falling into the dominant-jerk template so many male love interests in YA seem to be created with. Although the mystery about who he truly was may have made him look at times a bit too “controlling” (in keeping information to himself) in spite of his claims of wanting Maya to rule as his equal. There are explanations to this secrecy later, tied into the supernatural/mythological background.

Maya was a good character to follow, in that she’s born under a bad horoscope, has been shunned in many ways from birth in spite of being a princess, yet isn’t complaining all the time. She may be petty with her tutors so that she can spy on her father (and learn the ropes of true leadership), resent the harem wives, but she didn’t strike me as someone with a terribly negative, depressed view of life. She tried to remain stoic when faced with a dire choice with dire consequences, but kept looking for chances to grab a “third choice” (escape) when she could.

I admit I didn’t like her too much when she made *the* choice mid-novel, though. I felt it wasn’t exactly justified, prompted only by a few lies and one bit of conversation. It would’ve made more sense if Maya had been confronted to similar occurrences more than just a couple of times.

The prose was mostly flowing, with really vivid descriptions at times, conveying beautiful images of enchanted, preternatural lands where legendary beings dwellt as if this was the most normal thing in the world. And I think this was a strong point: the book didn’t explain much about those beings, didn’t justify their existence… but it was totally OK, because it managed to show them as part of the natural order, as unquestionable. It made sense, completely, and no explanation was actually needed.

On the other hand, in a “it’s not you, book, it’s me” fashion, I sometimes found it difficult to remain invested in the story. Perhaps it was the rhythm, or the descriptions? (I can appreciate beautiful descriptions, yet still want more action/dialogues; it’s a bit paradoxical, I know.) I don’t think it’s any fault of the novel itself, just a bad reading timing on my part.

I would also have liked seeing more of Nritti’s reasons for acting the way she did. I understand what prompted her to choose that path, however there was a bit of a discrepancy between her first appearance and the others, as well as some shadows on how exactly she followed “that path”.

A solid 3.5 stars (3 on Goodreads, 4 on other platforms, depending on the rating system)—and someone who likes descriptions more than I do may in fact rate it higher.

Yzabel / April 10, 2016

Review: A Long, Cold Winter

A Long, Cold Winter by Lindsay Smith

My rating: [rating=4]

Blurb:

Welcome to Prague, 1970: ground zero in a Cold War of spies and sorcerers.

The streets are a deadly chessboard on which the CIA and KGB make their moves, little dreaming that a deeper game is being played between the Consortium of Ice and the Acolytes of Flame, ancient organizations that seek to harness elemental magic. When Andula, a young Czech student, is stalked by an inhuman hunter, KGB agent and Ice operative Tanya Morozova must risk all to protect her, while CIA agent Gabe Pritchard learns that some horrors, once seen, can never be forgotten.

Review:

[I received a copy of this novel through NetGalley, in exchange for an honest review.]

Not exactly a novel, as it’s the first episode of a serials, containing chapters 1 to 3. Which makes it a bit frustrating, as in, obviously, at some point one wants to know how it goes next. Fortunately, a lot of episodes are already out at serialbox.com

It introduces the major, or at least some of the major players (there may always be new ones in later chapters, after all) of a Cold War fought behind the Iron Curtain, but also behind other front lines, ones that not necessarily follow the former… Which makes, and is hopefully going to make, interesting conundrums as far as the characters are concerned: two people may be on the USSR side as far as their mundane lives go, but one is fighting for the Ice while the other is fighting for the Fire when it comes to magic. This cannot go well, can it?

On the side of Ice, and incidentally of the KGB, Tanya and Nadia are seeking a Prague student whose affinity for magic makes her a target for the Fire. Meanwhile, Gabe, a CIA agent, is trying to do his job while struggling with a little magical problem of his own, that may or may not demand he joins Ice in the end (it’d be that or dying, I suppose). The Fire players are honing their weapons, and independent players are also introduced—not everyone wants to join one side, but can they really remain independent, or will they be terminated at some point?

This first installment was sometimes a bit rough on the edges (some parts veered on mixing points of view—though the Kindle formatting didn’t help in that regard, and it was a bit less problematic in the PDF I got). However, as far as introducing characters and setting, this was definitely intriguing, and I’m of a mind to get all the episodes once they’re out. Hopefully in a couple of weeks?

Yzabel / April 8, 2016

Review: An Unattractive Vampire

An Unattractive Vampire by Jim McDoniel

My rating: [rating=3]

Blurb:

Jim McDoniel’s debut novel, An Unattractive Vampire, is a darkly comic urban fantasy of ancient horrors in suburban cities. After three centuries trapped underground, thousand-year-old Yulric Bile—also known as the Curséd One, the Devil’s Apprentice, He Who Worships the Slumbering Horrors—awakens only to find that no one believes he is a vampire. Apparently he’s just too ugly—modern vampires, he soon discovers, are pretty, weak, and, most disturbing of all, good. Determined to reestablish his bloodstained reign, Yulric sets out to correct this disgusting turn of events or, at the very least, murder the person responsible. With the help of pert vampire-wannabe Amanda; Simon, the eight-year-old reincarnation of his greatest foe; and a cadre of ancient and ugly horrors, Yulric prepares to battle the glamorous undead. But who will win the right to determine, once and for all, what it truly means to be a vampire?

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

A fun read, even though in the end I didn’t find it the laugh-fest I had expected.

This is for all of us who like their vampire stories, but don’t necessarily want to read about a sanitised, mainstream, “fangless” version of vampires, with glitter and beauty, but little punch otherwise. Yulric Bile is an old school vampire: ugly, fearing crosses and running water, with nothing in the way of glamour, yet also adept at dark magic and much more resilient than the “modern vampyrs” with their glitz and life of night-clubs. Of course, both the former and the latter at cliché. Of course, the story pokes fun at Twilight-like vampires… although, all things considered, I think it pokes even *more* fun at wannabe-Camarilla vampires. (Any “Vampire: the Masquerade” player will see where I’m going with this. All the more if they’ve played the first edition. Ah, those good old days when we thought emo!vampire was all the rage…)

There are ridiculous and sympathetic characters on both sides. Amanda, the sexy blonde who’d like nothing better than to be turned a vampire, but maybe not for such obvious reasons. The cast from the “Phantom” TV series, clearly a mirror of contemporary paranormal and urban fantasy stories, complete with forums and fangirls, convoluted romance and Face-Hell (and Heel-Face) turns. Simon, Amanda’s little brother, too serious for a kid—also to enamored with weapons. Yulric, dangerous and ruthless yet also mesmerised by modern inventions like TV (and let’s not talk about his first meeting a car).

Mostly this book was a light read perfect for moments when you do need something fun, something that shall make you smile. It has its own brand of a sense of humour, including Yulric’s, who’s not so unsympathetic.

On the other hand, some things were a bit too… all over the place? Not in the right places? Vermillion’s involvment, for instance: I see where this is going, but it was strange to see so much of him, considering how he was involved. Or Simon: both cute and creepy in his own way, yet no real use was made of the whole “the eight-year-old reincarnation of his greatest foe“ hint from the blurb (it wasn’t mentioned until late, it didn’t bear much weight on his relationship with Yulric…). Or Catherine: good for her, but how did she go from 4-year coma-patient to sauntering about in a matter of a few days?

The writing was also jumpy in quite a few places, mixing points of views in a way that wasn’t really omniscient POV, and so felt weird to read. The footnotes were funny in general; some could’ve been omitted, though, as those didn’t bring anything to the fun factor.

So, funny in general, although in the end it didn’t amuse me as much as I hoped it would have when I read the blurb. Still, this is the kind of book I’d recommend borrowing, at least.

Yzabel / April 6, 2016

Review: Broken Dolls

Broken Dolls by Tyrolin Puxty

My rating: [rating=2]

Blurb:

Ella doesn’t remember what it’s like to be human – after all, she’s lived as a doll for thirty years. She forgets what it’s like to taste, to breathe…to love.

She helps the professor create other dolls, but they don’t seem to hang around for long. His most recent creation is Lisa, a sly goth. Ella doesn’t like Lisa. How could she, when Lisa keeps trying to destroy her?

Ella likes the professor’s granddaughter though, even if she is dying. Gabby is like Ella’s personal bodyguard. It’s too bad the professor wants to turn Gabby into a doll too, depriving her of an education…depriving her of life.

With time running out and mad dolls on the rampage, Ella questions her very existence as she unearths the secrets buried in her past; secrets that will decide whether Gabby will befall the same fate…

Review:

[I received a copy of this book from the publisher, in exchange for an honest review.]

Mixed feelings regarding this novel: while I found the premise intriguing and a bit creepy (dolls who used to be human beings, possibly with a psychotic streak, I mean, come on, think “Chucky”), the explanation behind it all didn’t convince me.

From the beginning, Ella’s life is clearly on the twisted side, with a sort of Pygmalion-and-Galathea streak: she’s living in the attic of a mysterious Professor, who turned her into a doll and seems to love her, but also to keep her locked inside. She cannot go out, she cannot talk to other dolls or people, and all she has—even though she seems content with it at first—is dancing, her bedroom in a chest, and a recorder that she uses to narrate adventures. So when the Professor brings in another doll, Lisa, of course our little heroine is happy… except Lisa quickly starts asking too many questions and behaving strangely, because *she* remembers what it is to be human, and being a doll doesn’t sit with her. At all. No wonder she’s going a bit cray cray here, I think anyone would.

And as Lisa’s “madness” grows, Ella starts questioning more and more things, too, especially when Gabby, the Professor’s granddaughter, comes to spend a few days in the house: Gabby is dying from an incurable illness… and wouldn’t she make a pretty doll, too?

Well, as I said, I liked the story in the beginning; however, when the science part actually was revealed, it just didn’t work. The Professor’s goals were idealistic and positive, yet kind of naïve and unbelievable—I don’t think the achievements he was striving for could be attained just like that. (Although it would be nice if they could.) This was too wishy-washy to my liking. Suspension of disbelief kind of fell and crashed to the floor.

There were a few plot holes, too, that I was hoping would be covered, and… weren’t. What about the epidemics, for instance? A 95% mortality rate, and specifically targetted at O blood type people: that’s quite a lot of potential victims (about 35-40% of the US population is in this group?). It was on the news on TV in the novel, sure, but like an after thought, and it was difficult to believe that people weren’t more in a panic about it.

Also, the whole “she’s a goth so it explains why she’s psychotic (and why she used to cut herself)” was a) uncalled for, b) a stupid cliché. It may have been intended as a joke, but it didn’t feel like it. (Yes, I am totally biased in that regard. There’s so much more to the goth subculture than those images that, in fact, are exactly the ones that hurt, and make people bully those who embrace said subculture. Do not start me on that.)

Conclusion: good ideas in this story, and even though I found it more “OK” than “I really like it”, I may check out other works by this author later. Too bad the second half didn’t follow so much with the whole “creepy dolls” vibe from the first half, as I would’ve liked that more…

Yzabel / April 4, 2016

Review: You Were Here

You Were Here by Cori McCarthy

My rating: [rating=2]

Blurb:

Jaycee is about to accomplish what her older brother Jake couldn’t: live past graduation.

Jaycee is dealing with her brother’s death the only way she can – by re-creating Jake’s daredevil stunts. The ones that got him killed. She’s not crazy, okay? She just doesn’t have a whole lot of respect for staying alive.

Jaycee doesn’t expect to have help on her insane quest to remember Jake. But she’s joined by a group of unlikely friends – all with their own reasons for completing the dares and their own brand of dysfunction: the uptight, ex-best friend, the heartbroken poet, the slacker with Peter Pan syndrome, and… Mik. He doesn’t talk, but somehow still challenges Jayce to do the unthinkable-reveal the parts of herself that she buried with her brother.

Review:

[I received a copy of this book from NetGalley, in exchange for an honest review.]

An OK read, but one that ultimately didn’t leave much of an impression on me.

It seemd interesting at first—although, as usual in such cases, I don’t really see the point of having a first person narrative for one character, and a third person one for the others. Including comics pages for one of the characters was a nice idea, as it enhanced how the guy very seldom talks, and the “silence” of the panels, combined with the black and white pictures, felt appropriate enough. I was less convinced by Bishop’s chapters: I liked seeing him through his art only… but it was way too centered on his ex-girlfriend, and since I didn’t care much about her, it didn’t do much for me.

Unfortunately, while the premise is what drove me to request this book, I soon came to realise that didn’t care a lot about any of the characters. Jayce was grieving in an intense way, keeping people at a distance by hiding behind “truth”. Natalie was bit of a pushover, with a controlling family that made her trying to control everything in turn, and secretly wanting to be someone else, to the point of “running away” by going to college—and failing to change because she planned her new life up to the clothes she’d wear, and on which days she’d wear them. Mik: OK at first, however once his selective muteness was explained, it felt that he got over it too easily. Zach: got better towards the end (his circumstances are actually rather sad), but very annoying in a “silly jock with a bottle problem” in the beginning. Bishop: too much moping about Marrakesh.

And I guess that’s what didn’t work in my opinion: too much drama and angst, too much of an emo streak, at the expense of real character development. Also, I guess I was hoping for more urban exploring, more strange places where Jaycee would’ve been trying to feel the fading presence of her brother (the asylum was definitely creepy, for starters).

It wasn’t totally bad… It just didn’t strike me in any way, except for a few moments when a character or other finally developed somewhat, and some more eye-rolling when it became too drama-laden.

Yzabel / April 1, 2016

Review: Please Don’t Tell My Parents I’ve Got Henchmen

Please Don’t Tell My Parents I’ve Got Henchmen by Richard Roberts

My rating: [rating=2]

Blurb:

What would middle school be like if half your classmates had super powers? It’s time for Penny Akk to find out. Her latest (failed) attempt to become a superhero has inspired the rest of the kids in her school to reveal their own powers.

Now, all of her relationships are changing. She has a not-at-all-secret admirer, who wants to be Penny’s partner almost as much as she wants to be Penny’s rival. The meanest girl in school has gained super powers and lost her mind. Can Penny help her find a better one? Can she help an aging supervillain connect with his daughter, and mend the broken hearts of two of the most powerful people in the world? And in all this, where will she find time for her own supervillainous fun, or even more dangerous, to start dating?

It’s going to be a long, strange semester.

Review:

[I received a copy of this book from the publisher, in exchange for an honest review.]

I have been following this series from its first volume, which I really liked, so I’ll admit to being slightly biased. I like the main characters, the world of superheroes and villains developed here—everybody knows they exist, with more or less admiration and acceptance of what they do, and with a subverted Masquerade trope (supers don’t hide per se, but there’s an unspoken rule about “not getting personal”, that is, not revealing people’s day-to-day identities).

And I’m feeling torn, because I liked this third volume, yet also found it kind of weak in terms of plot. Perhaps because it’s more focused on a part of Penny et al.’s life we hadn’t really seen yet, that is, growing up, and finding out that dividing one’s life between villainous activities, trying to become a hero, and just good old norma activities, is time-consuming and difficult.

In that regard, it was interesting. Other kids are making their coming out, refusing to hide their powers any longer, and a wind of acceptance is blowing over the school. The club activities, the new lair, those were both fun to read about, and also leading to more thoughtful considerations.

I quite liked Marcia’s development, although I wish we had been given some more information about how exactly she turned out like that (“she has the scrolls” is a bit of a shortcut: how did she survive them?). Her powers are of a kind that I find fascinating, that is, would you stay sane if nothing could hurt you, or not for long? Or would you start experimenting, looking for the one thing that may do you harm? It made me think of Claire’s experiments at the beginning of the “Heroes” series, only in a more.. unhealthy way. But then, I much prefer this Marcia to theuppity girl from book 1.

Quite a few things that left me frustrated, though:

– This is really more a “slice of life” book, without any real plot apart from the loose “teenagers gathering and developing their powers”. As mentioned above, it allowed to delve deeper into our three wannabe-heroes (or wannabe-villains?) problems and potential choices for the future, and to reveal more about existing characters, like Bull and his family. On the other hand, there was no real main plot here, ideas would spring up and unfurl into short events that would then die down, and good plot devices were lost in the middle. What about the robot? (Having her around more would’ve been fun… and I think we could do with a new Vera by now.) What exactly happened to Barbara to make her another kind of unpredictable, but perhaps still as dangerous as her sister? Also, we’re having many secondary characters introduced (the club) and this is screen time may have been better used on the Inscrutable Machine (who didn’t do enough villainy to my liking—I want to see them dostuff back together more often!).

– Still no real insight as to Ray’s family, which makes his position hard to relate to: it seems his parents would hate him if they were to learn he’s a super, and so he both wants to stay and to leave… but that’s only what we’re told. We never get to see his family. We don’t know what they’re like. Regular people, from what I rememberfrom book 1… or not so much? Are they heroes or villains in disguise? Or maybe people who got badly hurt in the past by some hero or villain, and now they despise everything “super”? I really, really want to know, and I really hope there’s more to Ray’s folks than the little we’vebeen told so far. It can’t be so simple. And if it has to be “that bad”, then I want to see it, too.

– Are the Akks so blind as to their daughter’s activities? Or are they pretending not to know? Deluding themselves? By now, this is more than troublesome. Maybe Penny’s father might get away with this (scientist more focused on his own inventions, and all that), but it’s difficult to keep seeing the Audit as this calculating, probabilities- and statistics-wielding ex-hero, as this sort of human computer, when she’s so oblivious to what’s so obvious. The “bumbling blind adult” trope isn’t working.

Honestly, I don’t like giving less than 3 stars to this book. But…

Nevertheless, this novel raises some interesting questions and potential future arcs at the end, and I’d still want to see those in a next installment, if it meant more antics from the trio. Among other things: what is the Inscrutable Machine to do, to choose, considering that they seem to be really talented at villainous stuff (with the good deeds backfiring), yet still find themselves instinctively helping people as well as causing mayhem? And what is Spider up to?

Yzabel / March 29, 2016

Review: Hides the Dark Tower

Hides the Dark Tower by Kelly A. Harmon

My rating: [rating=3]

Blurb:

Mysterious and looming, towers and tower-like structures pierce the skies and shadow the lands. Hides the Dark Tower includes over two dozen tales of adventure, danger, magic, and trickery from an international roster of authors. Readers of science fiction, fantasy, horror, grimdark, campfire tales, and more will find a story to haunt their dreams. So step out of the light, and into the world of Hides the Dark Tower—if you dare.

Review:

[I received a copy of this book through Netgalley, in exchange for an honest review.]

This collection of short stories revolve around the theme of “towers”, and more specifically towers of the dark kind: towers of sorcery, alien towers in strange world, sinister lighthouses, towers of the Underworld… There are very few “nice” dwellings here, and a lot of the stories do not carry much hope, or are tinged with a bittersweet side.

I found this a quick and pleasant read in general. While I admit not caring much for the first story (a poem), there was nothing really catastrophic in there. On the other hand, no story felt really above the others as far as I’m concerned. Mostly it’s a matter of a good deal of stories feeling somewhat “unfinished”: too short for me to properly get to care about the characters (“Beneath the Bell Bay Light”, “Core Craving”), with endings that were often too open, as if something was missing (“Giving a Hand”, “Smoke and Sprites”), even though at first they did seem complete. That’s something I’ve struggled with myself, and something I find regularly in other anthologies, and I won’t fault this one specifically. So, all in all, it’s a solid 3 stars, though not more.

The stories I liked best:

“Squire Magic”: Bittersweet indeed, but a nice lesson about magic, and how the most powerful spells aren’t always able to best a cunning mind who knows what to do with “simple” spells.

“The Tower”: a quaint and quiet little town, a man staying close to its roots, and the evil looming abover everyone, in the shape of an old water tower. It had a bit of a Stephen King feeling.

“They Warp the Fabric of the Sky”: Beware what you’re looking for… and do not disregard the power of a smile.

“Kiss of Death”: Somewhat comical and light, yet also a beautiful love story. (And it has a Lich and a Necromancer! Bonus points!)

“Annie the Escaper”: actually, not really a favourite; however, I liked the idea of a species realising in the end it couldn’t live without the other, although not for the most obvious reason.

Special mention for “The Blind Queen’s Daughter” because Arthurian & Lovecraftian mythos together.

Yzabel / March 27, 2016

Review: Steal the Sky

Steal the Sky by Megan E. O’Keefe

My rating: [rating=2]

Blurb:

Detan Honding, a wanted conman of noble birth and ignoble tongue, has found himself in the oasis city of Aransa. He and his trusted companion Tibs may have pulled off one too many cons against the city’s elite and need to make a quick escape. They set their sights on their biggest heist yet – the gorgeous airship of the exiled commodore Thratia.

But in the middle of his scheme, a face changer known as a doppel starts murdering key members of Aransa’s government. The sudden paranoia makes Detan’s plans of stealing Thratia’s ship that much harder. And with this sudden power vacuum, Thratia can solidify her power and wreak havoc against the Empire. But the doppel isn’t working for Thratia and has her own intentions. Did Detan accidentally walk into a revolution and a crusade? He has to be careful – there’s a reason most people think he’s dead. And if his dangerous secret gets revealed, he has a lot more to worry about than a stolen airship.

Review:

[I received a copy of this book through Netgalley, in exchange for an honest review.]

An interesting world with a lot of background remaining to be discovered, and characters that all hide more depth than one would think at first. However, I found the story itself somewhat confusing.

It starts with an offer that our main thief/conman character, Detan Honding, is in no position to refuse, coming from the very captain of the Watch. A strange request: steal the newfangled airship of ex-Commodore Thratia, an exile from the the Valathean empire, infamous for her ruthless methods. Soon enough, though, Detan and Tibal, his friend and associate, realise they may be out of their depth here, and that the players involved aren’t so easy to thwart.

A lot of things revolve around selium, a strange gas found on the Scorched Continent, that can only be manipulated by sel-sensitive people. Privileged in a way, but slaves in many others: they have no other choice than to work in the selium mines (regular people won’t be their friends if their shirk their “duty”…), those who lose their skill are forced into retirement, and those with “deviant” talents are sooner or later captured and experimented upon by the Valathean “whitecoats”. Not such very enthralling prospects. As for criminals in Aransa, the mining city where the story is set, they can choose to die by the axe, or to “walk the Black”, aka letting the scorching sun of the obsidian desert kill them in a matter of minutes (if they’re lucky).

There’s a lot seemingly going on behind the scenes. Valathea, for instance, with its blend of refinement and cruelty (I couldn’t help but envision a mix between Roman and Chinese civilisations, in terms of conquest and clothing, with airships and an elite corps of scientists bent on dissecting people with sel-related abilities). The Scorched had a “Far West/unconquered land” vibe in some ways—perhaps because of the whole desert thing and of how it tried to remain out of Valathea’s influence, but could feel it pressing down closer and closer. Additionally, many characters appear simple at first (Detan is a conman, Ripka the loyal Watch captain, Thratia a ruthless manipulator who won’t hesitate to kill people, the doppel a mysterious killer with a single goal…) yet soon show signs of being more than meet the eye, with agendas and knowledge of their own,

However, while the world felt rich, and provides enough ground to cover more than one book in that regard, the plot was a bit all over the place, as if it couldn’t decide what to focus on. The expected heist (stealing an airship) wasn’t so exciting nor given that much attention, with our conmen being more outclassed than actually able to properly work on it, and with the story veering into murder investigation, and revenge, and intrigue, and a few more things. This felt more confusing than anything else. I guess this is partly a case of “it’s not the book, it’s me”: I like heist stories, but I like them with my burglars/conmen being able to have a marginal success at least. Here, both Detan and Tibs went from failure to failure, with Detan losing his “rogue” charm, and after a while I didn’t really care anymore.

2.5 stars. The setting remains interesting, so I may check the next book if NetGalley or the library has it, because the group at the end has potential for good adventures, complete with an already existing dangerous enemy, and with another potential antagonist looming in the background. We’ll see.