August 2012 - The Y Logs

Yzabel / August 28, 2012

Review: The Annihilation Of Foreverland

The Annihilation of Foreverland by Tony Bertauski

My rating: [rating=4]

Summary:

When kids awake on an island, they’re told there was an accident. Before they can go home, they will visit Foreverland, an alternate reality that will heal their minds. Reed dreams of a girl that tells him to resist Foreverland. He doesn’t remember her name, but knows he once loved her. He’ll have to endure great suffering and trust his dream. And trust he’s not insane. Danny Boy, the new arrival, meets Reed’s dream girl inside Foreverland. She’s stuck in the fantasy land that no kid can resist. Where every heart’s desire is satisfied. Why should anyone care how Foreverland works? Together, they discover what it’s really doing to them.

Review:

(This review was done for {Read It & Reap 57} in the Shut Up And Read group. It dates back to May, but I felt I should have posted it here way sooner, so here goes.)

The new cover is really much better! ~~Although I really wasn’t thrilled by the cover~~, the book’s summary got my attention, and I don’t regret picking it. It turned to be a pretty good surprise.

I got pulled in the story fairly quickly and easily. No dilly-dallying, no slow build-up, but the mystery from the start: where are those boys, what’s happened to them, and what lies behind this weird island they’re living on. I like when something’s smelling fishy from the start, and here I wasn’t disappointed. The world built up by the author was believable, felt real enough, and its secrets were revealed with just the right amount of pacing in my opinion. As for the main characters (three for me, Reed and Danny Boy, of course, but also Zin), I really liked following their progress. They proved likeable, and resourceful in the case of Danny and Zin. And while Reed wasn’t given that much screen time comparatively, I could feel his presence pervading the narrative all the time, his fate an impending Damocles sword. In fact, I felt that this novel offered more than just your standard YA plot, raising questions and darker themes that may appeal to an older audience too. Finally, a word about the few news clippings inserted at the beginning of each part: I think they are a nice add-on, distillating some information that made me wonder what character they were about. It wasn’t too hard to find out, of course, yet it was enjoyable nevertheless.

There are a few things I couldn’t wrap my mind around, though, and it’s too bad, because there weren’t that many, but they made me wince regularly enough (hence the 4-stars rating, but really, I’d have probably made it a 4.5 if GR had allowed it). A few uses of capital letters that I found jarring—I get it that they were here to illustrate a point, but no need to shout it in my face. Sometimes too the style was a little too abrupt, and the point of view tended to change abruptly too, which made things a little confusing in a few places. Mostly, though, what irked me was the use of the word ‘son’ by approximately everyone. I’d expect it from the Investors addressing the boys, but not from one boy to the other; it felt really weird every time it happened, and it happened often.

Other than that, it was a compelling story, and I heartily recommend it.

Yzabel / August 24, 2012

Review: Taste

Taste by Kate Evangelista

My rating: [rating=3]

Summary:

At Barinkoff Academy, there’s only one rule: no students on campus after curfew. Phoenix McKay soon finds out why when she is left behind at sunset. A group calling themselves night students threaten to taste her flesh until she is saved by a mysterious, alluring boy. With his pale skin, dark eyes, and mesmerizing voice, Demitri is both irresistible and impenetrable. He warns her to stay away from his dangerous world of flesh eaters. Unfortunately, the gorgeous and playful Luka has other plans. When Phoenix is caught between her physical and her emotional attraction, she becomes the keeper of a deadly secret that will rock the foundations of an ancient civilization living beneath Barinkoff Academy. Phoenix doesn’t realize until it is too late that the closer she gets to both Demitri and Luka the more she is plunging them all into a centuries old feud.

Review:

(Book provided by the author through ARR #32 in the We ♥ YA Books! group, in exchange for an honest review.)

Alright, first, I appreciated that there weren’t any vampires in this book. This might not ring a bell to every reader, far from it, but the “prestigious academy with day students and night students” is something I had already read about in a manga (Vampire Knight); it would’ve been too bad if “Taste” had been about ‘mere’ vampires in that regard, and I much preferred the flesh-eating approach than the bloodsucking one. One good point for Kate Evangelista here.

This book was a nice read, compelling and well-paced enough for me to read it in a breeze. I especially liked its take on ‘zombies’: not undead, brain-eating monsters, but a civilisation of flesh-consuming human-looking beings, with thoughts and feelings of their own, but who had to turn away from their natural food sources due to specific reasons, and whose survival is quite the conundrum now. Their laws and way of living had a tight, enclosed feeling that mirrored the abstinence they had to inflict upon themselves, and of course it made sense that sooner or later, all of this would rot and fester, and lead to conflict. The scientific twist brought in all that was also a nice add-on: not too complex for a non-scientific to understand, but believable.

I liked the male cast overall. Demitri’s and Luka’s classical archetypes opposition worked well, and their hidden pains gave them depth; Dray was touching in his own ways, with his mad scientist antics walking hand in hand with deep love and caring for his people, and a genuine desire to help; and Darius’s personality seriously made me grin, especially after a certain description Phoenix made of him. What I appreciated less was the love triangle: the two boys seemed to have equal chances at getting the girl, but Luka’s interest felt somewhat forced—he gave more vibes of ‘naturally a good friend’ than ‘love interest’.

On the other hand, I really, really didn’t like Phoenix. At all. I found her tremendously annoying, whiny, bitchy, and not so clever for someone supposed to have a high IQ/study at a prestigious academy for talented youth. Granted, she was brave… although I often wondered if this was bravery or sheer stupidity on her part. Her childish reactions spelled ‘catastrophe in the making’ from beginning to end; it’s a wonder she managed to stay alive at all (poor Demitri and Luka, such a piece of hard work keeping her safe must have been for you two!). This is too bad, because if not for her character, I’d likely have rated this book higher (for now, it’s more of a 3.5/5 for me).

Yzabel / August 23, 2012

Review: Cold Kiss

Cold Kiss by Amy Garvey

My rating: [rating=4]

Summary:

Be careful what you wish for. . .

When Wren’s boyfriend, Danny, died, Wren decided that what she wanted—what she had to do—was to bring Danny back. And so, in a heartbroken fury, armed with dark incantations and a secret power, she did.

But the Danny who returns isn’t the boy Wren fell in love with, and she must hide him away while her life unravels around her. Then Gabriel transfers to her school and somehow he knows what she has done—and he wants to help make things right.

But Wren alone must undo what she has wrought—even if it means breaking her heart all over again.

Review:

To be honest, this book surprised me, because it wasn’t what I expected when I picked it. I’m not actually sure what I expected; the usual ingredients in a YA paranormal romance novel, I suppose, some of which are present (witchcraft, zombies, a kind of ‘love triangle’…). Then I found out that what matters here isn’t the plot itself, which is quite pared down in itself. Reading and also writing stories that tend to be heavy plot-wise, sometimes I tend to forget that there are other, powerful elements that can carry a story to its end. Feelings are one of those. And “Cold Kiss” is definitely ripe with feelings.

The novel revolves around Wren, a young witch (although she’s only called that once, I think) who had to deal with finding her first real love, Danny, only to lose him barely a few months later. Heart-broken, grief-stricken, she didn’t think it through so much when she took the fateful decision of bringing Danny back from the dead; only what she brought back was only ‘mostly’ Danny. As a living boy, he used to be sweet; he used to love her with all his soul and give his all for her. As a dead one… no matter how Wren wants to convince herself that he’s still ‘her’ Danny, something’s wrong, definitely wrong. And the time is soon to come when she must face the consequences of what she’s done.

In any other story, I think Wren would have been a whiny, childish, self-centered protagonist, that I probably would have found annoying at best; however, Amy Garvey managed to made her all this, with the added bonus that we actually understand why she acts the way she does, and are driven to wonder, “wouldn’t I react just the same way?” I wanted to be angry at her for brushing Gabriel’s help away—but in truth, were I still 17, wouldn’t I also try to fix my mistakes by myself, and snap off in the process? Wouldn’t I be angry at my mother for never explaining me anything, thus unexpectedly leading me to commit a mistake I might have not considered if I had been warned about it before? If given the opportunity to bring back my beloved from the dead, wouldn’t I desperately want to do it, so broken that I just wouldn’t be able to think about the unwanted consequences? This is the kind of questions I want to ask myself when reading such a story, and the latter indeed hit home with those.

The story in itself was fairly simple: no convoluted plot, nothing that can’t be predicted easily enough from the start. This said, I wouldn’t have it any other way, for what makes the strength of this book is the way the author deals with her characters. Throughout the novel, they were all caught in their own web of conflicted feelings, often stemming from their sadness and frustration—and love. Wren’s love for Danny, and her sadness at knowing that everything was different. Wren’s friends, feeling betrayed, made either fretful or angered by their worry. Growing estrangement between Wren and her mother. Above all, the constant despair; the ticking clock; the certainty that the outcome cannot be a nice happily-ever-after ending; and Wren’s dread at knowing what she has to do, being determined to repair her mistake, trying to make amends, yet also fearing having her heart broken again…

Danny, the undead boyfriend, was frightening in his own way. So pale, so cold, so silent—so disturbing. No need for a gory, brain-eating zombie description to make him creepy. Yet at the same time, he was also a tragic figure (in that he was made tragic by someone else’s hubris and fault), a boy lost in a world he couldn’t understand anymore, because he couldn’t exist in it the way he used to. I tried to imagine what it must have been for such a character: locked in a room all day long, with no one to talk to, only his broken thoughts to keep him company, not even knowing that he was actually dead… And this was just dreadful.

The only think I was somewhat hesitant about was Gabriel’s presence. He seemed a little too intent to help with such a mess, when he indeed barely knew Wren—I was two inches of sighing “insta-love” (not something that I like a lot in books in general, I must say). The story may have worked just as well without him, although in that case, it would probably have been shorter, too. He’s not an unlikeable character, far from it; but he also didn’t feel indispensable to me.

Yzabel / August 22, 2012

Review: Hold Me Closer, Necromancer

Hold Me Closer, Necromancer by Lish McBride

My rating: [rating=4]

Summary:

Sam leads a pretty normal life. He may not have the most exciting job in the world, but he’s doing all right—until a fast food prank brings him to the attention of Douglas, a creepy guy with an intense violent streak.

Turns out Douglas is a necromancer who raises the dead for cash and sees potential in Sam. Then Sam discovers he’s a necromancer too, but with strangely latent powers. And his worst nightmare wants to join forces… or else.

With only a week to figure things out, Sam needs all the help he can get. Luckily he lives in Seattle, which has nearly as many paranormal types as it does coffee places. But even with newfound friends, will Sam be able to save his skin?

Review:

This book was exactly the kind of humorous light urban fantasy read I tend to enjoy. Probably because it’s funny, full of snark and retorts, and deals with the supernatural world in a way that feels both adequate and over-the-top, if only because there are, indeed, just as many supernaturals in Seattle than there are coffee places. (At this point, I have to mention that I like over-the-top stories. I know some people dislike those, so if it’s the case for you, well, you’ve been warned.)

So, this book. What’s in it?

* Necromancers. It’s a form of magic I’ve always been fascinated with, especially these past two or three years. The way it was put to use here was freaky in some ways, yet actually hilarious *and* logical in others: I know few stories where a big bad Necromancer gets paid to reanimate a dead panda in a zoo in order to avoid a diplomatic incident with China. However, it does make sense.

* Sam. Inconspicuous, gentle, nice-boy Sam, who tries to do his best considering the crap he’s in, lost with his friends amidst so many paranormal types. I found him very human, balancing between his negative feelings and the awareness that he can’t just pile up reproaches on other people, because it would hurt them and not solve anything anyway. He’s just so adorable.

* Nice and funny group dynamics, especially when it comes to the four fast-food workers. I liked their way of dealing with all the crap that befall them, often by being snarky and taking things in an (apparently) not so serious way. It’s part of the humour permeating the story, and it works for me, perhaps because I have a similar take in my own, real life (not that I happen to meet Necromancers or get thrown in a cage every other day, but you get my drift). I suppose it might come as off-key, in that maybe the characters shouldn’t react in such a ‘light-hearted’ way. On the other hand, I also suppose that their reactions are understandable, if you consider that past a certain hefty dose of problems, either you throw a pity-party and collapse, or you just shut the brain off and go on snark mode in order to preserve the little sanity you’ve got left. And having a talking head land in your living-room is definitely part of the hefty dose of problems.

* Also, creepy Douglas is creepy. I could feel his real intentions coming from the start, and the way he acted, smiling but cold, hitting people without warning, befitted his persona. It makes it all the more funny when he has serious dialogue and attitude going on, but the situation and co-speakers are somewhat wacky, sidekicks included.

* Twisted song titles in lieu of chapter titles. This is a really biased opinion, and I’m not even going to be ashamed of saying it: I love such puns. Period.

* A mostly fast-paced plot, except for a few flashbacks, but those didn’t disrupt my reading, so they were alright. It was easy enough for me to follow, while not being too simplistic; things fell together nicely in the end; the final fight was definitely impressive; and the story was complete (thanks goodness, no cliffhanger), yet still with openings for a next book. It could just as well be a stand-alone novel… or be given a follow-up. Both would be alright in my opinion.

For what it’s worth, though, I would’ve liked to see more of Sam’s powers a little earlier in the story—and more of Brid actually, well, acting, because she’s got potential (granted, the situation she was in really didn’t help). And I’m not too satisfied about the shift in points-of-view. I can easily follow 5 or 6, that’s not a problem, but (and I’ve noticed this in several books already), why have one first-person narrator, while the others are all in third-person? Third-person all the way would’ve worked better here.

Those minor gripes set aside, I really enjoyed this book.

Yzabel / August 18, 2012

Review: The Fallen Star

The Fallen Star by Jessica Sorensen

My rating: [rating=1]

Summary:

For eighteen year-old Gemma, life has never been normal. Up until recently, she has been incapable of feeling emotion. And when she’s around Alex, the gorgeous new guy at school, she can feel electricity that makes her skin buzz. Not to mention the monsters that haunt her nightmares have crossed over into real-life. But with Alex seeming to hate her and secrets popping up everywhere, Gemma’s life is turning into a chaotic mess. Things that shouldn’t be real suddenly seem to exist. And as her world falls apart, figuring out the secrets of her past becomes a matter of life and death.

Review:

Not sure if it’s more of a “It was OK” or a “Didn’t like it” book for me. I got it for free on Kindle, and gave it a try because the basic plot points—a girl without emotions, the fallen star—seemed interesting. And I still think they are. Or could be, if used differently, of perhaps with a different pacing. The way things were, the first half of the novel went too slowly, with too much detailing and repeating on the one hand (I doubt the weird, uhm, electricity between Gemma and Alex needed to be mentioned every ten pages or so), and on the other hand not enough details about other aspects (for instance, the ’emotionless girl’ part, that got me attracted to the book in the first place, is thrown through the window quite fast).

Well, I could forgive a slow-paced plot if characters and relationships were making up for it. Unfortunately, for the whole story, I just couldn’t get any liking to the characters. Gemma was just too whiny and unable to stand up for whatever, letting herself be bossed around, or doing a half-arsed job at getting the answers she wanted; maybe this fits with her previous emotionless self, but it doesn’t make for a very likeable heroine. Also, how can one be so absolutely clueless about what was truly happening, in spite of the very fishy and messed up stuff that was staring her in the face? As for Alex… no kidding, that guy was just infuriating. Not witty, not dark and mysterious: just an infuriating liar doubled with an asshole whose reactions were weird at beast, and seriously bordering on sociopathic at worst. Even Nicholas didn’t feel as creepy, because at least he was true to his ambiguous self, instead of repeating “you can trust me, tell me everything, blah blah” while openly lying most of the time (to himself as well as to Gemma, I guess). The constant bickering, arguing, glaring and hate me-hate me not that went on between those two for the whole story kept on annoying me, too. I’m all for snark and tense relationships, only here it was more like teenage angst going rampant, and this quickly gets old in my opinion. On top of it, I couldn’t really find the ‘romance’ part in this; telling the reader repeatedly about ‘electricity’ between them doesn’t make me instantly go “oh, sure, they’re falling in love”. I kept on waiting for an explanation to this phenomenon, and ‘love’ certainly wasn’t cutting it.

In the end, I found myself skimming through the novel to get to the finale. And then I had to stare at one annoying cliffhanger, with too few answers regarding the overall plot. Alright, I get that more will be revealed in the next book. Still, this is highly frustrating.

Yzabel / August 17, 2012

Review: Entangled

Entangled by Nikki Jefford

My rating: [rating=4]

Summary:

Two months after dying, seventeen-year-old witch Graylee Perez wakes up in her twin sister Charlene’s body.

Until Gray finds a way back inside her own body, she’s stuck being Charlene every twenty-hour hours. Her sister has left precise instructions on how Gray should dress and behave. Looking like a prep isn’t half as bad as hanging out with Charlene’s snotty friends and gropey boyfriend.

The “normals” of McKinley High might be quick to write her behavior off as post-traumatic stress, but warlock Raj McKenna is the only person who suspects Gray has returned from the dead.

Now Gray has to solve the mystery of her death and resurrection and disentangle herself from Charlene’s body before she disappears for good.

***Entangled is a young adult paranormal fantasy romance suitable for ages 15 and up.***

Review:

Although I had to spread the reading of this book over two days, it went fast and smoothly, and turned to be highly addictive. The first chapters may have been a little slow—what was needed, I suppose, to set the backdrop for Gray and Charlene’s ‘ordinary’ life, and thus contrast Gray’s sudden death against it. But past that point, I was hooked. Firstly because of the themes tackled throughout the story: revenge, deception, resentment, grief, death, how do people cope with it and to what lengths would they be ready to go if they had a chance to have a beloved one back… Secondly, while those themes are of the dark kind, the narrative itself doesn’t feel desperate nor gloomy, therefore making for a lighter reading moment no matter what. Last but not least, because I wanted to know how things would unfold, all that simply (already suspecting the kind of outcome the author would come up with didn’t detract from my reading pleasure: it’s the kind of predictable I appreciate).

The characters were both archetypal for that kind of novel (the popular bitchy sister, the nice and hard-working one, the boy with a bad reputation but a heart of gold, the sidekick ready to do everything for the one he has his eyes on…), yet at the same time convincing enough. They behaved with the kind of intensity in feelings and actions that tend to seem fitting for teenage characters, and there were often some darker, secret areas to their personalities. After all, when the girl intent on snagging her boyfriend back is also a witch, can things really go as normally as they would if she wasn’t? When she’s jealous of someone, and want to hamper that someone’s efforts, why stop at just feeling frustrated? And yet, some of those traits may also become understandable: I can understand how suddenly having her dead sister snatch her body one day out of two, putting a regular dent in her life, may feel extremely hard to bear for Charlene. (Alright, this said, she was still an absolute bitch who deserved to be slapped around with a trout full of long, pointy nails. Seriously. Borderline psychopathic much?)

I also liked that the story followed not only Gray, but Raj as well. He was by far my favourite character, being an actual good guy, respectful of others, even though he kept entertaining a facade that in the end hurt himself the most. (And Adrian. Why, Adrian, always full of smiles: I hope you do realize that you’re so creepy, man! And that I love it.)

What I was less satisfied with in “Entangled” was some unanswered questions. The reason to Gray’s death wasn’t so clear (not to mention that it was pretty stupid, to the point of little old me wondering if the ‘culprit’ didn’t act so dumb on purpose, knowing that of course it was just but an accident waiting to happen). And I admit I didn’t really understand what happened with Raj and his mother at the end—well, I *think* I understood, only that part went too fast for me to be certain I really did; more details about that (and the role of the Zippo lighter) would have been appreciated.

Nevertheless, I liked this book, and definitely want to read the next installment.

Yzabel / August 16, 2012

Review: City of Bones

City of Bones by Cassandra Clare

My rating: [rating=3]

Summary:

When fifteen-year-old Clary Fray heads out to the Pandemonium Club in New York City, she hardly expects to witness a murder — much less a murder committed by three teenagers covered with strange tattoos and brandishing bizarre weapons. Then the body disappears into thin air. It’s hard to call the police when the murderers are invisible to everyone else and when there is nothing — not even a smear of blood — to show that a boy has died. Or was he a boy?

This is Clary’s first meeting with the Shadowhunters, warriors dedicated to ridding the earth of demons. It’s also her first encounter with Jace, a Shadowhunter who looks a little like an angel and acts a lot like a jerk. Within twenty-four hours Clary is pulled into Jace’s world with a vengeance, when her mother disappears and Clary herself is attacked by a demon. But why would demons be interested in ordinary mundanes like Clary and her mother? And how did Clary suddenly get the Sight? The Shadowhunters would like to know. . .

Review:

As weird as it may seem, before reading this book, I had no idea who Cassandra Clare was, nor about her ties with the Harry Potter fandom. One of the first things I thought when reading the first chapters was that I could feel a strong HP influence in it, probably too strong (even in the family names: Lightwood/Rookwood). The whole Circle thing reminded me of the Death Eaters, Jace was enough of a blond jackass to smack of Draco, Simon might just have well have been Ron… I won’t list other parallels I drew, since they’d be spoilers, but I felt them nonetheless. This, I must said, irked me a little: not that I dislike J.K. Rowling’s series (on the contrary!), just because at first it seemed, well, too much like fanfiction turned into original fiction at the last moment. This sometimes detracted me from the story’s intrinsic values, and it was too bad (probably, also, what partly explains why I’m not giving it a higher grade).

On the other hand, I still managed to enjoy “City of Bones” in the end, so there are clearly good things about it.

The story is pretty much built along traditional plot lines, that anyone familiar with Campbell’s “journey of the Hero” will likely recognize, because they’re as old as humanity itself. Some may be bothered by this, some may like it, some may not care. As far as I’m concerned, as long as it works in terms of storytelling, I enjoy that. And it worked here, so it’s all good for me, even though it makes it a little easier to predict where things are going (for instance, “J.C.”: alright, who couldn’t see at least that one coming?). It also worked in HP, by the way. It’s not something that prevents me from enjoying a piece of writing. I found many interesting things in the novel as a whole, such as the beginning scene (among other things: the killers that nobody but Clary can’t see; the Shadowhunters who’re clearly not such nice guys; where all the non-human originate from). All in all, it was an entertaining read, meaning I didn’t have to think too much, wanted to see the plot progress, kept turning the pages, and thought at the end: “OK, I kind of what to pick up the second book.”

Oh yes, I forgot to mention the author’s writing itself, which I found good enough, even though she sometimes makes use of weird similes. ften the dialogues made me smile or even chuckle, and it was pleasant. (Yes, there were lighter moments in the darker plot; those are never a bad thing, in my opinion.)

Unfortunately, I was less than thrilled about the characters, whose main flaw was that they lacked substance. They’re likeable in their own ways, but didn’t feel ‘present’ enough throughout the story—as if the substance was here, underneath, but not fleshed out enough. I don’t think it has to do with the fact that they pretty much fit archetypes that are often seen in YA novels or TV series in general—I’m convinced that archetypes, if made deep enough, can be very interesting. It’s just that they struck me as bland at times. Jace often came too much as a jackass (oh, boy, you’re not as witty as you think you are, and no, you’re clearly not more witty than Simon, and putting him down all the time won’t make you appear more badasse). Isabelle seemed too cookie-cutter. Alec would’ve deserved more attention. Clary was a nice girl, but didn’t stand out more than the supporting characters (and I kept on wanting to smack her head because she was so blind to what was so evident from the beginning). Poor Simon was really played for the resident butt-monkey, when he’d deserve to be treated better. I think I liked Magnus Bane best; too bad he got only minimal screen time.

All in all, this novel was enjoyable. I’m quite tempted to go on reading “The Mortal Instruments”, or at least the next installment, because there *is* room for improvement, and it may very well still happen. In spite of what I didn’t like in it, it isn’t enough to drive me off the series.

Yzabel / August 15, 2012

An interview about “Was”

This is no news for anyone who’s been following my dA page, but I realized that since at the time it was done, I hadn’t resurrected this blog yet, it might be of interest to post it here all the same. Even though it’s, as said, no news, it’s pretty much atemporal enough for this not to be a problem.

A few months ago, I was interviewed about my current work in progress “Was” in a dA group. Here it is:

1. How did you go about creating WAS? What or who inspired you?
It all started back in 2008, when I found an old story of mine about vampires in a modern urban setting, written back in high school. At first, I planned on rewriting it. However, as I began to sketch some new character designs, things got out of hand, so to say, and soon said characters and plot didn’t have anything to do at all with the ones that had inspired them.

In October 2009, I decided to write a story for NaNoWriMo. That was when I gave “Was” its title, and got to jot down what would become its primary plot threads: mages, ghosts, reincarnation matters, and being/becoming human. I mainly worked on character profiles, but I admit that until November 1st, I still didn’t have a proper antagonist. But that’s the beauty and interest of NaNoWriMo: it causes my creative mind to get all wired up and produce a lot more than the rest of the year, and so the story arcs themselves came to me pretty quickly. I didn’t finish it by the end of November, because it’s a complex story and rushing it in 50,000 words would just be silly, but it still provided me with a solid basis to work on.

Inspiration, as usual in my case, comes from many sources. Among the most important ones:
* The anime series “Baccano!” (EDIT: and, in retrospect, Kurt Vonnegut’s Slaughterhouse-Five), for its narrative technique.
* White Wolf’s “World of Darkness” games, especially Mage: the Ascension, Wraith: the Oblivion and Promethean: the Created. Also a bit of “Bleach” for the Heart-catchers (the spiritual hole in their chests).
* Silent Hill, that influenced (without my realizing it at first) my take on the Deadlands.
* My IRl friends ~rapunzelita and ~minamzi. We used to joke a lot during about our respective characters and stories, and quite a few elements of WAS were born from jokes that I then pulled a “Sure, why not?” on.

2. Do you prefer writing or creating artwork for WAS?
I prefer writing, most of the time. Although my dA account is really not representative of that, words come to me much more easily than drawings, and I am also really at ease with a lot of the characters in WAS. They all have quirks and personalities that make them very pleasant to write. Ring is the uber-serious Mama Bear type. Marek is the awfully fun to write heroic sociopath. Ewan is my anti-wangst magnet. Lou is the ‘kid’ who’s looking for herself. Lyle, the cab driver, is desperately trying to understand what “being human” means, even though he’ll never be one of those humans he admires. Adrian’s shadow is constantly hovering above Ewan. And so on. WAS is a very characters-driven story. There are too many of them for me to describe exactly what makes them enjoyable to me, but they all provide me with fun and genuine pleasure to write.

It’s a difficult story to work on, though, due to the aforementioned narrative technique and the interweaving of several arcs. Another thing that makes it difficult is that, due to being originally for NaNoWriMo, it never had an A-to-Z planned plot. I know where I’m going with it, of course—but I haven’t planned it down precisely, chapter by chapter, because I know that although it’d help me write faster, it’d also kill part of the pleasure I derive from it. Also, sometimes, I feel myself overwhelmed by its complex chronology, and have to rewrite some parts. And so, there are moments when I leave the story aside to draw its characters, because it helps me focus again.

3. What made you choose Death as a theme of your series?
My very first ideas behind the story revolved about “past lives/reincarnation” and “now deceased characters still affecting the present story, through the events they triggered in the past” (hence the title). From this to the theme of Death and ghosts, there was only a thin border to cross. I also found it intriguing and interesting to tackle, because of the characters. Ring is a Witch dealing with spirits & ghosts, but also healing magic, and thus life. Lou is always dreaming about her past lives. Lyle isn’t alive, and would very much want to be. Marek is technically immortal, but his soul is utterly damaged. Ewan barely escaped death and total obliteration of his soul. Adrian is a Necromancer. In the end, all those characters have closer ties with Death than some of them would like to believe—and by exploring those ties, it also allows me to explore Death’s counterpart: the meaning and importance of Life and humanity. Those are important themes to me as a person.

4. Why is Echoes/Ewan your favourite character?
Among all the characters I’ve ever created, he’s the one who turned out the most surprising in terms of development. I hadn’t meant him to take so much importance at first; in hindsight, the fact that he’s actually the one whom Chapter 1 opens with was a kind of subconscious signal on my part that he wouldn’t shut up and remain in the background for long. When I thought I wouldn’t have much to write about him, and that he wouldn’t be more than the funny geek character with weird food habits, he turned to be much deeper and complex.

First of all, it’s quite refreshing to write from his point of view. He’s got a very non-sequitur way of thinking at times, and often remarks to himself in pretty geeky ways, ranging from quoting movie lines to hinting at TV Tropes or playing silly games on a fake Facebook account. He’s also a person who’s suffered a lot in his past, has been betrayed several times, yet deeply loves people in general, and wants to go on believing that life is worth it, and that no matter the risks, he’ll go on considering those he meet as worthy until proven otherwise. While there’s a strong potential for angst in him, he manages to thwart it and remain a positive person, even though it’s hard. Just for that, I love him.

One thing that definitely made him my favourite character was when I adapted him for a game of Mage: the Ascension, in 2011, because I needed to come up quickly with a concept for a session or two. Although Mage!Ewan is different in some aspects, and his story is developing differently, of course, actually playing his role allowed me to understand him even better. The mere couple of lines that was his background story got fleshed out, and even ended up birthing a few short stories (see “Misplaced”, on my dA account). Much more importantly, it also allowed me to unlock a whole part of the story I had sort of driven myself into a corner with, and to introduce and develop the character of Adrian Bennett. The relationship between Ewan and Adrian hasn’t been much explored in WAS yet, because it’s something I’m introducing very gradually, but it is one that inspires me a lot, both beautiful and extremely tragic. I’m such a weakling for those. (Not to mention that they’re excellent inspiration for pr0n side stories.)

5. Can you let us know more about “Mother“?
Despite her role as main antagonist in the 2009 arc, “Mother” is, oddly enough, a character I hadn’t thought about until the very day I started writing, on November 1st. I can’t remember exactly how she came to be, because she is the result of very fast-paced thinking. The first idea behind her was “a ghost from the past”, but whose ghost, of course, I won’t reveal here.

“Mother” is an ambivalent character to me. She’s a monster, a spectre who devours other ghosts’ souls in order to go on existing. She’s ready to kill hundreds people in one go, just for the sake of creating enough souls to feed upon. She makes her ‘children’ suffer. She also wishes to breach the Thorn Wall, the barrier between the world of the living and that of the dead, to further her own purposes (and those are far from being only about feeding). Yet at the same time, she reproduces very human patterns at times, in surrounding herself with a ‘family’, for instance; at other times, her thought patterns can be utterly alien. It’s kind of like the old conundrum of “destroying the world”: to most people, it’d mean something terrible and terrifying, because they’d lose their loved ones and everything they hold dear, but others may find it a valid goal, in that it’d allow to rebuild something better on the ruins. Of course, I won’t put “Mother” in such tight boxes, but it’s the kind of thinking I keep in mind when I write about her.

6. Do you have any advice for anyone wanting to create a series of their own?
* Write for your own pleasure. Don’t write about this or that theme only because your friends want you to, because you think it’ll help you find a publisher more easily, because it’s the current trend, etc. Unless you like that theme too, of course. Write about something *you* like, otherwise you may just end up very unhappy about it, and your project will never reach completion.

* Don’t take yourself too seriously. The world of writing, online and offline, can be pretty harsh. You must learn quickly to take a step back, take rejection and criticism with philosophy, and not let anyone nor anything get at you. I’ve known quite an amount of people who thought they’d have it easy, but collapsed at the first speck of criticism. Believing in yourself is good; but taking yourself too seriously makes any blow seem much harder than it actually is. (And yes, you are allowed to make fun of my characters. I’m the first one to do that anyway.)

Paradoxically, this helped me improve my style and grammar: after writing, writing, writing without worrying about my novel being “perfect”, I noticed that paragraphs started flowing more easily, that I didn’t struggle as much to find the right words, and that, all in all, my first drafts were actually very readable, and not the horrors some people prophesized I’d spew if I went on “taking things so lightly”. Of course, reading a lot, both in French and English, and actually studying English literature, were also of much help. But I’m still convinced that actually writing with a light heart helped me improve more than spending time polishing the same sentence over and over again.

* Kick your “Muse” in the nuts at times. No, really. “Lack of inspiration” sometimes overlaps with “laziness” or “procrastination”, and it’s important to learn to differentiate both. If things are really not looking up, I don’t force myself too much; but if I find myself, say, browsing aimlessly on dA or reading forums instead of writing even though I’ve got ideas running in my head, then it’s a clear sign the Muse needs to get off the couch and start sweating.

(The actual interview was originally posted here.)

Yzabel / August 13, 2012

Review: Tiger Lily

Tiger Lily by Jodi Lynn Anderson

My rating: 3

Summary:

Before Peter Pan belonged to Wendy, he belonged to the girl with the crow feather in her hair. . . .

Fifteen-year-old Tiger Lily doesn’t believe in love stories or happy endings. Then she meets the alluring teenage Peter Pan in the forbidden woods of Neverland and immediately falls under his spell.

Peter is unlike anyone she’s ever known. Impetuous and brave, he both scares and enthralls her. As the leader of the Lost Boys, the most fearsome of Neverland’s inhabitants, Peter is an unthinkable match for Tiger Lily. Soon, she is risking everything—her family, her future—to be with him. When she is faced with marriage to a terrible man in her own tribe, she must choose between the life she’s always known and running away to an uncertain future with Peter.

With enemies threatening to tear them apart, the lovers seem doomed. But it’s the arrival of Wendy Darling, an English girl who’s everything Tiger Lily is not, that leads Tiger Lily to discover that the most dangerous enemies can live inside even the most loyal and loving heart.

Review:

I read the original Peter Pan story a long, long time ago (over 15 years), and so I can’t tell honestly that I remember its every little detail—therefore I can’t tell if this retelling is especially good or bad, compared to J.M. Barrie’s piece. This point notwithstanding, “Tiger Lily” was for me what I’d call an average pleasant book: neither detestable nor excellent.

I liked that the author chose to have the story told from Tinkerbell’s point of view; in itself, this was an interesting idea, and I found her character actually more likeable here than I remember having perceived it in the original tale. Besides, having the faeries be able to feel people’s thoughts and emotional states justified her comments about Tiger Lily’s and Peter’s story. Said story was touching, and never all black nor all white (especially considering the presence of darker themes like rape and suicide), which is something I prefer to clear-cut morality in my reading in general. Tiger Lily herself was strong, independent, able to face a lot of hardships, yet those very strengths in her were also what made her vulnerable, what prevented her from finding the right words to say. In fact, I found several other characters were really likeable, especially Tik Tok the shaman, and the issues his ways of living raise in terms of acceptance and difference.

On the other hand, the very choice of point of view I mentioned above may have made things a little too far-fetched at times: could Tink *really* know everything, be in the protagonists’ heads with such efficiency? There were a few moments when I found maintaining my suspension of disbelief rather… difficult. Second, while the story was touching, its pace was too slow, and dragged now and then. I also regretted the way certain events seemed to be rushed, such as what happens with Moon Eye or Tik Tok; in my opinion, they’d have deserved something better, just like the pirates would have deserved more spotlight. Finally, I want to say: where was the magic? Just like Nevereland here wasn’t the magical place I expected, save for the presence of mermaids and faeries, and the fact that the tribes’ people wouldn’t age, I felt that it lacked just that little touch that would have allowed me to really like this book, more than just ‘like’ it.

Yzabel / August 12, 2012

Review: Angel Evolution

Angel Evolution by David Estes

My rating: [rating=3]

Summary:

When Taylor meets Gabriel at college, she is in awe of the subtle glow that surrounds him. No one else, not even her best friend, seems to notice.

Something about him scares her.

Is all as it appears? While Taylor struggles for answers, she finds herself in the middle of a century old war centered on one miraculous revelation: evolution.

Review:

I had had this novel on my radar for some time, and finally got to read it in July (although I hadn’t posted my review yet). I must say it made me spend a good moment, even though it has its flaws.

I think the major problem for me as a reader was that I found connecting with the characters a little hard. Especially the main female character, Taylor, who remained quite bland for a good deal of the story, until she finally grew something of a spine. Besides, she accepted Gabriel’s story so quickly! It would’ve been more believable if she had been more of a skeptic, asked more questions, be warier of him, kept a distance at first… not fall into his arms so soon. I didn’t know where to stand regarding Gabriel either, couldn’t decide if he was suffering from chronic lying disorder, or was just brainwashed, or tried to convince himself he believed in all of that. I guess this is part of his evolution, of how he goes from obeying orders to standing for what he thinks is really right, but it still came off as shaky.

On the other hand, the story itself was enjoyable, with an original twist about angels and demons. Well, alright, at first I wasn’t sure whether I would’ve wanted those to be closer to their original myths, or not; however, now that I’ve finished the book, it feels like a positive aspect, that provides a nice change from more classical retellings of such fights. It’s a good thing that there is no God here to steer the ship; we are presented with people who, all in all, are still human, or at least evolved from humans, and as such, who are prone to mistakes (but then, there’s the black snake… will more be revealed about its role later on?). The ending of this first novel leaves several doors open, regarding various possibilities of action for the characters; I feel like it doesn’t have to end in a full-blown war… yet it could just as well… or there could be yet another path to follow. At this point, the outcome is not predictable, and I like that.

What I appreciated most was that there was more than met the eye to the two sides of the war. The angels whom everyone expects to be ‘pure’ and ‘good’ actually have their lot of bastards, double-standards, lies and downright crass goals; while the demons, supposedly evil and dark, probably have their lot of ambiguous characters and darker aims as well (I don’t know what’s going to be tackled in the two other novels, after all), yet were clearly not the totally bad guys they were made to look like. In fact, the character I liked the most throughout the whole novel was Chris, and I hope we get to see more of him in book 2! Even Jonas had a nice side to him, in spite of not being shown under the best light in the world.

Although I’m not giving full marks to this novel, I am positive that its setting and story have strong bases, and that the author’s next works can only evolve in an even better direction. (See my review of The Moon Dwellers for more David Estes.)