January 2013 - The Y Logs

Yzabel / January 29, 2013

Review: The Greyfriar

My rating: [rating=4]

Summary:

Vampire predators run wild in this exciting steampunk adventure, the first in an alternate history trilogy that is already attracting attention. In 1870, monsters rise up and conquer the northern lands, As great cities are swallowed up by carnage and disease, landowners and other elite flee south to escape their blood-thirsty wrath.

One hundred fifty years later, the great divide still exists; fangs on one side of the border, worried defenders on the other. This fragile equilibrium is threatened, then crumbles after a single young princess becomes almost hopelessly lost in the hostile territory. At first, she has only one defender—a mysterious Greyfriar who roams freely in dangerous vampire regions.

Review:

I found it hard at first to get into the story, because I couldn’t properly wrap my mind about the geography and politics of the world described in this book—it’s nothing complicated, though, so I guess it was just me, probably reading too late at night as usual, in a language that remains not my own. The problem didn’t last for long anyway, and then I got sucked in.

I want to mention that for once, too, the label ‘steampunk’ is better applied than it usually is to a lot of novels lumped in this genre. I love the steampunk aesthetics, I love in in art and clothing, but I find that too often, an author will slap a few cogs and a dirigible and call it ‘steampunk’. The keyword being ‘steam’. Here, though, we are given a world where such technology is the norm; while it’s not the core of the story, it’s still present enough to be felt throughout the novel.

The vampires are ruthless and inhuman, yet cunning in their own ways. Having the point of view of both humans and vampires throughout the narrative allows the reader to see how each species perceive each other like nothing more than animals, especially since the vampires don’t seem to care about fine clothing, architecture, arts, poetry, and so on, thus making them ‘inferior’ in the eyes of humans. I liked that take, because if we reverse it, it’s also logical: why would immortal creatures bother with the very means through which the short-lived humans strive to make themselves ‘immortal’?

The real identity of the mysterious Greyfriar was easy enough to guess, but that was alright, because the author didn’t try to actually hide it from the reader (if he had tried to do so, on the other hand, it would have fallen flat, for sure). For me, it actually tied quite well with the use of certain clichés that, in retrospect, also make a lot of sense. Greyfriar: a mysterious man who never shows his face and hides his eyes behind smoked glasses; fights like a hero of legend; fights ‘the good fight’, alone, in dangerous territories, isolated from all other humans. Greyfriar was from the beginning an image, a symbol, and I found the reason behind that image somewhat touching, even.

One thing I regularly had problems with, though, was the shift in points of view. It switches between characters several times in a same chapter, sometimes even from one paragraph to the other, yet it’s not an exact omniscient third person POV either. This tends to make me lose focus, and wonder “Wait, what? It was about Flay, and now we’re in Cesare’s thoughts? Huh?”

This put aside, I enjoyed the story, and the gritty side there was to it.

Yzabel / January 19, 2013

Cover project: Was

This isn’t exactly a true “cover reveal”, as in I’m not doing it to announce an upcoming book (well, not so soon, at any rate). But I’ve had a lot of fun and excitement working on a cover project for the first part of my story “Was”, and of course I’m eager to share it.

Paris, February 1989. With the help of his deadly minion, the cunning Necromancer Louis Valdemar is well on his way to awake dark forces no human being should ever play with. Abiding by treaties held up for centuries, the Anima Mundi, an organisation of mages, sends a team of hunters to put an end to this madness, and prevent the French capital from being destroyed.

Bristol, May 2008. A-level student Louisa Keynes wakes up in a white hospital room, after a car crash that left her in a coma for ten months, only to find out that everything has changed, that her nights are now plagued by weird dreams, and that magic does exist. She has become a Technomancer, one of those mages who can bend Reality to their will using modern devices; and she’s decided to walk that path as far as she needs to in order to learn more about herself.

London, December 2009. Near the oily waters of the river Thames, sys-op Echoes and Blood Witch Ring investigate a series of gruesome murders whose victims had their souls devoured. At St Pancras railway station, Marek Van Cartier is about to wreak havoc, a sweet smile on his lips. Standing on the platform at Tottenham Court Road tube station, Lyle Karlowitz is staring at a heartless woman in a colourless world. From beyond a wall of thorns, the hand of death is about to curb the fates of thousands of people. And Louisa is riding the Northern Line, unknowingly rushing towards the encounter that will once again turn her life to shambles.

What was and what is shall now meet.

Yzabel / January 13, 2013

Review: Who is Audrey Wickersham?

Who is Audrey Wickersham? by Sara Shrieves

My rating: [rating=4]

Summary:

I know everything that’s happened is my fault. I try to tell myself that it’s okay, I never wanted a normal life to begin with. But then I think about who’s been hurt, and I wish that I could go back to the beginning. Back to when I was just a nobody wandering the halls of my high school, alone and unnoticed. Back to when I was completely oblivious to what killing somebody felt like.

You have to understand though, I had no choice.

Review:

(Book provided by the author through ARR #63 in the We ♥ YA Books! group, in exchange for an honest review.)

This novel was a fast and funny read as far as I’m concerned; I wouldn’t put it in my all-time favourites, but it definitely made me smile more than once, for its main character and her quirks first. Audrey’s misfortune is absolutely appaling, yet she has somewhat of a humorous way of telling about it, when her attitude could’ve been much more angst-ridden (and thus probably more difficult to stand in the long run—that may be because I’m myself the kinf of person who’s cry for five minutes, then throw in bad jokes all the time just to deflect the fear and pain). She’s also determined to take things into her own hands (even though this leads her to other mishaps), and not to let other people only try to figure out a solution.

Another thing I appreciated is the role played by her father: in a lot of novels, the protagonist’s parents often get shoved out of the way very quickly, and the teenagers left to their own devices. Here, her father is clearly part of the plot, with a fierce desire to help and protect, proving his love for his daughter by the simple fact that, for starters, he’s not rejecting her. And let’s not forget Bruce, who I absolutely loved for his own quirks.

What may or may not undo this book for a lot of readers, I think, is its ‘over the top/cheesy slash movie’ feeling—in that either you like such tropes, or you don’t. I’m usually at ease with those, especially when they’re used on purpose, which seems to be the case here; but I suppose this would deter other people from enjoying this story. There was also Kirk’s matter: the characters suffers, in my opinion, from being introduced too fast for who he is, and he would be more enjoyable if the reader could get to know him better before that.

I originally gave 3 stars to this novel, but truly, it was more like 3.5, and now that I’m writing this review, I’ve decided to up it to 4. It *was* a very entertaining story, and I like the author’s take on zombies and on how they come to be created.

Yzabel / January 11, 2013

Review: The Time Traveler’s Wife

The Time Traveler’s Wife by Audrey Niffenegger

My rating: [rating=2]

Summary:

This is the extraordinary love story of Clare and Henry who met when Clare was six and Henry was thirty-six, and were married when Clare was twenty-two and Henry was thirty. Impossible but true, because Henry suffers from a rare condition where his genetic clock periodically resets and he finds himself pulled suddenly into his past or future. In the face of this force they can neither prevent nor control, Henry and Clare’s struggle to lead normal lives is both intensely moving and entirely unforgettable.

Review:

This book is pretty difficult to rate; I’m not even sure if I want to give it 2 stars or 3, because there are quite a few things in it I liked, and quite a few things I found hard to stand.

Like with some other books I read in the past months, I think I was expecting something else—something shorter, too: some parts I could have done without, because they didn’t bring much to the story as a whole, and felt like they were just delaying the unavoidable. Conversely, I wish the author had spent more time tackling a few problems that should have arisen regarding Henry, especially since she described other issues that came with his chrono-deficiency.

Those very issues were something I appreciated reading about, even though they made Henry hard to like in parts, because they raised interesting questions. For instance, Henry’s coldness at having to regularly steal, pick locks, mug other people, and so on; however, if one had had to do that for his/her whole life, wouldn’t s/he have ended up distancing him/herself the same way? (That, or ending up dying young because of too many scruples.) So, it didn’t make the character very likeable, but it was still a logical development for me. On the other hand, I felt like too many other problems were left aside, such as “how did he manage to hold a steady job like he did?” Also, the setting seemed a little too one-sided (middle-class people, with some annoying clichés).

I’m also shared regarding relationships in this book, more specifically Henry’s and Clare’s. While Clare’s love for him is logical enough, considering she’s known him all her life, Henry’s develops a little too fast (“it’s OK because she’s seen my future self, so I suppose it’s going to happen anyway” is just a tad bit far-fetched). And I found Clare too passive and dependent.

Truth be told, I’m not sure what exactly I was expecting from this novel. It wasn’t bad, but it left me with a lingering feeling of frustration.

Yzabel / January 2, 2013

Review: Incarnate

Incarnate by Jodi Meadows

My rating: [rating=3]

Summary:

New soul

Ana is new. For thousands of years in Range, a million souls have been reincarnated over and over, keeping their memories and experiences from previous lifetimes. When Ana was born, another soul vanished, and no one knows why.

No soul

Even Ana’s own mother thinks she’s a nosoul, an omen of worse things to come, and has kept her away from society. To escape her seclusion and learn whether she’ll be reincarnated, Ana travels to the city of Heart, but its citizens are afraid of what her presence means. When dragons and sylph attack the city, is Ana to blame?

Heart

Sam believes Ana’s new soul is good and worthwhile. When he stands up for her, their relationship blooms. But can he love someone who may live only once, and will Ana’s enemies—human and creature alike—let them be together? Ana needs to uncover the mistake that gave her someone else’s life, but will her quest threaten the peace of Heart and destroy the promise of reincarnation for all?

Review:

I tend to get attracted to themes such as reincarnation, and I was interested in the idea of a finite amount of souls coming back year after year, knowing each other, and how one of them disappearing/being ‘replaced’ could throw off the balance… or bring something new to an old world that may have ended up stalling.

I liked the story quite enough; its prose was easy and flowing, and I had no difficulty picturing the world it was set in. It’s a world with a lot of secrets, some of which are only brushed on and leave the reader with the certainty that there’s much more to it than just ‘souls being recincarnated’. What about the walls with a heartbeat, how come Ana’s the only one who feels at unease with that? What about that freaky temple? Why’s the center called ‘Heart’ and the country ‘Range’ (now there *must* be a meaning behind that… I’d be disappointed if there wasn’t). Although we don’t get all the answers, it’s one of those stories that prompt me to think, try to anticipate, to imagine, and I liked this; it doesn’t happen to me with all books.

Including sylph and dragons, and potentially other mysterious creatures, adds a different, fantasy-like touch that was quite pleasant, even though it made me wonder why people in Heart, with lifetimes of experience and experimenting, hadn’t found a way yet to fight them more efficiently (lack of urgency? of interest? something else?). Also, Sam’s various encounters with dragons were definitely intriguing. Here’s to hope that there’ll be more about those aspects in the next book, because it seems too strange to be just some random coincidences. In any case, I liked how the attacks were described; those creatures seemed really impressive.

There are a few character-related things, too, I can’t wrap my mind around, or am not sure I liked or disliked. It’s a weird feeling. Ana’s reactions, for one, make sense given how she was raised, but grew old after a while. I’m thinking of her tendency to go into “everyone hates me” mode when quite a few people, actually, held out a hand to her and welcomed her into their world. It was like their efforts and presence over the weeks amounted to nothing, but one wrong comment from some random person would trigger an angsty episode. So, yes, understandable in the beginning, yet quickly tiring after that, especially with Ana flaring at the nice ones and keeping meek in front of those who despised her. The same way, Li’s cruelty seemed gratuitous (and if it was a way for her to make Ana pay for ‘stealing’ Ciana’s soul or whatever, then everyone and their dog seemed totally oblivious to it, and totally gullible, which was weird).

I’m not sure what to make of the romance either. It didn’t feel that useful to me, and there were moments, especially in the middle, where the dialogue/scenes about it dragged on and on and became a little boring. There was too much of it, which detracted from time spent on advancing the plot, and developing other characters (I’d have wanted to know more about Stef, Whit and the others, for instance). On the other hand, there was no love triangle, and since the latter has become such a crutch of YA novels in general, not having one was definitely refreshing.

I wasn’t too thrilled about the ending, which felt rushed–in part, maybe, because so much time had been devoted to the romance, and the rest had to be wrapped up faster? And the reason (and person) behind the newsoul(s) was kind of a letdown.

I’d rate this book a 2.5 stars. It has too many annoying aspects for me to give it a high mark. However, since I liked its world and atmosphere, and it made me spend an enjoyable moment nevertheless, I’m upping it to 3 all the same.