June 2013 - The Y Logs

Yzabel / June 30, 2013

Review: This Dark Endeavour

This Dark Endeavour by Kenneth Oppel

My rating: [rating=2]

Summary:

In this prequel to Mary Shelley’s gothic classic, Frankenstein, 16-year-old Victor Frankenstein begins a dark journey that will change his life forever. Victor’s twin, Konrad, has fallen ill, and no doctor is able to cure him. Unwilling to give up on his brother, Victor enlists his beautiful cousin Elizabeth and best friend Henry on a treacherous search for the ingredients to create the forbidden Elixir of Life. Impossible odds, dangerous alchemy and a bitter love triangle threaten their quest at every turn.

Victor knows he must not fail. But his success depends on how far he is willing to push the boundaries of nature, science, and love—and how much he is willing to sacrifice.

Review:

2.5 stars. I’d deem this story “okay”. It wasn’t bad, but I expected more of it, and it didn’t leave me with a sense of completion, although I wish it had. There are lots of good ideas in this book, that didn’t work for me, the way they were exploited, and it’s really too bad.

Lots of potential, indeed. For instance, the beginning that hints at a darker side in the two brothers’ relationships. Or the love triangle that could’ve become something really interesting, something that could have seriously thwarted Victor’s motivations. Unfortunately, I think the author didn’t go deep enough with those—perhaps because really going through with them to the end would’ve been too dark for a YA audience? I don’t know. Things felt a little weird in that regard, as if in style and themes, the book was aiming at the older part of the intended audience, yet didn’t dare to go there in the end, and remained a little too “light”, for the sake of the younger ones.

The love triangle also fell flat in general, in my opinion, and more childish than the dark and tragic affair it could’ve been (or than what I expected from the blurb on the back cover). Victor’s love would’ve had more impact for me if it had been there from the beginning, and not apparently triggered at the moment he learnt Konrad loved the girl too. Elizabeth was a character I enjoyed, showing a lot of pluck and decision-making. This may be the reason why I also disliked the way Konrad treated her, as if he was only looking at her, and not “seeing” her for who she was. In itself, this could’ve added to the tragedy of that relationship, but felt a little wobbly instead. This said, to be fair, I’m not too attracted by love triangles in general, so I’m pretty picky about those anyway.

Finally, I would’ve liked the ending to be just a tad less abrupt. It was a necessary ending—it couldn’t have been otherwise—but it came a little too quickly. I guess I would’ve liked some kind of explanation, even a non-scientific one, as to how exactly the tables turned so fast.

What I appreciated, though, was how “This Dark Endeavour” paved the way for Shelley’s story, and could likely bring more people to read that one—which really deserves to be read no matter what. Maybe this is the reason why I couldn’t be so enthralled with the book: because I already know the original masterpiece, and because for me, the stories don’t play on the same level. Nevertheless, this novel could be a good introduction to its predecessor for younger readers.

Yzabel / June 25, 2013

Review: Diverse Energies

Diverse Energies by Tobias S. Buckell

My rating: [rating=4]

Summary:

“No one can doubt that the wave of the future is not the conquest of the world by a single dogmatic creed but the liberation of the diverse energies of free nations and free men. No one can doubt that cooperation in the pursuit of knowledge must lead to freedom of the mind and freedom of the soul.”
—President John F. Kennedy, from a speech at University of California, March 23, 1962

In a world gone wrong, heroes and villains are not always easy to distinguish and every individual has the ability to contribute something powerful.

In this stunning collection of original and rediscovered stories of tragedy and hope, the stars are a diverse group of students, street kids, good girls, kidnappers, and child laborers pitted against their environments, their governments, differing cultures, and sometimes one another as they seek answers in their dystopian worlds. Take a journey through time from a nuclear nightmare of the past to society’s far future beyond Earth with these eleven stories by masters of speculative fiction. Includes stories by Paolo Bacigalupi, Ursula K. Le Guin, Malinda Lo, Cindy Pon, Daniel H. Wilson, and more.

Review:

I got an ARC of this anthology through NetGalley last year, and have just realised I didn’t post a review back then—I suspect I finished it at a moment I didn’t have time to do so, and then it unfortunately slipped my mind.

Most of the works I read are pretty much Caucasian-centred, and I thought this book would provide me with a nice change, as well as with an opportunity to learn more about some cultures I’m not too familiar with—I’m utterly convinced that learning this way, for someone like me, is a solid bridge to wanting to learn more afterwards, and this han’t proved wrong yet. The different cultural points of view developed in the dystopian stories here turned out interesting, and shed light on some very logical aspects I probably wouldn’t have considered at first, due to my own ignorance.

Of course, as is mostly the case in anthologies, some stories I enjoyed more than others (“Next Door”, “Solitude” and “The Last Day” being my favourite ones), but as a whole, “Diverse Energies” holds its ground with a steady momentum, and doesn’t disappoint. At the same time, I also appreciated that this book didn’t give the impression of being the proverbial stone thrown to get the pond to ripple: it was, all that simply, logical, which is in my opinion a very strong point.

Yzabel / June 24, 2013

Review: Kojiki

Kojiki by Keith Yatsuhashi

My rating: [rating=4]

Summary:

When eighteen-year-old Keiko Yamada’s father dies unexpectedly, he leaves behind a one way ticket to Japan, an unintelligible death poem about powerful Japanese spirits and their gigantic, beast-like Guardians, and the cryptic words: “Go to Japan in my place. Find the Gate. My camera will show you the way.”

Alone and afraid, Keiko travels to Tokyo, determined to fulfill her father’s dying wish. There, beneath glittering neon signs, her father’s death poem comes to life. Ancient spirits spring from the shadows. Chaos envelops the city, and as Keiko flees its burning streets, her guide, the beautiful Yui Akiko, makes a stunning confession–that she, Yui, is one of a handful of spirits left behind to defend the world against the most powerful among them: a once noble spirit now insane. Keiko must decide if she will honor her father’s heritage and take her rightful place among the gods.

Review:

(Book provided by the author through ARR #1181 in the Making Connections group, in exchange for an honest review.)

“Kojiki” is, in my opinion, quite a visual story, and would be just as suited if turned into a movie. The author wrote vidi descriptions that allowed me to picture whatever was going on clearly enough—and there was a lot going on. You may not like the story as much as I did if you’re not into action-packed plots; if you are, though, then go ahead.

The story may be more geared toward a younger audience, or at least one who is familiar with anime and some of their most popular themes, such as battles between spirits to save the world. However, there’s no dumbing-down here, as it also deals with deeper themes (treason, lost love, trust issues, being torn between saving or killing a friend…). I appreciate when books go that road, and don’t remain stuck to surface feelings and plots, the way things too often are in such works.

There are a couple of things here I’m not too sure about. For instance, Keiko is quickly thrown into the action—she doesn’t spend a third of the book looking for the gate, or getting into the swing of things; part of me was glad about that, while another part thought it may have been a little too abrupt. There are also several characters and points of view to follow; this isn’t a problem for me, but, again, I found those just a tad bit heavy to get into at first (which means that readers who are less familiar than I am with POV switches might have a harder time here). Another thing that may detract readers is the use of Japanese language. Someone like me, who speaks just enough of it to understand the (quite basic) vocabulary and sentence structures used here, won’t feel lost; on the other hand, I can imagine that someone who doesn’t speak the language may not always guess what those words are about (sometimes the context or dialogue provides an explanation… and sometimes not).

On the other hand, I think the whole mythology unfolding in the book should be easy to understand: spirits linked to elements (water, air, nature, earth…), fighting with their guardians (lesser spirits tied to the same elements) to prevent the world from being destroyed. Pretty basic at first sight, except that what could have been your good old black and white morality undergoes a few twists here. While the battle is fought above Japan, the spirits involved aren’t only Japanese, and hint at different cultures—in other words, they’re not anchored in one time and one place, and truly represent something bigger and older than that. At the same time, much like in legends, those spirits have to contend with their personalities and feelings, and aren’t mere concepts: in that regard, they feel like real people, and have depths as characters (which isn’t so easy to achieve when you’re dealing with what are basically Gods). Perhaps the only character I didn’t really get was Lon-Shan; maybe he would have deserved more screen time?

My conclusion: get this book if you’re at ease with 3rd person narration with several points of view, enjoy vivid descriptions of scenes and battles, want to get a clear visual of what’s happpening, and enjoy diving into plots that involve powerful beings who nevertheless have to deal with human-like problems. If you’re into anime on top of it, you’ll likely enjoy it even more.

Yzabel / June 5, 2013

Review: Showtime

Showtime by Chloe Kayne

My rating: [rating=2]

Summary:

The grandeur of the traveling circus is at its peak in the early 1920s when sixteen-year-old Laila Vilonia is searching for an escape from her bleak future. Behind the gates of the legendary Marvelle Circus, she is thrust into a mysterious world she never knew existed—a paradise populated with outcasts. It’s in this glamorous new home that Laila sparks a controversial romance with notorious sideshow performer, “The Disappearing Man,” and learns just how dangerous her new life can be.

Touring the picturesque eastern coast of America, Laila’s immersed in friendship, vaudeville, festivals, sequins, and serial killers. But behind the curtain, a sadistic plan is brewing that will crack the very foundation upon which she’s become so dependent.

Review:

I wanted to like this book more than I did, because it showed potential. Alas, it just didn’t do it for me in the end.

The author took care of writing vivid descriptions, and those really pull you in, giving a fairly good view of what the circus looked like, the routines its performers went through, and so on. However, there were moments when they interferred with the narrative, slowing it down and making things confusing. I also spotted several misuses of words, which was jarring.

More importantly, while you can tell the author is facinated with her subject and wants us to share this interest, the historical period wasn’t the best choice here. The action takes place mostly in 1918, yet no mention is made of World War I, nor of the impact it was bound to have on circuses (on how many people could afford to attend performances, for instance). The 1900s-early 1910s would’ve been a more logical choice, at least to me. If you don’t care the least bit about historical accuracy, it may not be such a problem, but I couldn’t get past this.

There were a lot of characters—something normal in a circus—and it helped me imagine how life went on there on a daily basis, with everybody’s routines and personal drama; on the other hand, some of them were perhaps given too much spotlight for too little “return on investment” (the story wouldn’t have changed one bit if they had been left out). Also, I think the “Disappearing Man”, and the trick behind his show, should’ve been introduced sooner. The way things went, I felt it odd that everybody talked about the one “dangerous” guy, yet never mentioned the other: they’re all working in the circus, shouldn’t they have known about this?

As for the plot, there were several interesting leads, yet overall it tended to be confusing, with some subplots left dangling in the way (Ethan’s and Jodelle’s never got a proper conclusion); so when some more important things happened, they made me think “oh, yes, true, there was that.” It was hard to picture a clear antagonist, and the one who appeared as the most obvious often behaved, well, too stupidly to leave an impression.

Overall, I’d say this book is worth a pick for its atmosphere and if you like rich descriptions; unfortunately, those weren’t enough for me to go past what I didn’t like in it.