March 2014 - The Y Logs

Yzabel / March 31, 2014

Review: Jack: The Tale of Frost

Jack: The Tale of Frost by Tony Bertauski

My rating: [rating=2]

Summary:

Sura is sixteen years old when she meets Mr. Frost. He’s very short and very fat and he likes his room very, very cold. Some might say inhumanly cold. His first name isn’t Jack, she’s told. And that’s all she needed to know.

Mr. Frost’s love for Christmas is over-the-top and slightly psychotic. And why not? He’s made billions of dollars off the holiday he invented. Or so he claims. Rumor is he’s an elven, but that’s silly. Elven aren’t real. And if they were, they wouldn’t live in South Carolina. They wouldn’t hide in a tower and go to the basement to make…things.

Nonetheless, Sura will work for this odd little recluse. Frost Plantation is where she’ll meet the love of her life. It’s where she’ll finally feel like she belongs somewhere. And it’s where she’ll meet someone fatter, balder and stranger than Mr. Frost. It’s where she’ll meet Jack.

Jack hates Christmas.

Review:

[I got a copy through NetGalley, in exchange for an honest review.
However, that was a few months ago—I totally missed the Archiving deadline—so I don’t know if my copy is actually an ARC, or if it’s exactly the same as the one that was officially published. Apologies for my taking so long to reading the book.]

Rating this book is hard. I read other works by this author, and liked them a lot, but somehow, this one didn’t elicit the same response from me. (I also preferred the first book in this series, Claus.)

There were beautiful things in this story, some of them in their sadness (Frost’s part, Sura), some comical, some that were both (Jack’s time among the humans, their instant rejection and his subsequent obnoxious ways). The plot itself also spins a very particular tale, and if you haven’t read Claus, then you’re going to miss on several details and connections.

I guess the main problem for me was that I felt disconnected from the characters, and would have wanted to get to know them more, “walk” with them some more—especially for the last 20%, when light is shed on several aspects of the plan. Perhaps I also wanted Sura and Joe to play more of a part in it? It’s hard to tell, but it made me feel frustrated.

On the writing side, I noticed a few jarring tense shifts now and then. However, as I said, I don’t know if my copy was the final release, or an ARC, so those may not remain in the published product.

Yzabel / March 28, 2014

Review: Shattered Veil

Shattered Veil by Tracy E. Banghart

My rating: [rating=4]

Summary:

When everything that defines you is stripped away, who do you become?

For Aris, a talented wingjet pilot, war means sacrificing everything: her home, her name, her face—and the one promise she swore she’d never break.

In the small village of Lux, everyone flies wingjets, but nobody flies them like Aris Haan. When she’s not dancing through the skies, she’s spending every minute with Calix, whom she’s loved since childhood. They plan to Promise, but instead he is sent to defend their dominion against a bloody invasion. Determined not to lose him, Aris follows, joining an underground network of women inside the male-only military. Using secret technology that allows her to pass as a man, she becomes “Aristos”, a Flyer in a search-and-rescue unit.

As Aris grows stronger on the battlefield and more comfortable in her guise as Aristos, her personal mission becomes less and less clear. When she and her enigmatic commander, Major Vidar, uncover an astonishing conspiracy that could destroy everything, she must make a choice that will determine not only the fate of her heart, but the future of her dominion.

Review:

[I got an eARC from netGalley some time ago, in exchange for an honest review. In the meantime, the book was officially published, so maybe my version isn’t up-to-date anymore, though.]

This book turned out to be a very good surprise for me. I had read two other novels by the same author, and while I’d certainly not call them bad, they just didn’t really “click” with me. However, I sensed that was probably due to my being somewhat jaded with similar stories, more than to any writing fault; when I read the blurb for Shattered Veil, I thought that maybe this story would do it for me.

Well, it did.

The novel is based on the classical girl-posing-as-a-boy theme, and I liked the way it progressed about it. First, the technology used to do so felt believable to me: more than just binding your breasts and hope that nobody finds out, and less than a perfect disguise, which left room for accidents to happen. (Basically—not a spoiler, as this is revealed early enough—it’s a holographic technology that makes one’s features look more male, but what’s under, curves included, remains the same, and the women still have to talk, walk, behave in as “manly” a way as possible. It’s not just a free pass allowing them to look like whatever they want. The people in charge also take many details into account, including pairing girls together, so that they won’t be found out by a genuine male bunk mate.)

Second, Aris, the main female character, evolved in a way I enjoyed. Scouted by a pilot who saw her amazing flying skills and thought she’d be a great asset to the army, she decides to take up on the offer… for the wrong reason: finding Calix, the boy she loves, and who’s been enrolled in the army. This was her only goal at first, perhaps more potent a motivator for her than her love of flying and the prospect of becoming a pilot, too. This was an annoying goal in my eyes; not that love in itself is bad, of course, but considering the scope of the war, and what might have been going on behind the scenes, it just felt… small. However, Aris doesn’t stop there, and along the course of the story, realises that there’s so much more to this than just being with Calix. There’s more to the world—and more to herself, the girl who was always somewhat coddled in her village because she was left with a limp after a fever.

Another great character in that regard was Dianthe. We don’t see her much, but that woman was definitely the no-bullshit type I appreciate greatly. From the beginning, she treats Aris as a human being, not as a frail girl, making her undergo training—probably what she would have needed back home in order to strengthen her muscles and have her limp less (considering that wasn’t a problem in the army later, it stands to logic that the lack of proper exercise in Aris’s life prior to joining the troops didn’t help). She doesn’t want to hear whining, she scoffs at the girl’s motives, but since those motives can carry her so far, she still gives her an opportunity to be recruited as a pilot, disguised as a man thanks to the “diatous veil” technology. Dianthe was an empowering figure, the first one who really put Aris on the path of becoming her own person, and not the image of her reflected in her parents’ and friends’ eyes.

And Aris definitely grows up. As she spends more and more time in the army, as she befriends other soldiers, including the girl who bunks with her, she starts to open up to other possibilities and opportunities, even though she must seize them under a false identity. She starts to see the bigger picture; to consider her own importance in the Search and Rescue team as someone who saves lives; to discover what she really wants to do; and to accept that it may not be what she wanted in the beginning.

Another good thing in this novel: it was light on the romance. It could’ve easily led to a love triangle, but it didn’t, and I was glad for that. The country’s at war, Aris does her job as a pilot, there’s no nonsense here about dilly-dallying about which love interest to pick (I really don’t like when the stakes are high, but the hero/ine wastes time on romance and clearly can’t prioritise). Aris does prioritise, on top of growing as a person, and that’s why she’s great. Granted, there were a couple of things that made me snort (like that moment when she and her mate talk of Aris’s dream about one of the officers, and one says something like “I haven’t felt like a girl in a really long time”—as if talking about men was a really defining feature of being a girl) but fortunately, such moments were few and far between.

One thing I would’ve liked to see more of, though, was the world-building. The world itself isn’t too hard to grasp (five dominions, each governed by an elected “Ward”), and the sci-fi aspect is light, so it won’t rebuke people who aren’t keen on hard science fiction. There’s a slight dystopian element, in that people are Selected into specific work areas when they become adults, and can’t leave them (being Unselected means very few places will hire you, and so on); also, the Military sector doesn’t allow women in, because of an obsolete law nobody ever cared to repel. I guess I would’ve liked to see more development on that side, as well as on geopolitics as a whole, to shed more light on the Ward of Ruslana subplot. (That subplot made sense and was well-used; I just like to know more in general, to get a proper grasp on a country/world when such a setting is concerned.) And maybe also some more information on how exactly women managed to stay in the army: they used variations on their real names (Aris Haan –> Aristos Haan), so how was this covered? Was some kind of “citizen database” tampered with? (I did say I like knowing more, didn’t I?)

This book is definitely worth reading in my opinion, especially for how it allows its main female character (and others) to walk a road of their own choosing, instead of staying in the little boxes society has put them into.

Yzabel / March 26, 2014

Review: Dark Metropolis

Dark Metropolis by Jaclyn Dolamore

My rating: [rating=3]

Summary:

Sixteen-year-old Thea Holder’s mother is cursed with a spell that’s driving her mad, and whenever they touch, Thea is chilled by the magic, too. With no one else to contribute, Thea must make a living for both of them in a sinister city, where danger lurks and greed rules.
Thea spends her nights waitressing at the decadent Telephone Club attending to the glitzy clientele. But when her best friend, Nan, vanishes, Thea is compelled to find her. She meets Freddy, a young, magnetic patron at the club, and he agrees to help her uncover the city’s secrets-even while he hides secrets of his own.

Together, they find a whole new side of the city. Unrest is brewing behind closed doors as whispers of a gruesome magic spread. And if they’re not careful, the heartless masterminds behind the growing disappearances will be after them, too.

Perfect for fans of Cassandra Clare, this is a chilling thriller with a touch of magic where the dead don’t always seem to stay that way.

Review:

[I got an ARC through NetGalley, in exchange for an honest review. The book not being released yet, some things might be liable to change by the time it hits the shelves.]

3.5 stars. I had my qualms with this novel, but overall it had just the right amount of tension and mystery going to keep me wanting to turn the pages. And, of course, it’s got necromancy. I am always biased towards necromancy. Nothing can go wrong with necro—wait, what am I saying?

Though inspired from Metropolis, I found it to be able to stand on its own, through its mix of 1930-ish atmosphere and magic, the latter not exactly of the nice kind (even the Binding magic has its nasty side-effects). Some scenes bordered on gory and/or disturbing, and could scare younger readers, but they’re also tempered with an overall glitzy darkness, if this makes sense. We’re not given a lot of world-building, only general facts, such as the war that happened a few years ago, food shortages, people having to work in some mysterious factory, the government hiding things; I think this may or may not be a problem depending on the reader. It still worked for me, because it was reminiscent of the historical period that inspired the novel (late 1920-early 1930s Germany), and the feeling I got from this was more important than the absolute need to know everything about that world. Although I would like to know more about what exactly has been happening behind the scenes in other places than the one shown here; maybe in the next volume?

The characters were likeable, but not exceptional. I had the feeling that they were glossed over in parts, and that some events occurred too fast for them to really develop bonds. Freddy and Thea, mainly, barely meet a couple of times before he tells her everything, and this wasn’t so believable. I also found myself rooting for Nan and Sigi more than anyone else, even though Nan is barely mentioned in the blurb and we’re somewhat mistakingly led to believe Thea’s the main heroine. On the other hand, they had touching back stories, and I was still glad to see some sort of closure for them. It made for a bittersweet ending, but I wouldn’t have seen a happy-ever-ending for such a novel.

As for the plot, I found the idea to bring back dead people to life through necromancy brilliant; it’s so simple, it makes so much sense, and at the same time, it’s just so horribly fascinating that you don’t know in the end if you want to hug those people or put a bullet through their eyes, out of mercy, that is. I liked that there was a severe drawback to it, that they needed the serum to function; no magic should go without its price to pay, and Freddie himself was paying it without even knowing it. The other thing I liked about his magic was how it was in fact a good magic, one made to appease people, and not to create undead armies. Arabella’s sacrifice was moving, and helped show that Freddie could also do beautiful things using his powers.

I would however argue that things unfolded a little too quickly and easily in the last part of the book; I would’ve expected more spunk and deviousness from the villains, who went down too fast to my liking. I guess this ties with my comments about events when I mentioned the characters. I’m also rather puzzled about the whole “Guardian of Fate” business; it seemed a bit like a deus ex machina, and could’ve deserved a slightly different approach.

Dark Metropolis is, as said, not devoid of flaws; but its atmosphere and its take on necromancy definitely allowed me to enjoy it.

Yzabel / March 24, 2014

Review: Death Whispers

Death Whispers by Tamara Rose Blodgett

My rating: [rating=0]

Summary:

Almost fifteen-year-old Caleb Hart is a Cadaver-Manipulator in the year 2025. When teens receive a government-sanctioned pharmaceutical cocktail during school, paranormal abilities begin manifesting… making the teens more powerful than the adults.

After Caleb discovers he has the rare, Affinity for the Dead, he must do whatever it takes to hide it from a super-secret government agency whose goal is exploitation.

Caleb seeks refuge in his new girlfriend, Jade, until he realizes that she needs as much protection from her family, as he does from the government.

Suddenly, Caleb finds that hiding his ability while protecting Jade and his friends is a full time job; can he escape the government, protect Jade and lose the bullies that are making him miserable?

Review:

DNFed at 42%. I can’t trudge through it any longer, not without booze, and I guess this is a sure sign I shouldn’t go on.

I wanted to like this story so, so badly. You can’t imagine. Necromancy is exactly the kind of magic (or, more generally, power) that fascinates me, for all the possibilities it offers and questions it raises, and from the blurb, I thought I would love this story. Even the acronym for Caleb’s ability (AFTD – Affinity For The Dead) got my attention.

But I just can’t, for the following reasons:

Juvenile prose, for starters. Granted, the narrator is supposed to be 13-14, However, the jumbled thoughts, run-on sentences and limited vocabulary still made it hard to go through the story. Some sentences were also really weird:

“Mom liked to notice me growing by saying my eyeballs were “taller” than whatever random day she had noticed before.”

Huh?

Too much useless dialogue and everyday life scenes. Those needed serious trimming. I don’t demand action and only action, but I really don’t need to know about every breakfast food, teenage thought, phone (sorry, pulse) conversation, and so on. There’s a fine line to tread between “characters who’re still schooled yet are never seen in class/doing homework” and “detailing every school day”. Here, it was just too much of the latter. On top of it, Caleb’s observations weren’t particularly interesting.

Annoying characters, especially Jonesy. Jonesy wasn’t funny nor clever. He was just the kind of moronic teenage boy who’s probably going to earn a Darwin Award someday. From the start, I just couldn’t stand him. With such friends, who still needs enemies?

And then, then: Too Stupid To Live characters. The whole lot, adults included.

The premise seems to be about Caleb not wanting to end up like the one guy who had exactly the same abilities as him (basically, this would mean being stripped of all his freedom and human rights, and be used as a government tool). So why, why does he have to blab about it to everyone, and show off his power? In the most idiotic ways possible?

He faints in biology class due to “hearing” all the dead frogs. However, he doesn’t want the two school bullies to think he’s a sissy. What does he do? Take them to the local cemetery and raises some random bloke from his grave.
The guys are bullies. They never miss an opportunity to taunt him. Worst people ever to show off to.

He raises a dead dog in the middle of the street. With plenty of witnesses around.

“A cop’s interest in our lives couldn’t be a good thing, whatever angle you look from.”

Oh, really?
Then why did you tell said cop about his being AFTD?

“Garcia looked at Mom thoughtfully. […] I decided to man-up, I wasn’t little anymore.
I broke the silence. “I have Affinity for The Dead.””

A cop. Not a bad guy overall, but still, someone whose duty involves reporting people like Caleb:

“If I find out you’re a Cadaver-Manipulator, we are lawfully bound to report that to the proper authorities.”

And it’s not only Caleb. It’s everyone.

Jonesy doesn’t seem to grasp the basic concept of “talking about Caleb’s abilities could mean the government finding out”. Of course, he flaps his mouth in front of Caleb’s parents and the cop:

“Jonesy piped in, “I still wanna know what happened to the dog.””

(Caleb did a mental facepalm; so did I.)

The two bullies? They don’t rat Caleb out. Seriously, if I had been a villain, and disliked some guy like they seemed to dislike him, I’d have used that golden opportunity to get rid of him.

His parents: they’re supposed to be the growns-up. His father’s the one who mapped up the whole human genome, thus paving the way to the tests and injection that would later awaken latent abilities in teenagers. Like Parker (the first AFTD). Like Caleb. I expected much more from them. They didn’t deliver.
Example: they want to test his abilities. The best course of action they devise is to take him to the cemetery to talk to his great-grandmother, and potentially, raise her from her grave (by the time it happens, they already suspect he’s not just the basic AFTD kid who can merely see and talk to ghosts).

“Mom began, ‘We’ve thought about it and decided that after this whole mess is over,’ her smile said the mess wasn’t my fault […]”

I’m sorry to break the news to you, Caleb, but yes, it is. It is your fault. At this point, you’re too stupid to be left running free, because who knows what harm you could do, considering the dumb ideas you and your pals could still come up with?

A wonder he hasn’t been discovered/ratted out already. I won’t find out on my own, though. I’m giving up.

Yzabel / March 23, 2014

Review: The Wizard’s Promise

The Wizard’s Promise by Cassandra Rose Clarke

My rating: [rating=2]

Summary:

All Hanna Euli wants is to become a proper witch – but unfortunately, she’s stuck as an apprentice to a grumpy fisherman. When their boat gets caught up in a mysterious storm and blown wildly off course, Hanna finds herself further away from home than she’s ever been before.

As she tries to get back, she learns there may be more to her apprentice master than she realized, especially when a mysterious, beautiful, and very non-human boy begins following her through the ocean, claiming that he needs Hanna’s help.

Review:

[I got an ARC through NetGalley, in exchange for an honest review. A few things are liable to change in this book by the time it is officially published.]

I can’t say I didn’t like this novel, but I also know it won’t leave me with a lasting impression either. I reckon this is partly because a lot of time in it is spent on sea, travelling on fishing boats, and nothing really happens. There were a few events now and then, but they felt somewhat distanciated, as if they had been put here for something to break the monotony of the journey(s).

The one thing that definitely annoyed me in The Wizard’s Promise was its approach of “mystery for the sake of mystery”, which in one case even led to what I couldn’t help but see as a plot hole. Hanna finds herself on a journey to the north, not knowing why her captain, Kolur, is going there, and merely wanting to go home (understandably: as much as going on an adventure can be exciting, just sailing north without any inkling as to why she’s here, not even having been able to warn her parents about it, isn’t that appealing). This was the first problem: Hanna didn’t know, so she kept asking Kolur, Kolur kept not answering and/or changing topics, so hanna got angsty about it, which in turn make her appear as childish. Rinse and repeat. When at last she gets some answers, of course it’s too late to just turn back and head home.

The second problem was why Kolur brought her with him, and here’s the plot hole for me. There was basically no reason, except “if I had gone back to port to leave you at your parents’ first, I would’ve missed my window of opportunity.” If there was any other reason, then I definitely missed it. Not once did I get the feeling that Kolur needed Hanna’s presence and/or her magic (Frida filled the roles of both sailor and wind witch, putting hanna out of a job, and she went on board early in the story). When Hanna decided to seek work on another fishing vessel, weeks went by, and Kolur never once tried to convince her to come back. So, for me, he didn’t need her at all. Which leads me to ask, why keep her with him? Their first stop, Skalir, was only a few days from Kjora, where Hanna lives with her parents; since Kolur “recruited” Frida in Skalir, why not simply tell Hanna “listen, girl, I shouldn’t have brought you with me, I’m sorry; there’s something I need to do in the north, if you don’t want to come with me, I understand, I’ll put you on the first ship bound for Kjora and you can go back to your parents’.” Then, there’s Isolfr. He needs her, all right, and considering who he turns out to be, it makes sense. Still, it only works because Kolur kept Hanna on board for no reason. Thus, plot hole.

On the other hand, I liked the world developed in the novel. I haven’t read The Assassin’s Curse (by the same author, and set in the same world, from what I understood from the narrative), so maybe a reader who already knows it won’t perceive it the same way I did. In my case, I liked the way magic seemed to work, the way the names sounded (Kjora, Skalir, Isolfr…). Also, the people of Tulja looked overall like decent people, who didn’t make a distinction between men and women as long as one was able to pull his/her share of the work. They would’ve had every reason for throwing Hanna out, yet showed understanding, especially Finnur and Asbera; these two were definitely sweet and welcoming, and provided a good, kind counterpart to the apparent coldness of Kolur and Frida.

Overall, more a 1.5*, but since I did like some of the characters, and found reading about them pleasant, I’m making it a 2.

Yzabel / March 22, 2014

Review: The Midnight Witch

The Midnight Witch by Paula Brackston

My rating: [rating=2]

Summary:

“The dead are seldom silent. All that is required for them to be heard is that someone be willing to listen. I have been listening to the dead all my life.”

Lilith is the daughter of the sixth Duke of Radnor. She is one of the most beautiful young women in London and engaged to the city’s most eligible bachelor. She is also a witch.

When her father dies, her hapless brother Freddie takes the title. But it is Lilith, instructed in the art of necromancy, who inherits their father’s role as Head Witch of the Lazarus Coven. And it is Lilith who must face the threat of the Sentinels, a powerful group of sorcerers intent on reclaiming the Elixir from the coven’s guardianship for their own dark purposes. Lilith knows the Lazarus creed: secrecy and silence. To abandon either would put both the coven and all she holds dear in grave danger. She has spent her life honoring it, right down to her charming fiancé and fellow witch, Viscount Louis Harcourt.

Until the day she meets Bram, a talented artist who is neither a witch nor a member of her class. With him, she must not be secret and silent. Despite her loyalty to the coven and duty to her family, Lilith cannot keep her life as a witch hidden from the man she loves.

To tell him will risk everything.

Spanning the opulence of Edwardian London and the dark days of World War I, The Midnight Witch is the third novel from New York Times bestselling author Paula Brackston.

Review:

[I received an ARC through NetGalley, in exchange for an honest review. This not being a published copy, a few things may change in the final version of the novel.]

I had a bit of a hard time getting into the story at first, as the style felt a little too convoluted at times, and the whole present tense + 1st/3rd person POV shifts weren’t needed in my opinion.

Contrary to what usually happens with such stories, I ended up liking the romance part better than the witches one. It wasn’t particularly original—a young woman from a very conservative background, betrothed to a young man from an equally conventional background, falls in love with a a starving artist, and finds herself torn between what society dictates and what her heart truly wants. Though there’s chemistry between Lilith and Bram from the beginning, I thought their relationship progressed in a believable way, and that their fears and questioning about said relationship were understandable, considering the place and time period. Again, it wasn’t very original in itself, no surprises here, but it still worked, unlike too many romance plots I’ve seen in the past couple of years. Also, bubbly Charlotte wasn’t an important character, but I liked her way of being. Same with Gudrun; blunt, haughty, yet to-the-point Gudrun.

The witches-related plot, on the other hand, made me roll my eyes several times, because I couldn’t believe how the ninnies had managed to actually survive for so long. Here we have an ancient coven full of necromancers (nice ones, who only speak to the dead and don’t try to raise them every Saturday evening), but they didn’t do much, and didn’t seem very organised. That part (i.e. half the novel) seemed to rest on inconsistencies and deus ex machina, and it didn’t work for me at all. A few examples:
* When it’s time for Lilith to officially become Head Witch, someone in the coven challenges her to prove her worth. The challenge, as per the coven’s rules, is to summon then send back a demon, something that is considered as very hard and dangerous, and ended in the death of more than one witch in the past when the demon went on a rampage. For starters, why was this even a trial? Shouldn’t a coven leader realise that stooping down to this isn’t a very wise solution? Why was this rule still in effect, and not replaced by something difficult, but that may not end up with people dying?
* The challenger was a spy from the Sentinels, a group of enemy sorcerers. Everyone was wearing masks, and he had disguised his voice, so they didn’t know who it was. The senior witches decide to investigate and see who joined their coven in the past years, to try and find the spy. Then… Nothing.
* At some point, Lilith learns the name of her enemy. At least another member of the coven knows, too, because said enemy tries blackmail on that person. Were the other witches ever informed? If no, why? If yes, why didn’t they do anything?
* Very early in the story, Lilith finds herself haunted by a spirit. Why didn’t the coven band to destroy it? Lilith only enlisted the help of ONE witch. As if that would work.
* A first hard strike against Lilith. Someone dies. Then the war happens, and the enemy… does nothing to press his luck and gain some more ground.
* The Elixir, the one that can resurrect people and that the Sentinels so badly want, is on the verge of being stolen. It’s World War I: suddenly a bomb falls on the house. The thief and his acolytes die. Convenient.
* Lilith must keep the coven a secret from non-witches. But she reveals things easily enough to her lover. No wonder some deemed her unsuitable to be Head Witch.
There were other inconsistencies, and making a very detailed list would be tedious, so I’m going to stop here.

In general, I found the “nice witches” way too bland and passive. They had that whole coven, that power, they knew who their enemy was, they could’ve struck him, could’ve done, well, anything but they didn’t. They just seemed to wait in the background, wait for something to happen, not making moves of their own. I couldn’t understand why. (The matter of fragile balance or whatever else might have justified non-interference wasn’t raised, so I assumed it wasn’t an issue.)

I wish I had liked this novel more, but alas, it didn’t happen.

Yzabel / March 21, 2014

Review: The Cleansing

The Cleansing by Sam Kates

My rating: [rating=3]

Summary:

Apocalypse unleashed, the Cleansing begins. Relentless. Survival, uncertain.

Seven billion people inhabit this world, unaware our destruction is at hand. Death arrives unheralded—swift and nearly certain—not from meteors or nuclear holocaust or global warming, but from a source no one even knows exists.

The architects of doom have moved among us, hidden in plain sight, waiting for the signal to trigger our extinction.

Blindsided, humanity falls. A handful of survivors, bewildered and grief-stricken, must face the new reality, and quickly. For while the Cleansing threatens our existence, it is only the beginning…

Review:

(I got an e-copy of this book through NetGalley, in exchange for an honest review.)

3.5 stars.

An interesting twist on the more traditional post-apocalyptic “a deadly catastrophe wipes off humanity, only a few hundreds/thousands survive”… because this time, the survivors are mostly the ones who were responsible for said catastrophe (and this isn’t a spoiler: we learn about it in the first couple of chapters). We’re clearly given both sides here: that of the “poor” human survivors, and that of the group who engineered everything, and was thus organised enough beforehand to be able to breeze through the aftermath.

I liked how the story made me question a lot of things. What we take for granted. The reasons behind the decision of the “bad guys”. How some of them may not be so far away from humanity as they like ot think. I suspect the latter aspect will be explored more in the next installment, or at least I hope so, as it’s something I found quite intriguing. The characters of Troy, Diane and Milandra come to mind. Troy being too trigger-happy in his mission, for a supposedly non-violent being; Diane showing no emotion, no signs, and being exactly the kind of person who might or might not snap in the end; and Milandra, the one who gave the order, yet still tries to protect the one guy who didn’t obey. It seems to me that thousands of years spent among the “drones” have taken their toll, and it made me wonder: how many others are going to have second thoughts, in spite of having carried the order and followed the plan so far?

On the downside, the writing was sometimes a little too dry, and I found it hard to connect with the characters, which in turn made it harder to actually care for them. For quite a few chapters, we see them in their mundane lives, or going through the apocalypse, but mostly I wouldn’t feel very invested in them. I also thought part of the explanation, given throughout the second half of the novel, tended to veer into info-dump territory (just a couple of times, fortunately). The setting also makes up for bleak prospects for the human race—but then, it depends on whether one wants to read a story full of hope in the wake of adversity, or indeed read something about a dark future, in which case The Cleansing definitely delivers.

Yzabel / March 18, 2014

Review: The House of Hades

The House of Hades by Rick Riordan

My rating: [rating=3]

Summary:

At the conclusion of The Mark of Athena, Annabeth and Percy tumble into a pit leading straight to the Underworld. The other five demigods have to put aside their grief and follow Percy’s instructions to find the mortal side of the Doors of Death. If they can fight their way through the Gaea’s forces, and Percy and Annabeth can survive the House of Hades, then the Seven will be able to seal the Doors both sides and prevent the giants from raising Gaea. But, Leo wonders, if the Doors are sealed, how will Percy and Annabeth be able to escape?

They have no choice. If the demigods don’t succeed, Gaea’s armies will never die. They have no time. In about a month, the Romans will march on Camp Half-Blood. The stakes are higher than ever in this adventure that dives into the depths of Tartarus.

Review:

I liked this one better than The Mark of Athena, though I still keep finding flaws in it—so no higher ranking from me here.

What I liked:

* Nico. I’ve always had a soft spot for the poor kid, who sure wasn’t the strongest demigod in the Percy Jackson series itself, went through his lot of crap, and ended up so lost, confused and convinced he couldn’t trust others, that he did everything alone… thus ending up even more isolated. But he’s strong in his own way—I guess walking alone for so long does make you grow no matter what. In this book, we also get to see at last something that had been plaguing him, and I just found that great (even though I have my qualms about it, too; see below). You know what? I want THIS GUY, yeah, the son of Hades, the one with the permanent circles under the eyes and gloomy aura of doom around him, to get his love interest in the end. I know it’ll never happen, but trust me, if I were into writing fanfiction instead of stories about my own characters and worlds, I’d do exactly that for him.

* Bob. (Now I need to read the Demigod Files, because I had absolutely no idea who he was, and wondered if I had missed a chapter somewhere in a previous book.) Also Damasen. I found it really interesting that those characters not being total evil guys happened in Tartarus, the very pit of despair, and a hellish setting to boot. It gets to show that the best can happen in the darkest moments. Anyway, how couldn’t I like a Titan janitor with a broom-o’-doom and a half-skeleton calico cat? (Granted, I tend to like things that are over the top, at least from time to time. Especially in darker settings.)

* The darker setting. As much as I liked Percy’s levity in the first series, the heroes are grown-up now, so it makes sense to see them confront darker events and monsters.

* Leo and Calypso.[Leo and Calypso. (hide spoiler)] A relationship I didn’t expect, and that was a nice break from the old Percabeth or Jasper (Pison?). Though it removed some tension from the Frank/Hazel pairing, but it’s not like Leo/Hazel would’ve happened anyway. I guess.

What I didn’t like:

* Nico. Oh why, why couldn’t we have chapters from his PoV from the beginning? Sure, it would’ve spoilt the bomb, but… but… I’m sure he’d have been more interesting than Jason. (Who, by the way, accepts the Big Reveal about him a little too easily. It’s a nice lesson in tolerance, but it feels exactly like that, like a lesson, and not as a 100% human reaction.)

* Jason is still his bland self. I’ve never been able to relate to him, and I still can’t here. So, all right, the guy’s got trouble conciling his Roman training with what he lived with the Greek demigods, and doesn’t know where he belongs anymore… but it’s just not working for me.

* It’s the same old formula, and even though I liked it in the beginning, I’d also appreciate seeing something else at some point. Also, nobody dies. They go to freaking Tartarus, yet nobody dies. No pressure. No tension. No worry on my part about who’s going to make it and who will be left behind. Although I admit that if in the next book, the one who dies is Nico, I’ll be one very, very frustrated girl.

* The enemies are as dumb as ever, and always get tricked the same way. I suppose it’s the only way, considering brute strength would never work against giants and immortal monsters, but… OK, Nyx. Come on? Nyx. *facepalm*

Yzabel / March 17, 2014

Review: TimeRiders

TimeRiders by Alex Scarrow

My rating: [rating=2]

Summary:

Liam O’Connor should have died at sea in 1912.

Maddy Carter should have died on a plane in 2010.

Sal Vikram should have died in a fire in 2029.

Yet moments before death, someone mysteriously appeared and said, ‘Take my hand . . .’

But Liam, Maddy and Sal aren’t rescued. They are recruited by an agency that no one knows exists, with only one purpose – to fix broken history. Because time travel is here, and there are those who would go back in time and change the past.

That’s why the TimeRiders exist: to protect us. To stop time travel from destroying the world . . .

Review:

I was reading this one for a group read, but since I had time to finish it today instead of dumbly waiting for tomorrow to roll in, well…

I’m not sure if it should be a 1* or 2* for me. Let’s say 2, for the Terminator shout-outs, which made me smile (I watched T1 and T2 when I was in middle school, and I still have fond memories of those), for the couple of good things I liked, and because I didn’t actually want to throw the book through the window. In fact, I think it could be nice for a younger audience—maybe 7th graders—because if you don’t pay attention to the plot holes, well, the story has the potential to be a fast, entertaining read (though a bit frightening and gruesome in parts for the really young readers out there).

The characters weren’t particularly well-developed, but neither were they insufferable, and I appreciated the plot not being bogged down by the useless romance I see rearing its head in too many YA novels. However, the plot holes are what sunk this book for me. It’s dealing with time travel, a very, very tricky subject, and one that is really not so easy to master. As soon as it enters the game, it brings its lot of questions: what’s the science behind it, what about paradox, what happens if a character meets him/herself from the past, and so on. Unfortunately, TimeRiders didn’t deal well with that in my eyes.

Here’s an example: the characters live in a sort of “bubble”, from which they observe the same two days in time. Within the bubble, they age normally, but every couple of days, the world around them is reset, and reverts back to what it was at the beginning of their observation period. One of the characters’ role is to stay outside, keeping an eye for whatever may be different, a sure sign that a shift has occured somewhere in history, and report it to the others so that the team’s analyst can locate the problem, and the actual timr-travellers can go there to fix it. However, there’s no explanation as to why this character isn’t affected by huge time shifts. At some point, the whole world is destroyed, so her parents can’t have been born to give birth to her later, so why does she still exist? That kind of problem is never really addressed nor explained. I would’ve been content with something as simple as “once you’re plucked out of time, you can’t be affected by shifts anymore for [insert whatever reason]”, but I don’t even remember seeing that.

Another thing I wondered about was the whole time agency business. The teenagers are never introduced to it, except through what Foster tells them about it; no other team is ever seen or even mentioned; and I had the feeling that it didn’t really exist, that those three kids and their old mentor were the only ones in the world. Maybe this will be explained in book 2 or 3, I don’t know; still, considering this is the book in which the characters are trained for their missions in time, it would’ve made sense to give us more information about that, to make us actually hear about other teams. (Again, I could’ve gone with a short explanation, maybe a rule such as “each time is assigned to a given time period and forbidden to talk to the others, for fear of time paradox.” Whatever.)

Not the worst story I’ve read so far, but consider it a 1.5 on my scale, not more.

Yzabel / March 14, 2014

Review: Emilie and the Sky World

Emilie and the Sky World by Martha Wells

My rating: [rating=2]

Summary:

A Girl’s Own Adventure in the spirit of Jules Verne.

When Emilie and Daniel arrive in Silk Harbor, Professor Abindon, an old colleague of the Marlendes, warns them that she’s observed something strange and potentially deadly in the sky, a disruption in an upper air aether current. But as the Marlendes investigate further, they realize it’s a ship from another aetheric plane. It may be just a friendly explorer, or something far more sinister, but they will have to take an airship into the dangerous air currents to find out.

Emilie joins the expedition and finds herself deep in personal entanglements, with an angry uncle, an interfering brother, and an estranged mother to worry about as well as a lost family of explorers, the strange landscapes of the upper air, and the deadly menace that inhabits the sky world.

Review:

(I got an ARC copy from NetGalley. At the time, the book wasn’t published yet, but it took me some time to get to it. Some things may have changed between the version I have, and the actual, final version.)

One thing I have to get out of the way: I didn’t read Emilie and the Hollow World, the first installment in this series. Although each story seems to be self-contained, it was obvious that some elements from book #1 permeated book #2, partly through brief recapping here and there; and so I may or may have not missed a few things.

This story follows a classical adventure format, its world and themes reminiscent of classical works as well (the—lovely—cover, among other things, made me think of the old Jules Vernes books I had when I was a child). Airships, explorers, scientists with a dash of magic to their craft, and young people wanting part of the big adventure: these can and will certainly appeal to a younger audience. Bonus points, also, for the aether-ship creature, who truly was alien (not humanoid, as in too many novels), and for including the communication/language barrier. I tend to be highly skeptical of “aliens” with whom communicating is awfully easy in every aspect.

On the other hand, I found the story easily predictable (the missing expedition mentioned in the first chapters of the book was kind of a giveaway), and I think even younger readers would have the same feeling. The chapters leading to getting into the aether currents were too slow to my liking; I guess I wanted the Big Adventure to start faster—that’s why I pick adventure stories. (As I mentioned, I didn’t read book #1, but I suppose someone who has would want things to start faster?)

But those are smaller qualms: after all, sometimes we just want predictable, and in such genres, it’s not that much of a problem per se. The real issue for me were the characters, whom I just didn’t connect with: they felt brushed over, shown on the surface only, when clearly something deeper was going on for some of them, and I would’ve liked to see more in that regard. Emilie struck me as too mean and petulant regarding her brother; granted, they seemed to share history, but they’re still young (Efrain must be, what, 10?), and it was weird, because they somehow felt like they shared twenty years of resentment. As a result, Emilie wasn’t particularly likeable—at least, not like the adventurous, smart and resourceful girl I imagined her to be when I started reading. Same with the Professor and Miss Marlende: the tension between them was never really explained (though I could feel very early who they were), and it would’ve been interesting to know how exactly things became that way.

In itself, it was a fairly nice story, but one I’ll probably forget fast.