Yzabel / May 31, 2014

Review: California Bones

California BonesCalifornia Bones by Greg Van Eekhout

My rating: [rating=4]

Summary:

When Daniel Blackland was six, he ingested his first bone fragment, a bit of kraken spine plucked out of the sand during a visit with his demanding, brilliant, and powerful magician father, Sebastian.

When Daniel was twelve, he watched Sebastian die at the hands of the Hierarch of Southern California, devoured for the heightened magic layered deep within his bones.

Now, years later, Daniel is a petty thief with a forged identity. Hiding amid the crowds in Los Angeles—the capital of the Kingdom of Southern California—Daniel is trying to go straight. But his crime-boss uncle has a heist he wants Daniel to perform: break into the Hierarch’s storehouse of magical artifacts and retrieve Sebastian’s sword, an object of untold power.

For this dangerous mission, Daniel will need a team he can rely on, so he brings in his closest friends from his years in the criminal world. There’s Moth, who can take a bullet and heal in mere minutes. Jo Alverado, illusionist. The multitalented Cassandra, Daniel’s ex. And, new to them all, the enigmatic, knowledgeable Emma, with her British accent and her own grudge against the powers-that-be. The stakes are high, and the stage is set for a showdown that might just break the magic that protects a long-corrupt regime.

Review:

(I got an ARC through NetGalley, in exchange for an honest review.)

3.5/4 stars, I can’t exactly decide, but let’s say 4, because I really liked the world depicted in this book.

Somewhere at the end of the 19th century, or in the early 20th century, California cut ties with the rest of the USA. North and South are now separate “kingdoms”, the southern one being giverned for a century by the mysterious Hierarch and his six closest associates. In itself, the back story behind this isn’t extremely developed, but for once, it didn’t matter for me, because the atmosphere permeating fascinated me, and in the end, I found this more important. (I tend to forgive such aspects in fantasy more than I do in dystopian stories, probably because of the magic factor: if there’s magic and supernatural beings, the world isn’t totally our own, and there’s more leeway for alternate history and various changes.)

I must say I loved the magic developed here: consuming bones from a creature allows a sorcerer (called osteomancer) to temporarily gain characteristics from said creature. The more is consumed, the stronger the magic, and some, like the main character, are so permeated with essence from such beings that they can call upon them at will, or almost. There’s something both gross and fascinating in this, similar to what gets my interest in stories where necromancy is concerned. Consuming bones is a large paved way leading straight to cannibalism: why wait until the creature is dead, after all? And, of course, why only consume animals? Readers who don’t like such themes will likely not feel at ease with what happens in this novel. I, well, I kept reading, wanting to know more about how this worked, about how far some people were ready to go.

The setting, the city, felt like a mix of strange glamour and disgusting practices, a combination that usually works for me. People living under delusions fuelled by the glamour magic of an old sorcerer named Disney, whose amusement parks keep visitors half-drugged with false beauty, and are one of society’s backbones. Lively markets full of conmen and thiefs, having to eke a living under the nose of the wealthy ones working for the “government”. Black market, osteomancy being both a tool of power and one that will get you hunted, because you never know when someone more powerful decides it’s time to consume more… substance. Though the descriptions weren’t very long, they were of a kind that made me able to easily picture the streets, the canals, all the places the characters went through, and to me, this world was a vivid one.

The heist itself is of the classic kind, so I’d say it depends on what a reader is looking for here. If one is familiar with such stories and has read a lot, it may not be surprising, and may even appear as predictable. However, if this is the formula one is looking for, for the sheer pleasure of seeing the heist being prepared and carried on, or if one hasn’t read/seen too many stories of that kind, it could be a very different experience.

I really liked this novel, but two caveats, still. First, while it was permeated with that morbid fascination born from osteomancy, I feel it could have been more developed when it came to some aspects. Quite a few times, I realised I wanted to know more, more, more. Some things I could infer, some others I never got an answer to. Second, the story rests on atmosphere, world-builging, and on the heist itself; in comparison, the characters’ motives weren’t always clear, and their personas sometimes seemed simplistic. Again, it probably depends on what one is looking for. I was looking for a heist and a strange kind of magic, not for very deep exploration of every single human psyche involved, but if I had been, I guess I would have liked the novel less than I did.

This is a rich world, in any case, and one that deserves being written about some more. If there’s to be a sequel, I’d definitely pick it.

(Note: there were a few typos here and there. Since this is an ARC and not a published copy, though, those will hopefully have been corrected by the time it hits the shelves.)

Yzabel / May 27, 2014

Review: Hexed

HexedHexed by Michelle Krys

My rating: [rating=1]

Summary:

A stolen book. A deadly plan. A destiny discovered.

If high school is all about social status, Indigo Blackwood has it made. Sure, her quirky mom owns an occult shop, and a nerd just won’t stop trying to be her friend, but Indie is a popular cheerleader with a football-star boyfriend and a social circle powerful enough to ruin everyone at school. Who wouldn’t want to be her?

Then a guy dies right before her eyes. And the dusty old family Bible her mom is freakishly possessive of is stolen. But when a frustratingly sexy stranger named Bishop enters Indie’s world, she learns that her destiny involves a lot more than pom-poms and parties. If she doesn’t get the Bible back, every witch on the planet will die. And that’s seriously bad news for Indie, because according to Bishop, she’s a witch too.

Suddenly forced into a centuries-old war between witches and sorcerers, Indie is about to uncover the many dark truths about her life—and a future unlike any she ever imagined on top of the cheer pyramid.

Review:

(I got an ARC through NetGalley, in exchange for an honest review.)

I really can’t say I enjoyed this book. It reads easily, and there were a few good ideas, and a particular twist that was clever (though extremely cruel, too), but mostly I found the characters bland at best, and the plot weighed down by the romance.

The good things:

* Cheerleader-turned-witch. I found this specific idea amusing, because it could have led to a lot of interesting situations. You expect the goth girl to turn witch. But the popular cheerleader, under everyone’s scrutiny, the one for whom the slightest faux-pas looks like committing social suicide? There’s some potential, I say.

* Witchcraft. I like witches. And magic. Simple as that.

* Bishop’s take on life: “Might as well joke, rather than dwell on the bad things and mope.” I like that.

But.

Indigo:

I had absolutely no sympathy for that character. I’d like to say I warmed up to her after a while, but at best, I must’ve felt some vaguely lukewarm sensation, somewhere in that thing people call heart. I found her incredibly self-centred, insensitive, callous, and condescending. She fancied herself a “decent” person, compared to Bianca, the jealous so-called best friend turned frenemy; however, to me, this was just one big delusion on her part. So she wasn’t a Bianca, but she was just as bad in many other ways, especially in the way she treated Paige. Paige, her neighbour who for years tried to be her friend; alas, poor Paige, you’ve always been too nerdy to Indie’s taste, and so she kept giving you the slip. Until, of course, Indie realised her friends weren’t friends, her boyfriend was a douche, and so she turned to Paige—with all the condescension she could muster, that is:

Paige shakes her head. “Where’s Bianca? Why isn’t she helping you?”
Oh. It’s like that now? You’d think the girl would recognize a bone when one was being thrown.

Except that Paige had started making other friends. The gall! The nerve! How dare you, Paige?

Tears prick my eyes. Of course she has a friend now. Of course she has plans. What did I think, that I could push and push her away and she’d always be there, waiting for me in case I ever got bored of Bianca?

At least she somewhat acknowledges it, but it’s going to take much more to make you a good girl, Indie.

Douches and doormats:

Bianca’s a douche. Stupid Boyfriend Is Stupid, I mean Devon, is a douche. When Indie finds him cheating on her with Bianca—that was so predictable, by the way—and finally stops looking at him as if he was the best thing in the world since cheesewire, Devon is devastated, because, you see:

“You still up for homecoming?”
[…]
Don’t mean to be pushy. I asked around, but everyone good already has a date now.”

Yeah, ditch the guy. At least that was one good decision.

I wish Paige had given her the finger, too. Looks like Paige’s the most decent one in the bunch, and with an ability to forgive. Only to be treated, I wouldn’t say like crap, but as expendable.

Jezebel, too. Way to let people die because you can’t be bothered saving just one more person when you have the upper hand, and are holding your enemy by the balls. If all witches are like her, I’m almost tempted to cheer on the bad guys instead.

Bishop… Not so much a douche, he was actually fairly decent, after a while. Nevertheless, the constant creepy-joker act slowed things down.

Decisions that make absolutely no sense:

Mum’s uber important Witch Bible has been stolen, and Indie promises she’s going to get it back. OK. She has no idea where to start looking. OK again. There was that shady guy, earlier, who helped her with her Mum after a bookshelf fell on her, and who seemed to know about the Bible… Hmmm, shady, all right, but at least it’s a lead: let’s drive around trying to find the guy, who anyway seems to have a knack to stalk Indigo. Might as well use the stalker’s skills against himself, right? So Indie drives around, with Paige in tow. They find the guy. And…
… Banter. Banter, semi-flirting, banter. Pointless dialogue. LOL-I-ain’t-telling-you-much. Followed by “well, let’s go to Jarrod’s party.” I thought retrieving the Bible from the bad guys’ hands was important. I must’ve been mistaken.
I might have forgiven it, if only it hadn’t been one blatant plot device, just for Indie to walk on Devon sleeping with Bianca and make her realise what an idiot Mr. Boyfriend was. Couldn’t this happen in a different way?

They drag Paige along when it comes to attacking the Bad Guys. Because bringing the human girl, the one without any powers, to a fight between witches and sorcerers is the best way to ensure her safety. It’s not like collateral damage could happen. It’s not like someone could notice her and, I don’t know, take her hostage later.

There’s also lot of wandering around, because they need a “quiet place” to talk. The Hollywood sign at night is sure a quiet place, but, again, wasn’t time of the essence?

And it may just be me, but I thought the Priory wasn’t so… active. It was quite nice of them to give Indigo one whole week to mourn her mother, but frankly, since they were the ones who took said mother hostage and then killed her, why waste time? Go hit Indie while she’s down.

Powers and training:

Well, yes, I’d have wanted to see more “witch in training”, more moments when Indigo would grow into her powers, do something with them. I wasn’t asking for anything spectacular, but she really doesn’t do much at all, and so she ends up as the whiny Damsel In Distress throughout the second part of the book.

Romance:

Not played well here in my opinion. I’ll appreciate a romance that develops… when characters have time for that. Here, the situation was kind of urgent, Indie could’ve been attacked at any moment, yet so much time was wasted on flirting and such. In turn, I felt that the plot was being held back in order for the romance to take place. The contrary would’ve been more interesting, and more believable.

So, well… I wish I had liked this one. I was really eager to read it. In the end, unfortunately, it just didn’t work at all for me.

Yzabel / May 26, 2014

Review: The Butcher

The ButcherThe Butcher by Jennifer Hillier

My rating: [rating=3]

Summary:

A rash of grisly serial murders plagued Seattle until the infamous “Beacon Hill Butcher” was finally hunted down and killed by police chief Edward Shank in 1985. Now, some thirty years later, Shank, retired and widowed, is giving up his large rambling Victorian house to his grandson Matt, whom he helped raise.

Settling back into his childhood home and doing some renovations in the backyard to make the house feel like his own, Matt, a young up-and-coming chef and restaurateur, stumbles upon a locked crate he’s never seen before. Curious, he picks the padlock and makes a discovery so gruesome it will forever haunt him… Faced with this deep dark family secret, Matt must decide whether to keep what he knows buried in the past, go to the police, or take matters into his own hands.

Meanwhile Matt’s girlfriend, Sam, has always suspected that her mother was murdered by the Beacon Hill Butcher—two years after the supposed Butcher was gunned down. As she pursues leads that will prove her right, Sam heads right into the path of Matt’s terrible secret.

A thriller with taut, fast-paced suspense, and twists around every corner, The Butcher will keep you guessing until the bitter, bloody end.

Review:

(I got an ARC through NetGalley, in exchange for an honest review. Quotes liable to change upon publishing.)

From now on, I’m going to maintain that this book was classified in the wrong genre.

Let’s be upfront: as a thriller, I’m giving it 2 stars, and that’s being kind. It didn’t keep me on the seat of my edge. It didn’t give me, well, the thrills. The mystery wasn’t so well-done, and rested upon a lot of coincidences, such as people stumbling upon others in the middle of a conversation. I see what the author did here: revealing who the killer is in the beginning (seriously, you know who it is in chapter 1), and stressing the “why”, “how” and “will they take the fallout” aspects, rather than the “whodunnit” one; I’m not sure it worked properly, though. It may have worked better for me if the characters had been deeper, psychologically-speaking; their psyches were touched upon, sure, but not enough to offset the fact that without a whodunnit, it wasn’t exactly the same. Readers looking for that may not find this book to their liking.

But as a work of dark, dark humour? As a dark, twisted comedy? 4 stars.

This novel took whatever disgusting things were in me and brought them to the light. At least, I think it did, since I found myself snickering and even laughing more than once. It’s like watching a trainwreck: you’re feeling horrible for doing so, but you can’t help keep staring. It was the same thing here.

Graphic, violent, sexualised killings. The male protagonist is a sociopath. The world revolves around himsel, and it’s the most natural thing, and don’t you dare act otherwise. He feels bad about someone dying, but not because the person died: because it might impact his success as a restaurateur and chef. The male deuteragonist is a psychopath with a steely, condescending opinion on people on general and women in particular. The girl tries to make sense of it all, the cops try to make sense of it all, to no avail. Other women get killed. And yet. Yet, it’s funny. If it was made into a movie, I’d place it along “Burn After Reading” on my shelf. Think “what the hell just happened here, and why are all those guys dead?” funny. Or: “Oh, so they found the corpses of the Bay Harbour Butcher’s victims… Wait, I’m the Butcher!” funny. If you snickered at Dexter trying to help the police catch the aforementioned Bay Harbour Butcher, fully knowing he’s trying to catch himself, and has to sabotage the whole thing so that he can escape—cue in mistakes he barely manages to cover—then, yes, this novel may be for you.

It was the same here.

In fact, “The Clusterfuck” would make a perfect alternate title for this novel.

What happens when you accidentally kill a guy, ask help from the one person whom you know is worse than you, and that person tells you to take the body out of the dumpster?

“Okay, I’ll try.” He took a deep breath and tried not to think about his aching back. “But my back really hurts—”
“Fuck your back,” Edward barked. “If you’re standing, it’s not broken. This is your ass on the line and right now tipping the goddamned dumpster is the only option we got. You want to get the body out or not?”
“Yes, Chief.”
“Then do what the fuck I say.”

Indeed, son. The garbage men will be here in four hours, so stuff cut the I-hurt-my-back whining. This is Bumbling Serial Killer 101 for you.

He knew they wouldn’t be able to save him. One hundred milligrams of Viagra combined with all the medications for his heart and blood pressure that he was already taking… the old guy didn’t stand a chance.

Retirement communities for active seniors? Oh, gee, everybody knows those are places where residents keep humping each other, and the nurses really aren’t surprised to find old guys overdosing on Viagra. Poisoned? The third death in two weeks? A killer? Here? Nah. It’s all Viagra’s fault.

I’ll let you imagine what happens when the girl, convinced that her boyfriend’s cheating on her, tries to catch him in the act.

So I laughed. And it was horrible, because people were dying in this novel, and the killer remained on the loose, unsuspected. Worse, everybody and their dog came to him for advice. Cosmic irony to the power of ten. Since the characters were not developed deep enough, it paradoxically put them in the roles of unwilling puppets, thrown into a series of coincidences, fuck-ups, and situations that make you facepalm because you just know how it’s going to end, and it’s going to suck for them, but you’re going to chuckle anyway. Horrible, horrible readers that we are.

As a real, serious thriller, I think this novel fails flat.

As dark, partly slapstick half-comedy, it works. I liked it. I did.

And I still think it should be marketed as so.

Yzabel / May 22, 2014

Review: Magic City: Recent Spells

Magic City: Recent SpellsMagic City: Recent Spells by Paula Guran

My rating: [rating=3]

Summary:

Bright lights, big city . . . magic spells, witchcraft, wizardry, fairies, devilry, and more. Urban living, at least in fantasy fiction, is full of both magical wonder and dark enchantment. Street kids may have supernatural beings to protect them or have such powers themselves. Brujeria may be part of your way of life. Crimes can be caused (and solved) with occult arts and even a losing sports team’s “curse” can be lifted with wizardry. And be careful of what cab you call—it might take you on a journey beyond belief! Some of the best stories of urban enchantment from the last few years is gathered in one volume full of hex appeal and arcane arts.

Review:

(I got a copy from NetGalley, in exchange for an honest review.)

As usual when anthologies are concerned, there are stories one will like, and stories that won’t cut it at all. What I can say about this one, before I ge to the stories individually:

1) Those are reprints. If you’re relatively new to urban fantasy as a genre, and/or usually don’t read anthologies, I think it should be all right. Otherwise, you may already know quite a few of those stories.

2) It may not be tremendously representative of urban fantasy, depending on how you perceive this genre.

3) The book began with the stories I liked the least, and I almost stopped reading at that point. Therefore, I’d advise not reading them in order.

#1 STREET WIZARD: To be read as an introduction rather than a story with a definite plot and punchline. A kind of “slice of life” story, that gives the reader a glimpse into what urban fantasy may entail, but not particularly exciting.

#2 PARANORMAL ROMANCE: Not convinced. The MC’s move (ditching her date) was pretty rude and uncalled for. Because the guy isn’t what you expected doesn’t mean he doesn’t at least deserve a “sorry, not working for me, I’m saying bye”. What’s with those characters who can’t be ballsy enough to enact basic courtesy?

#3 GRAND CENTRAL PARK: Interesting enough, I liked the ending more than the story itself, though.

#4 SPELLCASTER 2.0: Loved the premise, but not the moralistic aspect (nor the intrisic misogyny).

#5 WALLAMELON: I quite liked this one. Its themes are fairly common (the cost of magic, growing up and out of childhood beliefs), but touching nevertheless.

#6 -30-: Not to be read if you’re a writer who has hopes for his/her craft: it’s rather depressing. Worst, 2nd person POV is definitely a terrible idea. I won’t recommend that one.

#7 SEEING EYE: One of my favourites, properly wrapped up, with a definite resolution at the end, but also a couple of openings leaving room to the reader’s imagination.

#8 STONE MAN: Another one I liked. While dealing with serious prospects, it also leaves room for hope and fighting back—both for the main character and when it comes to the bigger picture.

#9 IN THE STACKS: A librarian’s dream come true… Well… A nightmare, rather? Another winner in my book (pun intended). Nobody ever belittle the job of a librarian now!

#10 A VOICE LIKE A HOLE: I liked the theme, but I felt that the story stopped just where it should’ve started. Weird.

#11 THE ARCANE ART OF MISDIRECTION: Not so surprising in theme (normal person discovering magic hiding right under her nose), but with an interesting setting (casino, hotel), and with the kind of magical effects I tend to like.

#12 THE THIEF OF PRECIOUS THINGS: I’m not really sure what to make of this story. I liked its atmosphere, eerie with magic, shapeshifting, a sort of lingering despair, and promises of both hope and dark days to come. I didn’t get a feeling for the characters, but in a way, it’s like it doesn’t really matter.

#13 THE LAND OF HEART’S DESIRE: Hard to tell where this one was was going. I didn’t really feel any sense of direction in it, and it seemed to lack purpose, despite the theme it dealt with.

#14 SNAKE CHARMER: Classic take on revenge. Not developed enough to my taste.

#15 THE SLAUGHTERED LAMB: Drag queen werewolf protagonist: not something you see everyday. Nice one about accepting people for who they are, no matter how different.

#16 THE WOMAN WHO WALKED WITH DOGS: Shadow dogs, always with their owners, yet never seen by those who don’t believe in them… until they’re needed. I’d like a Shep, too.

#17 WORDS: Words have power. Words have magic. Is it wise to annoy the ones who wield true words? Not so much. A retelling on the theme of the Rattenfänger, and one that somewhat resonated with me (perhaps because I fancy myself a writer, too?).

#18 DOG BOYS: New boy in school, thrown into gang hostilities. Likeable protagonist, who does what feels right, even though he knows he’ll get into trouble.

#19 ALCHEMY: Another one I liked. Quiet, and full of questions regarding knowledge: is the price to pay worth it? And if something is gained through other means than our own, is it really so interesting in the end?

#20 CURSES: Short story with Harry Dresden. Not as powerful as the novel-length stories, but still pretty much in the “Dresden Files” spirit.

#21 DE LA TIERRA: A twist on immigration stories. I liked how it dealt with misinformation, and how the latter can push people to do what they think is right, but isn’t necessarily so.

#22 STRAY MAGIC: Cute and moving story. This one should appeal to animal lovers.

#23 KABU KABU: Quite enjoyable, if (like me) you like crazy rides with strange landscapes and creatures from folklore. Also interesting for its take on one’s identity, since Ngozi, the protagonist, is somewhat estranged from her own culture.

#24 PEARLYWHITE: More on the horror side. Somewhat weak on the protagonists, because there are several, and a short story isn’t the best format to develop them. But I still liked it, as well as the gleam of hope at the end.

Yzabel / May 18, 2014

Review: Dollhouse

DollhouseDollhouse by Anya Allyn

My rating: [rating=3]

Summary:

Dress-up turns deadly. . .

When Cassie’s best friend, Aisha, disappears during a school hike, Cassie sets off with Aisha’s boyfriend Ethan and their best friend Lacey, determined to find her. But the mist-enshrouded mountains hold many secrets, and what the three teens discover is far more disturbing than any of them imagined: beneath a rundown mansion in the woods lies an underground cavern full of life-size toys and kidnapped girls forced to dress as dolls.

Even as Cassie desperately tries to escape the Dollhouse, she finds herself torn between her forbidden feelings for Ethan, and her intense, instinctive attraction to The Provider, a man Cassie swears she has known before…

Because Cassie’s capture wasn’t accidental, and the Dollhouse is more than just a prison where her deepest fears come true—it’s a portal for the powers of darkness. And Cassie may be the only one who can stop it.

Review:

(I got a copy of this book through NetGalley, in exchange for an honest review.)

A likeable story—on the creepy side, that is, but if I didn’t want creepy, I wouldn’t have applied for this book, right? I liked the atmosphere conveyed through the book, at least when it came to the house itself and its inhabitants (this isn’t a spoiler; the title gives it away, after all). It was oppressive, left little doubt as to the stifling nature of the place, and the toys as well as Jessamine’s behaviour were definitely elements of unease. I was never scared, to be honest, but this doesn’t necessarily means “Dollhouse” won’t be scary to other other people. In any case, in terms of imagery, those were themes I could relate to.

The plot is kind of strange. It’s both a good and a bad thing in my opinion. On the one hand, it fits the overall atmosphere; on the other, sometimes things were a little confusing. At first I thought it may be a purely horror/mystery story, then different supernatural elements creepeed in. I was all right with that, though: it may be part of what the book was meant to achieve, depending on how one considers it, and it also contributed to the characters’ confusion. So, for me, it worked.

I found the pacing somewhat uneven. The first chapter pulled me in, then the next ones were slower, and I think some of the scenes in the dollhouse itself dragged a little. Again, this is one of those double-edged aspects in my opinion: slowing down the story, yet also reflecting the bleak existence of the “dolls”, the day-to-day routine under Jessamine’s guidance (if one can call that guidance…), the world being narrowed down to a few rooms only, with few activities available. So, slow in pacing, but fitting in theme.

I didn’t find the characters really memorable, and was mostly interested in the atmosphere and in looking for hints about the bigger picture, I admit. Cassie was kind of bland, Ethan and Aisha as well, and Lacey was easily forgotten. This is probably one of the weakest points in this book: I kept feeling that those friends didn’t really care about each other. That they went looking for Aisha not in the hopes of finding her alive, but of removing suspicion from Ethan. That they didn’t have much in common, and didn’t look like a strong enough group to go through the hassle of camping in the mountains at night to search for the missing girl. Cassie leaves Lacey alone in a creepy place, then oh, surprise, she’s missing as well. Rule number one: you never, ever leave someone alone. Not in such a setting.

The romance… Meh. I wasn’t convinced. But then, I seldom am.

The book ends on a cliffhanger that may very well be quite annoying. You can somewhat imagine what will happen, but if it’s still rather abrupt, and felt more like a chapter was missing, rather than a real ending.

I’m giving it 3 stars because I really enjoyed the theme, the atmosphere, the imagery it all evoked. I found it easy to picture the rooms, the clothing, to imagine what the dolls’ life was like. If one is looking for strong characters, though, perhaps this isn’t the right book.

Yzabel / May 15, 2014

Review: The Martian

The MartianThe Martian by Andy Weir

My rating: [rating=5]

Summary:

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars.

Now, he’s sure he’ll be the first person to die there.

After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive.

Chances are, though, he won’t have time to starve to death. The damaged machinery, unforgiving environment, or plain-old “human error” are much more likely to kill him first.

But Mark isn’t ready to give up yet. Drawing on his ingenuity, his engineering skills—and a relentless, dogged refusal to quit—he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?

Review:

(I got a copy of this novel through NetGalley, in exchange for an honest review.)

One of the best books I’ve read this year. Not devoid of flaws, but you know how sometimes, you’ll love a book in spite of those? That was one such time for me.

What I definitely liked:

Mark Watney is basically MacGyver stranded on Mars, trying to survive with whatever remains the Ares 3 crew left behind when they had to abort the mission and leave in a hurry. (Maybe readers who didn’t like that show won’t like this comparison either, but hey, I was 15 the last time I watched it, and I used to love it, so in this review, it’s going to mean “good”.) Surviving out of sheer dumb luck, when everybody believed him utterly lost and, well, dead, Mark has to use every bit of knowledge to make lemonade with all the Martian lemons he’s being thrown at. And there are a lot, from defective materials to his own mistakes. Fortunately, he’s both an engineer and a botanist, which means he does have enough know-how to improvise (as well as try to grow stuff; here go the first Martian potatoes). Unfortunately, he’s not a chemist or whatever else, so he also has to do things through trial and error. And while his predicament is absolutely horrible, since anything can go wrong anytime, it’s also funny and awesome.

Throughout the story, Mark’s voice is highly entertaining. Here’s a man who was picked for his skills, but also for his optimism and sense of humour, in the hopes that he’d be the social glue among the crew—who had to live together in close quarters for the long trip to and fro, as well as on Mars itself. And I think his way of apprehending his many problems was just as much a life-saver as his knowledge, because even though he sometimes lost it, it never lasted for long, and he went back to work soon after. This may seem weird and unbelievable to some, but in a way, I could relate to his character, although not to a complete extent, of course. (I’m the kind of person who’ll scream and run in circles for two minutes, out of panic, then will suddenly calm down and say “OK, back to solving that problem now; and if I can do so while throwing in some bawdy joke, I’ll do.” I kid you not.) So, yes, somewhat unbelievable—and somehow, I just couldn’t care less. I rooted for that character. I wanted him to survive. Period.

Simply put, this book was inventive and fun. I’m still laughing, thinking back to some of Mark’s antics:

He turned back to Venkat. “I wonder what he’s thinking right now.”

LOG ENTRY: SOL 61

How come Aquaman can control whales? They’re mammals! Makes no sense.

I couldn’t possibly comment. I’ve been known for worse silly random thoughts than that.

Also, please watch your language. Everything you type is being broadcast live all over the world.
[12:15] WATNEY: Look! A pair of boobs! -> (.Y.)

So totally the kind of crap I’d pull as well, just for the sake of light trolling.

I chipped his sacred religious item into long splinters using a pair of pliers and a screwdriver. I figure if there’s a God, He won’t mind, considering the situation I’m in.
If ruining the only religious icon I have leaves me vulnerable to Martian vampires, I’ll have to risk it.

That one, too, cracked me up.

Also, there was a lot of hope in this book, in that Mark wasn’t left to rot and die. People wanted him to survive. His crew wanted to believe that he could make it, that they could help—and they were a great bunch of girls and guys, ifyou like thespace cowboy type. Even other countries helped, even though there wasn’t that much in it for them. Too good to be true? Perhaps. But also beautiful, a beautiful lesson in how sometimes, humanity is still able to unite. Not to mention the bigger-than-life side of this novel: a coming back to older times, to a period when we thought Space was at the tip of our fingers. I’m a child of the eighties, and I still remember my own ideas back then. Colonies on the moon and Mars. Flying cars by year 2000. The space programs progressing to such an extent that we’d travel far, far away by the time I’d be an adult. “The Martian” brought me back to such thoughts: a man able to survive for so long with not the best means, wouldn’t his experience help further the next missions, allow people to believe that so much more could be done, that they could push boundaries a little further?

Potentially problematic:

The scientific explanations, which were to my liking, but may not be to other readers’. My own background in that regard isn’t very developed, so I can’t tell if everything was exact; at least, it seemed to me that things were very well-researched, and made sense (both to me as a neophyte, and when it comes to “science in general”). I enjoyed reading about how exactly Mark came to this or that solution. Like when he found a way to make water. Also hilarious, by the way:

Nitrogen: 22 percent. Oxygen: 9 percent. Hydrogen: 64 percent.
I’ve been hiding here in the rover ever since.
It’s Hydrogenville in the Hab.

There’s no deep psychological development here. Normally, this would be a problem for me, but not here. I can’t explain why. Mark’s humour? The way people banded to try and save him? As said above, I rooted for him. The author made him so likeable I just didn’t care about the rest.

The shift from 1st to 3rd person. It was a little unsettling. On the other hand, I don’t really hold it as a flaw, because I understand why it was done, and I couldn’t see any other way to achieve the same thing. Mark’s narrative just wouldn’t be the same in 3rd person; and if everything was in 1st person, then we’d have no means to see what was happening on Earth, nor what was set in motion to help Mark. This is why I’m not knocking down a star. Besides, at least in this book, I can clearly understand the reasoning behind it (other books I read used the same kind of switch, but with no apparent reason, so…).

As you can see, the last two paragraphs would logically be flaws. But, once again: I don’t care. This novel blew my mind, plain and simple.

Yzabel / May 13, 2014

Review: The Diamond Thief

The Diamond ThiefThe Diamond Thief by Sharon Gosling

My rating: [rating=1]

Summary:

By day Rémy Brunel is a daring circus acrobat, by night she is an equally talented jewel thief currently assigned to steal a famous diamond in Victorian London–but when the theft goes wrong she finds herself allied with a young policeman as they try to find the elusive gem.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

A fast read, and one of those books I wish I had liked more (Victorian London + circus + thief + mechanical inventions: what’s not to like in there, really?), but also one that didn’t convince me in the end, unfortunately.

Things I liked: the steampunk side, light enough to be understandable by basically everyone, younger readers included. It has a touch of Fushigi no Umi no Nadia (in that stones/jewels play an important part), though it doesn’t go further than that, and makes use of machinery whose concepts are easy to grasp, such as experimental night-vision goggles. Not the most creative I’ve ever seen, but a nice introduction nonetheless.

On the other hand, I found the backdrop fairly light, too—not a good thing. I never really got the feeling of a real circus, nor of Victorian mores. I think this could apply to several other aspects of the novel, in fact: it brushed against them, without ever diving deep enough for me to feel immersed. I could sense this most specifically with the characters. At first, I found them interesting, but they were never developed enough to hold my attention until the end, nor make me care about them. (And there definitely were interesting ideas in here, such as the unlikely trapeze artist/thief + young cop duo, the Professor with his inventions, the mysterious Lord…) Also, I didn’t like the romance at all. I couldn’t feel any chemistry within this couple, it seemed like a plot device to add some drama, and there were a few very melodramatic scenes that made me roll my eyes and want to slap those characters. Somehow, it moved too quickly, too superficially.

The plot itself seemed to rest on a lof of deus ex machina, predictable twists, and events inserted for convenience. I would’ve been more enthralled if Rémy and Thaddeus had had to really investigate, which in turn would have given them time to talk, get to know each other better; I guess this would have made the romance more palatable for me, as well as enhanced the strong points of their pairing, in terms of skills. Another thing I had a hard time with were a couple of plot points. First, the opal’s role. One of the characters says that it would allow Rémy to hear other people’s thoughts, yet I never got the purpose of that specific thread. Is there a second book in the writing? If there isn’t, then I don’t see the point. Same with the curse: couldn’t Gustave tell Rémy about it way earlier than that, considering how involved she was, and how she was the one tasked with stealing the stone?

I suppose it could work as a very light read, or for really young readers (things never go further than a brief kiss in the romance department), but for me it didn’t.

Yzabel / May 12, 2014

Review: Shadows & Dreams

Shadows & Dreams (Kate Kane, Paranormal Investigator, #2)Shadows & Dreams by Alexis Hall

My rating: [rating=3]

Summary:

My name’s Kate Kane. And right now, I don’t know which is more dangerous: my job, or my girlfriend. My job makes me the go-to girl for every supernatural mystery in London. My girlfriend’s an eight-hundred-year-old vampire prince. Honestly, I think it’s probably a tie.

A few weeks ago, I was hired for a simple missing person case. Next thing I know, I’m being arrested for murder, a vampire army is tearing up London, and even my dreams are out to get me. Something ancient, evil, and scary as hell is on the loose and looking for payback. The vampires are in chaos, the werewolves are culling everything, and the Witch Queen can’t protect everyone.

Which means it’s down to me. And all I’ve got to hold back the shadows is a stiff drink, a quirky sidekick, my creepy ex-boyfriend, and the woman who left me for a tech startup. It’s going to be another interesting day.

This title is #2 of the Kate Kane, Paranormal Investigator series.

Review:

[I got an ARC of this novel through NetGalley, in exchange for an honest review.]

I liked this one better than the first one. Partly because I already know the characters, but also, I think, because I found it less heavy on some of the things that had bothered me in the previous volume.

Characters, first. The reader will meet known ones again: Julian, Nimue, Ashriel, and get to know more about others (such as a Eve). Kate remains a fun point of view character, with a good dose of humour even in dire situations. She has a tendency to do things that aren’t exactly good for her, but at least she acknowledges it… even though it doesn’t prevent her from getting into dangerous situations. Elise plays a more important part, being here from the beginning, this time, and I must say she’s also a character I’ve taken quite a liking to. She’s discovering life as a normal human being (well, as normal as possible in the circumstances, that is), has an interesting way of speaking and apprehending the world, and I found that her becoming Kate’s assistant actually helped with furthering the plot. In “Iron & Velvet”, I sometimes felt that Kate stumbled upon information; Elise being tasked with finding information streamlines things a bit, and makes the investigation more believable in my opinion. Last but not least, Eve: she may seem bigger than life to some, but I found her geeky, Batman-wannabe side quite funny. And she gets the job done; no comic-relief useless sidekick on her part here.

There was less romance/erotica this time, and for me, it was for the best. I guess I’m used to the Kate-Julian relatioship now, so I wasn’t bothered by insta-love or anything similar. Owing to the plot, the two women didn’t spend as much time together, which wasn’t pleasant for them, sure, but also allowed less room for the sex scenes. (I don’t have anything against sex scenes, only they didn’t work for me in book 1, in part because of the weird similes often associated with them. So, yes, less of those here meant less clunky scenes in my opinion.) Although I still think Kate should learn to keep her dick in her pants, metaphorically speaking, she wasn’t as unfocused as previously, and therefore felt more believable as a PI.

I must admit that the Patrick/Sofia routine, while funny at first (with all the drama queen antics and the woe-is-me-I-totally-shape-the-world-to-my-beliefs attitude that clearly hints at bad emo stories), became a little tiresome after a while. I must’ve rolled my eyes as often as Kate did. But then, Patrick is an infuriating character, and one that is meant to serve as a comic relief.

The bit about the Vampire: the Requiem game made me smile. No irony lost here. It reminded me a bit of the RPG bit in Jim Butcher’s Dresden Files, and I wonder if this was intentional or not? On the other hand, I’m certainly not holding that against the author here, because it’s the kind of scene I like (and would probably write as well at some point).

Not the best book of 2014 for me, but definitely an improvement on the first one. I think I’ve warmed up to this world and characters.

Yzabel / May 8, 2014

Review: The Shadow Master

The Shadow MasterThe Shadow Master by Craig Cormick

My rating: [rating=3]

Summary:

In a land riven with plague, inside the infamous Walled City, two families vie for control: the Medicis with their genius inventor Leonardo; the Lorraines with Galileo, the most brilliant alchemist of his generation.

And when two star-crossed lovers, one from either house, threaten the status quo, a third, shadowy power – one that forever seems a step ahead of all of the familial warring – plots and schemes, and bides its time, ready for the moment to attack…

Assassination; ancient, impossible machines; torture and infamy – just another typical day in paradise.

Review:

[I got an ARC from the publisher through NetGalley, in exchange for an honest review. Text is liable to change in parts upon publishing.]

I’ll admit I’m not quite sure yet what to make of this book, so for once, I’m going to make up my mind as I write my review.

The story’s set in an alternate Renaissance setting, in which the Medici and Lorraine families compete within the Walled City for the monopoly on a spice able to keep the plague out. While in other parts of the country, plague-infected people are dying by dozens, those in the city worry more about the political schemes of the two families, carried by the inventions of Galileo and Leonardo. The one controls time through clever devices; the other controls weather and has developed a science of metamorphosis. Amidst the tensions, Lucia Lorraine, the Duke’s daughter, and Lorenzo, apprenticed to Galileo and ward of the Medici, just want to be free to let their young love blossom, all too conscious that it could never happen unless they eloped or found another way.

There are lots of hints to well-known plots and historical events and people here. Renaissance Italy, the great inventors, Shakespeare’s plays (Romeo and Juliet comes to mind, of course, and the Duchess definitely has something of Lady Macbeth to her)… Mostly they’re easy to catch, though missing them would mean missing on some finer aspects of the novel. It didn’t lack a touch of humour either, and I found myself smiling more than once, because it was just the right amount for me, without derailing the story. The part with the cook’s assistant and the pie later delivered made me laugh, for its sheer “what the hell” aspect. The inventions were brilliant, and I liked that this strange science, poised between our own and sorcery, had drawbacks, such as making people grow older, faster, or turning them to stone. No such power should ever be totally free to wield.

The novel’s more plot-driven than character-driven. It worked for me, due to the context, the many winks to history and plays, and the city setting (I much prefer fantasy within enclosed spaces, than “travel fantasy”); on the other hand, a reader won’t find deep psychological profiles here.

I found the writing style efficient, able to carry vivid descriptions—the Walled City felt like a character itself, and I had no problem when it came to imagining it. However, the book could do with a last round of proof reading. There were a few typos and missing words now and then, noticeable enough that I couldn’t help but make a mental note about those. (This being an ARC copy, those typos may be fixed once the official publishing date rolls in.)

While the first part of the story was really entertaining, I thought the second one was a little confusing, in that I was left with more than just a couple of questions about who was who and what exactly happened. If those answers were hidden somewhere, then I’m afraid I missed them. What about the Medici and the Lorraine at the end? Was a new order meant to happen, or not? Who exactly were the Nameless One and the Shadow Master? At some point, I had that theory that the Master was part of Lorenzo’s mind only, that he didn’t really exist and was a way for the young man to find his place in the world, but it seems I was wrong. I also wondered if the Nameless One’s wife wasn’t Cosimo’s mother, but no father was ever mentioned, so I guess I was wrong again. I’m not positive I fully “got it”. It may be intentional, in order to leave the readers come up with their own conclusions and interpretations, but in this case, it was a little too vague to my liking.

3 to 3.5 stars, because I liked it no matter what.

Yzabel / May 7, 2014

Review: Deadly Curiosities

Deadly Curiosities (Deadly Curiosities, #1)Deadly Curiosities by Gail Z. Martin

My rating: [rating=2]

Summary:

Cassidy Kincaide owns Trifles & Folly, an antique/curio store and high-end pawn shop in Charleston, South Carolina that is more than what it seems. Dangerous magical and supernatural items sometimes find their way into mortal hands or onto the market, and Cassidy is part of a shadowy Alliance of mortals and mages whose job it is to take those deadly curiosities out of circulation.

Welcome to Trifles & Folly, an antique and curio shop with a dark secret. Proprietor Cassidy Kincaide continues a family tradition begun in 1670—acquiring and neutralizing dangerous supernatural items. It’s the perfect job for Cassidy, whose psychic gift lets her touch an object and know its history. Together with her business partner Sorren, a 500 year-old vampire and former jewel thief, Cassidy makes it her business to get infernal objects off the market. When mundane antiques suddenly become magically malicious, it’s time for Cassidy and Sorren to get rid of these Deadly Curiosities before the bodies start piling up.

Review:

[I got an ARC through NetGalley, in exchange for an honest review.]

Hard to tell whether I liked it, or found it simply “OK”, so let’s consider this a 2.5 stars.

There are a lot of good ideas in this novel. About the magical community (the Alliance isn’t so big, the Family is likely to become a pain in the neck at some point). About the various kinds of magic, that I haven’t seen used that often in urban fantasy yet (weaving magic and psychometry, that is). About items and how they can become beacon of positive or negative energies. It goes to show that even the most inconspicuous little things can be harbingers of danger. And a store full of antiques, acting as cover for the magic folk to gather those special items and prevent them from falling into the wrong hands? Quaint and delightful—much like the town of Charleston, for which I could get quite a good feeling through the many little stories. (One of the secondary characters works in the historical archives. I tell you, you always need to know someone who works in a museum or something. Always.)

Another thing I liked was that, for once, there was no romance here. I don’t dislike romance, but sometimes I find there’s too much of it in UF in general, and it can more easily detract from the darkness and magic. Here, I didn’t want to read about a love story: I wanted to read about the antique shop, the mysterious items, Cassidy’s power, and so on. And this is what I got. So I was glad.

Unfortunately, this novel just didn’t click with me. I’m not even sure why exactly. I liked the ideas, the characters seemed interesting, but I never connected with them. I don’t think we get to see Sorren before the 30% mark, if I remember well, which I found too bad. As for the demon hunter, it was kind of annoying that he was introduced so late into the story, then made to die; his death would’ve been more striking if I had got to know him better. Yes, I’m a masochist. I know.

Regularly enough, I also found myself a little bored. It may have been because of the writing style: usually good when it came to descriptions of places, or to the stories passed around regarding the town and its inhabitants, but somewhat clunky in other parts. Examples would include repeated uses of the same first name in three consecutive short sentences, or some dialogue lines basically stating the same thing twice in a row. At first, I didn’t really notice it, but after a while, it started weighing down the narrative. The pace was perhaps a little too slow as well, though I can’t tell if this was because of the aforementioned style, or if it was just sluggish.

I’d place this novel among the ones that aren’t uninteresting, and could blossom into a good series; however, so far, I’m not really convinced.