Yzabel / October 7, 2014

Review: The Infographic Resume

The Infographic Resume: How to Create a Visual Portfolio That Showcases Your Skills and Lands the JobThe Infographic Resume: How to Create a Visual Portfolio That Showcases Your Skills and Lands the Job by Hannah Morgan

My rating: [rating=5]

Summary:

The STANDOUT guide to creating a stunning resume Applying for a job used to require two pieces of paper: a resume and an application. Times have changed.

Infographic resumes are in, and they’re not just for designers. Free online tools are popping up every day to help anyone create a dynamic, visual resume-adding panache without sacrificing substance for style.

“The Infographic Resume” provides essential tips and ideas for how to create visual resumes and portfolios that will make you stand out from the crowd. Richly illustrated in full color and including lots of inspiring examples, the book will teach you how to: Create a powerful digital presence and develop the right digital content for your goals Build your self-brand and manage your online reputation Showcase your best work online Grab a hiring manager’s attention in seconds

Packed with dynamic infographics, visual resumes, and other creative digital portfolios, “The Infographic Resume” reveals the most effective tools, eye-catching strategies, and best practices to position yourself for any job in any kind of business.

Review:

(I received a free copy courtesy of NetGalley, in exchange for an honest review.)

To be honest, reviewing and rating non-fiction books is always difficult for me—akin to walking into uncharted territory. I can’t judge them according to my usual standards (plot, atmosphere, characters, etc.), and so I don’t really know what criteria to apply. In the end, for this specific book, I went with “is it going to be useful to me?” The answer is definitely “yes”, considering I’ve been looking to go back to a more creative job than the one I’ve held for the past few years. Is this a biased view? Certainly. Only I have to start somewhere, haven’t I?

The Infographic Resume is a nest of ideas, or at least, of ideas waiting to be born and developed. Not only does it hand out useful advice about what may attract the attention of potential recruiters, it also provides a lot visual examples—alright, this was to be expected, but it still deserves mention. From actual CVs to social networks platforms (LinkedIn, Pinterest, Behance…), job-seeking readers are bound to find something that will help and inspire them.

Maybe some of the job-landing stories in it will seem too good to be true: “the kind of thing that happens once in a lifetime, and always to other people, never to me.” Maybe. On the other hand, I must admit that this book sparked renewed interest in me, and prompted me to get my creative joices flowing when it came to reworking my CV after I got a couple of useful comments about it. I can’t remember when was the last time I had so much fun designing something that, all in all, is utilitarian stuff. I really liked the idea of being able to get all gung-ho, all the more because I was growing seriously tired of stale, traditional CVs typed in Word and full of grandiloquent vocabulary that doesn’t mean much anymore in the end. (Hello, French administration CVs. I loathe thee.)

I honestly think the book can provide inspiration to many job-seekers: graphic designers, of course, but also people like me, who are somewhat creative yet not one hundred percent “in it”, and need some prompting before they’re able to unleash their (probably untapped) potential. As for those who don’t have any graphic design software and/or training, the author also provides links to websites where one can enter information (either manually or pulled from LinkedIn and the likes); this won’t make for fully original resumes, but can certainly help in coming up with something at least somewhat different and eye-catching.

In the end, what I regret most is not reading my ARC sooner, because it would certainly have helped me more, and earlier!

Yzabel / October 7, 2014

Review: Station Eleven

Station ElevenStation Eleven by Emily St. John Mandel

My rating: [rating=3]

Summary:

One snowy night a famous Hollywood actor slumps over and dies onstage during a production of King Lear. Hours later, the world as we know it begins to dissolve. Moving back and forth in time-from the actor’s early days as a film star to fifteen years in the future, when a theater troupe known as the Traveling Symphony roams the wasteland of what remains-this suspenseful, elegiac, spellbinding novel charts the strange twists of fate that connect five people: the actor, the man who tried to save him, the actor’s first wife, his oldest friend, and a young actress with the Traveling Symphony, caught in the crosshairs of a dangerous self-proclaimed prophet. Sometimes terrifying, sometimes tender, Station Eleven tells a story about the relationships that sustain us, the ephemeral nature of fame, and the beauty of the world as we know it.

Review:

(I received a free copy courtesy of NetGalley, in exchange for an honest review.)

A strange read, one that didn’t seem to have that much of a plot in itself, but that kept me fascinated and enthralled all the same. This is clearly one of those “hard to explain” cases. In other circumstances, I might have found more faults with this book… but I just didn’t, or when I did, they didn’t register with me full-force.

For instance, the Georgian Flu that wiped off 99% of the world population was handled more as a pretext than as a deeply researched medical possibility. And it’s true: from a purely scientific point of view, I don’t think the situation as a whole was handled in a really believable way. When you stop to think about it and consider things logically, it had quite its lot of holes. (E.g.: some people seemed immune, while others remained cooped up in their shelters for weeks… but when they got out, why didn’t they catch the flu? Was it gone, and if yes, why? If not, then did it mean they were immune?).

However, the atmosphere permeating the novel made up for those kinds of details at which I would normally raise an eyebrow. Granted, I did raise an eyebrow—then went on enjoying the prose all the same. Perhaps because I read much of the Severn Airport part while in an actual airport and plane, and was thus fully immersed? Or perhaps because of the Station Eleven story within the story (now that was a comics I’d definitely like to read). Or because the characters’ stories, while not so exceptional, were tied together in a way that just clicked with me. (I tend to enjoy plots that jump between different time periods, present and past… I know this doesn’t work so well for lots of readers. Well, it does for me.)

At the end, some mysteries remain. Where is the Symphony going? What’s with the new grid? What happened to Elizabeth? Is anyone going to ever discover who was the unknown man who tried to save Arthur, and what became of him? In a way, not getting those answers was annoying; on the other hand, I’m not sure having them would be essential to my enjoyment of this novel.

It could have been better. It wasn’t. Yet I connected with it nonetheless. It’s quite strange, indeed.

Yzabel / October 3, 2014

Review: The Original Folk and Fairy Tales of the Brothers Grimm

The Original Folk and Fairy Tales of the Brothers Grimm: The Complete First EditionThe Original Folk and Fairy Tales of the Brothers Grimm: The Complete First Edition by Jacob Grimm

My rating: [rating=4]

Summary:

When Jacob and Wilhelm Grimm published their “Children’s and Household Tales” in 1812, followed by a second volume in 1815, they had no idea that such stories as “Rapunzel,” “Hansel and Gretel,” and “Cinderella” would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, ” The Original Folk and Fairy Tales of the Brothers Grimm” makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezso.

From “The Frog King” to “The Golden Key,” wondrous worlds unfold–heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique–they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms’ later, more embellished collections of tales. Zipes’s introduction gives important historical context, and the book includes the Grimms’ prefaces and notes.

Review:

(I got an ARC courtesy of NetGalley, in exchange for an honest review.)

Though it took me quite some time to finish this book, it wasn’t for want of interest.

It contains both volumes of the tales gathered by the brothers Grimm, published around 1812-1815. I applied for the ARC out of curiosity, and was surprised at some of those stories, at the way the ones I remembered from my childhood was really edulcorated versions: both because of the editing performed by recent publishers, and because of their “authors” themselves, since the brothers reworked many of them years later to make them fit more within Christian morality.

Indeed, while these stories looked familiar, they were also different in how their characters were portrayed, and their actions were carried out. For instance, in the original tales, the “wicked stepmother” is more often than not the actual mother. Parents don’t hesitate to throw children out of their home, to have them killed at the slightest mishap, and the kind of “traditional moral” to the stories isn’t always the one modern readers would have expected. More than the lessons I got used to when I was younger, the tales are examples of how sometimes, cunning or even violence gets the job done faster.

Reading those versions was definitely an intriguing experience, perhaps more from an anthropological point of view than from a leisurely one: somehow, I enjoyed the book’s material more for its comparative value than as a collection of actual tales read for pleasure only. (I guess this may be one of the shortcomings here: I don’t recommend reading everything at once, for a lot of stories become redundant after a while, pôssibly because they’re based off similar traditions. However, if one goes through them at a slower pace, interest remains sparkled. At least, this is what happened to me—and the reason why it took me over a full month to read everything.) The introduction itself is a fairly interesting piece, too, one that gives more information and details about how the Grimm brothers went about collecting the tales.

This book also made me question tales in general. Overall, I mostly read/heard them when I was a child, and later on went to read modern retellings. I had forgotten—or maybe I just didn’t have enough hindsight, nor background at the time to realis this—what kind of place the tales may have had in society, and the way they’re so different from what I’d be looking for today. The place of women, among other things: the greedy wife who always wants more; the jealous mother; the one who wants her own daughter to have it all, while providing minimum effort; the princess shirking responsibility after a hastily-made promise; etc. (Men aren’t spared from this, but I think it just struck me more when it was about women.)

I found the first volume more interesting in general; this may have had to do with how the second one felt more “Christianity-laden”, with characters regularly happening upon “the Lord” or “the Devil”. Those already felt like they bore the traces of what would become their future, more well-known versions.

Overall, it wasn’t such an easy read, but it clearly holds academic value. 3.5/4 stars.

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