February 2015 - The Y Logs

Yzabel / February 28, 2015

Review: The Death House

My rating: [rating=3]

Blurb:

Toby’s life was perfectly normal . . . until it was unravelled by something as simple as a blood test.

Taken from his family, Toby now lives in the Death House; an out-of-time existence far from the modern world, where he, and the others who live there, are studied by Matron and her team of nurses. They’re looking for any sign of sickness. Any sign of their wards changing. Any sign that it’s time to take them to the sanatorium.

No one returns from the sanatorium.

Withdrawn from his house-mates and living in his memories of the past, Toby spends his days fighting his fear. But then a new arrival in the house shatters the fragile peace, and everything changes.

Because everybody dies. It’s how you choose to live that counts.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

I resent the comparison with The Fault In Our Stars, because The Death House was more readable: Toby, for all his faults, wasn”t so insufferable, probably because he behaved like a somewhat surly, but all in all normal teenager. And Clara was enjoyable, with a positive look on what happened to her, even though she knew how all the kids at the Death House were doomed to end.

I wouldn’t deem this the best novel ever. It left me wanting for more explanations. However, as a character study, at least for the main ones, it fairly hit the spot for me. The children and teenagers in that strange house all had to cope with their fear (and prospect) of dying in their own ways, andI thought we got to see quite a few interesting examples. Ashley, the believer kid who finds strength in the Bible and tries to share it with others. Toby, retreating into himself and pretending he doesn’t care, yet still takes very much care of the younger ones. Louis, both extremely intelligent, though still a child in many ways. Will, all innocent and carefree, thus hiding his fears from himself. Clara, who had to live to her parents’ expectations, and oddly enough was somewhat “freed” by the house. Jake, disguising his own fear behind his bully attitude.

Those were interesting portrayals, and through their interactions, we got to see how days and nights were spent in that microcosm that so much looked like a boarding school of sorts, yet was anything but—shadowed as it was by the mysterious sanatorium that none of the kids ever got to see, only hearing about it, only knowing one of them had been taken there when they discovered that child’s belongings being gone in the morning. And the presence of the Matron and the other silent nurses only made the pressure worse.

True, not much happens in terms of plot-twists during the largest part of the novel. It was still a nice read nonetheless. The ending was a 50/50: part of me expected it to be different, more original… but at the same time, the other part thought it couldn’t (and shouldn’t, anyway) have been otherwise.

I didn’t rate this book higher because in the end, too many things weren’t explained, and they kept bothering me, try as I might to ignore them. The “Defective gene”, for starters, was rather sketchy. How came the kids displayed so many different symptoms, and what was it suppose to lead to? Would it turn them into monsters of sorts, as was hinted at a couple of times? The kids were isolated like freaks, carried away in vans by men in dark suits, as if to protect the world from them; in my opinion, this would have warranted more than a few vague hints about the exact nature of the Defectiveness.

The same applied to the nurses and to their behaviour, especially considering a specific twist. Why would they hide it, and try to hush it? Out of fear it would go public? An actual reason would have been nice here.

Also, most of the twists were fairly obvious. It may be just me, I don’t know. I just guessed pretty early where they were leading.

One aspect of the book I can’t decide about were the other kids. While the characters I listed abover were indeed interesting, the rest were more like cardboard figures (even Tom, who got to share Dorm 4 with Toby and the others), which was weird in such a close space where I would’ve expected everyone to know everyone else. However, this fitted Toby’s tendency to close his eyes on his surroundings, and increased the feeling that each child was on his/ her own, and that at the end, they couldn’t afford to care about the others, only themselves.

Overall, I was leaning towards “I like it”. However, the lack of explanations, and the somewhat bland figures of the nurses and some of the kids, left me feeling that something was missing.

Yzabel / February 24, 2015

Review: Pacific Fire

Pacific Fire by Greg Van Eekhout

My rating: [rating=3]

Summary:

I’m Sam. I’m just this guy.

Okay, yeah, I’m a golem created from the substance of his own magic by the late Hierarch of Southern California. With a lot of work, I might be able to wield magic myself. I kind of doubt it, though. Not like Daniel Blackland can.

Daniel’s the reason the Hierarch’s gone and I’m still alive. He’s also the reason I’ve lived my entire life on the run. Ten years of never, ever going back to Los Angeles. Daniel’s determined to protect me. To teach me.

But it gets old. I’ve got nobody but Daniel. I’ll never do anything normal. Like attend school. Or date a girl.

Now it’s worse. Because things are happening back in LA. Very bad people are building a Pacific firedrake, a kind of ultimate weapon of mass magical destruction. Daniel seemed to think only he could stop them. Now Daniel’s been hurt. I managed to get us to the place run by the Emmas. (Many of them. All named Emma. It’s a long story.) They seem to be healing him, but he isn’t going anyplace soon.

Do I even have a reason for existing, if it isn’t to prevent this firedrake from happening? I’m good at escaping from things. Now I’ve escaped from Daniel and the Emmas, and I’m on my way to LA.

This may be the worst idea I ever had.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

While I still enjoyed reading about some of the characters I had got to know in the first book, California Bones, I was a little less thrilled this time.

I really like the world and magic developed here: dark, treacherous, tricky… Leeching power off dead animals’ bones? Check. Taking it a notch higher and killing other osteomancers to devour their bodies and steal their magic? Check. Dangerous sabotage-type jobs and being pursued bycrime lords’ goons? Check. The triumvirate, their plan to regain the control the Hierarch used to have, the sacrifice it required. The worm in the apple, the intent to sabotage, playing a dangerous game. Yes, I’m never going to get tired of these, I think.

The relationship between Daniel and Sam was touching in many ways. Daniel could’ve killed Sam, done to him what he had done to his predecessor, yet he didn’t: on the contrary, he did his best to raise him, protect him, and help him turn into a decent being, instead of the monster he could’ve become. Sam was a likeable boy, too: with teenage-angsty reactions at times, yet also with the budding maturity to understand what they were, and that he had to go past those. This story is definitely one of coming of age, more than of thwarting the bad guys’ plans. Of coming of age, and of realising what family means: does the blood count more than time spent together, and what exactly, in the end, make people “family”?

What saddened me here is that the novel offered several interesting plots in that regard, but never really got deep enough with them. The reason why Sam was weak at magic was somewhat obvious, in retrospect, yet it would’ve deserved more screentime in terms of relationships. What happened to Sofia was recalled a few times, but since she hadn’t been there for long, it didn’t have the impact it could’ve had. Carson could’ve been more than just a glimpse into another side of Los Angeles, instead of a device to move the plot forward. And there would’ve been so much more to tell about Sam…

I liked the story, I liked seeing the plot unfurl; however, I also kept thinking “I want more, more, more”. Every time I got to see another aspect of this character or of that relationship, it was left dangling after some point. Although those threads may be picked up in the third book, I’m somewhat afraid that not enough was told here (especially considering the cliffhanger we’re left with at the end), and that this lack of depth will come back to haunt the series later.

Partly because of this, the last third of the novel seemed rushed on some points. A couple of bombshells were dropped (Daniel’s past coming back full-force, for instance), and it was difficult to see where they came from. Not uninteresting; just events that would have warranted a few more bricks paving their way. Here, too, I kept wanting more, and wondering if the author had to work with a set amount of words, forced to cram as much as he could before the end.

This said, I still liked the book and its characters well enough to be more than willing to grab the next one once it comes out. If only to find out whether the threads I mentioned previously will be tied.

Yzabel / February 22, 2015

Review: Something Coming Through

Something Coming Through by Paul J. McAuley

My rating: [rating=4]

Summary:

The aliens are here. And they want to help. The extraordinary new project from one of the country’s most acclaimed and consistently brilliantly SF novelists of the last 30 years.

Something Coming Through and its sequel Into Everywhere will extend, explore and complete the near future shared by the popular and highly acclaimed short stories in the Jackaroo sequence, including ‘The Choice’, which won the 2012 Theodore Sturgeon Memorial Award. They present new perspectives on one of the central ideas of science and science-fiction – are we alone in the universe? – through two separate narratives.

Something Coming Through is set in a recognisable but significantly different near future London: half-ruined by a nuclear explosion, flooding and climate change; altered by the arrival of aliens who call themselves the Jackaroo.

Into Everywhere moves from a desert world littered with the ruins and enigmatic artifacts of a dozen former clients of the Jackaroo, through a quest across a brutally pragmatic interstellar empire, to a world almost as old as the universe.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

3.5 to 4 stars.

This novel, while predictable in parts (in a more traditional, “cop-oriented” way), raised some interesting points in terms of what to expect in a near-future, or a parallel present, shaped by the presence of aliens. Namely the mysterious Jackaroo, who showed up some thirteen years prior to the beginning of the story with shuttles and fifteen wormholes leading to just as many new worlds for humans to colonise. Worlds ertswhile inahbited by creatures long gone and forgotten, leaving only behind strange, “Elder Culture” artefacts. Meanwhile, Earth is falling prey to memes, ideas birthed into the mind of people who have been touched by ~~the Vorlons~~ some of those artefacts. And who knows how exactly the Jackaroo were responsible for this? Or their unscrutable associates, the !Cha, story-lovers who use plots to gather information used in turn to woo their mates?

Intersting, because the Jackaroo never revealed their true purpose, and because their gift was definitely a double-edged sword. Sure, it allowed humanity to recover from ongoing problems (crime, pollution), but others developed in turn, and the fifteen worlds turned into mirrors of Earth, with McDonald’s and Starbuck joints popping up on Mangala and, no doubt, other places. Crime developed there just as it did on Earth, and a lot of things and events made it clear that humans basically did to these colonies what they had done to their motherworld—perhaps worse, even, due to the fact they hadn’t had to “work hard” to get to these new places, served on a silver platter. The “benevolent” Jackaroo, in other words, might just be trying to repeat an experiment they did with other planets and will do again, some kind of sick experiment to see what the “lesser” races would do when gifted with space travel they didn’t have to develop themselves.

The name itself is also reminiscent of the Australian word “jackaroo” and its potential etmology: wandering people, watching over cattle. At least, this is how it felt to me, and what I believe the author wanted to achieve: making readers question the purpose behind the Jackaroo’s actions, all the while swathing them under layers of a thriller-and-chase plot mixed with a more typical seasoned-cop-and-rookie-partner murder investigation.

The more typical parts, as I wrote above, were a little predictable, especially Vic’s, whose background is fairly unoriginal in that kind of story. However, I liked how they entwined after a while, and how you have to pay attention to the dates at the beginning of each chapter. This type of narrative can be frustrating, as you keep jumping from Chloe to Vic to Chloe to Vic again, and are left on semi-cliffhangers most of the time… but it’s a style I love, and so I wasn’t disappointed.

On the downside, the characters weren’t that much developed. Vic is moulded on a fairly standard TV-show cop-type (divorced guy, been working for the force for years, somewhat jaded but still trying to make a difference…), Nevers and Harris are also somewhat predictable, and I would have liked to know more about Fahad and his family. Chloe’s background was definitely interesting, yet it also made her somewhat aloof and distanciated—something that stood to logics, considering what happened to her mother, only it made it harder to feel involved in her quest, as she was more carried by the plot than truly active at times. (In her defence, she wasn’t a dumb heroine, and was definitely aware of who was trying to manipulate her, and who intended to off her anyway once she wouldn’t be useful anymore.)

Nevertheless, barring the somewhat weak characterisation, I found the world described here—drop here by drop there, with some info-dumping, but never too much to my liking—intriguing, and I wouldn’t mind knowing more about it in a sequel (or in a prequel).

Yzabel / February 19, 2015

Review: Please Don’t Tell My Parents I Blew Up The Moon

Please Don’t Tell My Parents I Blew Up The Moon, by Richard Roberts

Genre: middle-grade, science-fiction, superhero action-adventure
Publisher: Curiosity Quills Press
Date of Publication: January 29, 2015
Cover Artist: Ricky Gunawan

About Please Don’t Tell My Parents I Blew Up The Moon:

Supervillains do not merely play hooky.
True, coming back to school after a month spent fighting – and defeating – adult superheroes is a bit of a comedown for the Inscrutable Machine. When offered the chance to skip school in the most dramatic way possible, Penelope Akk can’t resist. With the help of a giant spider and mysterious red goo, she builds a spaceship and flies to Jupiter.
Mutant goats.
Secret human colonies.
A war between three alien races with humanity as the prize.
Robot overlords and evil plots.
Penny and her friends find all this and more on Jupiter’s moons, but what they don’t find are any heroes to save the day. Fortunately, they have an angry eleven year old and a whole lot of mad science…

Find Please Don’t Tell My Parents I Blew Up The Moon Online:

Goodreads | Amazon US | Amazon UK

Review:

My rating: [rating=3]

I read the first installment of this series, Please Don’t Tell My Parents I’m A Supervillain, last year, and thought it was a pretty good novel. So, of course, I couldn’t pass up on the invitation to read the second one.

I found it weaker, though I still liked it. It contains a lot of good ideas and concepts, and it’s perfect if looking for a wild adventure in space, with alien technology and bio-weapons, lost space stations hidden on asteroids, and a steampunkish flavour to boot. Those parts were highly amusing, in terms of Weird Science, and Penny’s power developed in a way that clearly forced her to rethink a few things and decide whether she wanted to go (too) far or stop while it was still time. Archimedes, for instance, was both fascinating and creepy in its uses and in the possibilities it introduced.

Remmy’s character, too, was an interesting counterpoint to Penny: two girls with similar powers, with a basis for strong friendship, but also for jealousy and competition. I could se where Remmy came from, why she eacted the way she did, out of stubborness more thananything else, probably… but then, she’s also only eleven. I’d certainly like to see her appear again later in the series, if only for a chance to see how that relationship could develop if given more time and more distance.

On the other hand, the fast-paced plot sometimes left me dangling, as I wondered “wait, when did this character walk into the room?” or “why aren’t they paying more attention to the fct that [character X] has basically done a huge mistake?” It made me feel like the story carried the characters where they needed to be, but not always with a clear reason.

Two things I regret:

– The somewhat lackluster presence of Claire and Ray. Their antics are funny, and they make good sidekicks. However, at the end of the first novel, we had been given more to see about Ray, in particular, and I had hoped this arc, among others, would be explored. However, apart from playing sidekicks, those two didn’t really get much development.

– The very feeble involvement of Penny’s parents and other adults (although I laughed at the Audit’s interpretation of the situation, because… it did make sense, in a “I’m a parent who cannot imagine my daughter is evil, so I’ll unconsciously find another solution”). In the first book, I really liked the “please don’t tell my parents…” concept, and how the Inscrutable Machine had to go to various ends to hide their identity, make people think they weren’t Penelope, Claire and Ray. Here, since most of the story unfolds in space, the pressure of not being discovered was much less a problem (even though Penny’s realisation at the end—how to make a Hero appear—gives me good hopes for the next installment’s potential plot).

In general, it is still a pleasant story to read, though its predecessor will remain higher on my list.

About Richard Roberts:

Richard Roberts has fit into only one category in his entire life, and that is ‘writer’, but as a writer he’d throw himself out of his own books for being a cliche.
He’s had the classic wandering employment history – degree in entomology, worked in health care, been an administrator and labored for years in the front lines of fast food. He’s had the appropriate really weird jobs, like breeding tarantulas and translating English to English for Japanese television. He wears all black, all the time, is manic-depressive, and has a creepy laugh.
He’s also followed the classic writer’s path, the pink slips, the anthology submissions, the desperate scrounging to learn how an ever-changing system works. He’s been writing from childhood, and had the appropriate horrible relationships that damaged his self-confidence for years. Then out of nowhere Curiosity Quills Press demanded he give them his books, and here he is.
As for what he writes, Richard loves children and the gothic aesthetic. Most everything he writes will involve one or the other, and occasionally both. His fantasy is heavily influenced by folk tales, fairy tales, and mythology, and he likes to make the old new again. In particular, he loves to pull his readers into strange characters with strange lives, and his heroes are rarely heroic.

Find Richard Roberts Online:

Website | Facebook | Twitter | Goodreads

Yzabel / February 19, 2015

Review: Silverwood

Silverwood by Betsy Streeter

My rating: [rating=1]

Summary:

The Silverwoods are a clan with a messy history and an uncertain future, responsible to protect humanity from the shape-shifting Tromindox. Helen Silverwood, fourteen, is beginning to realize that she will never lead a normal life. There have been clues: Her mother’s unusual work habits, her father’s absence, her brother’s strange abilities with a pencil and paper, and her own recurring dreams and hacker tendencies. And, the family’s constant moves from place to place.

Things are about to get much more complicated, and it all leads to the remote town of Brokeneck, California. Can the Silverwoods keep from losing each other in space and time, while unraveling a dangerous mystery?

Review:

(I got a copy from NetGalley, in exchange for an honest review.)

As of now, I am not sure yet whether I should give this book 1 star or 2. I can’t say that I didn’t like it at all, because several ideas and themes were definitely interesting, and made me want to know more. But… This is one of those “good ideas, but…” novels, too.

Mostly I was constantly annoyed with the feeling that I was reading a first draft, instead of an edited copy. (Of course, as an Advanced Reader Copy, it was still liable to change; however, I still think an ARC is meant to be as close as possible to a ready-to-be-published version, not to a draft.) Sometimes the story dragged in places, sometimes it went much too fast, leaving gaps in the narrative that were difficult to fill. In the end, too many elements still remained shrouded in mystery—and not the kind of mystery that is justified, since it stemmed, in my opinion, from aforementioned gaps. Keeping revelations for a second installment is nice, but not when it makes a jumble of the first.

As a result, I had a hard time caring for the characters and for their predicament, as well as for the antagonists. The former’s decisions often didn’t seem to make a lot of sense, and too many secondary characters didn’t have enough screen time for their role to be understandable (Chris, Rosie, Eleanor…). The latter’s motives were unclear, their moves too sudden to know where they came from (puzzling the heroes is good; puzzling the reader, not so much). Adding time travel, portals, a jail, a Council, alien-like creatures, and a strange little town whose importance wasn’t properly stressed… Well, let’s just say the mix was too confusing.

The third person present tense style was the second thing that alienated me, so to speak. It is a tricky style to deal with, and while it works in some stories, here it didn’t do anything for me, and made me cringe more than once.

This is really too bad, because I did want to like this story, and it did seem like the kind of time travel-filled plot I would normally enjoy…

Yzabel / February 16, 2015

Review: The Room

The Room by Jonas Karlsson

My rating: [rating=4]

Summary:

A quirky and unsettling tale, of dark humour and strange realities, about a bureaucrat, an open plan office and a secret room…

The Authority looks favourably upon meticulousness, efficiency and ambition. Bjorn has all of this in spades, but it’s only in the Room that he can really shine. Unfortunately, his colleagues see things differently. In fact, they don’t even see the Room at all.

The Room is a short, sharp and fiendish fable in the tradition of Franz Kafka, Samuel Beckett and Charlie Kauffman. If you have ever toiled in an office, felt like the world was against you or questioned the nature of reality then this is the novel for you.

Review:

(I got a copy from NetGalley, in exchange for an honest review.)

This was a pretty strange read in many ways, but also a compelling one. I kept wondering about the mysterious room, whether it existed or not, whether Björn (the main character) was crazy or not, whether what happened in the room actually happened or not… because no matter what, everything was always just a tad bit too ambiguous to allow me to draw clear conclusions. On the one hand, it was slightly frustrating. On the other, it was interesting.

Björn is clearly a narrator of the totally unreliable variety. He’s also not very likeable, in that he thinks himself better than the others, more skilled and more knowledgeable—and at times, he’s exactly that, while at others, he appears as useless, so once more, you’re kept wondering what to believe. I found him pretty interesting, though, if considered from a sociopathic viewpoint (this kind of character tends to grab my attention: they’re trainwrecks in the making, fascinating and repulsive all at once). He had a very clear, definite image of himself that may or may not match what other people perceived, yet in his mind, the fault was very seldom his; and when he questioned himself, I would wait for the other shoe to drop. In other words, he wasn’t “likeable” as a human being, but as a study of a certain type of mindset, he certainly was.

Daily life in the Authority/the Office turned out a quirky study as well. Various social behaviours, people lined in their little cubicles, procedures, work habits, workplace events and how one can quickly fit in or, on the contrary, commit a fatal faux-pas… It wasn’t nonsense bureaucracy at its finest, but it still lent the whole book a very peculiar atmosphere, with everybody stuck with everybody else (the only character who’s seen being home is Björn, and even then it doesn’t really feel like him, much more like “the place where to be when you’re not at work”). Everybody had their flaw and good sides, but knowing what they are was to be judged according to Björn’s descriptions and to how he perceived his colleagues’ reactions. Definitely a clash of realities here, as one can empathise with the other workers, with how they felt the newcomer was strange and hostile… and at the same time, Björn’s narrative still manages to sow doubt, considering that, all in all, what he wants is to find his place in his new job, as well as a career to aim for.

Commenting on the writing style itself is a bit difficult, since it’s a translation. I found it fluid and easy to follow, with short chapters that broke the flow just like Björn’s personality seemed to be broken, too (if this makes sense). They also felt like a kind of internal filing system used by the character to compartmentalise and gain control over an environment different from what he expected. This format worked fairly well for me, considering the kind of story told here.

Yzabel / February 11, 2015

Review: Unhappenings

Unhappenings by Edward Aubry

My rating: [rating=4]

Summary:

When Nigel Walden is fourteen, the UNHAPPENINGS begin. His first girlfriend disappears the day after their first kiss with no indication she ever existed. This retroactive change is the first of many only he seems to notice.

Several years later, when Nigel is visited by two people from his future, he hopes they can explain why the past keeps rewriting itself around him. But the enigmatic young guide shares very little, and the haggard, incoherent, elderly version of himself is even less reliable. His search for answers takes him fifty-two years forward in time, where he finds himself stranded and alone.

And then he meets Helen.

Brilliant, hilarious and beautiful, she captivates him. But Nigel’s relationships always unhappen, and if they get close it could be fatal for her. Worse, according to the young guide, just by entering Helen’s life, Nigel has already set into motion events that will have catastrophic consequences. In his efforts to reverse this, and to find a way to remain with Helen, he discovers the disturbing truth about the unhappenings, and the role he and his future self have played all along.

Equal parts time-travel adventure and tragic love story, Unhappenings is a tale of gravely bad choices, and Nigel’s struggle not to become what he sees in the preview of his worst self.

Review:

(I got a copy from the publisher, in exchange for an honest review.)

3.5 stars, rounded to 4. I quite enjoyed it overall.

This novel is a tale of choices gone wrong, of moments that could’ve been but had to be sacrificed, of events that still left a sad taste even though they weren’t that bad at first sight. It’s a tale of time travellers that are doomed to meet each other coming from different directions, one gradually gaining insight he wouldn’t have had if the other hadn’t allowed him to grasp them first, and conversely. It’s also a tale of love both doomed and stronger than everything. A rather odd mix, but one that I found intriguing and entertaining.

Time travel here isn’t exactly the main focus, although it’s the main means. Some of the motivators could be easily seen as self-centered and selfish—and it isn’t lost on the characters, who admit it themselves at one point or another. One of the interesting sides of the novel, apart from the science fiction aspect, is that it challenges human nature in several occasions, and you easily find yourself wondering: “What decision would -I- have made, in such circumstances? Can I really blame this character for wanting that?” The scientific concepts behind time travel are never really explored in depth, but somehow, it doesn’t really matter. At least, it didn’t matter that much to me, because more important than that were the people, the decisions they would make, and how they would manage to cheat the space-time continuum in order to get what they wanted—or had to do to prevent something really bad from happening.

(Granted, when I say that scientifically, time travel wasn’t explored a lot, it’s not exactly true. We don’t get explanations about how the modules work, but the reasoning behind the travels, behind echoes of people being left in the timeline, seemed believable and interesting.)

Another nice part of the book is how it appears as a puzzle, and as a reader, you have to piece things together. Something mentioned in the very first chapters will make full sense only 150 pages later, yet when it finally does, you realise you were right in paying attention.

On the downside, the explanation behind the unhappenings was perhaps a little too simple to my taste, in that I actually wanted to see more of, let’s say, what was causing them. Due to the first person point of view, that “adversary” was painted in more dark shades than light ones, and I’m left wondering if things were supposed to unfold the way they did, or if there wouldn’t have been yet another way, less dark. I also thought that a few things went too fast towards the end (a certain person breaking down, for instance, as this felt just… bizarre), and that the whole Project might have deserved being mentioned more than just in passing.

Nigel at times seemed somewhat callous—not an unexpected nor unforgiveable trait considering all the unhappenings; only a few events were brushed over (e.g. his feelings regarding his parents), and it was sometimes hard to decide whether he did things out of love and forced himself not to think of the impact on himself, or had just lost the ability to “feel”. I guess it’s not exactly a defect, as the context justifies it, but at some moments I appreciated it, and at others I didn’t. Same at the very end with Helen, whose decision was… I don’t know, both understandable and “why on Earth did we do all that for if it was for things to come to -this-?”

However, as said at the beginning of my review, I enjoyed the story nonetheless. It probably also deserves to be revisited to see if I haven’t missed anything between the lines.

Yzabel / February 8, 2015

Review: Red Queen

Red Queen by Victoria Aveyard

My rating: [rating=3]

Summary:

Mare Barrow’s world is divided by blood—those with red and those with silver. Mare and her family are lowly Reds, destined to serve the Silver elite whose supernatural abilities make them nearly gods. Mare steals what she can to help her family survive, but when her best friend is conscripted into the army she gambles everything to win his freedom. A twist of fate leads her to the royal palace itself, where, in front of the king and all his nobles, she discovers a power of her own—an ability she didn’t know she had. Except . . . her blood is Red.

To hide this impossibility, the king forces her into the role of a lost Silver princess and betroths her to one of his own sons. As Mare is drawn further into the Silver world, she risks her new position to aid the Scarlet Guard—the leaders of a Red rebellion. Her actions put into motion a deadly and violent dance, pitting prince against prince—and Mare against her own heart.

From debut author Victoria Aveyard comes a lush, vivid fantasy series where loyalty and desire can tear you apart and the only certainty is betrayal.

Review:

(I got a copy from NetGalley, in exchange for an honest review.)

3 to 3.5 stars. I mostly enjoyed this book, but I wish some aspects had been more developed, and I can only hope they will be in the next installment. (Which I would gladly read.)

The weak points, first:

– In general, the ideas and world-building weren’t too original. The novel is very close to many dystopian YA novels, with typical elements: class divide, a war, a group of rebels, the love triangle (square?)… In all fairness, had I not already read several books with similar plot devices, this one would have felt better for me, so who knows, it might not be such a problem for another reader.

– The world itself suffered from the (also typical) “pocket-universe” syndrome: everything seems to happen in an enclosed space, with just a few hints to other countries. I couldn’t help but wonder about those neighbouring governments and the rest of the planet, as well as the deep reasons to the war, and how Reds and Silvers came to be. It was easy enough to accept that “this is not our world, so these two races are just something that I can see as normal”; but it would still have been nice to get a better grasp on the larger picture, all the more because Mare got lessons about this, so it would’ve been a good place to insert some more information (without falling into the info-dumping trap, that is).

– The romance subplot, with a love triangle, or even a love square. I understand that parts of this subplot were not what they seemed to be; however, the potential romance, the love interests, didn’t strike me as believable, and rather out-of-the-blue in general. I didn’t feel any chemistry between Mare and either of the guys, and so that specific aspect of the story seemed forced and contrived.

– Sometimes the characters and their motives were too one-sided. I’m thinking of Evangeline specifically, with her Queen Bee attitude that, in my opinion, wasn’t really justified: Mare was never a threat to her position, and Evangeline already knew where she stood and that what she had would remain hers, so while mere contempt may have been logical, such open animosity wasn’t.

However, Red Queen also has several good points going for it:

– In spite of the typical, cliché sides, the author still managed to make them hers and to develop an enjoyable world. I liked the various powers displayed by the Silvers, and the many possibilities they offered.

– The roles of the main characters: they aren’t so clear-cut as they appear at first, and even though I admit I could sense a particular twist coming, I was still nicely surprised when it happened, in a “aha, YES, I knew it!” way. There was a lot of double-thinking and potential betrayal going on behind the scenes, and this was great.

– The political side of the romance. It explains a lot of things.

– Although the aforementioned romance left me cold, I liked that Mare wasn’t merely “the girl torn between two boys, wondering who to choose”. That aspect was a rather minor one, and mostly she placed her opinions, her aims, her conviction first. She wasn’t just passive and helpless while The Guys did all the work, and she took matters in her own hands. Granted, some of her decisions may be seen as naive; on the other hand, such naivety was also understandable, since Mare had never been schooled in court politics, and was ripped away from her world and family to be thrown into very different surroundings. Being alone, feeling isolated, wanting to clutch at the people who showed kindness: that was understandable.

Not a perfect novel, but not a bad one either.

Yzabel / February 5, 2015

Review: The Mindtraveler

The Mindtraveler by Bonnie Rozanski

My rating: [rating=2]

Summary:

What woman of a certain age doesn’t sometimes look upon her life and wish she could go back and do it all over again?

With more of her life behind her than ahead, Margaret Braverman, a physicist teaching at a small college, cannot help but regret the things she never quite got right. Most important among them was the tragic ending of her romance with her brilliant colleague Frank, something she has never gotten over. Then there is the prospect of restoring the respect of her colleagues after that unfortunate incident where she set her hair on fire. And, of course, it would be glorious to get even with that mean-spirited, conceited, womanizing Caleb Winter.

Fortunately, after years of experimentation in the back room of her lab, Margaret has finally built a time machine. The key, she discovered, is in teleporting not the body but the mind. And so, at 5:03 p.m. on May 3, 2012, Margaret teleports her mind to her 1987 self.

Though her body is that of a 35-year-old, the narration and point of view is that of her older self. “60″, as she calls herself, feels everything but can’t move a muscle. All she can do is to passively witness what she lived once before, and, until she figures out how to influence things, nothing is going to change.

Review:

(I got a copy from NetGalley, in exchange for an honest review.)

2.5 stars. Mixed feelings here.

On the one hand, it was permeated with a mellow, nostalgic atmosphere that I found pleasant. Not because of the events that unfolded in the past—some of those raised serious matters, like destroying a family, the glass ceiling, what it meant to be a woman in a place dominated by a patriarchal hierarchy. Because of how Margaret saw the past through the eyes of her younger self, with the hindsight of 60 years of life. As she was basically a silent passenger in the back of 35!Margaret’s head, she could easily reflect and contemplate on that world she didn’t remember accurately, and relive these memories in a way that would allow her to treasure them (seeing her parents again, for instance).

The ending was in part predictable, in part surprising (the twist with the student, all making sudden sense when you think about it), in part unavoidable, and I liked the latter aspect: I don’t think I would’ve wanted a too well-wrapped ending, with nice ribbons around. The one the author chose to go with seemed to fit Margaret’s character better than a “quieter” one.

A huge downside for me was the “silent passenger” side of the plot. For about 70-75% of the story, 60!Margaret can’t do much more than lift a few fingers, which forces her in an extremely passive role (somewhat reminiscent, though, of what 35 had to go through: “be a nice girl and shut up when it comes to the important stuff”—the echo wasn’t lost on me). It made up for a very awkward transition when she suddenly finds herself doing so much more, and as a result, the last chapters felt disconnected and in a hurry. It would’ve been more seamless if she had gradually started to do more, perhaps while her younger self was asleep/unaware of her “passenger”.

The romance aspect I could’ve done without. It wasn’t a breaker because it was romance, but it tended to obfuscate Margaret as a person who could make a life for herself—as in,” who cares about academic recognition and a whole career, as long as I can have The Man?” (This clashed with Margaret’s views on life, with her way of always deciding for herself, even if that mean making a bad decision, with her aims of becoming a researcher and getting tenure, etc.) This is why, I think, I’m glad the ending was what it was, and I can’t help but wonder what she would do afterwards: enjoy the good or moan about the bad?

As for the characters themselves, mostly they weren’t that enjoyable, unfortunately, either because they were greedy, sleazy or cowards, or just not impressive. This is humanity in a basket, I suppose, but a few more positive people to balance it out would’ve been nice. The mellow/nostalgic side of the novel would’ve made a stronger impression on me, too, if I had had a better feeling for them.

Not a bad novel, all in all, and the concepts and ideas it raised were definitely interesting. Unfortunately, in the end, it remained in the “just OK” category for me.

Yzabel / February 3, 2015

Review: The Rook

The Rook by Daniel O’Malley

My rating: [rating=5]

Summary:

“The body you are wearing used to be mine.”

So begins the letter Myfanwy Thomas is holding when she awakes in a London park surrounded by bodies all wearing latex gloves. With no recollection of who she is, Myfanwy must follow the instructions her former self left behind to discover her identity and track down the agents who want to destroy her.

She soon learns that she is a Rook, a high-ranking member of a secret organization called the Chequy that battles the many supernatural forces at work in Britain. She also discovers that she possesses a rare, potentially deadly supernatural ability of her own.

In her quest to uncover which member of the Chequy betrayed her and why, Myfanwy encounters a person with four bodies, an aristocratic woman who can enter her dreams, a secret training facility where children are transformed into deadly fighters, and a conspiracy more vast than she ever could have imagined.

Review:

This is one large doorstopper I picked from the library, but that I didn’t regret lugging around in my bag for two days.

I really liked how the author wove past-Myfanwy and present-Myfanwy story lines using letters, a device that could’ve been cumbersome and artificial, yet that wasn’t in my eyes: sure, lots of “exposition”… done in a believable way that didn’t intrude upon the plot, on the contrary. Reading about the Checquy was both amusing and fascinating, and the cast of powers gathered by the organisation was interesting. I especially liked the idea behind Gestalt—one mind controlling four bodies.

The humour, too, factored in big, as it was just the kind of light, tongue-in-cheek touch I tend to easily appreciate. It happened in dialogues and in characters’ thoughts, as well as in how the plot unfurled. For instance, right after Myfanwy wonders how the oganisation works, we’re treated to a “Title: How the organisation works” letter from her past self. This may or may not work for everybody; it sure did for me. Bonus points for Ingrid the Terrific Assistant, who was very professional and funny at the same time.

I pondered about a few things at first, thinking they were just a wee bit too convenient: how amnesiac!Myfanwy still managed to be very efficient at her job, and how she discovered how to use her powers so quickly, as well as differently. However, thinking back upon it, and on how her present state of being came to be, it made sense. (Explaining why would be a spoiler, so let’s just say that reading about it between the lines in the resolution chapters made sense to me, and that having a new personality start over, with an almost blank slate, helps in not letting the past hamper one’s abilities.)

I’ll definitely pick the next installment once it’s finally out.