May 2015 - The Y Logs

Yzabel / May 27, 2015

Review: The Shadow Revolution

The Shadow Revolution by Clay Griffith

My rating: [rating=3]

Blurb:

They are the realm’s last, best defense against supernatural evil. But they’re going to need a lot more silver...

As fog descends, obscuring the gas lamps of Victorian London, werewolves prowl the shadows of back alleys. But they have infiltrated the inner circles of upper-crust society as well. Only a handful of specially gifted practitioners are equipped to battle the beasts. Among them are the roguish Simon Archer, who conceals his powers as a spell-casting scribe behind the smooth veneer of a dashing playboy; his layabout mentor, Nick Barker, who prefers a good pub to thrilling heroics; and the self-possessed alchemist Kate Anstruther, who is equally at home in a ballroom as she is on a battlefield.

After a lycanthrope targets Kate’s vulnerable younger sister, the three join forces with fierce Scottish monster-hunter Malcolm MacFarlane—but quickly discover they’re dealing with a threat far greater than anything they ever imagined.

Review:

(I was given a copy through NetGalley, in exchange for an honest review.)

Magic, werewolves, Victorian London, crazy inventions, and alchemy: what could go wrong, right?

Well, I did like this novel, but not as much as I had hoped and wished. Perhaps because I remembered liking these authors’ Greyfriar book a lot, and was expecting something similar? I’m not sure. It has a nice mix of adventure, banter, fights and magic, but somehow I found it a bit lacking. Not bad per se, just lacking.

I really liked the descriptions and the London depicted in this first installment. I could easily imagine its streets, its rookeries, the characters as they were introduced, Penny’s inventions, and the various supernaturals (I’ll add the homunculi to this category, not only the werewolves). The Bedlam part was creepy and terrific. The atmosphere reflected what I’d imagine as an early gaslight/steampunk urban fantasy backdrop, and while some of the contraptions were maybe a tad bit too modern, I didn’t really care, because they integrated well enough within the overall picture.

The characters had a nice dynamics going, too. They were somewhat cliché (the dashing gentleman magician, his friend who seems to spend his time in less commendable places, the Scottish werewolves hunter, the inventor, the feisty alchemist), but again, for some reason, I thought they worked well together. I will easily forgive tropes if I manage to find them exciting, and in this case, they fit the theme and what I expected of it.

I found the writing style a bit too rough in general, though, in that the action scenes especially seemed like they could’ve benefitted from more editing, in order to be less confusing. Same with the first chapters: the reader’s quickly thrown into it, which is usually good, yet something felt abrupt and slightly jarring. It got better in some parts, and not in others. There were a lot of such scenes, perhaps too many, and they got repetitive after a while. The werewolves were also a bit too squishy depending on the moments: the first one looked so impressive and hard to kill, while others could be shredded like paper. At some point, the weres got described as not being all the same, with a lot of them being ‘runts’ of sorts, that couldn’t very well control their powers; in this case, it would make sense… only the way it was explained wasn’t too clear.

Second, I wondered why the authors hadn’t made up more concepts and words. Sure, too much techno- (or mystico-) babble can get old pretty fast; however, whenever I read something like “he muttered strange words (to create a spell)”, I couldn’t help but ask myself: “What words are those, andwhy would they be strange to him, since he’s a magician?” In such instances, I’d definitely have appreciated some made-up “babble”.

Third, a lot of threads were left dangling. This is both a good and a bad thing. The book is clearly presented as volume 1 in a trilogy, no secrets here, so everything can’t be solved at once, and these threads are obviously openings into books 2 and 3. On the other hand, they’d better not be forgotten then, otherwise they’ll look like sloppy work.

I’d rate this book 2.5 stars: lots of fun, with the clear aim of being entertaining, and definitely good potential in terms of character dynamics and family stories, but only if it gets realised and not bogged down in confusing scenes. Reading the next volume, which I also have, will likely tell if what I’m hoping for will become true.

Yzabel / May 24, 2015

Review: The Gateway Through Which They Came

The Gateway Through Which They Came by Heather Marie

My rating: [rating=2]

Blurb:

To seventeen-year-old Aiden Ortiz, letting the dead walk through his body to reach the other side comes with the territory. Being a Gateway isn’t an easy job, but someone’s gotta send Bleeders where they belong. Heaven. Salvation. Call it whatever you want. Dead is dead. But when his search for Koren Banks––the girl who went mysteriously missing seven months ago––leaves him with more questions than answers, he finds himself involved in something far more sinister and beyond his control.

With the threat of the Dark Priest’s resurrection, and his plan to summon his demon brothers from hell, Aiden is left to discover his identity before the Dark Priest’s curse infecting his blood consumes him, and before the world as he knows it succumbs to the darkness of hell on earth.

Review:

(I was given a copy through NetGalley, in exchange for an honest review.)

An enjoyable book, good for a leisurely day, though I would’ve wanted to learn more about Aiden’s abilities in general and how he had received support—as a reader, I too often felt left in the dark.

The writing style itself wasn’t the best I’ve ever seen, but it wasn’t anything unbearable either: I didn’t notice many blatant typos and mistakes, and it flowed well enough to carry the story. Aiden’s “voice” felt enough like a boy’s; it was easy to follow his struggles throughout the novel, how he realised something dark was growing inside him, how he was trying to battle it. There isn’t that much action, as it’s more internally-focused than translated into physical fights—there are a couple of exceptions to this, and they highlight the internal battles well.

At first I wasn’t sure about all the religious-themed surroundings (Catholic school and church, a priest as Aiden’s mentor, a religious mother…), but all in all, they remained surroundings only in my opinion: I didn’t feel they were used to shove anything down my throat, which was a good thing, as I wouldn’t have liked a preachy book. For instance, while there are talks about God, I never was under the impression that the souls going through the Gateway went to *either* Heaven *or* Hell, or that there weren’t any Gateways from other faiths than the Christian one. The religious part seemed like “one system of belief among others, that are just as valid”, so this was alright with me.

There’s a bit of romance, of the bittersweet kind, and one that plays a role throughout the story without being its main focus. That was good enough for me; I’m definitely tired of stories with high stakes where the characters are too busy pondering which girl or boy to choose, instead of focusing on the actual problem.

I wish there had been more information given to readers, though. The subplot behind Koren’s disappearance was introduced abruptly, and I would’ve liked to see more of her before that, even though this might have meant using more flashbacks. A lot of information was kept from Aiden, or presented in an “oh, read this book once you’re at home” way; wouldn’t it have been easier and faster if his mentor had explained things to him directly? It’d probably also given Aiden opportunities to talk about some of the people he had met, and realise sooner what was wrong. As it was, I felt like it was a method of keeping information from the reader too for as long as possible, and I’m not too keen on such a method. The villain’s identity was also easy to guess, and it was a wonder Aiden didn’t realise it sooner.

The other characters also weren’t too developed. They were supportive throughout, and I could feel their support, all the more after some of them witnessed Aiden changing yet still decided to forgive him and stay by his side (that’s friendship); however, I kept thinking they could’ve been brought into existence more efficiently.

2.5 stars. I’ll still read the next book, as I also have it, but I hope it’ll shed more light on the Gateways in general, on what exactly Aiden could become if he were to give in, on the other characters (especially Julie and Michael) and on the Brethren’s plans.

Yzabel / May 23, 2015

Review: The Devil’s Detective

The Devil’s Detective: A Novel by Simon Kurt Unsworth

My rating: [rating=3]

Blurb:

Welcome to hell…

…where skinless demons patrol the lakes and the waves of Limbo wash against the outer walls, while the souls of the Damned float on their surface, waiting to be collected.

When an unidentified, brutalised body is discovered, the case is assigned to Thomas Fool, one of Hell’s detectives, known as ‘Information Men’. But how do you investigate a murder where death is commonplace and everyone is guilty of something?

Review:

(I received a copy through NetGalley, in exchange for an honest review.)

First thing first: if you’re looking for nice things, Happy Ever Afters and something else than bleak prospects, this is not the book for you. But the fact it’s set in Hell, only in Hell and nowhere else, makes this fact kind of obvious anyway.

Thomas Fool is one of Hell’s few “Information Men”, meant to investigate crimes yet knowing that whatever the outcome, it won’t matter. Whether murderers get punished or not doesn’t matter, whether people die or not doesn’t matter—it’s Hell, and it’s nonsense, and the whole nonsense of it bears down upon every inhabitant, even the demons themselves. There are rules to follow, and all of Hell’s prisoners do, in the flimsy hope of being Elevated someday, freed and sent to Heaven, following a process of selection whose rules themselves are all but logical. Joy and hope? Of course there is: so that they can be better quashed.

It was sometimes a little difficult to make up my mind about this novel, as some of its defects also contribute to making its strengths. The characters in general are sort of bleak, unremarkable, lost within an investigation that doesn’t really seem important, like puppets stringed around while being totally aware of what they are. It was somewhat tedious at times, yet it fit pretty well into the Hell setting, into its “why bother” atmosphere. I would not necessarily care for what happened to whom, yet at the same time, I did, because it reinforced the feeling of a twisted structure here. (I was peeved however at the women’s roles: they were either absent/in the background or clearly too stupid to live anyway.)

Hell’s descriptions were vivid and made it easy to picture what Fool and his partners had to go through, as gruesome and malevolent as both places and inhabitants were. In the beginning, I expected more; later, it didn’t feel so important, as what was described became enough for me to form my own vision of Hell, and adding more would’ve actually been too much.

Dialogues were definitely of the weak sort, especially because of the various repetitions and name-dropping. For instance, one character kept calling Fool “Thomas” several times in the span of a few sentences only, and this happened more than just once of twice. Fool’s and some others’ lines were also often reduced to “Yes” or “No”, and those became quickly annoying.

Another issue: guessing who the perp was. Way, way too easy. It made sense fairly early in the novel, and it was equally annoying to see Fool & Co not doing the math. Granted, their investigations often fell into the “Did Not Investigate” category (Hell made it so that it was pointless for them to investigate most crimes in general), and I guess one could say they weren’t “used” to doing it, but… It was still annoying when Fool openly admitted to himself not understanding something that should’ve been obvious.

2.5 stars for the depiction of Hell, and how the story made clear that pointlessness, twisted logices and bleak surroundings can be turned into something as terrible as fiery pits and physical pain. The reader doesn’t get hammered with God and Satan, and has to make their own idea of whether this would truly be a kind of Hell for them. As an investigation/mystery type of story, though, or in terms of interesting characters, it didn’t work well.

Yzabel / May 21, 2015

Review: Treasure, Darkly

Treasure, Darkly by Jordan Elizabeth Mierek

My rating: [rating=1]

Blurb:

Seventeen-year-old Clark Treasure assumes the drink he stole off the captain is absinthe… until the chemicals in the liquid give him the ability to awaken the dead.

A great invention for creating perfect soldiers, yes, but Clark wants to live as a miner, not a slave to the army—or the deceased. On the run, Clark turns to his estranged, mining tycoon father for help. The Treasures welcome Clark with open arms, so he jumps at the chance to help them protect their ranch against Senator Horan, a man who hates anyone more powerful than he.

Sixteen-year-old Amethyst Treasure loathes the idea of spending the summer away from her bustling city life to rot on her father’s ranch, but when a handsome young man shows up claiming to be her secret half-brother, her curiosity is piqued. He’s clever, street smart, and has no qualms jumping into the brawl between the Treasures and Horans. Caught in the middle, Horan kidnaps Amethyst, and all she gets is this lousy bullet through her heart.

When Clark brings her back to life, however, the real action starts, and Amethyst joins him in his fight against the Horan clan—whatever the cost. Defeating the Horans may seem easy at first, but going up against men with the same fighting vengeance as Clark, and a Senator with power he’s obtained by brainwashing the masses?

Well, Amethyst’s boring summer at home has turned into an adventure on the run, chock full of intrigue, danger, love, and a mysterious boy named Clark.

Review:

(I was given a copy by the publisher, in exchange for an honest review.)

I had read a couple of short stories by this author, and thought the world she developed would be worth the read. I’m sorry to say I couldn’t push myself to enjoy Treasure, Darkly, in spite of a good beginning. Or perhaps because the beginning led me to hope for something quite different, something I’d have liked instead.

Adventure in a steampunk, western-like world, along with a mysterious power allowing the male protagonist to bring people back to life: that would’ve rocked, and it’s what I got in the first chapters. Clark seemed an intriguing character. On the run from the Army after he accidentally used their latest invention and ended up with powers over the dead, he turned to the only people he thought would be able to protect them, thanks to their wealth and reputation; a risky move if you ask me, but why not, when you don’t have much left to lose? Clark was kind of resourceful—ready to use whatever resources he could find, aware that he had to be ruthless at times, yet still trying to fit in in a “good” way no matter what.

The world depicted in the novel was interesting, too. Perhaps with a bit too much “steampunkish eye-candy”, in that you’d have to simply enjoy the descriptions and atmosphere for what they are, not look for any detailed explanation behind some of the machines. At some point, Clark goes on a quest for missing inventions, and if you like reading about such contraptions, well, those fit well within a steampunk universe.

However, I found it really difficult to remain invested into the story after the 40%-50% mark. First, Amethyst’s expected death doesn’t occur before then, i.e. a bit too late to my liking. Second, what would’ve been somewhat stereotypical but still enjoyable plot in a western-type plot (the Treasures vs. the Horans) wasn’t that much developed, with the race to find the missing inventions getting muddled in there. Third, and a killer for me, those parts of the plot, along with Clark’s power and running away from the military, got lost in the romance.

I didn’t care the least bit for the romance here. Partly because of the brother/sister thing, even though there’s a twist here. Partly because I wanted to see a kickass brother/sister pairing living adventures in a Weird Wild West world. Partly because it didn’t make much sense when pitched against the other stakes (the Horans, Clark being on the run, how the family in general was supposed to accept him…).

Amethyst I found fairly unlikeable all along. I could’ve forgiven her snobbish ways in the beginning, if only coming back from the dead would’ve redeemed them. I’d expect dying, then being resurrected would leave heavy traces in someone’s psyche, make them contemplate their mortality, see the world in a different way; but Amethyst doesn’t change, and remains as superficial as ever (all the more as she’s cast several times in a Damsel In Distrest role, moments during which she worries about the wrong things).

Clark’s power remained vague and not exploited after the first half. For instance, we’re told that when he brings back someone, he has to give death in the next minutes or so for the first life to indeed be spared, yet he’s never seen doing it, which felt like a cop-out. The villains didn’t do much in the second half either, the two brothers vanishing from the scene fairly quickly, to better leave room to Clark and Amethyst traipsing around, buying clothes, camping in the woods, and so on. Also, Clark’s secrets got out in the open too easily, and it was hard after a while to believe that people wouldn’t talk about it sooner, that he wouldn’t get in trouble sooner because of it.

In short, based on the first half of the novel, I was somewhat enthused, and expected adventure and a grand finale. In the end, I got bored by the romance and distractions from what should’ve remained the issues at stake. By the time they came back, it was too late.

1.5 stars.

Yzabel / May 20, 2015

Review: Nine by Night

Nine by Night: A Multi-Author Urban Fantasy Bundle of Kickass Heroines, Adventure, & Magic by S.M. Reine

My rating: [rating=1]

Blurb:

Nine books. Nine bestselling authors. Nine heroines that take names—and chances—while confronting dark foes, whether by force of arms or magic, that threaten their entire world.

Over fifteen hundred pages of epic reading await! Let the adventures begin!

From NYT and USA Today Bestselling Author, SM REINE – WITCH HUNT –– Shaman on the run. Isobel Stonecrow speaks with the dead…for the right price. She brings closure to the bereaved and heals broken hearts. But when she resurrects someone for the wrong client, she ends up on the OPA’s most wanted list.

From NYT and USA Today Bestselling author, CJ ELLISSON – DEATH’S SERVANT –– Jonathan Winchester has clashed with his werewolf alpha one too many times. He returns to Virginia to find work and meets a young waitress, Raine. As their relationship progresses, Jon’s embroiled in more intrigue than he bargained for and a danger bigger than he can handle.

From bestselling author, LINDSAY BUROKER – TORRENT –– When Delia chose to major in archaeology, she imagined herself as the female Indiana Jones of the Southwest. She didn’t imagine herself stumbling across decapitated bodies in old mine shafts or learning that monsters are real…

From USA TODAY bestselling author, ANTHEA SHARP – SPARK –– What if a high-tech game was a gateway to the treacherous Realm of Faerie? Superstar gamer Spark Jaxley’s life might look easy, but she’s part of an elite few who guard a shocking secret; the Realm of Faerie exists, and its dark magic is desperate for a foothold in the mortal world.

From bestselling authors BOONE BRUX and CJ ELLISSON – DEATH TIMES TWO –– The V V Inn has a ghost problem. New grim reaper, Lisa Carron, accepts the job. She quickly learns the hotel is full of the dearly departed—and she’s working for vampires. Throw in Asa, a young vamp hot enough to melt the Arctic ice, and Lisa realizes she’s way out of her element.

From bestselling author, JC ANDRIJESKI – ROOK: ALLIE’S WAR EPISODES 1-4 –– Like most humans, Allie distanced herself from Seers, a race of human-like beings discovered on Earth. Yanked out of her life by the mysterious Revik, Allie finds out her blood may not be as “human” as she thought, the world is nothing like it appears to be…and she has more in common with Seers than she ever wanted to believe.

From bestselling author, ANNIE BELLET – JUSTICE CALLING –– Gamer. Nerd. Sorceress. Jade Crow lives a quiet life running her comic book and game store in Wylde, Idaho. After twenty-five years fleeing from a powerful sorcerer who wants to eat her heart and take her powers, quiet suits her just fine. Surrounded by friends who are even less human than she is, Jade figures she’s finally safe. As long as she doesn’t use her magic…

From bestselling author, JESI LEA RYAN – ARCADIA’S GIFT –– Teenager Arcadia (Cady) Day’s family tragedy unleashes a hidden power. After experiencing what can only be called a psychic episode, her home life crumbles. As her emotional control slips away, Cady begins to suspect that her first psychic episode was just the beginning…

From Urban Fantasy author, KARA LEGEND – WILD NIGHT ROAD –– One innocent hex sets off a chain reaction of trouble among the shifters of the Kinraven that threatens war between werewolves, seraphim and witches. Lilith Darke will do anything to be free of her seraphim master. All hell breaks loose when rival packs face off only to discover a new, deadly threat that will take all their magick to survive.

Review:

I got a copy through NetGalley, in exchange for an honest review.

This collection of nine novels is, obviously, huge to read, so I tackled each book one by one. Which took me quite some time.

Overall, I was rather disappointed. Apart from one novel that made me feel like reading some of the author’s other works, mostly the stories ranged from “it’s OK” to “no” for me. I can think of two major explanations to this:
1) Mostly the stories were of the sex/romance-oriented kind, and this isn’t really what I’m looking for in urban fantasy—not because of the themes themselves, but because they too often take precedence over the plot. I want to read urban fantasy, possibly with a dash of romance, not romance with a dash of supernaturals thrown in.
2) I’m still feeling cheated by the “kickass heroines” line. I didn’t find many of them kickass. At all. Being a witch or a demon hunter doesn’t make a kickass heroine if she stil lturns to mush at the first sight of The Male.

If these are your things, good for you… They just aren’t mine.

Breaking down Nine by Night to individual short reviews, the way I had posted them over the months while reading it novel by novel:

WITCH HUNT

2*
A quick, easy read, with a lot of action and not many breaks, which fits the theme of “man on the run, trying to find the answers before his enemies catch up to him”. No problem with that, although it was rather short, and so the characters weren’t that well-developed. The world seems interesting, with a Men In Black feeling combined with department-to-department tensions and underhanded maneuvers.

In general, it’s César’s decisions I had a problem with: he didn’t strike me as particularly savvy, considering the job he’s had for the past two years. Sure, going back to the crime scene to start looking for answers is as good a beginning as any, but he didn’t do it in a clever way—and the same pattern repeated throughout the story. The ending was unsatisfying: César wasn’t the one who actually solved the problem, he was more of a spectator at times, and I didn’t like how a couple of key clues turned out to be just there by chance.

(Also, the NbN cover blurb spoke of “strong women protagonists”, but I’m still looking. The only two prominent women here either don’t appear that much, or are more like the must-protect-her type under a varnish of strength.)

DEATH’S SERVANT:

2*
I haven’t read the V V Inn series, so I feel like I’m missing something here—kind of as if some things weren’t developed, character-wise, because readers are supposed to already know Jon, Dria and Rafe from the actual series? This prequel will likely be of more interest to those who want to know more about Jon before V V Inn, since it seems to answer some questions, but maybe not so much otherwise.

TORRENT:

1*
I struggled to finish this one. Overall I found it rather boring, the plot was muddled with too much running in circles, and too much was left unsaid at the end for the reader (there was a monster, but I still have no idea what it was, what the main threat was, who/what the strangers were, etc.) As for the characters, they felt really childish and too stupid to live. Also, cracking a whip doesn’t an archaeologist make. Indiana Jones would weep.

SPARK:

3*
A light and enjoyable read, but one that felt a little confusing at times, in the beginning: I hadn’t realised it followed a previous trilogy. However, it made me feel like reading said trilogy (perhaps I’m even more interested in it than in the second one, actually). I have a soft spot for stories where gamers have to face real dangers in a virtual world, and video games combined to traditional faerie lore seemed like a good blend. Spark also deals with the gamers’ real life, showing sides of their lives that aren’t always terribly glamorous. I’ll probably pick the first volume in the Feyland trilogy at some point, to see what exactly led to the Feyguard being established (even though it’s easy to guess, it doesn’t mean there’s no point anymore, after all).

DEATH TIMES TWO:

1*
I couldn’t get into this one at all, never knowing if it was supposed to be humorous or serious. Lisa seemed a silly stereotype, and apart from Asa, the other characters were just brushed over, in a way that made me feel that the ghost-reaping plot had to be solved as fast as possible for the protagonists to finally have sex. Which might have worked, why not, only the almost slapstick-like side of the story didn’t mesh well with it in my opinion (I contemplated facepalming for real when it came to a point where Lisa asked Asa to put his hands in her pants while kissing her so that a ghost couldn’t enter her to possess her). It read more like an amateur fic (with typical vaguely porny vocabulary) than an actual novel.

ROOK: ALLIE’S WAR:

0.5*
DNFed at 56%. I tried, really, I did, but I just cannot push myself to go on. This book is so terribly confusing, adding present/preterit shifts to a 1st person/3rd person mix I already have problems with in general. I get the reasons behind this choice, but they don’t work for me, and it makes for a painful reading.

I don’t understand the characters, who suffer of chronic cases of ain’t-telling-you-nothingitis. A.k.a “All those things we know because we’re telepaths/empaths, and you don’t because you’re human? I can’t tell you because you’re supposed to ask that guy, there, who’re not telling you on his own becasue Reasons.” So what does the heroine do? Not ask. For weeks. Then everybody assumes she knows, but she doesn’t, which leads to stuff like “why did you agree to marry him”, and… wait, when did that happen, and what did she do to make everyone and their dog think the two characters are married? Also are they in love, attracted to each other, wanting to have sex with each other, not wanting to have sex…? This isn’t even angst or conflicted feelings anymore; it’s just one huge muddle. (Interspersed with regular diving into some structure of light, Pyramid and other psychic-powerish mumbo-jumbo that doesn’t make much sense, all the more when it’s thrown into action scenes.)

The premise looked interesting. The first couple of chapters drew me in. And then… nope, sorry.

JUSTICE CALLING:

1*
Too short to allow for much character development. The story goes fast, but remains very formulaic—down to the hardened guy showing up to provide a love interest that Jade immediately starts fantasising about for… no reason? I’d have much preferred getting to know the characters better, and see a couple of actual twists and turns. As it is, the “villain” was dispatched too quickly, the promising plot wasn’t exciting, and Jade was just… annoying.

I read it because I needed to do something while waiting at the airport. I don’t think I’ll be back.

ARCADIA’S GIFT:

2.5*
Mostly an OK story, but one that I wouldn’t really qualify of “urban fantasy” (see my above comment, though—if not considered as part of this bundle, then disregard it). More like YA paranormal romance. I liked that the romance part developed more naturally than in most novels pertaining this genre, although I admit I’m not a good target audience for that in general. I also liked how it took into accout the whole family after the tragedy, not only Cady and her feelings for a boy. However, I didn’t like the way she reacted in the end (I would’ve expected such an outburst sooner, but not after everything that happened). Overall, it was an alright story, yet one that won’t leave me with much of an impression, I’m afraid.

WILD NIGHT ROAD

1*
Terribly confusing, and looking more like chapters plucked from a larger story. There seemed to be complex dynamics behind the shifters, witches and seraphim, that weren’t really explained, so the characters’ predicament was never really tangible. I didn’t feel close to any of them, the whole weres/alpha male/bonding thing was strange (way to give the “kickass women” room to decide and fend for themselves, huh?), and everything moved too fast, without enough development in between.

1.5 stars overall. (Not rounding to 2 because of the misleading “strong female protagonists” angle that was everything but.)

Yzabel / May 18, 2015

Review: Modern Rituals

Modern Rituals by J.S. Leonard

My rating: [rating=2]

Blurb:

“A failed ritual annihilates modern life.”

Manhattan, NY: The E-Train slams into James Bixby, a strapping young artist on the rise, after a life-saving rescue attempt goes awry. Belfast, Ireland: A bullet severs Olivia Young’s spinal cord while she defends a doctor colleague–the second bullet pierces her heart.

Then they awaken–unharmed.

“Selected” and thrust into a deadly ritual, James’ and Olivia’s lives–along with the lives of five others–will decide humanity’s fate: surrender to the old Gods’ rule or live on in blissful ignorance. Follow their frantic struggle as Magnus–a secret organization of enormous reach and scientific prowess–directs the ritual to its gruesome end.

Dubbed as a Cabin in the Woods “remix,” Modern Rituals celebrates the movie’s ritual motif and compels readers with a rich universe propped upon science fiction and mythology. If you loved the fierce pace of Battle Royale and the fight to survive in Hunger Games, then Modern Rituals: The Wayward Three will quicken your heartbeat and leave your eyes red and bleary! Pick it up and strap in–once this story leaps off the page there’s no turning back.

Review:

I got a copy through NetGalley, in exchange for an honest review.

This book is so difficult to rate: because I enjoyed the story, I really did (I have a fondness for tropes when they’re openly exploited as such). However, it’s also so terribly close to The Cabin in the Woods in its concept and execution, and without any acknowledgment of the movie (or, even further, of the other book that the movie supposedly plagiarised) that everything is a muddled cluster here. I’m not talking “it’s about a boy who goes to a school of wizardry, so it’s like Harry Potter” inspiration. I’m talking something even more blatant than this.

I liked the use of technology, computers and science to fulfill the needs of elder gods, assuage them and put them back to sleep. I liked how the people behind the rituals had to resort to archetypes/tropes: the Knight, the Succubus, the Virgin, the Fool, and so on. It cast the characters into specific moulds, forced them to play roles they wouldn’t have played otherwise. Besides, the blend of magic and technology is something that’s always fascinated me—perhaps because both seem to be the antithesis of each other, yet, in the words of A. C. Clarke, isn’t any sufficiently advanced technology indistinguishable from magic?

On the other hand, the tropes didn’t go far enough to my liking, in that in the end, mostly the characters did stay in those roles, and didn’t subvert them, when it would have been the perfect opportunity to do so.

I liked the twists, how the characters who were supposed to die got given a second chance, how the one who wasn’t supposed to join them actually did more than one would have thought, how the one who was supposed to die didn’t. However, there were a few but glaring holes in that, including how exactly the seven were transported into the school grounds, and the survival of… let’s say characters that shouldn’t have been able to fake their injuries or death. I mean, Olivia’s a nurse: nothing should escape her in that regard. If she pronounces someone dead, then that person is definitely dead, or at least so close to it that no recovery should be possible in such a short time.

I also wondered about the parts the characters were supposed to play, not only within the ritual itself, but in a meta way. I thought Olivia would be on par with James, as the female main protagonist, yet she was quickly overshadowed. A shame.

And… I still can’t overlook the similarities I pointed to at the beginning of my review. There are too many of them. I don’t know if I’ve missed something; I looked in the first and last pages of the novel to see if this was addressed at some point, and it just wasn’t (although one of the character clearly mentions the rituals having different settings throughout the world, “even a cabin in the woods”). I honestly don’t know what came first. Basically, I’m not even sure I should touch that with a ten-foot pole. You just… don’t do that. Is all.

Yzabel / May 11, 2015

Review: The Deep Beneath

The Deep Beneath by Natalie Wright

My rating: [rating=1]

Blurb:

H.A.L.F. 9 has taken his first breath of desert air and his first steps in the human world. Created to be a weapon, he proved too powerful for his makers and has lived a sedated life hidden from humans. But H.A.L.F. 9 has escaped the underground lab he called home, and the sedation has worn off. He has never been more alive. More powerful. Or more deadly.

Erika Holt longs to ride her motorcycle east until pavement meets shore. She bides her time until graduation when she’ll say adios to the trailer she shares with her alcoholic mother and memories of her dead father. But a typical night in the desert with friends thrusts Erika into a situation more dangerous than she ever imagined.

Circumstances push the two together, and each must make a fateful choice. Will Erika help H.A.L.F. 9 despite her “don’t get involved” rule? And will H.A.L.F. 9 let Erika live even though he was trained to kill?

The two may need to forget their rules and training if either is to survive the dangers of the deep beneath them.

Review:

(I got a copy of this book from the publisher through NetGalley, in exchange for an honest review.)

I can’t say I liked this novel. Although the premise grabbed my attention, the story turned out to be too overdone to my liking. It partly had to do with the source of H.A.L.F. 9’s non-human side. It reminded me of what I’d call “Cold War era stories”: books, movies, comics tackling matters that were relevant a few decades ago (the way the Cold War provided an excellent building-ground for tense stories), but aren’t so much anymore. As a result, making them interesting rather than “it’s just another version of…” has become more difficult. Unfortunately, in my opinion, The Deep Beneath didn’t manage to get off the ground, whether in theme or in execution.

The characters remained too flat for me to warm up to them. I expected Erika to be more of a free mind—a proud, independant young woman riding her motorcycle through the desert—and not so obsessed with her love interest that she didn’t want to love because it would impede her freedom, but wait, she still keeps daydreaming about him and sniffing his scent. What could have been a good subplot, filled with questions about whether loving someone will set you back or allow you to soar, whether it will only shackle a person or not, got lost in the flow of teenage hormones. And when she opened her mouth, when she stood her ground, it was too often at the wrong moment, using the wrong words (at the 70% mark, I filed her as Too Stupid To Live).

Both Ian and Jack seemed to exist as background elements only, and never developed into actual characters with actual personalities. Sturgis had too much of a gloating villain edge, both cruel at times yet inexplicably powerless at others (in the way of the Villain Decay trope). Alecto’s budding thoughts and dilemma regarding H.A.L.F. 9’got lost somewhere along the road, when it could’ve been such an interesting thread to develop. As for H9, I guess he was alright, in the way he discovered the outside world and grew to care for the humans he had met, but here comes the third breaking part for me: the writing.

The writing was of the “tell, not show” varity, which quickly made the story feel as dry as the desert it was set in. I can definitely say that had H9’s growth been tackled in a different way, instead of that somewhat clinically detached tone, I would’ve appreciated it much more. Being detached made sense when it came to his stilted dialogue, since he had never been given the chance to communicate much with human beings; however, it wasn’t palatable when all his thoughts and actions were described that way.

Conclusion: a story that had potential to provide food for thought, yet didn’t in the end. 1.5 stars.

Yzabel / May 6, 2015

Review: Forsaken

Forsaken by J.D. Barker

My rating: [rating=3]

Blurb:

When horror author Thad McAlister began his latest novel, a tale rooted in the witch trials of centuries past, the words flowed effortlessly. The story poured forth, filling page after page with the most frightening character ever to crawl from his imagination. It was his greatest work, one that would guarantee him a position among the legends of the craft.

But was it really fiction?

He inadvertently opened a door, one that would soon jeopardize the lives of his family.

She wants to come back.

At home, his wife struggles to keep their family alive. Secretly wondering if she caused it all…a deal she made long ago. A deal with the Forsaken.

Review:

(I got an ARC of this book from the publisher through NetGalley, in exchange for an honest review.)

I’m not too sure how to rate this novel.

Its plot managed to be “simple” enough without being boring, able to bring enough elements to keep readers entertained, as well as interesting twists, especially at the end. This isn’t something easy to achieve. The wink to Needful Things made me go “wait, what?” for a second, but it all made sense, and was in fact a nice addition, all things considered. (I am ashamed to say I haven’t even read Needful Things, not yet. I just now enough about it to get the cameo.)

There’s a lot of meta-ing in here, too: the writer whose inspiration gives life to horrors, yet you quickly realise that his inspiration itself didn’t come just out of nowhere. The literary agent whose greed translates into another kind of greed. The Journal of Clayton Stone, made of excerpts from Thad’s novel, also acting as a way to pepper the plot with more information. Said novel as a medium of carrying just about anything: a story, a curse, a legend… and with so many people about to read it, who’s to know how the paradigm will shift?

The short chapters also made for an easy read—I like short it when you can stop often, since I also often read in public transportation or during breaks. Although I didn’t often want to stop, because to regular shift between Thad, Rachael and Clayton kept me wanting to go on to see what would happen next.

And yet, I can’t explain why I wasn’t more thrilled. It’s the kind of book I should’ve devoured in two sleepless nights; I didn’t. I thought it’d scare me more, with its depiction of the house becoming a trap; it didn’t. I’d read ten or fifteen chapters, and then suddenly feel like stopping. I’m not sure why this happened. It may be because some elements weren’t shown enough to my liking (like Zeke’s role: I thought he deserved more screen time). The “followers” sort of popped out of nowhere, and the way they were led and organised was a little jumbly. And the characters felt somewhat one-dimensional: while Rachael’s and Ashley’s plea was almost tangible, with creepy descriptions of the minions and the dust invading everything, the people themselves seemed more like victims cast in their role than like “real” people with likes, dislikes, a before and an after… This may be why the horror part didn’t touch me so much.

Forsaken‘s still definitely worth a read for its pacing, its descriptions, and its twists.

Yzabel / May 4, 2015

Review: Black Dog

Black Dog: Hellhound Chronicles by Caitlin Kittredge

My rating: [rating=2]

Blurb:

Ava has spent the last hundred years as a hellhound, the indentured servant of a reaper who hunts errant souls and sends them to Hell. When a human necromancer convinces her to steal her reaper’s scythe, Ava incurs the wrath of the demon Lilith, her reaper’s boss.

As punishment for her transgression, Lilith orders Ava to track down the last soul in her reaper’s ledger… or die trying.

But after a hundred years of servitude, it’s time for payback. And Hell hath no fury like an avenging Ava…

Review:

(I got an ARC of this book from the publisher through Edelweiss, in exchange for an honest review.)

Interesting setting, but ultimately the characters didn’t keep me invested enough in the story. I wasn’t sure at first why; in the end, I think it was because they were presented as badass, did have an etremely badass-y potential, yet didn’t make enough use of this potential.

The good thing was that it made them vulnerable, more human, not the kind of characters who win all the time and tear through their enemies like there’s no tomorrow. Ava had a painful past, was abused and betrayed, and this makes it quite ironical that she ended up as a hound, expected to show the loyalty that was never really shown to her when she was alive.

On the other hand, there were also several moments when they were too weak, didn’t see through their enemies’ ploys, ended up in dire situations because they hadn’t been careful enough (though they knew they should have been)… Here’s a Hellhound and a warlock who keep being on the wrong end of the stick, being the underdogs (pun intended), and it’s not something I had expected from them. Obstacles and trials? Sure… Only not with such similar endings (character gets into problems, gets beaten up, blacks out, wakes up in an unknown room with someone who may or may not be an enemy…). This was all the more annoying with Ava, who’s supposed to be close to a century old, and not just a budding Hellpuppy. Ava who keeps making wrong decision after wrong decision. You’d think she’d learn. (Also, akward sex scene out of nowhere.)

The setting itself was OK, with elements that could easily be used and developed later again: Leo’s father and his thugs; what happened in Hell; whether Ava will be really free or not; the way boundaries aren’t so well-defined when it comes to demons and angels, as being a meanie isn’t limited to “the bad guys”… There’s potential here as well, including vampires and shifters— not the most original I’ve ever seen, but not the cheesiest either. And necromancers. Shall I state once again how partial I am to necromancy?

Good ideas in general. My main beef with the book were the characters, whom I mostly found unremarkable, when they should have been.