March 2016 - The Y Logs

Yzabel / March 29, 2016

Review: Hides the Dark Tower

Hides the Dark Tower by Kelly A. Harmon

My rating: [rating=3]

Blurb:

Mysterious and looming, towers and tower-like structures pierce the skies and shadow the lands. Hides the Dark Tower includes over two dozen tales of adventure, danger, magic, and trickery from an international roster of authors. Readers of science fiction, fantasy, horror, grimdark, campfire tales, and more will find a story to haunt their dreams. So step out of the light, and into the world of Hides the Dark Tower—if you dare.

Review:

[I received a copy of this book through Netgalley, in exchange for an honest review.]

This collection of short stories revolve around the theme of “towers”, and more specifically towers of the dark kind: towers of sorcery, alien towers in strange world, sinister lighthouses, towers of the Underworld… There are very few “nice” dwellings here, and a lot of the stories do not carry much hope, or are tinged with a bittersweet side.

I found this a quick and pleasant read in general. While I admit not caring much for the first story (a poem), there was nothing really catastrophic in there. On the other hand, no story felt really above the others as far as I’m concerned. Mostly it’s a matter of a good deal of stories feeling somewhat “unfinished”: too short for me to properly get to care about the characters (“Beneath the Bell Bay Light”, “Core Craving”), with endings that were often too open, as if something was missing (“Giving a Hand”, “Smoke and Sprites”), even though at first they did seem complete. That’s something I’ve struggled with myself, and something I find regularly in other anthologies, and I won’t fault this one specifically. So, all in all, it’s a solid 3 stars, though not more.

The stories I liked best:

“Squire Magic”: Bittersweet indeed, but a nice lesson about magic, and how the most powerful spells aren’t always able to best a cunning mind who knows what to do with “simple” spells.

“The Tower”: a quaint and quiet little town, a man staying close to its roots, and the evil looming abover everyone, in the shape of an old water tower. It had a bit of a Stephen King feeling.

“They Warp the Fabric of the Sky”: Beware what you’re looking for… and do not disregard the power of a smile.

“Kiss of Death”: Somewhat comical and light, yet also a beautiful love story. (And it has a Lich and a Necromancer! Bonus points!)

“Annie the Escaper”: actually, not really a favourite; however, I liked the idea of a species realising in the end it couldn’t live without the other, although not for the most obvious reason.

Special mention for “The Blind Queen’s Daughter” because Arthurian & Lovecraftian mythos together.

Yzabel / March 27, 2016

Review: Steal the Sky

Steal the Sky by Megan E. O’Keefe

My rating: [rating=2]

Blurb:

Detan Honding, a wanted conman of noble birth and ignoble tongue, has found himself in the oasis city of Aransa. He and his trusted companion Tibs may have pulled off one too many cons against the city’s elite and need to make a quick escape. They set their sights on their biggest heist yet – the gorgeous airship of the exiled commodore Thratia.

But in the middle of his scheme, a face changer known as a doppel starts murdering key members of Aransa’s government. The sudden paranoia makes Detan’s plans of stealing Thratia’s ship that much harder. And with this sudden power vacuum, Thratia can solidify her power and wreak havoc against the Empire. But the doppel isn’t working for Thratia and has her own intentions. Did Detan accidentally walk into a revolution and a crusade? He has to be careful – there’s a reason most people think he’s dead. And if his dangerous secret gets revealed, he has a lot more to worry about than a stolen airship.

Review:

[I received a copy of this book through Netgalley, in exchange for an honest review.]

An interesting world with a lot of background remaining to be discovered, and characters that all hide more depth than one would think at first. However, I found the story itself somewhat confusing.

It starts with an offer that our main thief/conman character, Detan Honding, is in no position to refuse, coming from the very captain of the Watch. A strange request: steal the newfangled airship of ex-Commodore Thratia, an exile from the the Valathean empire, infamous for her ruthless methods. Soon enough, though, Detan and Tibal, his friend and associate, realise they may be out of their depth here, and that the players involved aren’t so easy to thwart.

A lot of things revolve around selium, a strange gas found on the Scorched Continent, that can only be manipulated by sel-sensitive people. Privileged in a way, but slaves in many others: they have no other choice than to work in the selium mines (regular people won’t be their friends if their shirk their “duty”…), those who lose their skill are forced into retirement, and those with “deviant” talents are sooner or later captured and experimented upon by the Valathean “whitecoats”. Not such very enthralling prospects. As for criminals in Aransa, the mining city where the story is set, they can choose to die by the axe, or to “walk the Black”, aka letting the scorching sun of the obsidian desert kill them in a matter of minutes (if they’re lucky).

There’s a lot seemingly going on behind the scenes. Valathea, for instance, with its blend of refinement and cruelty (I couldn’t help but envision a mix between Roman and Chinese civilisations, in terms of conquest and clothing, with airships and an elite corps of scientists bent on dissecting people with sel-related abilities). The Scorched had a “Far West/unconquered land” vibe in some ways—perhaps because of the whole desert thing and of how it tried to remain out of Valathea’s influence, but could feel it pressing down closer and closer. Additionally, many characters appear simple at first (Detan is a conman, Ripka the loyal Watch captain, Thratia a ruthless manipulator who won’t hesitate to kill people, the doppel a mysterious killer with a single goal…) yet soon show signs of being more than meet the eye, with agendas and knowledge of their own,

However, while the world felt rich, and provides enough ground to cover more than one book in that regard, the plot was a bit all over the place, as if it couldn’t decide what to focus on. The expected heist (stealing an airship) wasn’t so exciting nor given that much attention, with our conmen being more outclassed than actually able to properly work on it, and with the story veering into murder investigation, and revenge, and intrigue, and a few more things. This felt more confusing than anything else. I guess this is partly a case of “it’s not the book, it’s me”: I like heist stories, but I like them with my burglars/conmen being able to have a marginal success at least. Here, both Detan and Tibs went from failure to failure, with Detan losing his “rogue” charm, and after a while I didn’t really care anymore.

2.5 stars. The setting remains interesting, so I may check the next book if NetGalley or the library has it, because the group at the end has potential for good adventures, complete with an already existing dangerous enemy, and with another potential antagonist looming in the background. We’ll see.

Yzabel / March 17, 2016

Review: The Grace of Kings

The Grace of Kings by Ken Liu

My rating: [rating=3]

Blurb:

Two men rebel together against tyranny—and then become rivals—in this first sweeping book of an epic fantasy series from Ken Liu, recipient of Hugo, Nebula, and World Fantasy awards.

Wily, charming Kuni Garu, a bandit, and stern, fearless Mata Zyndu, the son of a deposed duke, seem like polar opposites. Yet, in the uprising against the emperor, the two quickly become the best of friends after a series of adventures fighting against vast conscripted armies, silk-draped airships, and shapeshifting gods. Once the emperor has been overthrown, however, they each find themselves the leader of separate factions—two sides with very different ideas about how the world should be run and the meaning of justice.

Fans of intrigue, intimate plots, and action will find a new series to embrace in the Dandelion Dynasty.

Review:

[I received a copy of this book through Netgalley, in exchange for an honest review.]

Mixed bag of feelings and opinions regarding this novel: it has the making of a great epic, with battles and politics and court intrigue and betrayals… but more than once, it read more like a history book, which didn’t make the characters really three-dimensional.

This is the story of Mata Zyndu, “the Chrysanthemum”, scion of a noble though destroyed family, a powerful warrior destined to do great things and convinced everything and everyone has their rightful place in the world; and Kuni Garu, “the Dandelion”, a good-to-nothing son turned gangster for want of fidning a goal in life first, but who’s gradually proving himself very resourceful. As Emperor Mapidéré’s reign of terror plunges more and more people into poverty and forced building works, these two men, each for their own reasons, find themselves taking arms in the hopes of making the isles of Dara a peaceful set of kingdoms again… But can thisbe achieved, or will the empowered kings go back to petty squabbling of old?

As a lot of stories go, it is ripe with strife, brothers turning against each other, allies found where nobody ever expected them, faithful families and love interests turned traitors, and… ell, you name it, it probably has it. The pacing was usually fast, covering several weeks or months at times, the novel spanning a few years of fights and rebellion and of trying to build a new world. It never wants for events, for the tide turning suddenly for this or that character, for another character managing to come up with a new deal, and so on.

The setting is reminiscent of feudal Chinese society, with a dash of steampunk (there are rudimentary airships, and later steam technology gets developed). The Emperor is law, everybody’s below him, those who voice out their criticism tend to be silenced forever very quickly. Sons and daughters are expected to uphold the family’s honour, and if they don’t, they often get cast away or at least partly shunned. While I confess not knowing much to Chinese history, customs and mores, the story managed to make me feel its influences, in a good way. I had no trouble imagining the complex sitting and greeting etiquette, or to picture schools with ancient men dispensing the teachings of sages of old (obviously modelled on Confucius or Sun Tzu, but whether this is plagiarism or homage didn’t matter much to me, since I liked the world depicted here).

And even though the world of Dara isn’t perfect, even though the Emperor is a tyrant and his son a naïve, sheltered teenager, there aren’t only bad sides to the “tyranny”: as Mapidéré displaces noble families to prevent them from rallying supporters in their original lands, trade develops (because, simply enough, people sent to other islands long for their home’s cooking and clothing, and so on). There’s a vision gone wrong in all this… but a vision nonetheless.

On the downside, the writing style, while beautiful in some places, often felt dry and too descriptive—too much telling, not enough showing, making the action read as if it was being told by a remote observer. This in turn impeded the characters’ development, as often, too, we’re told of their merits and flaws, of how they evolve… instead of being shown. I still found myself rooting alternatively for Kuni, for Mata, for Gin and a few others; nevertheless, I would’ve liked them even more had their potential complexity really shone through, rather than being recounted. And they really had such potential, considering the nest of opportunities and treasons they went through. So many scenes that could have been between Jia and Risana, for instance, but were told in too few, too short paragraphs.

Also, I must admit I didn’t really care for the part played by the gods. So they shouldn’t interfere directly… but some did it indirectly… but was it really so indirect… but wait, in the end it’s still the mere mortals making history anyway… I sort of get this message, however the way it was handed felt like a series of devices meant to advance the plot, and nothing more.

Conclusion: mostly I liked this story, and may check the second volume later. It had potential for something bigger, though, something grander, especially when the characters were concerned—and in the end, it wasn’t so much.

Yzabel / March 13, 2016

Review: The Beauty, Vol. 1

The Beauty, Vol. 1 by Jeremy Haun

My rating: [rating=4]

Blurb:

Modern society is obsessed with outward beauty. What if there was a way to guarantee you could become more and more beautiful every day? What if it was a sexually transmitted disease?

In the world of The Beauty, physical perfection is only one sexual encounter away. The vast majority of the population has taken advantage of it, but Detectives Vaughn and Foster will soon discover it comes at a terrible cost. Now, they’ll have to find their way past corrupt poiticians, vengeful federal agents, and a terrifying mercenary out to collect the price on their heads.

Collects the first six issues of the critically acclaimed, Pilot Season winning series by writer/artist JEREMY HAUN (Constantine, Batwoman) and co-writer JASON A. HURLEY.

Review:

[I received a copy of this book through Netgalley, in exchange for an honest review.]

Creepy cover is creepy. I admit this is why I requested it for starters.

This book gathers issues 1 to 6 of this comics series, in which “the Beauty” is a STD that a lot of people go out of their way to catch. Because once you’re infected, thinning hair regrows, fat and flab disappear, wrinkles go away, and it’s like a new chance at youth and beauty. The catch? Just a slight though permanent fever. Nothing to write home about, right? Until some of the infected people start to cough blood and self-combust. Not so nice anymore.

Time for detectives Vaughn and Foster to get into the limelight and try to figure out what’s happening. They’re part of a unit specialised in the Beauty—there are some anti-Beauty/terrorist groups out there, and their job is to prevent bombs from blowing up, hostages from being killed, and so on.

To be honest, I felt a few things were missing from this comics. While the idea was deliciously gruesome, I would’ve liked to learn more about the mechanics of the illness itself: apart from the constant fever, what would possibly make people self-combust/go headexplody in a matter of a few seconds? In itself, scientifically-speaking, it doesn’t make much sense. Although the graphics involved kept making me shiver: there’s something about that black blood, those black veins snaking along slim members, those shadows around eyes that can’t see anything anymore and mouths opened on silent screams… Part of me couldn’t look at the drawings, and another apart felt compelled to look.

The story also follows a somewhat typical “cops investigating a case and finding a lot of red tape (or worse) on their road” plot. It’s both good and bad. Bad, as it makes for a not so original premise; good, because when it’s the kind of plot you want to read about (and I did), then you get what you were expecting.

I found the art in general pretty efficient: in carrying the action, in depicting the horror of the half-mutilated corpses (that black blood, I tell you!), in

The “good guys” were a little bland at first (seasoned cop with younger/beautiful partner), but I grew to like them over these 6 issues. Foster wants to do what he feels is right, even though he knows it may get him fired—and then comes a surprise of his own he has to contend with. Vaughn is a strong person who doesn’t hesitate to bend some rules when it’s necessary, and has a vested interest in this from the beginning, since she’s infected and hates it. And this is part of one of the themes explored throughout this series. Is beauty worth it when you know, every passing second of your life, every time you look in the mirror, that you’re only “beautiful” because you’re sick? Isn’t it worrying? The Beauty appeared two years ago in that universe, and as every “young” illness, who can tell how it’s going to evolve and possibly mutate? Obviously, here it’s all about beauty being a symptom, but it can easily be translated into what some people in modern society are ready to do, the lengths they’re willing to go to, in order to stay young and beautiful for as long as possible. And can they be blamed? Nobody wants to get old and wrinkled and flabby-looking. (Seriously—I’m not particularly beautiful, but when I hear someone say “only beautiful women fear getting old”, I can’t help but think “that’s not true, this fear is somewhere in each of us, though not with the same strength”.)

The authors also tried to develop their villains. It didn’t work so well for some (I really couldn’t care less about the psychopath with a mask who guts out and mutilates his victims), but it was good to see that it went well for others, like the shady CDC scientist who happens to have a wife and children, and then turns her coat when she realises everything’s gone too far and it’s her duty to help.

In spite of the few things I mentioned, I could easily enact my my suspension of disbelief here, and enjoy the art and the story. I’d definitely like to read issues 7 and beyond, if only to know what’s going to happen: the end is half-cliffhanger, half tying quite a few things, so I’m wondering where it’s going to go from now on.

Yzabel / March 12, 2016

Review: The Weird Wild West

The Weird Wild West by Misty Massey

My rating: [rating=3]

Blurb:

Why the Weird Wild West?

The untamed frontier is a challenge, a test of character, a proving ground for the soul. It’s a place where pioneers rewrite their future, or end their days…for better or worse. In the spirit of Bret Maverick, Cat Ballou, Kwai Chang Caine, and James West, The Weird Wild West blends western grit with the magical and mysterious unknown that waits beyond the next horizon.

With thrilling stories by Jonathan Maberry, Gail Z. Martin, John Hartness, RS Belcher, Diana Pharaoh Francis, Misty Massey, James R. Tuck, Robert E. Waters, David Sherman, Tonia Brown and many more, you’ve hit the Mother Lode!

Review:

[I received a copy of this book through Netgalley, in exchange for an honest review.]

A fairly decent anthology of western-themed stories with a twist, often of the paranormal or supernatural variety, with a bit of steampunk thrown in. A lot of the “western codes” are followed here. Little towns and farms on the Frontier, homesteaders and professional players, gunslingers and sharpshooters, sheriffs and outlaws, finding themselves dealing with something that one day comes to disturb their life. Even though having so many stories follow the same “rule”, so to speak, it was still enjoyable. While none of the stories blew my mind, none was truly bad either; I probably wouldn’t buy the book, but borrowing it from a friend or the library would be in order here. It would also provide a good introduction to this “weird wild west” genre (because all things said and done, it does feel like a genre to me).

The ones I liked best:

“Ruin Creek”: a pair of paranormal investigatores go to the little town of Ruin Creek, on board a night train, to investigate the disappearance of another investigator, after the latter reported mysterious occurrences.

“Son of the Devil”: or the trappings of a small town where people are so entrenched in their religious beliefs that they fail to apply them to people who’re not perfect but could do with some mercy, thus driving them to committing dark deeds. I always tend to find this dichotomy interesting, because it raises the question of who is to blame: the sinners, or the “pure ones” who could have helped but didn’t? And were the sinners “bad people” from the beginning, or did they just turn to “evil” because they were alone and desperate?

“Mungo Snead’s Last Stand”: a brave and desperate tale, with aliens thrown in the middle for good measure. (It is the Weird West, after all!)

“Frank and Earnest”: fun and cute, with a bit of slapstick comedy. Two outlaws find themselves looking for a kitten, and stumble upon what could destroy the world.

Notes:

“Abishag Mary” wasn’t my favorite, and it was a bit typical (homesteader trying to keep her land), however I found the twist at the end quite funny.

“Rocky Rolls Gold” had an interesting premise, but the way it was told didn’t work too well for me, I get that the tone was to be light and funny, but the characters felt too silly to properly work (as if they were meant to be competent at what they did, yet the banter and their reactions made them appear as stupid nonetheless).

“Fifteen Seconds”: this one’s a bit different, because of its contemporary setting (all the other stories are cleary 19th century Frontier adventures). I also thought it had a bit too much info-dumping.

3.5 stars overall.

Yzabel / March 8, 2016

Review: The Shadow Queen

The Shadow Queen by C.J. Redwine

My rating: [rating=2]

Blurb:

Lorelai Diederich, crown princess and fugitive at large, has one mission: kill the wicked queen who took both the Ravenspire throne and the life of her father. To do that, Lorelai needs to use the one weapon she and Queen Irina have in common—magic. She’ll have to be stronger, faster, and more powerful than Irina, the most dangerous sorceress Ravenspire has ever seen.

In the neighboring kingdom of Eldr, when Prince Kol’s father and older brother are killed by an invading army of magic-wielding ogres, the second-born prince is suddenly given the responsibility of saving his kingdom. To do that, Kol needs magic—and the only way to get it is to make a deal with the queen of Ravenspire, promise to become her personal huntsman…and bring her Lorelai’s heart.

But Lorelai is nothing like Kol expected—beautiful, fierce, and unstoppable—and despite dark magic, Lorelai is drawn in by the passionate and troubled king. Fighting to stay one step ahead of the dragon huntsman—who she likes far more than she should—Lorelai does everything in her power to ruin the wicked queen. But Irina isn’t going down without a fight, and her final move may cost the princess the one thing she still has left to lose.

Review:

[I received a copy of this book through Edelweiss, in exchange for an honest review.]

It’s been a while I received it, back when it was still an ARC, so I won’t comment about formatting and the few typos I found. It happens.

I’d deem it a decent “Snow White” retelling, in that it keeps its main themes (evil queen, princess fleeing in the forest, hunter sent to take her heart and coming back with an animal’s heart…) but thankfully veers away from the typical princess-in-distress trope—that one can get boring and tiring when there’s nothing else to the princess than “I’m pretty and in distress”. Lorelai had to learn to fend for herself, growing up in exile and always on the move, while also learning responsibility: towards the kingdom she has to reclaim one day, and towards her little brother Leo, whom she was entrusted to protect by her dying father. One may argue that if reclaiming the throne was so important, she’d have done it sooner; however, she was a child at the time, and waiting until she’s 17 is more logical than lame. In spite of what Gabril tells her at some point, I don’t think you should go fighting when you obviously have no chance of winning: it wouldn’t achieve anything in the end, except making you die before your time and ruining your people’s hopes. So I’m totally OK with that.

(I was less OK with what prompted Lorelai to more action, that is, one of the characters falling under the enemy’s blows. It was a funny character, whom I’d have liked to read more about, and it felt more like a cheap ploy than an appropriate “motivator”. Maybe that’s just me.)

So we have Lorelai, Leo and Gabril, and then Kol, Trugg and Jyn, the Draconi (half-human, half-dragons) trying to save their kingdom. To do so, Kol bargains with Irina, the Evil Queen, and that doesn’t end well for him. Naive and foolish little prince and princess, thinking they can deceive a deceiver. Ah, but something had to go wrong, right?

As expected (and in a way, it’s good, because unsufferable characters who don’t grow up are annoying), Lorelai has to take action, accept to use her magic instead of always hiding, and to wage war upon Irina. Her plans weren’t terribly twisted, but they weren’t the most idiotic ones either, as they mostly made sense: risky, yet calculated, and clearly aimed at weakening the enemy. Lorelai has a strategist’s streak, and she doesn’t attack anything or anywhere just for the sake of attacking.

I liked that Irina was made more of an evil character whose side of the story is never shown: she had her reasons, and we get a glimpses of them. Unfortunately, I had come to expect more in that regard, and in the end it was never truly “explained”—or, rather, her motives were explained on the surface, but I didn’t feel them as tangible, as something she really suffered for. There was jealousy, and her certainty of having been let down by her family, and wanting to reclaim what she saw as her own. There was a dilemma, too, as she had to choose between power and people. However, the latter went too fast, was decided too quickly. It was an important turning point of sorts, and as such, it would’ve deserved more screen time? I mean, if it’s about explaining a villain’s motives, might as well go all the way.

The writing was OK, not exceptional. The characters had their good sides, and were brave, but they don’t really float above many other characters, they didn’t left me with much of an impression. I didn’t care about the romance, which was close to insta-love. In spite of a lot of action, it felt somewhat boring at times. Overall it was alright, but nothing original or eye-opening in the end.

Yzabel / March 6, 2016

Review: The Scarlet Letter

The Scarlet Letter by Nathaniel Hawthorne

My rating: [rating=3]

Blurb:

A powerful tale of forbidden love, shame, and revenge comes to life in Manga Classics: The Scarlet Letter. Faithfully adapted by Crystal Chan from the original novel, this new edition features stunning artwork by SunNeko Lee (Manga Classics: Les Miserables) which will give old and new readers alike a fresh insight into the Nathaniel Hawthorne’s tragic saga of Puritan America. .Manga Classics editions feature classic stories, faithfully adapted and illustrated in manga style, and available in both hardcover and softcover editions. Proudly presented by UDON Entertainment and Morpheus Publishing.”

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

Caveat: the ARC copy I got was backwards, which doesn’t make it too easy to read on a Kindle or tablet. This won’t be an issue with the paper copy, though—and readers not used to manga format won’t be too lost, since this is explained in the book.

This isn’t the first manga in this series I read, and like the others, while obviously not dealing with every single detail of the novel from which it’s adapted, overall it provides an accurate enough reading of said novel, making it easily accessible. (Even though I haven’t read Hawthorne’s “The Scarlett Letter” in 10 years or so, and my memories of it are fairly fuzzy.)

While quite a few things are omitted, this is likely for the best. The novel is ripe with dialogue and descriptions that wouldn’t sit too well in comics format, and condensing the story was the only way to go. The stifling atmosphere of Boston when it comes to Hester living there after she got her “A” letter is depicted fairly accurately: townspeople shunning her for her sin, their hypocrisy when they nevertheless buy her embrodery and use her works daily, how they do so while telling others “don’t accept her works because she’s a sinner”, etc. Pearl’s wild streak is represented through her relationship with the forest, where she is presented as free, at ease, playing with wolves, and through her slightly slanted gaze, a bit mysterious, a bit like some kind of “witch-child”.

I wasn’t sure about a couple of things that were shortened, though. Chillingworth’s slow revenge, for one: I don’t think all the little things he did to make his “victim” more sick were so obvious in the manga. And some of the characters’ psychology—it would’ve been interesting to see more of Hester’s relationship with Pearl’s father.

The artwork, as usual in this series, is really good, with emphasis placed on clothing and on keeping the panels clear enough. The “A” letter is the only note of colour in the whole manga, a graphic choice that allows its weight to constantly bear on the characters no matter what they do.

Conclusion: As expected, it doesn’t and wouldn’t be able anyway to encompass everything Hawthorne included in his novel. However, I think this manga summarises “The Scarlet Letter” well enough, and could very well make a reader potentially interested in going further and reading the original story.

Yzabel / March 3, 2016

Review: The Painted Ocean

The Painted Ocean by Gabriel Packard

My rating: [rating=1]

Blurb:

When I was a little girl, my dad left me and my mum, and he never came back. And you’re supposed to be gutted when that happens. But secretly I preferred it without him, cos it meant I had my mum completely to myself, without having to share her with anyone. And I sort of inherited all the affection she used to give to my dad – like he’d left it behind for me as a gift, to say sorry for deserting me

So says eleven year old Shruti of her broken home in suburban middle England. But hopes of her mother’s affection are in vain: speaking little English, and fluent in only Hindi and Punjabi, Shruti’s mother is lost, and soon falls prey to family pressure to remarry. To find another husband means returning to India and leaving Shruti behind.

Meanwhile at school a new arrival, the indomitable Meena, dispenses with Shruti’s bullying problems and transforms her day to day life. Desperate for companionship Shruti latches on to Meena to the point of obsession, following her through high school and on to university. But when Meena invites Shruti to join her on holiday in India, she has no idea how dangerous her obsession will turn out to be…

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

There were merits to this book, for what it denounced (oppression; rape; manipulative people who drown others in words the better to confuse them; humans demeaning other humans to the point of making them look like animals). Unfortunately, I thought the story overall was too implausible, and the characters not compelling enough for me to really care.

The first half of the novel was decent enough at first, depicting Shruti’s life in England as an 11-year old kid whose father was gone and whose mother was torn between her life with her daughter, and the family’s honour. This is made most blatant through the Uncle Aadesh character, who wants her to go back to India and marry another man, however the price would be to put Shruti in a foster family… and leaver her there. Terrorised by the prospect of being kept away from her mother, Shruti makes bad decision upon bad decision, managing to land herself in, well, a foster family.

And I guess this is where things started to go downhill, because for the whole story, Shruti struck me as a pushover and a not so smart person, which didn’t made her sympathetic nor made me root for her. Meena wasn’t better, mind you: her way of ending the bullying Shruti suffered was efficient but ruthless, and her idea to teach Aadesh a lesson was just mind-boggling (what sane 12-year old girl would come up with that? Why did Shruti not reflect upon that when she was grown-up?). It didn’t reflect so much the life of South-Asian people in the UK than make me wonder why I should care, and this was really too bad, because I wanted to care, and I wanted to read more about Shruti’s experiences… if only they hadn’t been so improbable and/or based on silly decisions on her part. I guess that’s obsession for you: it makes you dumb.

More than anything, what bothered me seriously was Shruti’s voice. It fitted her as a 11-year old girl, even though all the “cos” and “like” and “And I was this. And I was that. And then we did this. And then that happened.” quickly got on my nerves. However, it was definitely weird when she kept that voice as a 18/19-year old woman, and when she went through the traumatising experiences of the second half of the novel, it was… disturbing. Not in a good way: in a “see a child being raped” way. I don’t particularly like reading about that. Rape is terrible enough as it is.

Those same experiences were also too far on the bizarre end of the spectrum: flying to the other side of the world, getting embroiled in such situations, people treating others like slaves, manipulative games… All those kept piling up upon each other, to the point where my suspension of disbelief was all but suspended by a thread, which broke quickly soon after that. If it had been less unbelievable, and more subtle, it would definitely have had a strong impact; but there’s strong, and there’s overkill. I wanted to feel for Shruti, and ended up just wondering why she couldn’t see through anything, why she thought like a kid (using a stolen passport and thinking that’s a good idea? Well…), why anyone would make such decisions, really. The ending was interesting; it would’ve been better if it hadn’t been so rushed—I honestly couldn’t believe how Shruti managed to get where she did, in so few pages (considering how non-savvy she was, she should have died ten times over).

I may have appreciated the story if the bizarre setting had been peopled with characters I could enjoy reading about… but it wasn’t.