May 2019 - The Y Logs

Yzabel / May 29, 2019

Review: The Farm

The Farm by Joanne Ramos
My rating: [usr 2.5]

Blurb:

Life is a lucrative business, as long as you play by the rules…

Ambitious businesswoman Mae Yu runs Golden Oaks – a luxury retreat transforming the fertility industry. There, women get the very best of everything: organic meals, fitness trainers, daily massages and big money. Provided they dedicate themselves to producing the perfect baby. For someone else.

Jane is a young immigrant in search of a better future. Stuck living in a cramped dorm with her baby daughter and her shrewd aunt Ate, she sees an unmissable chance to change her life. But at what cost?

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

At some point, this book was touted as a dystopia and somewhat compared to “The Handmaid’s Tale”, at least in certain blurbs I saw back then, but lest readers approach it thinking they’re going into a dystopian read: it is not (and expecting it to be would probably do it disservice). Or, at least, it’s not more dystopian than the world we currently live in, where you can get everything anyway if you’re wealthy enough (including surrogate mothers).

The story follows four characters: Jane, a naïve Filipina-American girl who gets roped into becoming a “Host” at Golden Oaks (the “Farm” from the title); Ate, her shrewd cousin who is intent on making money in order to take care of her family back in the Philippines; Mae, the Golden Oaks’ director, banking on this new lucrative business to secure her end-of-year bonus; and Reagan, a “Premium Host” who’s been wooed by Mae to carry the child of a billionaire woman from China.

One thing is to be said about Golden Oaks, for starters: it is incredibly believable—if such a place doesn’t already exist somewhere, surely it will exist at some point? A golden prison whose “inmates” submitted themselves voluntarily in exchange for fat money incentives and bonuses, it has a lot of advantages (healthy food, exercise, massages… all in all, quite “privileged” surroundings), but also clearly plays a part in the kind of exploitation that is already going on, when it comes to people (especially of immigrant backgrounds) who can’t be choosers when it comes to jobs.

While it’s not a clear-cut dystopia, the world of “The Farm” nevertheless deals with contemporary problems that do have a whiff of dystopia, namely class and exploitation. Mae and her people (her clients included) go about this with a complete dichotomy of recruiting the Hosts by showing Golden Oaks as a sort of luxury retreat and their role as surrogates as meaningful and contributing to the good in the world… and at the same time, the Hosts are given numbers (not to their faces), and discussed in terms of class and backgrounds. This why Reagan, for instance, is a Premium Host and chosen to carry a very special baby: she’s white, from a clearly upper-middle-class family, she majored cum laude from Duke University, and she’s pretty to boot. Clients can subscribe to different “packages”, and a Reagan will always have more worth than a Jane. At some point, Mae and her boss even discuss introducing a new level, that of impoverished white women from blue-collar families, as a sort of “Premium-at-a-discount”. In itself, it is positively disgusting, and capitalism pushed to a very visible extreme, without any shame. The whole thing is all the more disturbing that Mae’s narrative makes it appear as somewhat sensible: of course, the Hosts are well-compensated—although differently depending on whether they’re Premium or not…

This said, there were a few things that seriously bothered me here:

– The story is told in the third person and in the present tense. I’m not too keen on whole books written this way. It was tolerable, but I can only stomach that much. Probably a case of “it’s not the book, it’s me”, though.

– Jane is clearly of this brand of people who continuously make the worst decisions and choose the worst course of action at the worst moment possible (acknowledged in the novel itself, as Reagan reflects upon this). It makes for plot twists, sure, and it plays into the how the book indeed denounces the exploitation of immigrants, who don’t necessarily know all the “rules” when it comes to becoming part of their host country. Yet at the same time, it made Jane rather worthy of several eye rolls, and also sends some sort of underlying message that, well, she’s so naïve and stupid, so surely it’s her fault for getting into such situations. I’m always on the fence with such characters. I do not want to play the victim blaming game, because that’s rubbish, but it’s not so easy either to find her endearing rather than annoying.

– I’m still not sure of where the story wanted to go. There’s a looming thread of vaguely impending doom through the narrative, as if something really sinister is lurking, but that “something”, in the end, doesn’t materialise, or not the way you would expect. Whatever happens is mostly the product of short-sightedness on the part of the people involved (yes, Mae as well): because they don’t communicate properly, or because they fail to realise that continuously giving incentives to people and then taking them away at the last moment is NOT a good way of ensuring things will go smoothly. The situation unfolding in the last third or so is the result of one huge misunderstanding, and considering the degree of monitoring at Golden Oaks and Mae’s suppose shrewdness, it’s like several people just forgot their brains somewhere at some point. (Ate and her friends are not immune to that either, by the way.)

So, “The Farm” had an important message, but that message wasn’t delivered efficiently through storytelling, which muddled it.

– The characters are rather one-dimensional. Jane is the naïve immigrant who is constantly exploited. Mae is the exploiter and that’s all. Reagan is the typical woke girl struggling with her privilege but not realising that the good she wants to do may just be tainted. Lisa is kinda the resident sex addict and gossipmonger. Apart from these, I’m still not sure who exactly they are.

– The ending was… abrupt? The epilogue dragged a little, while the actual resolution, right before it, pretty much happened behind closed doors.

Conclusion: A good theme to tackle, and chilling when you realise that the way it’s presented makes it appear “sensible” while still underlining its inhuman aspects, so as a reader, you’re never left off the hook in that regard. On the other hand, I found it fell flat, and I never really connected with the characters.

P.S. Regarding the aforementioned comparison with “The Handmaid’s Tale”: publishing houses should stop doing that, because more often than not, it makes me wonder if the people writing those “comparison blurbs” have actually read the book(s) involved. Mostly the common point here is “surrogate mothers”, but “The Farm” never gets to THT’s horrifying level. Let’s be clear here: that’s not a fault of the novel, which is still interesting in its own ways. But I feel such comparisons do harm, since more than just one reader will pick the book because of this comparison, and consequently be disappointed.

Yzabel / May 28, 2019

Review: The Way of All Flesh

The Way of All Flesh by Ambrose Parry
My rating: [usr 2]

Blurb:

Edinburgh, 1847. Will Raven is a medical student, apprenticing for the brilliant and renowned Dr Simpson. Sarah Fisher is Simpson’s housemaid, and has all of Raven’s intelligence but none of his privileges.

As bodies begin to appear across the Old Town, Raven and Sarah find themselves propelled headlong into the darkest shadows of Edinburgh’s underworld. And if either of them are to make it out alive, they will have to work together to find out who’s responsible for the gruesome deaths.

Review:

A novel that was more interesting for its historical research (anaesthetics, medicine and its practitioners) and its location (Edinburgh—yes, I’m biased) than for its actual mystery, to be honest.

So I really liked the setting, revisiting this city with a Victorian twist to boot, and looking for the Easter eggs laid here and there (Edinburgh was pretty famous when it came to medicine, and more than one name in the novel was an actual historical figure). With Will Raven and Dr Simpson being sent to attend several patients across town, including in less savoury areas, there was ample opportunity for some sightseeing along the way, and to get a glimpse of Edinburgh in the mid-19th century.

You can also tell that a lot of research was done when it came to anaesthesia and medicine in that era (one of the authors making up the Ambrose Parry pen name was actually inspired to write this novel by her research for her own thesis, and there is indeed a lot of information deserving to be exploited here). I never had any trouble picturing the various procedures, as gruesome as some were (surgery and amputations, ehhh), and to even read between the lines when a specific procedure erred on the side of euphemism due to its “unspeakable” nature.

The mystery itself, though, was less interesting, in that it unfolded at a slow pace while also being too obvious with its clues—I could sense the culprit coming already in the first half of the book. The characters are somewhat enjoyable, but get too mired down in their own backstories from the onest (Raven has a dark past and is also running away from his creditors, Sarah reflects every day upon her bleak prospects, Mina keeps lamenting about not having found a husband yet…): things that are in keeping with the era, especially regarding the role of women as “Angels of the Home”, but that also contribute to the slow pace until things are properly in place.

There are also quite a few cliché scenes that are worthy of an eye roll, notably the attempts at “romantic” situations—I counted three times when the characters are stuck in a tiny room/dive into an alley to avoid being seen, and are of course pressed against each other, and suddenly feel the need to kiss. Yeah, whatever. I’m no fan of romance in general, and these were very contrived means of pushing it that didn’t work at all.

Conclusion: Good for the historical background, less so for the mystery and characters.

Yzabel / May 22, 2019

Review: The Dark Net

The Dark Net by Benjamin Percy
My rating: [usr 2]

(To be fair, I actually got a review copy through Edelweiss, but didn’t get to the book at the time due to… probably too many other books to read. Story of my life.)

It’s a decent novel. It didn’t exactly deal with what the blurbs mentions. From the latter, you’d think it’s a techno-thriller involving the Deep Web, groups like Anonymous, the Silk Road, and so on. But the ‘Net, while playing a part, is not as much involved as more traditional urban fantasy/horror elements: ‘the Light’ vs. ‘the Dark’, an immortal who prolongs her body’s current life through blood transfusions, an ex-child evangelist now running a shelter by day and hunting monsters by night, demons…

I did like the way the Deep Net was involved: as a new turf for a war between Light and Dark, with means of action relying on people’s obsession with their smartphones, GPS, and connected technology in general. That was a good plot point. I also liked Hannah’s ‘Mirage’ apparatus, in the first chapter of the book, where it is hinted that thanks to it, she’s now able to see more than meet the eye.

The story is packed with action, the characters don’t really get a chance to rest, and even when they think they do, well, Evil never sleeps, right? As a result, though, it was also difficult to care much about them—so when there were dead people, I barely noticed them.

The more traditional horror/UF elements were also a slight let-down. As much as I like these in general, here, I felt that the technological angle took the back burner at times (one of the characters is actually a technophobe). Perhaps I resented the blurb misleading me more than I thought, too? I would’ve been more interested in a truly cyberpunk-cum-supernatural angle, rather than the contrary.

Yzabel / May 21, 2019

Review: Magic For Liars

Magic for Liars by Sarah Gailey
My rating: [usr 3]

Blurb:

Ivy Gamble has never wanted to be magic. She is perfectly happy with her life—she has an almost-sustainable career as a private investigator, and an empty apartment, and a slight drinking problem. It’s a great life and she doesn’t wish she was like her estranged sister, the magically gifted professor Tabitha.

But when Ivy is hired to investigate the gruesome murder of a faculty member at Tabitha’s private academy, the stalwart detective starts to lose herself in the case, the life she could have had, and the answer to the mystery that seems just out of her reach.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

A mystery where Ivy, a private investigator, has to address a potential murder in a magic school, where her own twin sister Tabitha is a teacher—her sister, who was gifted with magic, while herself wasn’t. That’s a recipe for disaster, or at least, for tense relationships and/or resentment.

And I enjoyed, indeed, the out-of-balance relationship between the two sisters, based on a lot of unsaid things, feelings and resent left to simmer for years, with each contending with a difficult event in a way that made the other sister believe they didn’t care, or not so much. Well, it was especially imbalanced when Ivy was concerned, since she was the one at home when the said event occurred, and had to live through it with the feeling that Tabby was too busy with her studies. But this long-festering resentment also came hand in hand with a wistful, half-buried, never fully admitted, desire for magic as well: Ivy telling herself she’s fine as she is, that she doesn’t want magic, can never really hide the regret that magic separated her from her twin. A good chunk of the story deals with this complicated relationship, as well as with Ivy wondering “what if” (what if she had been magic, too?), and seeing herself as the woman she never was, and that she probably wouldn’t have minded being. Along with her investigation, this leads her to spin more and more lies: some appearing as necessary, to throw the potential culprit off-balance while Ivy is fishing for clues, and some that are, let’s say, less justified, if not by her feelings.

On the other hand, there were times when Ivy came off as wallowing in self-pity a little too much for my liking, and when she became unsympathetic rather than touching. So the character development and relationships were interesting in general, though tedious at those times I mentioned.

The magic itself is not all stars and sparkles, and this makes it more interesting than neat spells and wand-waving. First, it can be pretty gross. Healing spells, for instance, are gruesome and difficult, and only the best mages can attempt them without killing themselves or their patient. And there’s also something twisted and petty to the way some of the students use their magic—one of the things Ivy reflect upon: they could do so much with it… but they’re still teenagers wrapped in their own drama, and so use it in a very self-centred and sometimes mean way.

The mystery part was where I think the novel wasn’t as strong as it could’ve been. The crime itself is one of magic (not a spoiler—you see the discovery of the body in the first chapter), and this, of course, throws additional difficulty in the path of our investigator, since she’s not familiar with spells and with what mages can or can’t do. Which is partly why she needs to do so much fishing. Yet at the same time, I felt that it lacked tension, that Ivy wasn’t as threatened as she could have been. And the clues were either something she stumbled upon (so not exactly screaming “investigation” here), or so subtle that they were really difficult for a reader to spot. Not to mention some parts of the ending. Some things were left unfinished, and while I do enjoy an open ending, here something was missing—some closure when it came to certain characters and facts, who/which were in fact sort of… brushed aside as “that was bad and they did a bad thing and oh it’s the end, bye.”

Conclusion: 3 to 3.5 stars? I quite liked this novel, but it’s a like” and not a “love” here.

Yzabel / May 18, 2019

Review: Walking to Aldebaran

Walking to Aldebaran by Adrian Tchaikovsky
My rating: [usr 4.5]

Blurb:

I’M LOST. I’M SCARED. AND THERE’S SOMETHING HORRIBLE IN HERE.

My name is Gary Rendell. I’m an astronaut. When they asked me as a kid what I wanted to be when I grew up, I said, “astronaut, please!” I dreamed astronaut, I worked astronaut, I studied astronaut. I got lucky; when a probe exploring the Oort Cloud found a strange alien rock and an international team of scientists was put together to go and look at it, I made the draw.

I got even luckier. When disaster hit and our team was split up, scattered through the endless cold tunnels, I somehow survived.

Now I’m lost, and alone, and scared, and there’s something horrible in here.

Lucky me.

Lucky, lucky, lucky.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

A short book (more novella than novel) about exploration, the unknown, first contact(s), and horrors lurking in the darkness.

The narrator, Gary Rendell, is an astronaut who got separated from his crew while exploring an odd artefact/construct he has nicknamed “the Crypts”, at the edge of the solar system, and suspected to be a gate to other parts of the galaxy. Gary’s narrative is disturbingly humorous, which in itself was not surprising to me, as a “buffer against madness” attempt at coping. Because the Crypts will eat you alive if you’re not careful, walking from one “biome” to the other, every time wondering if the air will be breathable, or if his body will be able to tolerate a new gravity, or if some other wanderer will decide to make him their dinner. And Gary is definitely not alone in there.

The story is told in chapters alternating present and past: Rendell’s roaming in the Crypts and what led him and the exploration team there. Both worked well for me, and were never too hard to follow or confusing. The science/technology part is not really explored here—it’s assumed that in the not-too-distant future, when the artefact was discovered, humanity is space-savvy enough to send a crew in semi-suspended animation past Neptune. And in itself, the “how” is not the point here, just the method by which the actual point is reached.

There are disturbing little hints here and there, that you don’t necessarily pay attention to at first. Rendell has been in there for days or weeks or months, and somehow you want him to find the exit, while knowing all too well it probably won’t happen, or not like a breeze. There are the names, too: the Frog God, Aldebaran? Brush up on your Lovecraft and you’ll see what I mean. There is a twist as well, and the aforementioned hints may or may not be enough to sense it coming, but once it’s here, you can’t unsee them, so to speak.

I’m just not too happy at the last chapter: I felt something was missing—that perhaps Gary should’ve gotten slightly less screen time here, so that we could also see what happened from the other party’s point of view? I’m not sure exactly, only that it didn’t thrill me as much as the rest of the book.

This said, I definitely recommend this novella.

Bonus: A fairly good soundtrack for this novella would be The Little Cloud Who Wouldn’t And The Rainbow Who Couldn’t… Lyrics included.

Yzabel / May 15, 2019

Review: Outdoor London

Outdoor London: Green spaces and escapes in and around the capital by Eleanor Ross
My rating: [usr 4]

Blurb:

London is a patchwork of wild spaces, open water, parklands and adventure playgrounds. With so much green space, this is the ideal guide to get exploring. Whether a local or a visitor looking to see the wilder side of the big city, Outdoor London covers the full spectrum of outdoor opportunities. If you’re looking for water to paddle in or on, paths to amble down slowly or careen down on mountain bikes, wide open spaces for music festivals or simply to find an empty pasture, you’ll find something for everyone in this easily portable London guide.

Review:

[I received a copy of this book through NetGalley.]

Technically speaking, I could only review a PDF copy, not a physical one, so I can’t comment on the quality of the paper and of the printed colours; but the photos in the digital copy were, at any rate, vibrant and gorgeous.

This book presents quite a few parks, gardens, walks and cycling paths throughout Greater London, ranging from cozy gardens to cemeteries and preserved areas—we all have that idea of “the big city” as made of concrete only, but London is actually a pretty green city, or at least one with many more green places than one would suspect. Along short texts and beautiful pictures, the author also takes care of giving addresses, opening days/hours, and the closest Tube lines, to make it easier to find these locations and book entrance when this is necessary.

While visiting more than a couple will be difficult for someone who’s in the capital for only a few days, if you’re a local, or go to London more regularly than just every few years or so, “Outdoor London” will definitely give you plenty of ideas for both summer and out of season outings. (I was particularly happy to find about several smaller gardens in the City, since this is a very accessible area for me, and now I have no excuses whatsoever not to go visit these places more often.)

If anything, maybe I would’ve liked to see more details about each park or trail—a few more anecdotes, perhaps? But that doesn’t detract from the book as a whole.

Yzabel / May 10, 2019

Review: Digital Consciousness

Digital Consciousness: A Transformative Vision by Jim Elvidge
My rating: [usr 3.5]

Blurb:

What could be a more compelling read than a book that explains the greatest mysteries known to man in one fell swoop. Who is God? What happens after we die? What the heck is quantum entanglement? Why did Dolly’s braces disappear in the movie “Moonraker?” Our reality is not what it appears to be. The latest physics experiments demonstrate that an objective reality doesn’t exist. And no one truly knows what consciousness is or where the mind resides. Strange interconnectedness, anomalous events, and changing histories confound even the most open-minded of scientists. No single theory seems to be able to explain it all. Until now.

Review:

[I received a copy of this book through NetGalley.]

I admit I wasn’t sure what I was going into with this book (and that I don’t know anything about the author or his previous work). I requested it thinking it was a science-fiction novel, and of course realised it wasn’t one after the first couple of pages. This said, it turned out quite interesting and intriguing in terms of ideas and points developed, even though I sometimes had trouble going on.

What if our material reality is not what we think it is? And isn’t even really material to start with? Well,” why not,” is what I think about this. As much as I see myself as a materialist (I often joke that I’m waiting for the Men in Black to come and recruit me and pump me up with juicy cybernetics and bio-engineered alterations—hello, Iteration X), I also have no proof that we are -not- living in a simulation, after all. That the reality we think of as ‘material’ is not simply what the author calls a ‘Reality Learning Lab’, where consciousness goes to live through new experiences for a while, in order to learn and progress. And when you consider all the strange things quantum mechanics have forced us to consider—things that a 19th-century scientist, for instance, would have rejected as preposterous, ridiculous, and completely misguided—it’s not so silly at all. What’s to tell that in two centuries from now, we won’t have come up with something even more outlandish, that turns out to be -the- truth instead of what we knew before?

It’s probably a lot of speculation, but the arguments used throughout the book do make sense, too, so there’s definitely a part of me that won’t discard them.

I didn’t appreciate the tone at times, though, when it veered off sounding ‘objective’ and into more ‘personal’ jibes at other theories. I get the same feeling with any author who does that, really: for me, it’s all about “if you want to convince me, you don’t need to take a shot at anyone; let -me- do this on my own”. But that’s more of a pet peeve of mine. What was more troublesome, I think, was that some approaches and examples were both too simple and too complex at the same time. As in, if you already know the basics about quantum mechanics, string theory and the likes, you’d need more in-depth examples; and conversely, for someone who doesn’t know much to this, the examples/comparisons would probably not make as much sense.

Conclusion: 3.5 stars.