Yzabel / November 30, 2019

Review: Body Tourists

Body TouristsBody Tourists by Jane Rogers
My rating: ★★☆☆☆

Blurb:

In this version of London, there is a small, private clinic. Behind its layers of security, procedures are taking place on poor, robust teenagers from northern Estates in exchange for thousands of pounds – procedures that will bring the wealthy dead back to life in these young supple bodies for fourteen days.

It’s an opportunity for wrongs to be righted, for fathers to meet grandsons, for scientists to see their work completed. Old wine in new bottles.

But at what cost?

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

Interesting theme here: dead, wealthy people being brought to life for a couple of weeks in the bodies of fit, but poor youth for whom this is the only hope of making some kind of money.

There’s a lot to be said here in terms of morals and ethics, some on the religious front, and some not. In itself, this is ground for deeper discussion, from the value of money vs. one’s body to whether a human being suddenly “reanimated” in a younger body can be trusted with it or will just do whatever, and not care about their “host”, since they go back to being dead after that anyway. One could even argue that the rich are robbing (shall I say “once again”?) other people of something precious, in this case their time and their youth, and potentially more (this is a bit spoiler-ish, but it happens early enough in the novel anyway). Especially since, in the novel’s near future, the discrepancy between the haves and the have-nots has grown even bigger, with “estates” now being entire towns from which their inhabitants just never escape.

The story explores several of these “body tourists”, from different points of view. There’s Octavia, one of the tourists herself; Luke, the scientist in charge of the project; Paula, a host who then has to go back to her life and the aftermath of this experiment; Rick, who wants to bring back his father; and Elsa, a woman whose partner died after a particularly harrowing event in their lives, leaving so much unsaid. Each narrative highlights a different take on the matter when it comes to reflecting on the whole body swapping angle—whether it’s a valid option, or should be banned altogether, or could work but only within a specific framework.

That said, I had a hard time getting into the story itself, in that these narratives don’t seamlessly join each other. Most of the time, I got the feeling that I was reading a collection of short stories forcefully brought together, rather than a complete story. (And for what it’s worth, perhaps it’s actually how it started, before being turned into a novel.) It doesn’t detract from the philosophical aspect, the concept of body tourism itself, but in terms of storytelling, it was jarring in several places, and because of this, a few parts of the various characters’ stories were also glossed over, when they could’ve been interesting to explore as well.

Conclusion: 2.5 stars. I liked the theme, but the story itself fell flat for me.

Yzabel / November 19, 2019

Review: 17 Church Row

17 Church Row17 Church Row by James Carol
My rating: ★★☆☆☆

Blurb:

Three years ago, Ethan and Nikki Rhodes suffered a devastating loss. Their four-year-old daughter Grace was tragically killed when she ran from their garden into the path of a car. Ethan, a radio personality, escapes into work, while Nikki quits her job to care for their remaining child, Grace’s twin sister, Bella, who hasn’t spoken since that night.

Trying to give the family a fresh start, Ethan moves them to a revolutionary house designed by the world-famous architect, Catriona Fisher. For the Rhodes’, this is a life-changing move because a key feature of the house is the state of the art security system that allows them to be completely safe from the outside world within their own home.

But what if what they fear most is actually inside the house? What if 17 Church Row isn’t the safe haven that they think it is?

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

A pretty interesting premise here: after the death of one of their twin daughters, Nikki and Ethan Rhodes decide to acquire a new revolutionary house, entirely automated and equipped with a virtual assistant named Alice. All this hoping for a new start, for a place where they won’t see memories of their dead daughter everywhere, and for their remaining child, Bella, to finally speak again.

The house itself, I admit, was both super exciting and a dreadful prospect for me. Exciting, because of all the technological gizmos and automation—a house that anticipates your needs, doesn’t that sound great? And at the same time, it -is- also scary, because if anything goes wrong, if the power goes down, well, you’re trapped in there, aren’t you? Which is—no surprise here—what kind of starts to happen, with a few glitches here and there that worry the Rhodes, just as much as they worry the architect of the house, though not for the same reasons.

The first part of the book was less interesting, to be honest, and I think that’s because it took its sweet time to establish the life of the Rhodes, the ‘slice of life’ moments needed for the reader to see how things are going inside the new house. In itself, that was indeed necessary, since how would we care about what happens next if things hadn’t been desperately “normal” before to offer some contrast? Yet at the same time, I didn’t really connect with the Rhodes, perhaps because their life in general, especially Nikki’s, was pretty much so sheltered that the rest of the world might have not existed at all. Wealthy family (they could afford a Tesla and buy 17 Church Row just like that—in London, so I guess they had an oil well stashed under their garden at some point or something?), with Ethan always out working and Nikki alone at home with her child. Bella doesn’t speak, and we don’t really get to know her, apart from her drawing and speaking through her tablet. There were only a few external elements, such as Sofia the cleaner. And while that highlighted Nikki’s isolation when it comes to what happens next, that still made for a sort of bland universe with which the characters could only interact in a bland way, too.

The second part was more interesting, yet also drawn-out and perhaps trying to enforce the point a little too much. Some parts of it were definitely in line with current possibilities and fears related to AI, and some others had moustache-twirling villain vibes that were quite odd here. The ending, too, felt rushed and unsatisfying.

Style-wise, one thing I found really jarring was the cuts between paragraphs. We’d have a paragraph about, say, Nikki thinking of her dead child, and then suddenly the last sentence of the paragraph was “She got up and went to make coffee.” (where I would definitely expect this to be the start of a new paragraph). I don’t know if it’s just me, but it happened regularly throughout the novel, and it felt strange.

Conclusion: Interesting ideas around the theme of artificial intelligence, but it was difficult to connect with (and care about) the characters.

Yzabel / November 13, 2019

Review: The Orphanage of Gods

The Orphanage of GodsThe Orphanage of Gods by Helena Coggan
My rating: ★★☆☆☆

Blurb:

Twenty years ago, the humans came for their gods.

In the bloody revolution, gods were all but wiped out. Ever since, the children they left behind have been imprisoned in an orphanage, watched day and night by the ruthless Guard. Any who show signs of divine power vanish from their beds in the night, all knowledge of their existence denied.

No one has ever escaped the orphanage.

Until now.

Seventeen-year-old Hero is finally free – but at a terrible price. Her sister has been captured by the Guard and is being held in a prison in the northern sea. Hero desperately wants to get her back, and to escape the murderous Guardsmen hunting her down. But not all the gods are dead, and the ones waiting for Hero in the north have their own plans for her – ones that will change the world forever . . .

As she advances further and further into the unknown, Hero will need to decide: how far is she willing to go to do what needs to be done?

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

It took me ages to get into this book (actually, I did it on my third attempt), and I have no idea why. It wasn’t terrible, the beginning was sort of ‘standard’ (= nothing particularly off-putting), it read easily, there wasn’t anything stylistically bad in here, and there was a good chunk of the novel where I actually wanted to read, once I got past the first chapters. However, in the end, I wasn’t sure what the point really was in terms of the story and the characters’ evolution, and this is the kind of thing that is likely to make me forget ‘The Orphanage of Gods’ fairly soon.

I never connected with any of the characters for starters. Hero was somewhat likeable, but too whiny and dwelling on the same things over and over again. Joshua had no redeeming qualities that I can think of. Kestrel was OK but pretty much thrown in there as a puppet. Raven (who’s the narrator of the middle part, out of three) was supposed to be that super future leader, but she was 10 and didn’t do much (apart from being targeted), so that defeated the whole purpose. Eliza, well… it was very convenient that she could avoid many consequences thanks to her powers. The guards were just depicted as monsters and never anything else, and whenever another god or demi-god was somewhat likeable, they just got out of the picture sooner or later.

(Bonus point for same-gender relationship, which is a nice change; but as usual in such/YA novels, it was insta-love and came out of the blue… so I guess that’s no bonus point, all in all.)

The ending was murky and left me unsatisfied. It felt both unavoidable (it was either that or just offing everyone, I guess) and like a cop-out, because so many things were unresolved at that point.

Yzabel / November 9, 2019

Review: The Nobody People

The Nobody PeopleThe Nobody People by Bob Proehl
My rating: ★★☆☆☆

Blurb:

When a group of outcasts with extraordinary abilities comes out of hiding, their clash with a violent society will spark a revolution—or an apocalypse..

Avi Hirsch has always known his daughter was different. But when others with incredible, otherworldly gifts reveal themselves to the world, Avi realizes that her oddness is something more—that she is something more. With this, he has a terrifying revelation: Emmeline is now entering a society where her unique abilities unfairly mark her as a potential threat. And even though he is her father, Avi cannot keep her safe forever.

Emmeline soon meets others just like her: Carrie Norris, a teenage girl who can turn invisible . . . but just wants to be seen. Fahima Deeb, a woman with an uncanny knack for machinery . . . but it’s her Muslim faith that makes the U.S. government suspicious of her.

They are the nobody people—ordinary individuals with extraordinary gifts who want one only thing: to live as equals in an America that is gripped by fear and hatred. But the government is passing discriminatory laws. Violent mobs are taking to the streets. And one of their own—an angry young man seething with self-loathing—has used his power in an act of mass violence that has put a new target on the community. The nobody people must now stand together and fight for their future, or risk falling apart.

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

It took me a while to get through this one. I’m not exactly sure why I wasn’t thrilled and not in the mood, but part of it probably had to do with the fact several characters have their arcs develop throughout the book, without enough screen time for each. When this happens Moreover, while there will be a second volume, and I didn’t expect everything to be solved here, some of these arcs were also cut short, without any proper ‘aftermath’ time being given. It’s akin to someone being deemed as super important because they will save us all, then that person suddenly refuses to do it, or dies, or is out of the picture for any other reason, and… that’s all. It’s supposed to be bad, but no one really dwells on it. It felt very strange.

I also struggled to get through and not skim. Not sure if it was the style (present-tense narrative is fine with me in small doses, but not for hundreds of pages). Or the apparent ‘main character’ who turns out to be sidelined pretty quickly, and wasn’t super pleasant to read about anyway. Or the plot jumping between characters but without really giving a feeling of cohesion. Probably a mix of all. In the end, the story deals with heavy themes (acceptance & rejection, internment for people with powers instead of trying to integrate everyone in a new society, being killed just for being different…), that affect the characters a lot, but… I didn’t really care about the characters. In fact, to the risk of sounding awful, the one character I enjoyed reading about the most was Owen Curry. Yes, that one. Also the circus/freakshow subplot. I guess that’s quite telling.

It wasn’t a bad story in itself. Depressing in parts, sure, because we already have enough of that intolerance crap in our real world out there. But that doesn’t make a story bad. As far as I’m concerned, though, the above made it a slog for me, so it was okay-ish in the end, but I can’t say I absolutely liked it.