The Y Logs

Yzabel / January 14, 2018

Review: Listening In — Cybersecurity in an Insecure Age

Listening In: Cybersecurity in an Insecure Age by Susan Landau

My rating: [rating=4]

Blurb:

A cybersecurity expert and former Google privacy analyst’s urgent call to protect devices and networks against malicious hackers

New technologies have provided both incredible convenience and new threats. The same kinds of digital networks that allow you to hail a ride using your smartphone let power grid operators control a country’s electricity—and these personal, corporate, and government systems are all vulnerable. In Ukraine, unknown hackers shut off electricity to nearly 230,000 people for six hours. North Korean hackers destroyed networks at Sony Pictures in retaliation for a film that mocked Kim Jong-un. And Russian cyberattackers leaked Democratic National Committee emails in an attempt to sway a U.S. presidential election.

And yet despite such documented risks, government agencies, whose investigations and surveillance are stymied by encryption, push for a weakening of protections. In this accessible and riveting read, Susan Landau makes a compelling case for the need to secure our data, explaining how we must maintain cybersecurity in an insecure age.

Review:

[I received a copy of this book through NetGalley.]

An interesting foray into encryption and privacy, especially when considering the point of view of authorities who may need to access data on devices seized upon arrests.

The author makes a case for strengthened encryption, and I feel this makes more sense than the contrary. The book is positioned around the main controversy of including backdoors to allow police and intelligence services to access a device, so that when they need to do it during an investigation, to apprehend a perp or to follow the trail of other people potentially involved, they could do so easily; whereas strong encryption would make it difficult or impossible. However, as has been discussed during actual investigations (an example given in the book involves Apple), there’d be no guarantees that in-built backdoors would be used only by authorities: if they’re here, sooner or later someone with ill intentions is bound to find them and use them, too.

This ties into a general concern about how we have evolved into a digital age, and have to envision security from this perspective. Here also, while not going into deep technical details, the book explains the principles underlying this new brand of security; how this or that method works; the pros and cons of going towards more encryption or less encryption; what other solutions have already been tested, especially in military environments; how cyber-attacks can disrupt governmental operations in many different ways, such as what happened with Estonia and Georgia, and even the 2016 US elections. All very current and hot issues that deserve to be pointed at and examined, because whatever solutions get implemented, if they create less security and impinge on civilian privacy as well, they’re not going to be useful for very long (if ever).

Also interesting, even though it’s not the main focus, is the concept of encryption methods needing to be made public in order to be really efficient: the more people have a chance of poking at them, testing them, and finding faults, the more these methods can be revised and strengthened.

Conclusion: Not a very technical book, but that’s precisely why it makes a good introduction to such matters: easy to understand, while highlighting major concerns that not only deal with national security, but with our own (and with our privacy) as well.

Yzabel / January 7, 2018

Review: The Book of Joan

The Book of Joan by Lidia Yuknavitch

My rating: [rating=3]

Blurb:

In the near future, world wars have transformed the earth into a battleground. Fleeing the unending violence and the planet’s now-radioactive surface, humans have regrouped to a mysterious platform known as CIEL, hovering over their erstwhile home. The changed world has turned evolution on its head: the surviving humans have become sexless, hairless pale-white creatures floating in isolation, inscribing stories upon their skin.

Out of the ranks of the endless wars rises Jean de Men, a charismatic and bloodthirsty cult leader who turns CIEL into a quasi-corporate police state. A group of rebels unite to dismantle his iron rule—galvanized by the heroic song of Joan, a child-warrior who possesses a mysterious force that lives within her and communes with the earth. When de Men and his armies turn Joan into a martyr, the consequences are astonishing. And no one—not the rebels, Jean de Men, or even Joan herself—can foresee the way her story and unique gift will forge the destiny of an entire world for generations.

Review:

[I received a copy of this book through NetGalley.]

A tricky rating to give, for I did like some parts of this novel, but others just didn’t sit with me.

It made for intense read, for sure: for the catastrophe it depicts, the parallels it draws with our current world, the violence inflicted to characters (and especially women), the crude representation of a degenerated mankind, the desperate way the main characters live their lives. Christine and Trinculo, lovers in bodies that cannot experience physical pleasure anymore, united through skin grafts and art instead, as well as through their common support of Joan of Dirt, burnt for heresy. Leone, sexless and hardened warrior who never gives up. Nyx and their willingness to bring about destruction to help creation in turn.

One may or may not appreciate, also, the literary references. Jean de Men is most obviously a reference to Jean de Meung, and his perverted goals a direct echo of de Meung’s writings about women being deceitful and full of vice. In the same vein, Christine is Christine de Pisan, whose own writings attacked de Meung’s. Trinculo, both in name and behaviour, is the Shakespearian fool, whose apparently nonsensical language and insults are used to carry unconvenient truths. This goes further, since Christine is a feminist voice who lost her physical femininity, while Jean defiles bodies too close to his for comfort. As far as I’m concerned, those worked for me.

The writing itself, too, has beautiful moments, and weaves metaphors and descriptions in a way that gives the story a surreal aspect. Something larger than life, something that the characters try to reach for and clutch to, just like they clutch to their past sexualised humanity because they don’t really know what to do with their new bodies, much too fast devolved.

The science fiction side, though, didn’t work so well, and even though I was willing to suspend my disbelief, I couldn’t get over the evolutionary processes throughout the story. Joan’s power? Alright, why not. But human bodies degenerating to sexless, hairless, mutating in such a rapid way affecting everybody, not even on two or three generations but within one’s own lifetime? That’s just completely illogical. I see the intent, I understand it to an extent ( as it pitches this broken mankind with its broken bodies against the one being who brought destruction yet at the same time is the only one who can still bring about true creation), but it still won’t work for me from a scientific standpoint, which is something I still expect to see in a sci-fi/post-apocalyptic setting.

The writing deals with first person points of view that aren’t necessarily the same person’s from one chapter to the other, and it made the story confusing at times, until a hint or other made it clearer whose voice I was reading. At times, it made the narrative disjointed and the characters ‘remote’, which made it more difficult to really care for them.

Nevertheless, it was a compelling read that goes for the guts, violent despite—or because of?—its poetry.

Yzabel / January 1, 2018

Review: Lady Mechanika 3 – The Lost Boys of West Abbey

Lady Mechanika, Vol. 3: The Lost Boys of West Abbey by Joe Benítez

My rating: [rating=4]

Blurb:

Lady Mechanika’s investigation into the murders of -undesirable- children in Mechanika City triggers an unexpected reaction from her subconscious self. But are they truly lost memories finally surfacing after so many years, or just simple nightmares? And what connection does the killer have to Lady Mechanika’s past? Collects the complete third Lady Mechanika mini-series, The Lost Boys of West Abbey, including extra pages which were not published in the original comic books.

Review:

[I received a copy of this book through NetGalley.]

Beautiful artwork like in the first two collected volumes. I didn’t notice the same ‘eye-candy’ level during action scenes as in the first volumes, which is good since it makes those scenes more believable. Exception made for the illustrations at the end, these are all fine since they’re meant to depict the character posing anyway. Also, they’re beautiful. The art and colours remain as enjoyable as ever.

While there’s no resolution as to Mechanika’s past here either, we do get a few glimpses into what she has been through, thanks to her nightmares and memories. I can only hope that at some point she’ll get to find out the information she’s seeking.

This volume dealt with body transfer into what appear like a mix of golems and automata, which means that of course I got sold on that idea pretty quick. There’s a mix of dark experiments with magic and technology, action, and conundrums about what defines life, that I tend to enjoy. There’s a tall, dark and somewhat mysterious detective (Singh) that for once I felt more connection with than I usually do with that character archetype. Oh, and creepy toys, in a sense, considering the golems are doll-like and can easily be mistaken for toys.

This third instalment felt darker to me than the second one, and more interesting even though there was no trip to mysterious temples or adventures in the jungle; I guess that’s my natural preference for urban settings speaking, along with the themes explored in this ‘Lost Boys of West Abbey’ story.

The one thing I really regret is how short this volume was compared to the others. The plot deserved more.

Yzabel / December 23, 2017

Review: The Last Dog on Earth

The Last Dog on Earth by Adrian J. Walker

My rating: [rating=2]

Blurb:

Every dog has its day…

And for Lineker, a happy go lucky mongrel from Peckham, the day the world ends is his: finally a chance to prove to his owner just how loyal he can be.

Reg, an agoraphobic writer with an obsession for nineties football, plans to wait out the impending doom in his second floor flat, hiding himself away from the riots outside.

But when an abandoned orphan shows up in the stairwell of their building, Reg and Lineker must brave the outside in order to save not only the child, but themselves…

Review:

[I received a copy of this book through NetGalley.]

Hmm, bit of a tough one, I don’t really know why it took me so long to finish it, because it’s not a particularly long book?

The topics are both hopeful (a man who embarks on a journey with his dog, to help a child he doesn’t want anything to do with at first, with their relationship developing along the way) and bleak (a maybe not so unbelievable future, unfortunately, considering the current state of affairs in the world, with political parties rising to power and starting to test people to see if they’re ‘of the right type’, rounding up people and putting them in camps ensue…). Probably not the kind of thing I’ve wanted to read recently, which may explain in part the lull I was in regarding this novel, but the latter theme is interesting nonetheless!

So. Great moments throughout the book. Having both Reg’s and Linekeer’s narratives side to side. The dog’s musings about life, what it means to be a dog, how he perceives the world (the smell of fear or grief of happiness, etc.), how he sees us humans and is both awed yet unable to comprehend us. The dire landscape of London, or rather what’s left of it, after a series of attacks coupled with the raise to power of the ‘Purple’ political party. Reg’s progress, from agoraphobic to forced out of his cocoon to actually choosing to stay out, and why he retreated so from the world.

However, I still never really connected with the characters in general. At times they’d have reactions that made me pause and wonder how they had survived so long in such a city, because let’s be honest, ‘fight or flight’ is OK, but ‘stay where I am, paralysed with fear, while bullets fly around me’ is not exactly conducive to long-term survival. I also wished we had had more of the bigger picture, instead of snippets about what happened to the world/London. (I know that wasn’t the focus, the point was the characters and their developing relationships, but it still bothered me.)

Although I do tend to agree with Lineker regarding how people who acknowledge how shitty they are, are the ones who may become the kindest, whereas the monsters keep thinking of themselves as being better, and never question themselves. It… makes sense.

Conclusion: As mentioned, possibly it wasn’t the right moment for me to read this book. I didn’t really enjoy it in spite of finding good, interesting points in it. But I don’t even really know why. I’d say, clearly a matter of ‘in the eye of the beholder’ here, rather than plenty of faults on the novel’s part.

Yzabel / December 17, 2017

Review: The Change 1 – London: Orbital

London: Orbital by Guy Adams

My rating: [rating=2]

Blurb:

WHERE WERE YOU WHEN THE WORLD CHANGED?

One minute everything was fine and the next… they arrived. Those that saw them died instantly. The unlucky ones survived. Now unimaginable things straight out of nightmares roam the streets of our towns and cities. Nothing is impossible. Nowhere is safe. And no one can escape The Change…

Review:

[I received a copy of this book through NetGalley.]

(For some reason, when I requested it, I thought it was a graphic novel. Probably because of the cover. I really like that cover.)

This was a fast read with good and bad sides, and I’m very much undecided about it.

The quick pace gave a sense of urgency to the plot, and made the events all the more gruesome for the characters involved: some you don’t get to know that much before something happens, but at the same time, in a post-apocalyptic setting where whatever caused all the surrounding may still be around, it does make sense. Can’t have kittens and flowers and all the time in the world, it’s gritty, and it shows.

I liked this first episode’s depiction of a ravaged Greater London, and very likely world in general. There isn’t much information at this point about ‘the Change’, although it’s heavily hinted that whatever it was, those who saw it died, so now nobody really knows. There’s a lot of gory stuff going on, too, as people along the way get picked by… well, what’s following Howard, basically. The way that was depicted conveyed the feeling of horror well enough, and made those parts of the story pretty frightening?

On the downside, the quick pace I mentioned previously was also a two-edged sword. For one thing, it made things confusing. It’s difficult to have a story that unfolds quickly without revealing too many details in one go, but at the same time keeps interest fully up by still giving out enough answers; for me, at this point, I was just lacking that extra bit of information. And with Howard missing his memories, it’s one more point of view that cannot bring answers to the many questions raised throughout the novel, so in the end I had a hard time keeping my attention up.

The pace also made it hard to connect with the characters, which is something that often jars with me in post-ap stories in general, anyway: characters clicking with each other very quickly because ‘we’re all in this together’ vs. ‘the world as we knew it has ended, how can I trust just about anyone I meet?’

Conclusion: There are interesting elements in here, but the story left me more confused than curious about the final answers, and I couldn’t really care about the main characters.

Yzabel / November 14, 2017

Review: The Library of Light and Shadow

The Library of Light and Shadow by M.J. Rose

My rating: [rating=2]

Blurb:

In the wake of a dark and brutal World War, the glitz and glamour of 1925 Manhattan shine like a beacon for the high society set, desperate to keep their gaze firmly fixed to the future. But Delphine Duplessi sees more than most. At a time in her career when she could easily be unknown and penniless, like so many of her classmates from L’École des Beaux Arts, in America she has gained notoriety for her stunning “shadow portraits” that frequently expose her subjects’ most scandalous secrets. Most nights Delphine doesn’t mind that her gift has become mere entertainment—a party trick—for the fashionable crowd.

Then, on a snowy night in February, in a penthouse high above Fifth Avenue, Delphine’s mystical talent leads to a tragedy between two brothers. Devastated and disconsolate, Delphine renounces her gift and returns to her old life in the south of France where Picasso, Matisse, and the Fitzgeralds are summering. There, Delphine is thrust into recapturing the past. First by her charismatic twin brother and business manager Sebastian who attempts to cajole her back to work and into co-dependence, then by the world famous opera singer Emma Calvé, who is obsessed with the writings of the fourteenth-century alchemist Nicolas Flamel. And finally by her ex-lover Mathieu, who is determined to lure her back into his arms, unaware of the danger that led Delphine to flee Paris for New York five years before.

Trapped in an ancient chateau where hidden knowledge lurks in the shadows, Delphine questions everything and everyone she loves the most—her art, her magick, her family, and Mathieu—in an effort to accept them as the gifts they are. Only there can she shed her fear of loving and living with her eyes wide open.

Review:

[I received a copy of this book through NetGalley.]

When I requested this novel, I hadn’t realised it was the third instalment in a series; however, it turned out you can read it even without having read the previous ones, since the narrator does summarise well enough what her family is about, and that’s what you mostly need to know as far as background is concerned.

I liked the premise—Delphine’s gift and how it can turn out badly, the family with witchcraft gifts… I also liked how most characters felt like they had a life of their own: they definitely weren’t just plot devices, but had relationships, past experiences (sometimes together, sometimes not), and generally breathed and lived.

A lot of descriptions, too, were vivid, and allowed me to picture the places and scenes quite clearly. I’m definitely not sure about all of the fine details, though (avenue Franklin D. Roosevelt in Paris in 1920… uhm, it was avenue Victor-Emmanuel III, but even without knowing that it doesn’t make sense), so I advise not getting into that with a historian’s mind. Unless those were corrected in the final copy, that is. Anyway, the prose does have its charm, and whether New York, Paris or Southern France in the mid-twentied, it conjures the needed images easily.

I had more trouble with the pacing. For a good half, Delphine doesn’t do that much, to be honest, apart from being depressed because of her gift (which she probably wouldn’t have been if she hadn’t been such a doormat to her brother) and remembering her love story. I don’t know about the format it was told in (a diary), background info was needed here, yet on the other hand, it felt disjointed from the story. Moreover, while in terms of relationships the characters had a life, indeed, their actions and decisions were at times… silly. I could guess the turns and twists, and seriously, Delphine, that vision you had, that made you run away to the other side of the world… it was so obviously opened to many interpretations that it being a misunderstanding was a given here.

The story picked up after the characters arrived at the castle, but at that point I wasn’t ‘in’ it anymore.

Still, I may try the first book, because the parents’ story could be interesting (there’s a duel and a bargain with the spirit of a dead witch, apparently?).

Yzabel / November 8, 2017

Review: The Voynich Manuscript

The Voynich Manuscript: The Complete Edition of the World’s Most Mysterious and Esoteric Codex by Stephen Skinner

My rating: [rating=4]

Blurb:

The Voynich Manuscript is an extensively illustrated codex featuring cosmological and astrological diagrams interwoven with detailed herbal illustration, relating both to the magical and alchemic view of the universe. It is written in a strangely beautiful cryptographic script.

Review:

[I received a copy of this book through NetGalley.]

I discovered the Voynich Manuscript sometime last year, and since then have been intrigued by it, both its text and illustrations.

Most of the book is devoted to scans and photos of the manuscript’s pages. In that regard, while I got a PDF copy here, but I definitely recommend a paper one to fully appreciate those since the illustrations in the PDF were a little blurry, perhaps because it was an ARC and not the final, sold version (I’d get such a copy myself if I had enough space to keep physical books). A paper copy also lends itself more easily to going back and forth between photos and the introduction & commentary, at the beginning of the book, and I think being able to do that is a must-have here. Finally, for want of deciphering the Voynich, being able to admire and contemplate its content is part of the pleasure, after all—so, paper all the way. (I do hope it’s printed on some nifty glossy paper with a very nice smell; yes, I sniff books, I’m liable not to buy one if it literally stinks.)

Speaking of the introduction, I found it really interesting, regarding the manuscript’s history but also the many interpretations, and descriptions of specific illustrations and why exactly they’re puzzling (such as the one with women bathing in an intestine-like shape—I learnt something new about what that may represent, and further than that, if it’s the right interpretation, what it reveals about the manuscript’s author).

The manuscript itself… Fascinating ‘gibberish’, I wish I had more abilities in deciphering, for I would fail for sure, but at least I might have more of an insight about where to possibly start? It doesn’t seem based on a European language, at least not an alphabetic one, and is thought to rely on a syllabic system. Was it an entirely created language?

I do hope someone will one day fully decrypt it. Preferably while I’m still alive to see it.

Conclusion: 4 stars (well, 3 for an ebook version because you can’t leaf through as easily, but I’m nitpicking).

Yzabel / October 29, 2017

Review: Grip

Grip by David Estes

My rating: [rating=4]

Blurb:

In a tumultuous world of population control, one illegal child has slipped through the cracks. Now, as a teenager, Benson Kelly has escaped certain death at the hands of the Department of Population Control, only to find himself the symbol of a rebellion, something he never intended.

While trying to survive one day at a time, Benson seeks to unravel the tangled knot of secrets left behind when his father died, the key to which has something to do with his mother, Janice Kelly, recently escaped from the insane asylum.

As the rebel group known as the Lifers continue to use brute force to send a message to the government, Benson’s twin, Harrison Kelly, seeks to exploit a loophole that could be the key to freedom for his brother. All that’s required is a simple act of murder.

Meanwhile, Population Control’s attack dog, a sadistic cyborg known as The Destroyer, closes in on Benson and his family. His directive: Kill them all.

Faith, family and love will be pushed to the limits in the GRIPping sequel to Slip.

Review:

[I received a copy of this book through NetGalley.]

Keeping on catching up with my NetGalley readings. I finished the first book earlier this week, now on to book 2, which was also a good one in its own way, and not the dread ‘second book syndrome sufferer’ I usually fear in such cases.

It does pave up the way to the ‘grand finale’ of book 3, of course, among other things by introducing new developments and therefore a third way, so to speak. It’s not about the hunt for Slips only, not anymore; the Lifers are also involved, and no party is all black or all white. The action is not only about running away/reacting this time, although the book does have its share of such scenes since they’re part of its premise, however the characters also start making moves of their own, instead of only the villains setting plans in motion. And even if said moves are a little on the clunky side, the characters are clearly proactive and taking on their enemies now.

The story has its share of twists. Like in the first book, they are partly predictable (e.g. the one where only the audio part is played), yet at the same time some of them are of the gritty kind, that I wouldn’t necessarily have expected in a YA story (this is not YA for 12-year-old, for sure). And as far as I can tell, there’s one major twist that is a definitive one, there’s not going to be any ‘surprise, I’m back’ scene (I hope there won’t be because it was a sad moment, and retconning it would cheapen it).

The ads and propaganda inserts are interesting, too. At first I didn’t care much for them, but little by little they’re helping draw a more comprehensive picture of the world (the technology people have at hand, the comments—both published and deleted—on newspaper articles

The characters keep evolving, Harrison especially is going on a path I like: at first he felt to me like he was ‘just there’, some kind of afterthought patched onto Benson’s story, yet here he takes action, initiates moves that have their own ethical backlashes, gets to go through ordeals as well, discovers betrayal… At the same time, while he does resent his father and seems to unconsciously prevent himself from properly grieving, he’s also accepted his brother like, well, a brother. He’s an interesting counterpoint to Domino: both children had very similar backgrounds (a Slip sibling, one parent being constantly away to take care of the Slip), but Harrison is going a completely different path. On the other hand, I don’t care that much for the Destroyer, perhaps because at this point he’s so broken that even his fighting against his leash doesn’t look like there’ll be much development her, apart from ‘yay I get to be a psychopath 100% of the time now’.

A few new characters get introduced, like Destiny (another Slip, who goes through her own dark moments because of the mistakes she made, and has to learn to outgrow this—all the while showing her inner strength and resourcefulness in terms of survival techniques, -she- didn’t have a Michael Kelly to craft a false ID for her after all!). Or the Agriculturists, more in the background for now but with an agenda of their own.

Conclusion: A solid second book that furthers the overarching plot.

Yzabel / October 26, 2017

Review: Slip

Slip by David Estes

My rating: [rating=3]

Blurb:

Someone must die before another can be born…

As sea levels rise and livable landmasses shrink, the Reorganized United States of America has instituted population control measures to ensure there are sufficient resources and food to sustain the growing population. Birth authorization must be paid for and obtained prior to having a child. Someone must die before another can be born, keeping the country in a population neutral position at what experts consider to be the optimal population. The new laws are enforced by a ruthless government organization known as Pop Con, responsible for terminating any children resulting from unauthorized births, and any illegals who manage to survive past their second birthday, at which point they are designated a national security threat and given the name Slip.

But what if one child slipped through the cracks? What if someone knew all the loopholes and how to exploit them? Would it change anything? Would the delicate resource balance be thrown into a tailspin, threatening the lives of everyone?

And how far would the government go to find and terminate the Slip?

In a gripping story of a family torn apart by a single choice, Slip is a reminder of the sanctity of a single life and the value of the lives we so often take for granted.

Review:

[I received a copy of this book through NetGalley.]

I hadn’t read anything by David Estes in quite a while, and when I saw this series on NetGalley, I thought, well, time to address this state of affairs. I shall also confess that nowadays, I do have a bit of a love-hate relationship with YA dystopias in general, for various reasons, and I was glad that this book, while it is a bit predictable and uses expected tropes, avoids what are the usual pitfalls of the genre for me.

The main characters in general were likeable. Benson is a good mix of resourcefulness, emotions and inner strength. Luce is the obvious ‘love interest’, but without falling in his arms, and with a past that makes it possible (while awful for her) to develop this relationship more slowly and believably than what usually happens in YA novels; she’s also resourceful, daring, and doesn’t hesitate to stand by her friends (well, OK, I guess her decision to face danger with Benson who lied to her was kind of stupid, but…). Michael Kelly as well is an interesting man, torn between his job and his mission of killing unauthorised babies and children, and his desire to protect his son. I didn’t care much for Harrison, though, perhaps because of his ‘perfect athlete and student’ record, and I thought that his mid-book decision came a little out of nowhere, considering he wasn’t seen pondering much about it (and his feelings) before. And I’m on the fence about the Destroyer, in his case I believe I -would- have want to see more of him before he became a Hunter, for his evolution into a psychopath to be better pitched against him as a child (in a way, I love to hate him for his appalling personality, but he’s too one-sided as a villain).

The world in which these characters evolve was also better rounded up than usual in dystopian YA novels (where I often get the feeling of a ‘pocket world’, totally isolated from the rest of Earth, which always makes me wonder where are the other countries and why they’re not poking their noses in). The population control method in those new USA is harsh, however the situation that led to it makes sense: climatic change, rising water levels, drowned coasts, less resources left to feed all the people, and it is logical to expect that the rest of the world has met a similar fate, hence if everybody stays in their corner and develop their own policies, it’s not unbelievable. This world is all the more creepy because it’s not such an impossible future, all in all.

Minor pet peeve: I really have a hard time with the name ‘Pop Con’, that just looks so much like ‘pop corn’ to me. XD (But I do see the naming convention roots à la 1984.)

I found the beginning a little slow, possibly because it devoted quite a few chapters to a part of Benson’s life that I felt I didn’t need so many details about—the story becomes more interesting after the boy grows up and we meet his friends. After that were more action scenes, especially once ‘the chase’ gets into motion (that’s no spoiler, of course at some point people would realise who the Slip is!). There was a bit of a plot hole/flimsy explanation, though, regarding the Wire/Jumpers/Lifers connection; it would’ve demanded some more preparation to be more logical, I think.

Conclusion: 3.5, not perfect but definitely enjoyable, especially its second half.

Yzabel / October 21, 2017

Review: Artemis

Artemis by Andy Weir

My rating: [rating=4]

Blurb:

Jazz Bashara is a criminal.

Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you’re not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you’ve got debts to pay and your job as a porter barely covers the rent.

Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of her problems, as she learns that she’s stepped square into a conspiracy for control of Artemis itself—and that now, her only chance at survival lies in a gambit even riskier than the first.

Review:

[I received a copy of this book through NetGalley.]

I loved “The Martian”, so of course I was bound to request this one. To be fair, I didn’t enjoy it as much, but it was still a good, fun read in several ways.

I found the characters in general likeable enough, in definite ‘shades of grey. The ‘heroes’ of this story are seldom all white, and go about their business with good intentions and shady ways. The businessman who moved to the moon to help his ailing daughter, but is a crook on the side. The economist who almost single-handedly set a whole country as the only entry point to the Moon, and won’t shy away from closing eyes on criminal deals as long as they help keeping Artemis afloat. The city’s policeman (Artemis has something like 2,000 inhabitants, minus the tourists, so Rudy does the job) who’s keeping order by breaking a few arms at times if he deems it’ll be a better punishment than prison. And, of course, Jazz Bashara herself, porter by day, smuggler by night, of sorts, running her little operation with no one the wiser.

(Granted, not everyone is a complete a-hole here, Jazz’s father for instance is a law-abiding citizen who doesn’t want anything to do with his daughter’s shady side; on the other hand, Jazz clearly has him to thank for her own ethical side, the one that makes her never renege on a deal, and puts her in the (trustworthy criminal’ category, so to speak.)

The story itself starts in a fairly typical way for heist stories: Jazz needs money, her criminal activities aren’t bringing in as much as she needs, nor quickly enough, so when a dangerous but particularly juicy deal comes her way, she shoves her qualms in her pocket and accepts it. Only it turns out she’s bitten more than she could chew, and finds herself embroiled in an almost conspiracy, forcing her to gather all her wits, resources and allies in order to find a way out. All in all, the kind of story I like to read: maybe not the most original, but with high potential for action, fun, quirky characters, and, well, capers.

There isn’t as much technical detailing in this novel as there was in “The Martian”, so it’s definitely not hard to follow. The whole caper(s) resting on scientific knowledge and using the moon’s gravity and peculiar sides to work within the plan, that was really interesting for me. Maybe the welding-related descriptions were a little too long at times, though; at least, I didn’t care as much about those as I did about other scientific explanations.

I liked the overall diversity in Artemis. This small city has, from A to Z, a multicultural side that I think worked well, and didn’t rest on the usual ‘Western world colonises space’ (Kenya and its space company holds the entry door to the moon, Artemis’s administrator is a Kenyan woman, the policeman is Canadian, Jazz and her father are from Saudi Arabia, many of Jazz’s contacts are Vietnamese or Slavic, etc.).

I wasn’t totally on board with the way Jazz told the story, though. The wit didn’t work as well here as it did in “The Martian”, mostly, I’d say, because there’s too much of a dichotomy between Jazz’s ‘voice’ and her age: sometime in the middle of the story, we learn she’s 26, but from her tone, attitude, expressions and way of being, I would’ve thought her late teens/20, and not older. There -is- an immature side to her character, so in itself it’s not like her voice doesn’t fit at all, yet it didn’t feel ‘right’ either.

Conclusion: 3.5 stars. Disregard the author’s previous best-seller, take this story as it comes, and enjoy the heist parts, the assembling of Jazz’s motley crew, the description of Artemis, and the outings on the Moon in an EVA suit that can spring a leak just any time due to the characters attempting bold moves and daring rescues.