The Y Logs

Yzabel / April 25, 2015

Review: dEaDINBURGH

My rating: [rating=4]

Blurb:

Edinburgh, 1645:
The bubonic plague rages. In a desperate attempt to quarantine the infected, the city leaders seal the residents of Mary King’s Close in their underground homes.

2015:
Mary King’s Close is reopened, unleashing a mutated plague upon the city residents.
The UK government seals the entire city. Declaring it a dead zone they seal the survivors inside alongside the infected. dEaDINBURGH is declared a no man’s land, its residents left for dead and to the dead.

2050:
Joseph MacLeod, born onto the cobbles of the Royal Mile and stolen from the clutches of the infected is determined to escape the quarantined city. Under the guidance of former –marine Padre Jock, he leaves the confines of the city centre and hones his archery and free-running skills.
Alys Shephard, born into an all-women farming community believes a cure lies in the south of the quarantined zone. The finest combatant in the dead city, Alys burns with anger. The anger of an abandoned child.

Something much worse than the infected waits for them in the south, in the form of a religious cult led by a madman named Somna who collects gruesome trophies and worships the dead body of a former celebrity. Added to this, the enigmatic Bracha, a supreme sadistic survivalist with his own agenda stalks the teenagers.

Review:

Perhaps more a 3.5 than an actual 4. Nevertheless, I enjoyed this novel, and will very likely pick volume 2 at some point.

While the theme of zombies is nothing new and has been overdone, especially in the past couple of years, dEdINBURGH‘s approach on it is character-driven enough for me to care about Joey and Alys, and wonder about all the people left in the city. There were some quirky ones in there, Bracha not being the only one. (I kind of liked Bracha, with his golfer attire and posh accent. Completely mad, and utterly dangerous, in the way I liked reading about. I wonder what happened to make him this way?)

The city itself was another strong point for me. I admit I’m probably being partial here, for the mere reason that for once, I could relate to the setting (I live in Edinburgh). After so many books set in US cities, being able to picture every place clearly, to compare with what Edinburgh is right now, was delightful in its own, twisted way. Areas I go through every day to go to work, abandoned buses, the Princes Street Gardens converted into a community and devoted to keeping actual gardens, the way basement flats were included (there are so many here)… It definitely influenced my enjoyment of this book, and I’m not going to hide it; conversely, though, it means that other readers may not like it as much if relating to the setting was an important point for them. (I think the descriptions were good enough in general to help picturing the setting even if you’ve never been there.)

I was somewhat sceptical about a few things: a couple of fight scenes, how the protagonists were able to escape infection (shouldn’t it be too late as soon as you’ve been bitten?), some of the remnants of the former city–the plague spread 30 years prior to the beginning of the story, so should there still be ways of getting electricity or finding camping gear? On the other hand, the revelation at the end may also be an explanation: maybe those were actually left there with a purpose in mind (also, it’s small enough a city, and a lot of people died in the beginning, so it can’t be approached it with the usual “US setting with plenty of people left to loot stores” idea

I’m still balancing between 3 and 4 stars here, but for now, considering the genuine enjoyment it provided me with, and my undying love for Edinburgh that basically makes me squee every time the city’s involved, let’s round it up to 4.

Yzabel / April 24, 2015

Review: The Girl Who Never Was

The Girl Who Never Was by Skylar Dorset

My rating: [rating=2]

Blurb:

THE GIRL WHO NEVER WAS is the story of Selkie Stewart, who thinks she’s a totally normal teenager growing up in Boston. Sure, her father is in an insane asylum, her mother left her on his doorstep—literally—when she was a baby, and she’s being raised by two ancient aunts who spend their time hunting gnomes in their Beacon Hill townhouse. But other than that her life is totally normal! She’s got an adventurous best friend who’s always got her back and an unrequited crush on an older boy named Ben. Just like any other teenager, right?

When Selkie goes in search of the mother she’s never known, she gets more than she bargained for. It turns out that her mother is faerie royalty, which would make Selkie a faerie princess—except for the part where her father is an ogre, which makes her only half of anything. Even more confusing, there’s a prophecy that Selkie is going to destroy the tyrannical Seelie Court, which is why her mother actually wants to kill her. Selkie has been kept hidden all her life by her adoring aunts, with the help of a Salem wizard named Will. And Ben. Because the boy she thinks she’s in love with turns out to be a faerie whose enchantment has kept her alive, but also kept her in the dark about her own life.

Now, with enchantments dissolved and prophecies swinging into action, Selkie finds herself on a series of mad quests to save the people she’s always loved and a life she’s learning to love. But in a supernatural world of increasingly complex alliances and distressingly complicated deceptions, it’s so hard to know who to trust. Does her mother really wish to kill her? Would Will sacrifice her for the sake of the prophecy? And does Ben really love her or is it all an elaborate ruse? In order to survive, Selkie realizes that the key is learning—and accepting—who she really is.

Review:

(I received an ARC copy through Edelweiss, in exchange for an honest review. Since it was an ARC, though, some things may be different in the published version of this book.)

I am sorely late in reading and reviewing this book. My mistake for not keeping track of when which review was due. Apologies to the publisher for this. Unfortunately, I have to admit I didn’t like this book, balancing between “it’s OK” and “this is getting long… are we there yet?”

It had plenty of ideas and themes that I normally would like. Fae, for starters, as well as wizards and ogres. A blue-and-orange-morality take on said fae, as well as a Seelie Court that is all but full of “nice fairies” (they’ll kill someone because they can, and when asked “why”, they’ll answer “why not?”). Boston as a stronghold for the supernaturals, built over the centuries through magic and enchantments. One of the characters has the power to travel between the human world and the fae lands. And so on.

On the other hand, I just couldn’t connect with the characters. Selkie reacted too often like a kid rather than as a 17-year-old girl, acting impetuously and making rash decisions, sometimes to the point of reaching Too Stupid To Live status. Her friend wasn’t so much better. Putting yourself in danger to save someone is a noble thing, even if it means willingly jumping into a trap, but Selkie did it with too little preparation; as a result, her attempt at rescue was pretty much… useless.

Conversely, her tantrums weren’t totally unjustified either, because of all the other characters’ tendency to never tell her anything, never explain, arguing that “it’s not yet time”… and we all know that the “let’s keep you in the dark in order to protect you” trope has a severe tendency to backfire about 99% of the time, all the more in YA novels, because the teenager will just jump into dangerous situations anyway—the only difference being they’ll lack important information that would help them. Moreover, keeping the character sheltered from knowledge for 50% of the story (at least) also means keeping the reader confused. While I managed to make sense of who was doing what at some point, let’s just say it was thanks to my ability to piece things together, not to the novel doling out information in a useful way.

The characters in general felt too flat. Her aunts weren’t indistinguishable from each other, and the Seelie queen could have been so much scarier, be so much more cruel… Instead, she didn’t look like much of a threat, despite her powers and her ability to use Names to weaken or even kill other fae. All in all, it should’ve been a desperate predicament for Selkie, considering what the wizard and her aunts told her, yet I never get a sense of a real threat coming from the Seelie fae. They did harmful things… just not to the extent I expected them to.

Not relating to the characters also meant I couldn’t connect with the romance. It was just there—too one-sided for a long time, before taking a sudden U-turn. I’m not a good audience for romance as a whole, and I know it’s difficult to find a love story that will touch me, but here, it was definitely a miss. I couldn’t bring myself to care about it, and the “stay with me because you love me” part made me roll my eyes.

I still liked the setting, though, both Tir na nOg and Boston/Parsymeon. It just wasn’t enough to keep me interested.

Yzabel / April 24, 2015

Review: Liesmith

Liesmith: Book 1 of The Wyrd by Alis Franklin

My rating: [rating=2]

Blurb:

Working in low-level IT support for a company that’s the toast of the tech world, Sigmund Sussman finds himself content, if not particularly inspired. As compensation for telling people to restart their computer a few times a day, Sigmund earns enough disposable income to gorge on comics and has plenty of free time to devote to his gaming group.

Then in walks the new guy with the unpronounceable last name who immediately becomes IT’s most popular team member. Lain Laufeyjarson is charming and good-looking, with a story for any occasion; shy, awkward Sigmund is none of those things, which is why he finds it odd when Lain flirts with him. But Lain seems cool, even if he’s a little different—though Sigmund never suspects just how different he could be. After all, who would expect a Norse god to be doing server reboots?

As Sigmund gets to know his mysterious new boyfriend, fate—in the form of an ancient force known as the Wyrd—begins to reveal the threads that weave their lives together. Sigmund doesn’t have the first clue where this adventure will take him, but as Lain says, only fools mess with the Wyrd. Why? Because the Wyrd messes back.

Review:

(I received a free copy through NetGalley, in exchange for an honest review. However, at the time, it was an ARC, so some things may have changed.)

This is an extremely frustrating book to rate, because I cannot decide whether I actually liked it, or only liked parts of it, with the rest being OK, and nothing more. I’ve mulled over this for some time (since the previous evening, in fact, which is when I finished reading the book), and I haven’t come closer to a conclusion.

What I liked:

– The use of lesser known figures from Norse mythology (or, should I say, of figures that are less often mentioned and would deserve more spotlight). Everybody’s heard of Loki and Odin, and probably Baldr as well, but what about the others? This is both a strong and a weak point of this novel: if you know enough, it’s going to be alright, yet if you don’t, you’ll probably have to look up quite a few things (including places).

– The relationship: it was much closer to “two people falling in love” than to “two gay guys falling in love”. Sigmund displays both “male” and “female” traits—he comes across as “human” first and foremost. Lain isn’t even human to start with. And it doesn’t matter, and the fact that it doesn’t matter is what makes this great. I’m not a gender-driven person. I consider people as, well, “people”, not as “men” and “women”. Although the story comes close to brushing on sexuality issues at some point, with Sigmund’s father mentioning how he tried to react to his son “being gay”, it doesn’t go too far down this road. At the end of the journey, it’s about two individuals having feelings for each other, period. (The part about the reincarnated soul didn’t feel like it warped the character towards being female.)

– The Bleed concept. Not exactly original, but hey, I’m a sucker for plot devices that make the protagonist(s) fall into some nightmarish version of their world. Yes, I played Silent Hill. There’s a reason I like that type of horror-driven story.

What I disliked:

– The subverted tropes that weren’t so subverted in the end, such as the geeky characters. They felt like they were supposed to look like the stereotypical nerds, but wait, not exactly, because they meta it by cracking jokes at themselves, but by doing this they’re becoming the stereotype again, and… At some point, it was a bit too much. It may have worked for me if dealt with in a different way; unfortunately, it didn’t.

– The novel felt too long in parts, too meandering through useless happenings: gaming, the camping trip, etc. They made it read more like fanfiction, and I think they could’ve been shortened without their role in the story being lost along the way. Those parts were probably the reason why it took me so long to read Liesmith—normally, I should’ve been done in 3-4 days.

– Among such scenes were several of the romance ones. Granted, I find getting those right always tricky and difficult. Here, some were good, but others veered towards the mushy side, and contributed to that “fanfiction” aspect I mentioned above.

– Sometimes, the writing style was rather weird, with a connection made between two clauses using an italicised “([insert word])” device. However, sometimes it highlighted something that wasn’t so relevant, and it made me wonder what was the point.

– Sigmund’s friends. Their role didn’t seem so important, and made me wonder why they were here. Either they could’ve been downplayed, or should’ve been fleshed out some more. In my opinion, they kind of hung in between. (This is worth for many characters in general in this story. Sigmund was the only one that felt “real”.)

And after writing this review, I still can’t decide if I liked it, if I’d recommend it… Let’s say that on a scale from 1 to 10, I’d give it a wee 5, an “it’s OK” as far as opinion goes, and a “maybe” as to whether I’d recommend it or not.

Yzabel / April 21, 2015

Review: Twisted

Twisted by Andrew E. Kaufman

My rating: [rating=3]

Blurb:

The psychologist with a troubled past…

Dr. Christopher Kellan spends his days at Loveland Psychiatric Hospital, overseeing a unit known as Alpha Twelve, home to the most deranged and psychotic killers imaginable. His newest patient, Donny Ray Smith, is accused of murdering ten young girls and making their bodies disappear. But during his first encounter with Donny, Christopher finds something else unsettling: the man looks familiar.

The killer with a secret…

Donny Ray knows things about Christopher—things he couldn’t have possibly learned at Loveland. As the psychologist delves deeper into the mysterious patient’s case, Christopher’s life whirls out of control. The contours of his mind are rapidly losing shape, and his grasp on reality is slipping even faster. Is he going mad, or is that what Donny Ray wants him to think?

The terror that binds them…

In this taut psychological thriller from Andrew E. Kaufman, bestselling author of The Lion, the Lamb, the Hunted, a tormented man must face his fear and enter the mind of a killer to find the truth…even if it costs him his sanity.

Review:

(I received a free copy through NetGalley, in exchange for an honest review.)

Easily a 3.5 stars, and even a 4 for the first two thirds. There are so many twists and turns that you don’t know anymore what’s true and what isn’t; who’s playing with whose mind (the author with the reader’s, for sure); whether the killer is a psychopath or a victim in need of medical help; whether the doctor himself is being manipulated by both past and patient, or by one of those only…

And I loved this. I really did. It was almost headache-inducing, but in a good way, making me form one hypothesis after the other, only to find out I had to discard it. Christopher does have reasons to worry, considering his own history with psychological disorders (his mother must definitely have been everything but a helping hand even before the tragedy), and it’s actually a wonder he could keep functioning and clutching at wanting to discover the truth, as well as protect his present family. At the same time, I liked how he approached the case with an open mind, considering Smith may be faking, yet trying nonetheless to see if there was something else behind this. His empathy, as well as the love he showed for his family, contrasted deeply with the lack thereof and the coldness of Loveland (what an ironic name). Because all things considered, all we see from this hospital is Alpha Twelve, not the rest. The rest might as well not exist.

On the other hand, I wasn’t so thrilled about the last part and the ending, hence my actual rating, lower than the one I had intended to give at first. The story had an emotional side I did like, but it also seemed like some kind of easy way out. While my earlier hypotheses were wrong, I think I may have started suspecting the final twist (or something very close to it) just a little too soon, and once it was confirmed, part of me couldn’t help but think “that’s it?” Everything before was twisted and freaky and indeed freaked me out in places, yet in the end, I didn’t feel as strongly for the story and the protagonist as I did previously. Perhaps also because the few chapters it took to get there felt like one too many?

I’d definitely recommend this novel—depending on the rating scale (since I’m posting this review on other websites as well), it’d be either a 3 or a 4, but it’d remain in the “I liked it” category. However, I felt a little let down by the last third and the ending, even though it wasn’t the predictable it could’ve been.

Yzabel / April 12, 2015

Review: Crash and Burn

Crash & Burn by Lisa Gardner

My rating: [rating=3]

Blurb:

My name is Nicky Frank. Except, most likely, it isn’t.

Nicole Frank shouldn’t have been able to survive the car accident, much less crawl up the steep ravine. Not in the dark, not in the rain, not with her injuries. But one thought allows her to defy the odds and flag down help: Vero.

I’m looking for a little girl. I have to save her. Except, most likely, she doesn’t exist.

Sergeant Wyatt Foster is frustrated when even the search dogs can’t find any trace of the mysterious missing child. Until Nicky’s husband, Thomas, arrives with a host of shattering revelations: Nicole Frank suffers from a rare brain injury and the police shouldn’t trust anything she says.

My husband claims he’ll do anything to save me. Except, most likely, he can’t.

Who is Nicky Frank, and what happened the night her car sailed off the road? Was it a random accident or something more sinister given the woman’s lack of family and no close friends? The deeper Wyatt digs, the more concerned he becomes. Because it turns out, in the past few months, Nicky has suffered from more than one close accident. . . . In fact, it would appear someone very much wants her dead.

This is my life. Except, most likely, it’s not. Now watch me crash and burn…

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

I didn’t know this author nor this series before reading Crash and Burn, so this was a discovery on all sides from me.

I’m not sure exactly how the novel ties into the “Tessa Leoni” books, though, as it seems Tessa plays a minor role, compared to the plot as a whole, so this is one thing I found a little unsettling (usually I’d expect the character to be central investigator?)—all the more because of the hints now and then to what she had done in the past and how it may come back to haunt her. On the other hand, having read the previous stories doesn’t seem to be a requirement here, as you can easily follow the main plot without that. In other words: not a problem for someone who doesn’t know the series, but it may be frustrating for someone expecting a “Tessa Leoni” book.

There are a lots of twists and turns in this novel, some a tad bit predictable, some others much less so. The inclusion of Nicky as very unreliable narrator, due to her brain injuries and the way she perceives reality, makes it difficult to know exactly where the story is going, and while this was frustrating at times, it also proved enjoyable, as I kept thinking “well, what do you know, I bet you’re up for a surprise”. Most of the time, I was, even though in retrospect the “holes” actually made sense, and made me feel like I should’ve seen them coming.

This book also deals with several dark themes, among which the “dollhouse”, what lengths someone is able to go to for the person they love—as twisted as these lengths may be—or, on the contrary, what acts a person is ready to commit for money. Those themes were somewhat uncomfortable, but still fascinating in their own morbid ways.

However, I did find it a little difficult to get into the story, because of some narrative lengths when it came to the “Vero” parts. I’m not sure all the “Vero wants to fly” and other similar sentences did a lot to deepen the mystery, and at the same time, they became redundant and annoying at times.

I’d give this book 3.5 stars. I wouldn’t mind reading more by this author later.

Yzabel / April 10, 2015

Review: Book of the Dead

The Book of the Dead by Greig Beck

My rating: [rating=2]

Blurb:

Massive sinkholes are opening across the country – each larger and deeper than the previous one. First the family pets go missing, and anyone living near one of the pits, is reporting strange phenomena – the vibrations, sulphurous odours and strange sounds rising up from the stygian depths. Then come the reports of horrifying ‘things’ rising from the darkness.

When the people start disappearing the government is forced to act. A team is sent in to explore one of the holes – and all hell breaks loose – the Old Ones are rising up again.

From the war zones of the Syrian Desert, to the fabled Library of Alexandria, and then to Hades itself, join Professor Matt Kearns, as he searches for the fabled Al Azif, known as the Book of the Dead. He must unravel an age-old prophecy, and stop Beings from a time even before the primordial ooze, which seek once again to claim the planet as their own. Time is running out, for Matt, and all life on Earth.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

Enjoyable as a fast-paced read, with appropriate enough doses of action and gory descriptions—and I would definitely expect such descriptions to make their way into a story inspired from the writings of H. P. Lovecraft. It’s never easy to picture what’s supposed to be “unspeakable horrors”, and here I thought the enemies, the creatures, were scary, both because of where they came from and of the way they got rid of humans.

Although not everything was absolutely 100% on mark (I’m thinking of some names, unless my copy had a few typos, that is), it fit into the “mythos” well enough for the purpose of this novel. I liked that the author pointed out at the end what his inspirations were, as well as the reference to the Bloop, which is definitely one mind-blowing thing as far as I’m concerned.

This also seems to be the second novel featuring Matt Kearns as a main character, and… it wasn’t a problem. The author made it so that whatever needed to be known about him was known gradually, and I don’t think one needs to have read the first book to enjoy this one.

The plot may be seen as stereotypical, in an Indiana Jones-like/mythologically-based thriller way, but most of the time, it didn’t bother me. Unfortunately, what I definitely didn’t like were the cliché, one-dimensional characters. I found myself rolling my eyes more than once, and it’s too bad, since there were interesting profiles in there, including the badass Mossad agent who could clearly hold her own without a blink. I may have grown to like those characters if there had been more meat to them, so to speak, yet there comes a point where you can just see everything coming: who’s going to sleep with who, who’s thinking with his dick, how the women instantly disliked each other, who’s going to die due to making a stupid decision, etc. I’d have rated the novel higher if not for those clichés.

Not a bad story, and an interesting take on how Lovecraftian horrors may be tackled in the 21st century; but the stereotypes can definitely become a problem here.

Yzabel / April 9, 2015

Review: The Falling Woman

The Falling Woman by Pat Murphy

My rating: [rating=3]

Blurb:

Elizabeth Waters, an archaeologist who abandoned her husband and daughter years ago to pursue her career, can see the shadows of the past. It’s a gift she keeps secret from her colleagues and students, one that often leads her to incredible archaeological discoveries – and the terrible suspicion that she might be going mad.

Then on a dig in the Yucatan, the shadow of a Mayan priestess speaks to her. Suddenly Elizabeth’s daughter Diane arrives, hoping to reconnect with her mother. As Elizabeth, her daughter and the priestess fall into the mysterious world of Mayan magic, it is clear one of them will be asked to make the ultimate sacrifice…

Review:

Quite a strange read. Interesting concepts and description of Mayan culture (I won’t comment about whether it’s exact or not, as I don’t know enough about it as of yet), seen through both the prisms of archaeology and of visions of “shadows of the past”. Interesting mother/daughter relationship, too, since Elizabeth and Diane have been estranged from years, and neither does know how to take the right steps to mend the gap.

In general, I liked how human relationships were portrayed in this novel. There is not totally right or totally wrong, and even the people who behave as assholes aren’t shown as a surprise: other characters aren’t stupid, they kind of expect the outcome they may (and will) get, and while it’s somewhat bleak, at least the author dosn’t come up with excuses (the characters’ “excuses” are feeble and shown as such).

Interesting as well was the depiction of how society reacts to “strong women”. Zuhuy-kak was a strong-willed priestess, and her enemies deemed her as mad. Elizabeth wanted to have a life of her own, something that clashed with her husband’s expectations of her, and so she was deemed as unstable. Perhaps that theme felt stronger in the 1980s-early 1990s, when the book was first published, but I think it still hits home today—society has changed… but not so much.

On the other hand, I felt let down by the high stakes the blurb led me to expect: more danger, more drastic choices… that never really took place, or not in a dramatic enough fashion as to really make me feel that Elizabeth and/or Diane was threatened. I would’ve liked to see something closer to a resolution when it came to the mother-daughter relationship, too. The novel’s too open-ended, leaving room for more, when part of that “more” should’ve been included in it.

Yzabel / April 4, 2015

Review: Mary Hades

Mary Hades by Sarah Dalton

My rating: [rating=2]

Blurb:

Not many seventeen year old girls have a best friend who’s a ghost, but then Mary Hades isn’t your average teenager.

Scarred physically and mentally from a fire, her parents decide a holiday to an idyllic village in North Yorkshire will help her recover. Nestled in the middle of five moors, Mary expects to have a boring week stuck in a caravan with her parents. Little does she know, evil lurks in the campsite…

Seth Lockwood—a local fairground worker with a dark secret—might be the key to uncovering the murky history that has blighted Nettleby. But Mary is drawn to him in a way that has her questioning her judgement.

Helped by her dead best friend and a quirky gay Goth couple, Mary must stop the unusual deaths occurring in Nettleby. But can she prevent her heart from being broken?

The first in a series of dark YA novels, Mary Hades follows on from the bestselling Kindle Single ‘My Daylight Monsters’. A spine-tingling tale with romance, readers will be shocked and entertained in equal measure.

With some scenes of horror and some strong language, this book is best suited for readers aged fifteen and up.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

Mary Hades mostly delivers on vivid descriptions when it comes to the murderous ghost, the time spent running away at night on the moors, and other scenes that are of the traditional and expected kind in such a story. I liked reading those parts, and the writing style in general, while not being exceptional, was pleasant. The novel introduced interesting ideas, too, especially the ones revolving around lacey and what she may or may not become as a ghost: she’s been dead for a short time, yet the question remains whether the gruesome circumstances of said death could cause her to turn bad, just as the enemy turned bad. This is definitely something deserving to be explored.

However, the rest of the story seemed to plod along, despite being short enough. The romance, for one, felt forced and not really useful, leaving me thinking “Yes, and?…” in the end, and nothing more. Was there really need for a romance here? I don’t think so. They could’ve been friends, and it would just have been the same. Call me a picky reader, and unfair to the author, but I’ve read way too many YA books by now to still be awed by romance the doesn’t have an actual role to play.

I also couldn’t help but question the presence of other characters. Mary, Lacey, Seth, Igor: OK. The other ones, though, felt superfluous, didn’t really help, didn’t bring much to the plot either. I guess their main interest was to be “the gay couple next door”, but then, might as well give them something relevant to do, not just hand around as wannabe ghost hunters. It smelt suspiciously of “let’s add gay people to show that we like them”, almost in a trendish way. (Maybe I’m totally mistaken as to the intent: it’s just the way I perceived it.)

I remain torn when it comes to the part about Dr Gethen. I know the novel stemmed from a novella, and it’s clear the author wanted her readers to be able to enjoy Mary Hades without necessarily having had to read the previous story. This is commendable, and the few reminders peppered here and there helped me piece those events together, enough that I was able to easily get what happened to Mary and Lacey and drove them where they are now. On the other hand, it wasn’t enough—or, rather, it was a shortcut to something Mary had to come to terms with, only I got the coming-to-terms part without the emotional and literary investment in it. I guess one had better read the novella before, all in all, if only to feel more invested.

Finally, while the murderous ghost was frightening enough in the beginning, I thought her demise went too quickly, too easily. She should’ve been more of a challenge, deserved more screen time, perhaps a death or two that the characters would have felt more deeply? (The little boy, and the guy working at the fair, are killed too early, without the reader having had a chance to get interested in them, so they’re more MacGuffins than characters… if this makes sense).

Conclusion: easy to read, with potential, but not living up to it, and not very memorable. This made it barely “OK” for me.

Yzabel / April 2, 2015

Review: The Well

The Well by Catherine Chanter

My rating: [rating=3]

Blurb:

‘One summer was all it took before our dream started to curl at the edges and stain like picked primroses. One night is enough to swallow a lifetime of lives.’

When Ruth Ardingly and her family first drive up from London in their grime-encrusted car and view The Well, they are enchanted by a jewel of a place, a farm that appears to offer everything the family are searching for. An opportunity for Ruth. An escape for Mark. A home for their grandson Lucien.

But The Well’s unique glory comes at a terrible price. The locals suspect foul play in its verdant fields and drooping fruit trees, and Ruth becomes increasingly isolated as she struggles to explain why her land flourishes whilst her neighbours’ produce withers and dies. Fearful of envious locals and suspicious of those who seem to be offering help, Ruth is less and less sure who she can trust.

As The Well envelops them, Ruth’s paradise becomes a prison, Mark’s dream a recurring nightmare, and Lucien’s playground a grave.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

Another one for which I can’t decide on a rating. Because I did like it, but I wasn’t awed, and I was torn between moments of beautiful writing, and moments when said writing seemed to be here just to delay the outcome. The feeling was definitely weird.

I liked the tense, oppressive atmosphere of The Well: a place that looked like some kind of Promised Land in the middle of the Waste Land, yet also a tainted paradise, one that could only bring the sterility of death. I liked the contrast between the emphasis placed on a “land for women”, which could hint at more promises of life, but in the end, it was all a lie, and only ended with said life being stifled and denied the right to exist. As a container for such themes, this novel was good. Maybe not the most subtle piece of work in that regard, but good nonetheless.

I was less thrilled by the way it kept hesitating between what it wanted to be: a murder mystery, or a supernatural story? I wished for more information about the drought and about the mysterious quality of The Well. Was why that place so “blessed”? What made it exceptional? The blurb led me to expect some preternatural explanation, something that would have justified the way the Ardinglys were rejected almost like witches of old—by this, I mean an explanation more complex than jealousy and people wanting what they couldn’t have. It begged for a revelation that I never got, focusing instead on the mystery/murder aspect. I would have had less trouble with that if it had taken a definite stance regarding Ruth’s story of an isolated woman who doubts herself and seeks for a frightening truth: that story didn’t need the backdrop of a drought and miraculous land to be told. The Rose of Jericho, Ruth’s love life coming apart at the seams, Lucien’s story… Those could stand on their own.

The mystery highlighted all the doubts and shortcomings of human psyche. The charges against Mark in the beginning, how they contributed to add a “what if…” side to his character, poisoning other people’s minds against him, including that of his own wife. The Sisters, led by Amelia, the cult that got hold of Ruth’s mind. Angie, not the perfect mother, yet the loving one all the same, who had her faults but still tried to get better, only to have to face a “what if” of her own when it came to her son.

However, I found it too easy to guess who had committed the crime, and the way Ruth descended into her delusions seemed just a tad bit far-fetched. Maybe her isolation, getting estranged from her husband, could be a valid explanation; or maybe not. She didn’t strike me at first as someone who would fall so easily into the clutches of a cult. Still, this is part of the novel’s ambiguity: who can tell what kind of person is a “ready-made victim”? Nobody can. Sometimes you just can’t suspect at all, you never see it coming.

What was somewhat annoying, as said above, was how the novel beat around the bush. On the one hand, there were really beautiful, poetic moments, vivid descriptions that made The Well come alive, with its good sides and with its faults. On the other hand, I clearly had the feeling at times that the author was delaying, only to lead to revelations that weren’t so striking all in all. In my opinion, the book could have benefitted from more editing and shortening here.

I’d rate this a 3 to 3.5 stars (depending on the scale used). Overall, I liked it, though I’m not sure I’d read it again.

Yzabel / March 29, 2015

Review: Walking the Labyrinth

Walking the Labyrinth by Lisa Goldstein

My rating: [rating=2]

Blurb:

Private investigator John Stow’s questions about Molly Travers’ family pique her interest when relatives that she supposed dead and buried begin to appear, alive and working real magic.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

2.5 stars, between “OK” and “I liked it.” I very much enjoyed the magical/illusion aspects in this book: the concept of the Labyrinth, questioning people and their motives, “taking a new turn” when you learn something new, and how just about anything could be turned into a lesson—often not the most obvious one. The Order, done partly through the journal of one of its earliest members, had one of those late Victorian flavours that I tend to like. Secret societies, people trying to get a glimpse of mysteries through communing with spirits… And power, the “Gift” passed from parents to children in the Allalie family, something that could be used for good (for instance, whether it was on purpose or not, Dodd did stop drinking after that night in the prologue), but also for less than shiny endeavours.

The writing itself was fairly good, and managed to evoke vivid imagery of the magic shows in the 1920s and 1930s (or at least, what I’d expect magic shows to be like). The antics, relationships, tensions and weirdness of Molly’s family were easy to grasp, and definitely interesting.

What prevented me from enjoying this story more were the characters first and foremost. While the premise was intriguing and fascinating, I couldn’t connect with any of them. The Allalies were too shrouded in mystery and half-lies to feel like actual people, and Molly often struck me as bumbling around without any idea of what she was doing: not in terms of investigating (after all, she wasn’t a private eye or a cop, so it made sense she wouldn’ have such reflexes etched in her), but as a person. Maybe it’s just me, but from the beginning, her behaviour when Peter was concerned just made me feel like smacking her to put some sense into her. This made it harder to reconcile with how she evolved towards the end, going from clueless to maybe too resourceful.

There were also a few instances of characters popping out of nowhere, more as plot devices than as people: the man in England, the people from the Order… Their roles didn’t feel really defined, and they would’ve deserved more spotlight in order to look like they had a place of their own in the story. Same goes for clues that appeared without enough groundwork having been laid beforehand. This ended for me as a strange mix of predictability (the Allalie’s family name was so obvious) and “wait, what, where did that come from?” reactions. The story tended to plod, and there were moments I found myself reading in the hopes I’d get more out of it, rather than because I was genuinely involved in it fully. The journey mattered more than the ending, but I wished said journey had streamed more seamlessly, without the constant feeling of being driven by plot devices.

Overall: worth borrowing, but maybe not buying.