The Y Logs

Yzabel / February 19, 2015

Review: Please Don’t Tell My Parents I Blew Up The Moon

Please Don’t Tell My Parents I Blew Up The Moon, by Richard Roberts

Genre: middle-grade, science-fiction, superhero action-adventure
Publisher: Curiosity Quills Press
Date of Publication: January 29, 2015
Cover Artist: Ricky Gunawan

About Please Don’t Tell My Parents I Blew Up The Moon:

Supervillains do not merely play hooky.
True, coming back to school after a month spent fighting – and defeating – adult superheroes is a bit of a comedown for the Inscrutable Machine. When offered the chance to skip school in the most dramatic way possible, Penelope Akk can’t resist. With the help of a giant spider and mysterious red goo, she builds a spaceship and flies to Jupiter.
Mutant goats.
Secret human colonies.
A war between three alien races with humanity as the prize.
Robot overlords and evil plots.
Penny and her friends find all this and more on Jupiter’s moons, but what they don’t find are any heroes to save the day. Fortunately, they have an angry eleven year old and a whole lot of mad science…

Find Please Don’t Tell My Parents I Blew Up The Moon Online:

Goodreads | Amazon US | Amazon UK

Review:

My rating: [rating=3]

I read the first installment of this series, Please Don’t Tell My Parents I’m A Supervillain, last year, and thought it was a pretty good novel. So, of course, I couldn’t pass up on the invitation to read the second one.

I found it weaker, though I still liked it. It contains a lot of good ideas and concepts, and it’s perfect if looking for a wild adventure in space, with alien technology and bio-weapons, lost space stations hidden on asteroids, and a steampunkish flavour to boot. Those parts were highly amusing, in terms of Weird Science, and Penny’s power developed in a way that clearly forced her to rethink a few things and decide whether she wanted to go (too) far or stop while it was still time. Archimedes, for instance, was both fascinating and creepy in its uses and in the possibilities it introduced.

Remmy’s character, too, was an interesting counterpoint to Penny: two girls with similar powers, with a basis for strong friendship, but also for jealousy and competition. I could se where Remmy came from, why she eacted the way she did, out of stubborness more thananything else, probably… but then, she’s also only eleven. I’d certainly like to see her appear again later in the series, if only for a chance to see how that relationship could develop if given more time and more distance.

On the other hand, the fast-paced plot sometimes left me dangling, as I wondered “wait, when did this character walk into the room?” or “why aren’t they paying more attention to the fct that [character X] has basically done a huge mistake?” It made me feel like the story carried the characters where they needed to be, but not always with a clear reason.

Two things I regret:

– The somewhat lackluster presence of Claire and Ray. Their antics are funny, and they make good sidekicks. However, at the end of the first novel, we had been given more to see about Ray, in particular, and I had hoped this arc, among others, would be explored. However, apart from playing sidekicks, those two didn’t really get much development.

– The very feeble involvement of Penny’s parents and other adults (although I laughed at the Audit’s interpretation of the situation, because… it did make sense, in a “I’m a parent who cannot imagine my daughter is evil, so I’ll unconsciously find another solution”). In the first book, I really liked the “please don’t tell my parents…” concept, and how the Inscrutable Machine had to go to various ends to hide their identity, make people think they weren’t Penelope, Claire and Ray. Here, since most of the story unfolds in space, the pressure of not being discovered was much less a problem (even though Penny’s realisation at the end—how to make a Hero appear—gives me good hopes for the next installment’s potential plot).

In general, it is still a pleasant story to read, though its predecessor will remain higher on my list.

About Richard Roberts:

Richard Roberts has fit into only one category in his entire life, and that is ‘writer’, but as a writer he’d throw himself out of his own books for being a cliche.
He’s had the classic wandering employment history – degree in entomology, worked in health care, been an administrator and labored for years in the front lines of fast food. He’s had the appropriate really weird jobs, like breeding tarantulas and translating English to English for Japanese television. He wears all black, all the time, is manic-depressive, and has a creepy laugh.
He’s also followed the classic writer’s path, the pink slips, the anthology submissions, the desperate scrounging to learn how an ever-changing system works. He’s been writing from childhood, and had the appropriate horrible relationships that damaged his self-confidence for years. Then out of nowhere Curiosity Quills Press demanded he give them his books, and here he is.
As for what he writes, Richard loves children and the gothic aesthetic. Most everything he writes will involve one or the other, and occasionally both. His fantasy is heavily influenced by folk tales, fairy tales, and mythology, and he likes to make the old new again. In particular, he loves to pull his readers into strange characters with strange lives, and his heroes are rarely heroic.

Find Richard Roberts Online:

Website | Facebook | Twitter | Goodreads

Yzabel / February 19, 2015

Review: Silverwood

Silverwood by Betsy Streeter

My rating: [rating=1]

Summary:

The Silverwoods are a clan with a messy history and an uncertain future, responsible to protect humanity from the shape-shifting Tromindox. Helen Silverwood, fourteen, is beginning to realize that she will never lead a normal life. There have been clues: Her mother’s unusual work habits, her father’s absence, her brother’s strange abilities with a pencil and paper, and her own recurring dreams and hacker tendencies. And, the family’s constant moves from place to place.

Things are about to get much more complicated, and it all leads to the remote town of Brokeneck, California. Can the Silverwoods keep from losing each other in space and time, while unraveling a dangerous mystery?

Review:

(I got a copy from NetGalley, in exchange for an honest review.)

As of now, I am not sure yet whether I should give this book 1 star or 2. I can’t say that I didn’t like it at all, because several ideas and themes were definitely interesting, and made me want to know more. But… This is one of those “good ideas, but…” novels, too.

Mostly I was constantly annoyed with the feeling that I was reading a first draft, instead of an edited copy. (Of course, as an Advanced Reader Copy, it was still liable to change; however, I still think an ARC is meant to be as close as possible to a ready-to-be-published version, not to a draft.) Sometimes the story dragged in places, sometimes it went much too fast, leaving gaps in the narrative that were difficult to fill. In the end, too many elements still remained shrouded in mystery—and not the kind of mystery that is justified, since it stemmed, in my opinion, from aforementioned gaps. Keeping revelations for a second installment is nice, but not when it makes a jumble of the first.

As a result, I had a hard time caring for the characters and for their predicament, as well as for the antagonists. The former’s decisions often didn’t seem to make a lot of sense, and too many secondary characters didn’t have enough screen time for their role to be understandable (Chris, Rosie, Eleanor…). The latter’s motives were unclear, their moves too sudden to know where they came from (puzzling the heroes is good; puzzling the reader, not so much). Adding time travel, portals, a jail, a Council, alien-like creatures, and a strange little town whose importance wasn’t properly stressed… Well, let’s just say the mix was too confusing.

The third person present tense style was the second thing that alienated me, so to speak. It is a tricky style to deal with, and while it works in some stories, here it didn’t do anything for me, and made me cringe more than once.

This is really too bad, because I did want to like this story, and it did seem like the kind of time travel-filled plot I would normally enjoy…

Yzabel / February 16, 2015

Review: The Room

The Room by Jonas Karlsson

My rating: [rating=4]

Summary:

A quirky and unsettling tale, of dark humour and strange realities, about a bureaucrat, an open plan office and a secret room…

The Authority looks favourably upon meticulousness, efficiency and ambition. Bjorn has all of this in spades, but it’s only in the Room that he can really shine. Unfortunately, his colleagues see things differently. In fact, they don’t even see the Room at all.

The Room is a short, sharp and fiendish fable in the tradition of Franz Kafka, Samuel Beckett and Charlie Kauffman. If you have ever toiled in an office, felt like the world was against you or questioned the nature of reality then this is the novel for you.

Review:

(I got a copy from NetGalley, in exchange for an honest review.)

This was a pretty strange read in many ways, but also a compelling one. I kept wondering about the mysterious room, whether it existed or not, whether Björn (the main character) was crazy or not, whether what happened in the room actually happened or not… because no matter what, everything was always just a tad bit too ambiguous to allow me to draw clear conclusions. On the one hand, it was slightly frustrating. On the other, it was interesting.

Björn is clearly a narrator of the totally unreliable variety. He’s also not very likeable, in that he thinks himself better than the others, more skilled and more knowledgeable—and at times, he’s exactly that, while at others, he appears as useless, so once more, you’re kept wondering what to believe. I found him pretty interesting, though, if considered from a sociopathic viewpoint (this kind of character tends to grab my attention: they’re trainwrecks in the making, fascinating and repulsive all at once). He had a very clear, definite image of himself that may or may not match what other people perceived, yet in his mind, the fault was very seldom his; and when he questioned himself, I would wait for the other shoe to drop. In other words, he wasn’t “likeable” as a human being, but as a study of a certain type of mindset, he certainly was.

Daily life in the Authority/the Office turned out a quirky study as well. Various social behaviours, people lined in their little cubicles, procedures, work habits, workplace events and how one can quickly fit in or, on the contrary, commit a fatal faux-pas… It wasn’t nonsense bureaucracy at its finest, but it still lent the whole book a very peculiar atmosphere, with everybody stuck with everybody else (the only character who’s seen being home is Björn, and even then it doesn’t really feel like him, much more like “the place where to be when you’re not at work”). Everybody had their flaw and good sides, but knowing what they are was to be judged according to Björn’s descriptions and to how he perceived his colleagues’ reactions. Definitely a clash of realities here, as one can empathise with the other workers, with how they felt the newcomer was strange and hostile… and at the same time, Björn’s narrative still manages to sow doubt, considering that, all in all, what he wants is to find his place in his new job, as well as a career to aim for.

Commenting on the writing style itself is a bit difficult, since it’s a translation. I found it fluid and easy to follow, with short chapters that broke the flow just like Björn’s personality seemed to be broken, too (if this makes sense). They also felt like a kind of internal filing system used by the character to compartmentalise and gain control over an environment different from what he expected. This format worked fairly well for me, considering the kind of story told here.

Yzabel / February 11, 2015

Review: Unhappenings

Unhappenings by Edward Aubry

My rating: [rating=4]

Summary:

When Nigel Walden is fourteen, the UNHAPPENINGS begin. His first girlfriend disappears the day after their first kiss with no indication she ever existed. This retroactive change is the first of many only he seems to notice.

Several years later, when Nigel is visited by two people from his future, he hopes they can explain why the past keeps rewriting itself around him. But the enigmatic young guide shares very little, and the haggard, incoherent, elderly version of himself is even less reliable. His search for answers takes him fifty-two years forward in time, where he finds himself stranded and alone.

And then he meets Helen.

Brilliant, hilarious and beautiful, she captivates him. But Nigel’s relationships always unhappen, and if they get close it could be fatal for her. Worse, according to the young guide, just by entering Helen’s life, Nigel has already set into motion events that will have catastrophic consequences. In his efforts to reverse this, and to find a way to remain with Helen, he discovers the disturbing truth about the unhappenings, and the role he and his future self have played all along.

Equal parts time-travel adventure and tragic love story, Unhappenings is a tale of gravely bad choices, and Nigel’s struggle not to become what he sees in the preview of his worst self.

Review:

(I got a copy from the publisher, in exchange for an honest review.)

3.5 stars, rounded to 4. I quite enjoyed it overall.

This novel is a tale of choices gone wrong, of moments that could’ve been but had to be sacrificed, of events that still left a sad taste even though they weren’t that bad at first sight. It’s a tale of time travellers that are doomed to meet each other coming from different directions, one gradually gaining insight he wouldn’t have had if the other hadn’t allowed him to grasp them first, and conversely. It’s also a tale of love both doomed and stronger than everything. A rather odd mix, but one that I found intriguing and entertaining.

Time travel here isn’t exactly the main focus, although it’s the main means. Some of the motivators could be easily seen as self-centered and selfish—and it isn’t lost on the characters, who admit it themselves at one point or another. One of the interesting sides of the novel, apart from the science fiction aspect, is that it challenges human nature in several occasions, and you easily find yourself wondering: “What decision would -I- have made, in such circumstances? Can I really blame this character for wanting that?” The scientific concepts behind time travel are never really explored in depth, but somehow, it doesn’t really matter. At least, it didn’t matter that much to me, because more important than that were the people, the decisions they would make, and how they would manage to cheat the space-time continuum in order to get what they wanted—or had to do to prevent something really bad from happening.

(Granted, when I say that scientifically, time travel wasn’t explored a lot, it’s not exactly true. We don’t get explanations about how the modules work, but the reasoning behind the travels, behind echoes of people being left in the timeline, seemed believable and interesting.)

Another nice part of the book is how it appears as a puzzle, and as a reader, you have to piece things together. Something mentioned in the very first chapters will make full sense only 150 pages later, yet when it finally does, you realise you were right in paying attention.

On the downside, the explanation behind the unhappenings was perhaps a little too simple to my taste, in that I actually wanted to see more of, let’s say, what was causing them. Due to the first person point of view, that “adversary” was painted in more dark shades than light ones, and I’m left wondering if things were supposed to unfold the way they did, or if there wouldn’t have been yet another way, less dark. I also thought that a few things went too fast towards the end (a certain person breaking down, for instance, as this felt just… bizarre), and that the whole Project might have deserved being mentioned more than just in passing.

Nigel at times seemed somewhat callous—not an unexpected nor unforgiveable trait considering all the unhappenings; only a few events were brushed over (e.g. his feelings regarding his parents), and it was sometimes hard to decide whether he did things out of love and forced himself not to think of the impact on himself, or had just lost the ability to “feel”. I guess it’s not exactly a defect, as the context justifies it, but at some moments I appreciated it, and at others I didn’t. Same at the very end with Helen, whose decision was… I don’t know, both understandable and “why on Earth did we do all that for if it was for things to come to -this-?”

However, as said at the beginning of my review, I enjoyed the story nonetheless. It probably also deserves to be revisited to see if I haven’t missed anything between the lines.

Yzabel / February 8, 2015

Review: Red Queen

Red Queen by Victoria Aveyard

My rating: [rating=3]

Summary:

Mare Barrow’s world is divided by blood—those with red and those with silver. Mare and her family are lowly Reds, destined to serve the Silver elite whose supernatural abilities make them nearly gods. Mare steals what she can to help her family survive, but when her best friend is conscripted into the army she gambles everything to win his freedom. A twist of fate leads her to the royal palace itself, where, in front of the king and all his nobles, she discovers a power of her own—an ability she didn’t know she had. Except . . . her blood is Red.

To hide this impossibility, the king forces her into the role of a lost Silver princess and betroths her to one of his own sons. As Mare is drawn further into the Silver world, she risks her new position to aid the Scarlet Guard—the leaders of a Red rebellion. Her actions put into motion a deadly and violent dance, pitting prince against prince—and Mare against her own heart.

From debut author Victoria Aveyard comes a lush, vivid fantasy series where loyalty and desire can tear you apart and the only certainty is betrayal.

Review:

(I got a copy from NetGalley, in exchange for an honest review.)

3 to 3.5 stars. I mostly enjoyed this book, but I wish some aspects had been more developed, and I can only hope they will be in the next installment. (Which I would gladly read.)

The weak points, first:

– In general, the ideas and world-building weren’t too original. The novel is very close to many dystopian YA novels, with typical elements: class divide, a war, a group of rebels, the love triangle (square?)… In all fairness, had I not already read several books with similar plot devices, this one would have felt better for me, so who knows, it might not be such a problem for another reader.

– The world itself suffered from the (also typical) “pocket-universe” syndrome: everything seems to happen in an enclosed space, with just a few hints to other countries. I couldn’t help but wonder about those neighbouring governments and the rest of the planet, as well as the deep reasons to the war, and how Reds and Silvers came to be. It was easy enough to accept that “this is not our world, so these two races are just something that I can see as normal”; but it would still have been nice to get a better grasp on the larger picture, all the more because Mare got lessons about this, so it would’ve been a good place to insert some more information (without falling into the info-dumping trap, that is).

– The romance subplot, with a love triangle, or even a love square. I understand that parts of this subplot were not what they seemed to be; however, the potential romance, the love interests, didn’t strike me as believable, and rather out-of-the-blue in general. I didn’t feel any chemistry between Mare and either of the guys, and so that specific aspect of the story seemed forced and contrived.

– Sometimes the characters and their motives were too one-sided. I’m thinking of Evangeline specifically, with her Queen Bee attitude that, in my opinion, wasn’t really justified: Mare was never a threat to her position, and Evangeline already knew where she stood and that what she had would remain hers, so while mere contempt may have been logical, such open animosity wasn’t.

However, Red Queen also has several good points going for it:

– In spite of the typical, cliché sides, the author still managed to make them hers and to develop an enjoyable world. I liked the various powers displayed by the Silvers, and the many possibilities they offered.

– The roles of the main characters: they aren’t so clear-cut as they appear at first, and even though I admit I could sense a particular twist coming, I was still nicely surprised when it happened, in a “aha, YES, I knew it!” way. There was a lot of double-thinking and potential betrayal going on behind the scenes, and this was great.

– The political side of the romance. It explains a lot of things.

– Although the aforementioned romance left me cold, I liked that Mare wasn’t merely “the girl torn between two boys, wondering who to choose”. That aspect was a rather minor one, and mostly she placed her opinions, her aims, her conviction first. She wasn’t just passive and helpless while The Guys did all the work, and she took matters in her own hands. Granted, some of her decisions may be seen as naive; on the other hand, such naivety was also understandable, since Mare had never been schooled in court politics, and was ripped away from her world and family to be thrown into very different surroundings. Being alone, feeling isolated, wanting to clutch at the people who showed kindness: that was understandable.

Not a perfect novel, but not a bad one either.

Yzabel / February 5, 2015

Review: The Mindtraveler

The Mindtraveler by Bonnie Rozanski

My rating: [rating=2]

Summary:

What woman of a certain age doesn’t sometimes look upon her life and wish she could go back and do it all over again?

With more of her life behind her than ahead, Margaret Braverman, a physicist teaching at a small college, cannot help but regret the things she never quite got right. Most important among them was the tragic ending of her romance with her brilliant colleague Frank, something she has never gotten over. Then there is the prospect of restoring the respect of her colleagues after that unfortunate incident where she set her hair on fire. And, of course, it would be glorious to get even with that mean-spirited, conceited, womanizing Caleb Winter.

Fortunately, after years of experimentation in the back room of her lab, Margaret has finally built a time machine. The key, she discovered, is in teleporting not the body but the mind. And so, at 5:03 p.m. on May 3, 2012, Margaret teleports her mind to her 1987 self.

Though her body is that of a 35-year-old, the narration and point of view is that of her older self. “60″, as she calls herself, feels everything but can’t move a muscle. All she can do is to passively witness what she lived once before, and, until she figures out how to influence things, nothing is going to change.

Review:

(I got a copy from NetGalley, in exchange for an honest review.)

2.5 stars. Mixed feelings here.

On the one hand, it was permeated with a mellow, nostalgic atmosphere that I found pleasant. Not because of the events that unfolded in the past—some of those raised serious matters, like destroying a family, the glass ceiling, what it meant to be a woman in a place dominated by a patriarchal hierarchy. Because of how Margaret saw the past through the eyes of her younger self, with the hindsight of 60 years of life. As she was basically a silent passenger in the back of 35!Margaret’s head, she could easily reflect and contemplate on that world she didn’t remember accurately, and relive these memories in a way that would allow her to treasure them (seeing her parents again, for instance).

The ending was in part predictable, in part surprising (the twist with the student, all making sudden sense when you think about it), in part unavoidable, and I liked the latter aspect: I don’t think I would’ve wanted a too well-wrapped ending, with nice ribbons around. The one the author chose to go with seemed to fit Margaret’s character better than a “quieter” one.

A huge downside for me was the “silent passenger” side of the plot. For about 70-75% of the story, 60!Margaret can’t do much more than lift a few fingers, which forces her in an extremely passive role (somewhat reminiscent, though, of what 35 had to go through: “be a nice girl and shut up when it comes to the important stuff”—the echo wasn’t lost on me). It made up for a very awkward transition when she suddenly finds herself doing so much more, and as a result, the last chapters felt disconnected and in a hurry. It would’ve been more seamless if she had gradually started to do more, perhaps while her younger self was asleep/unaware of her “passenger”.

The romance aspect I could’ve done without. It wasn’t a breaker because it was romance, but it tended to obfuscate Margaret as a person who could make a life for herself—as in,” who cares about academic recognition and a whole career, as long as I can have The Man?” (This clashed with Margaret’s views on life, with her way of always deciding for herself, even if that mean making a bad decision, with her aims of becoming a researcher and getting tenure, etc.) This is why, I think, I’m glad the ending was what it was, and I can’t help but wonder what she would do afterwards: enjoy the good or moan about the bad?

As for the characters themselves, mostly they weren’t that enjoyable, unfortunately, either because they were greedy, sleazy or cowards, or just not impressive. This is humanity in a basket, I suppose, but a few more positive people to balance it out would’ve been nice. The mellow/nostalgic side of the novel would’ve made a stronger impression on me, too, if I had had a better feeling for them.

Not a bad novel, all in all, and the concepts and ideas it raised were definitely interesting. Unfortunately, in the end, it remained in the “just OK” category for me.

Yzabel / February 3, 2015

Review: The Rook

The Rook by Daniel O’Malley

My rating: [rating=5]

Summary:

“The body you are wearing used to be mine.”

So begins the letter Myfanwy Thomas is holding when she awakes in a London park surrounded by bodies all wearing latex gloves. With no recollection of who she is, Myfanwy must follow the instructions her former self left behind to discover her identity and track down the agents who want to destroy her.

She soon learns that she is a Rook, a high-ranking member of a secret organization called the Chequy that battles the many supernatural forces at work in Britain. She also discovers that she possesses a rare, potentially deadly supernatural ability of her own.

In her quest to uncover which member of the Chequy betrayed her and why, Myfanwy encounters a person with four bodies, an aristocratic woman who can enter her dreams, a secret training facility where children are transformed into deadly fighters, and a conspiracy more vast than she ever could have imagined.

Review:

This is one large doorstopper I picked from the library, but that I didn’t regret lugging around in my bag for two days.

I really liked how the author wove past-Myfanwy and present-Myfanwy story lines using letters, a device that could’ve been cumbersome and artificial, yet that wasn’t in my eyes: sure, lots of “exposition”… done in a believable way that didn’t intrude upon the plot, on the contrary. Reading about the Checquy was both amusing and fascinating, and the cast of powers gathered by the organisation was interesting. I especially liked the idea behind Gestalt—one mind controlling four bodies.

The humour, too, factored in big, as it was just the kind of light, tongue-in-cheek touch I tend to easily appreciate. It happened in dialogues and in characters’ thoughts, as well as in how the plot unfurled. For instance, right after Myfanwy wonders how the oganisation works, we’re treated to a “Title: How the organisation works” letter from her past self. This may or may not work for everybody; it sure did for me. Bonus points for Ingrid the Terrific Assistant, who was very professional and funny at the same time.

I pondered about a few things at first, thinking they were just a wee bit too convenient: how amnesiac!Myfanwy still managed to be very efficient at her job, and how she discovered how to use her powers so quickly, as well as differently. However, thinking back upon it, and on how her present state of being came to be, it made sense. (Explaining why would be a spoiler, so let’s just say that reading about it between the lines in the resolution chapters made sense to me, and that having a new personality start over, with an almost blank slate, helps in not letting the past hamper one’s abilities.)

I’ll definitely pick the next installment once it’s finally out.

Yzabel / February 1, 2015

Review: A Myth to the Night

A Myth to the Night: Parts I-V by Cora Choi

My rating: [rating=3]

Summary:

Once home to the illustrious Order of the Crane — guardians of the world’s myths and legends — Stauros Island, now in the hands of the Order of the Shrike, is an elite university whose students are guaranteed positions of power upon graduating.

However, a dark curse hangs over the island: students are disappearing. The school officials declare it the work of a demon, and blame Hugh Fogg — a young monk of the Order of the Crane who died 400 years earlier.

Could the spirit of a young man who died in 1615 come back to haunt an island and terrorize its students? If so, for what purpose? A Myth to the Night is Hugh’s story and his struggle to see his mission complete.

Review:

(I got a copy from NetGalley, in exchange for an honest review.)

While this novel had its flaws, I nevertheless enjoyed it for some of the ideas it brought forth and for its half-dystopian, half-anachronistic atmosphere. The latter might be a deterrent to some, as it’s quite peculiar, but overall I liked it.

The story itself partly reads as a myth, with its cast of characters born from legends. After all the books about them were destroyed, they came to exist as “phantoms” on Stauros Island, striving to tell people at night about who they had been and what symbols and values they were meant to embody. The descriptions given of these people/heroes/creatures, as well as of their surroundings on the island, lent the novel quite a magical feeling.

I also liked the idea of an evil sect controlling the world through fear and systematic destruction of old tales and knowledge, so that people wouldn’t have anything to turn to, and would more easily allow themselves to be ruled. The sect’s role was a bit far-fetched and one-dimensional, in a “big villain” way, but on the other hand, it also had echoes of secret societies born from wealthy frats, or of a New World Order of some kind—people educated at Stauros are groomed to be the rich and powerful of this world, complete with signets revealing their belonging to the Order of the Shrike. This definitely wasn’t uninteresting.

On the downside, some parts were somewhat muddled and slow, and could lead to questioning the world-building if one thinks about it too much. Some aspects were clearly simplistic and/or too manichean or predictable. If you’re looking for solid world-building, these flaws will quickly become manifest. If you choose to read A Myth to the Night as a kind of myth itself, then it’s less of a problem.

Yzabel / February 1, 2015

Review: Gears of Brass

Gears of Brass: A Steampunk Anthology by Jordan Elizabeth

My rating: [rating=2]

Summary:

A world like ours, but filled with gears of brass, where the beating heart is fueled by steam and the simplest creation is a complex clockwork device.

Within this tome, you’ll find steampunk fairy tale re-tellings, as well as original stories that will send your gears turning.

Welcome to the steampunk realm, with eleven authors guiding your path.

GEARS OF BRASS is a steampunk anthology published through Curiosity Quills. Within the pages, you’ll come across clockwork inventions and steampunk-ified fairy tale retellings. Eleven authors will guide you through worlds filled with airships, top hats, and corsets.

Review:

(I got a copy from the publisher, in exchange for an honest review.)

2.5 stars, as on average the stories ranged from “it’s OK” to “I like it” for me, but not more—which is too bad, because, well, steampunk? How come I didn’t like this more!

My problems with this anthology were some cases of bad editing (spelling mistakes), but mainly the fact that most stories left me with a strong feeling of unfulfilled expectations. As soon as I’d get into a plot, and get excited about it and how it might pan out, the story ended, somewhat unresolved. As if the authors had so much more to say, but were constricted by imposed length, and had had to find in a hurry a “witty” punchline to give to their tales.

(Speaking of tales, quite a few stories were retellings of fairy tales, so if you like those, you’re going to be happy. Same if you like plots where human nature is denounced as dark, twisted, and not so close to redemption.)

On the bright side, the authors featured here all seem to have a vivid imagination, and plenty of good ideas in store for novellas or even novels. I could easily see half these short stories expanded, especially Zeus’ Fire, Time Spun Souls and The Key Girl (the latter had excellent bases, but went much too quickly to my liking).

My favourite ones:
* A Clockwork Dollhouse – in my opinion, the best wrapped and fulfilling of all.
* Zeus’ Fire – Greek mythology and steampunk (although it didn’t feel “British”, owing to the language).
* Clockwork Wolf – Little Red Riding Hood revisited.
* Lana’s End – selfish protagonists are selfish!

In other words, I was disappointed in the anthology itself, but I definitely wouldn’t mind checking some of the authors’ longer works, as I believe they can do good things when given longer formats to develop their ideas, worlds and characters.

Yzabel / January 30, 2015

Review: Mind The Gap

Mind the Gap by Tim Richards

My rating: [rating=2]

Summary:

Darius Ibrahim is not having a good week.

He’s been threatened by a knife-wielding maniac on a London train, interrogated by a mysterious warrior woman beneath the city’s streets, pursued by a military death squad in Melbourne, had his new girlfriend kidnapped and held hostage in Prague, and been captured and taken to another world.

And it’s barely been three days since his life started to fall to pieces.

On top of all this, he’s developed a bizarre ability that allows him to teleport in quite unusual circumstances – an ability that several deadly enemies will do anything to gain control of.

In a desperate struggle involving alternate worlds, Egyptian mythology, ancient prophecy, malevolent felines, underground railway stations and the power of dreams, can Darius long survive the arrival of his newfound power?

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

2.5 stars. It wasn’t bad, but it didn’t enthrall me as much as the blurb led me to expect. It contained its lot of good ideas (I’ve always had a fond spot for teleportation as a power, as well as for the Tube and underground trains, for some reason), while others felt muddled and confusing.

There’s a prophecy, and several parties competing around it to seize the “Chosen One” in the middle of all this; but after a while I started to realise I didn’t really know much about their motives, except for the most obvious ones, and it made for a plot that was at once complex yet underdeveloped. (One of the parties wanted to conquer, the other was striving for a certain being to come back to earth, the third and fourth one… I’m not exactly sure, in fact.) A few things were strange, too, such as the “bad guys” calling Darius “the boy”—he’s a grown man, not a teenager, so “the young man”, at the least, would have felt more justified. “Boy” just didn’t cut it for me.

The characters in general would have deserved to be fleshed out more. And though the relationship between Darius and Viv was somewhat amusing (in a good way), thanks to their interactions, it developed a bit too fast to justify the whole “will go to every length to find you again”. One event particularly put one character in extreme danger, as said character dove into a totally unknown situation with only a very basic plan, a.k.a “I’ll let them capture me and we’ll be together again”.

I liked seing Egyptian mythology included, and alternate worlds. However the world-building never went far enough for me, remaining on a stereotypical level, whether it was Mas-Ra, the lands controlled by the Horus Alliance, the place where the third party came from, or even our own Earth, as the characters move so fast from one location to the other. In a way, the story was long without being long enough. Very, very strange.

The ending happened too fast, with a lot of people/beings appearing, then vanishing, all piling on the rest. The epilogue also felt out of place somehow. It’s clearly here to introduce a second book, when this one seemed to be self-sufficient plot-wise.