The Y Logs

Yzabel / December 25, 2014

Review: Science… For Her!

My rating: [rating=1]

Summary:

Megan Amram, one of Forbes’ “30 Under 30 in Hollywood & Entertainment,” Rolling Stone’s “25 Funniest People on Twitter,” and a writer for NBC’s hit show Parks and Recreation, delivers a politically, scientifically, and anatomically incorrect “textbook” that will have women screaming with laughter, and men dying to know what the noise is about.

In the vein of faux expert books by John Hodgman and Amy Sedaris, Science…for Her! is ostensibly a book of science written by a denizen of women’s magazines. Comedy writer and Twitter sensation Megan Amram showcases her fiendish wit with a pitch-perfect attack on everything from those insanely perky tips for self-improvement to our bizarre shopaholic dating culture to the socially mandated pursuit of mind-blowing sex to the cringe-worthy secret codes of food and body issues.

Part hilarious farce, part biting gender commentary, Amram blends Cosmo and science to highlight absurdities with a machine-gun of laugh-inducing lines that leave nothing and no one unscathed. Subjects include: this Spring’s ten most glamorous ways to die; tips for hosting your own big bang; what religion is right for your body type; and the most pressing issue facing women today: kale!!!

Be prepared to laugh about anything in this outrageous satirical gem.

Review:

(I got an ARC through NetGalley, in exchange for an honest review.)

I was hoping this one would be funny, with pokes to some “girly” magazines and their “silly” articles, yet also real scientific data in it—like a textbook with serious information, only in the shape of articles, lists of tips, etc.

It wasn’t the case. It only looked the part… until I started reading it.

Science here was reduced to a bare minimum. Nothing any high-schooler wouldn’t know, nothing really interesting, nothing to learn here. So the Earth is orbiting around the sun: big news. Reproduction: I learnt more about it in the anatomy book I got when I was 7. Either you really don’t know much about science and this is going to be useless, or you already know a bit, and it won’t be of any use to you. If there’s a middle-ground in that muddle, it’s a very thin and invisible one.

The rest didn’t save the book: it was just too heavy-handed to my taste. Like using plaster coating instead of foundation. Too full of fat jokes, rape jokes, wife-beating jokes, mean jokes, tasteless jokes in general, that went on for far too long, again and again and again. After the Nth iteration of “I can’t get over my boyfriend” and “here’s a dick” and “fat ugly bitch” and so on, I was glad I had had a few drinks in me to keep on reading. (Note: I’m only a social drinker, and a moderate one at that. When I need booze to get me through a book, it’s bad, bad news.)

There’s humour, satire and political incorrectness… and then there’s just too heavy and thick to bear. Hey, wait. Thickium: the one element you won’t find on the periodic table, because it’s atomic number is so high it actually fell off said table. See? I can do science, too.

It takes real skill to properly satirise any subject. I don’t think that skill was anywhere to be found here. In the end, I just wasted my time. (And probably would have wasted it much less if I had read an actual issue of Marie Claire, Elle, or whatever, instead. Unless the US versions of those magazines are really so much worse than the French ones, in which case I won’t ever touch them with a ten-foot pole.)

Yzabel / December 16, 2014

Review: Soulminder

Soulminder by Timothy Zahn

My rating: [rating=3]

Summary:

For Dr. Adrian Sommers, a split second of driving while distracted leads to tragedy—and obsession. His family destroyed, he devotes his entire being to developing Soulminder, a technology that might have saved his son as he wavered on the edge of death. Sommers’s vision is to capture a dying person’s life essence and hold it safely in stasis while physicians heal the body from injury or disease. Years of experimentation finally end in success—but those who recognize Soulminder’s possibilities almost immediately corrupt its original concept to pursue dangerous new frontiers: body-swapping, obstruction of justice, extortion, and perhaps even immortality.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

3.5 stars.

Mostly I liked the dilemmas that the Soulminder invention itself presented: a tool born from a dream, from a ruined family, in the hopes of helping other people, but whose use quickly gets perverted for recreational or even oppressive means. The aime behind the Soulminder project was almost too innocent, so much that I could only see it getting twisted at some point or other.

The novel explores some of those aspects (there would be more) through a series of “chapters” that read more like connected short stories. Soulminder and its creators, especially Sommer, remain a connecting thread, but they’re not necessarily the main protagonists. This structure was surprising at first, but I quickly got used to it, as it allowed me to see the whole project through different sets of eyes: its scientists’, its doctors’, its patients’, those of people trying to abuse it, too…

The downside was that a lot of characters felt flat, not developed enough. Perhaps understandable for minor characters who did not appear a lot; less forgiveable when it was Sommer and Sands themselves, as red threads, who did not manage to make me more invested. At times, their duo may have read too much like a convenient device, one unknowingly opening doors to abuse so that the other could point out what could go wrong (and was proved invariably right). On the other hand, I took quite a liking to Frank Everly, whose take on security matters and efficient, though jaded views made more vivid in my opinion.

Soulminder is also one of those weird kinds of books that you quickly get tired of, in that you don’t feel like reading more than a few pages at once… and then you find yourself getting back to it half an hour later, wanting to read more no matter what. I have no idea what this is called, or if it even has a name, but it’s how it felt for me.

This said, I still enjoyed it as a whole.

Yzabel / December 13, 2014

Review: Prince of Thorns

Prince of Thorns by Mark Lawrence

My rating: [rating=2]

Summary:

Prince Honorous Jorg Ancrath at 9 was hung in briar patch to watch his mother and young brother slaughtered by Count Renar’s men. At 13, Jorg led a band of bloodthirsty thugs. By 15, he intends to be king. Life and death are a game where he thinks he has nothing left to lose. But treachery and impossibly great dark magic power await him in his father’s castle.

Review:

I thought I’d have liked this book better. I wished I had. But mostly I’ll file it in my “OK” category.

The ruthlessness of the world depicted here was quite appealing (despite being appaling, yes that’s so totally intended, and I’m not even ashamed). One may despise the protagonist and his band of “brothers” for the raping, pillaging and other acts of violence, but the fact is, the whole lot kind of fits. I also liked not being completely sure what world it was set in: alternate history? Post-apocalyptic? The “Builders’ Sun”, the books, the strange talking “spirits”… definitely hint at a more technological past, and this is something I tend to like, plain and simple.

The reasons why I didn’t warm up more to this novel were mostly:

1/ A lot of events and decisions felts seriously disjointed. The prose is easy to read, so it’s clearly not a matter of “but that’s just because your grasp on English is bad!” (it isn’t) or “stop reading at 6 am in the tramway when your brain is still all mushy” (I was off work). More than once, scenes and chapters would roll after each other in a way that made me feel something, some additional scenes, were missing. Jorg would make a decision, and I’d have to read back a few pages to see what I had missed, only to conclude that I hadn’t missed anything: his train of thought just wasn’t explained. Which would be all right, this being a first person narrative, but on the other hand, considering his decisions and actions in general, they clearly demanded more thought than mere hunches.

For instance, one specific plan rests on Jorg’s sudden understanding of something in a book whose contents don’t make sense to people in general (himself included)—the concepts are too far removed from their era’s scientific knowledge. So it struck me as really odd to see him go about how this is all technobabble one moment, to understanding-leading-to-a-plan the next.

2/ The protagonist was developed enough, but sometimes he was just too skilled, too lucky, too… everything. What should have been challenges made me think that whatever happened, he’d find a way out, and in turn, the tension eased too much. I guess I expected more cunning, and less rushing headfirst with the certainty that some deus ex machina would happen.

3/ The whole cast around Jorg, all the other characters, felt too flat. It fitted the “pawns theme” (this war’s a game, people have to be sacrificed in the end, etc.), yet it didn’t make for a pleasant reading, with everybody being disposable, from random peasants in villages to Jorg’s oldest companions. I wouldn’t have wanted Jorg to be more humane towards them; but I would have wanted them to feel more like actual characters, with lives of their own, and desires/goals that would’ve made it easier to understand their actions.

I may or may not read the next book. I haven’t decided yet.

Yzabel / December 7, 2014

Review: The Accidental Alchemist

The Accidental Alchemist by Gigi Pandian

My rating: [rating=1]

Summary:

When Zoe Faust–herbalist, alchemist, and recent transplant to Portland, Oregon–begins unpacking her bags, she can’t help but notice she’s picked up a stow away: a living, breathing, three-and-half-foot gargoyle. Dorian Robert-Houdin is no simple automaton, nor is he a homunculus; in fact, he needs Zoe’s help to decipher a centuries-old text that explains exactly what he is. Zoe, who’s trying to put her alchemical life behind her, isn’t so sure she can help. But after a murder victim is discovered on her front porch, Zoe realized she’s tangled up in ancient intrigue that can’t be ignored.

Includes recipes!

Review:

(I got an ARC through NetGalley, in exchange for an honest review.)

1.5 stars. An interesting premise, but one I had trouble stayed focused on, and I just could never push myself to read more than a chapter or two before switching to something else.

The first chapters, with Dorian popping into Zoe’s life, his predicament, the book that needed deciphering, hinted at a good modern fantasy story. Unfortunately, the mystery that followed was too flat, and took too long to properly unveil. It could have been more of an adventure, yet it wasn’t. There wasn’t even that many alchemical concepts and knowledge to munch on.

I’d chalk a large part of this to the main character going around in circles about some things, always recalling her ability with plants, how she was not a night person, needed her healthy foods, etc. There was more cooking and vegan recipes than actual alchemy here. I know they say alchemy kind of started in the kitchen and all that, but the metaphor didn’t bring much to the story for me. I mean, it’s the Accidental Alchemist, not the Accidental Cook, so…

In turn, the sense of urgency got lost somewhere along the road. After a murder and another murder attempt, with Zoe having the potential to be seen either as the culprit or as the next victim, I would have expected more tension. When clues finally started appearing, and Zoe at last started taking them into account, I was past caring, and just wanted to finish the novel to see if Dorian could be saved.

The ending, by the way, was too rushed to my liking. I don’t have anything against McGuffins and McGuffin-plots used to introduce deeper, larger stakes; but I tend to feel frustrated when a story begins with such a plot, goes on reminding us regularly that it’s important, then brings a quick resolution after having focused on something completely different. It just makes me stop caring. (I’ll be honest, though, and mention that while I was reading this book, I was also reading another one that suffered from the exact same problem of “rushed ending”; I suppose they slightly “tainted” each other for me in that regard.)

(A minor quibble as well regarding Dorian’s speech patterns: speaking as a French expat living in the UK, seeing bits of French thrown in the middle of sentences is definitely weird. Whole sentences or exclamations, all right—it’s only natural to start speaking in your own language, before remembering you should switch to another one. But in my own experience, when this happens, we usually tend to stop and start again in English. For instance, I haven’t heard any other French expat finishing an English sentence with “n’est-ce pas”, so when the character did it, it kind of felt like “Hey, here’s a reminder I’m French”. Not needed in my opinion.)

On the bright side, I still think the basic idea was great, and I liked Dorian’s character in general, as well as the questions his existence raised: how he came to be, sure, but also how other people perceived him. When he recounted having to pass for a disfigured man who only worked for blind cooks and refused to let anyone else in the room, so that he could do what he loved without people freaking out, that was awfully sad—and a bit reminiscent of relationships such as the ones between Frankenstein’s monster and De Lacey. I always like when similar themes arise in a story (even though it was underexploited here).

Yzabel / November 29, 2014

Review: The Dark Victorian: Risen

The Dark Victorian: Risen by Elizabeth Watasin

My rating: [rating=1]

Summary:

“Way will open.”

She is Artifice.
A resurrected criminal and agent of HRH Prince Albert’s Secret Commission.
An artificial ghost.
A Quaker.

He is Jim Dastard.
The oldest surviving agent of the Secret Commission.
An animated skull.
A mentor to newly resurrected agents.

In a mechanical and supernatural London, agents of Prince Albert’s Secret Commission, their criminal pasts wiped from their memories, are resurrected to fight the eldritch evils that threaten England. Amidst this turmoil, Jim Dastard and his new partner Artifice must stop a re-animationist raising murderous dead children. As Art and Jim pursue their quarry, Art discovers clues about her past self, and through meeting various intriguing women—a journalist, a medium, a prostitute, and a mysterious woman in black—where her heart lies. Yet the question remains: What sort of criminal was she? A new beginning, a new identity, and new dangers await Art as she fights for the Secret Commission and for her second life.

Review:

(I got a copy courtesy of NetGalley, in exchange for an honest review.)

This novel is quite a short one—too short, in fact, for the scope it seemed to want to reach. Maybe it’s a case of “first book in a series syndrome”. Anyway, I found the premise interesting, but kept wishing it went deeper into some of its aspects, and developed things more than it did.

The plot felt somewhat muddled, rushing in parts, not really going anywhere in others. I’m still wondering what exactly it was about. A reanimator, sure, and a gallery of other characters that looked like they were introduced for later use mostly, because while they helped with things like clothing, they didn’t really do more. But I didn’t exactly feel a sense of urgency, and it was as if some hints and links between events were thrown in, in a disjointed way.

The banter between Art and Jim was likeable at times, definitely weird at others, taking space that might have been better used for more scenes, more plot development. Art’s way of speaking was also rather quirky, the whole Quaker business leaving me perplexed: I didn’t understand to which degree it was relevant. She seemed like an interesting character enough as it was, with a lot of potential, without the need to add such quirks. Maybe reading the sequel would allow me to appreciate them more… or maybe not. I honestly can’t tell.

I would also have liked to know more about this organisation resurrecting criminals while wiping their memories. Not “more” in terms of secrets (every such organisation needs secrets, to be revealed later), but as in “a larger view of its agents”. Who else was involved? How does the Secret Commission operate, since everybody appears to know about it and either respect or fear their badges? There’s some potential here as well, and I’m positive it would have deserved more spotlight in this first installment. Just a few more agents walking around, to make me feel like Jim, Art and Fall weren’t the only ones.

Art’s leaning towards other women was also dealt with a little too strangely to my liking, in that the way it was revealed, the way it unfurled, felt wonky and jarring. It’s probably a pacing problem more than anything else, because I had the same feeling with other scenes, as mentioned above. However, it was also good to see it accepted by other characters as something that just happens, something that “is”. Though Jim makes a few quips about it, it’s in a friendly way, the same kind of way he comments about other situations.

I’m not sure I’d pick the next book. It’s more a 1.5* for me, leaning towards a 2, because there are intriguing elements about which I’d like to learn more, so you never know… But not if it’s as disjointed as in this one.

Yzabel / November 25, 2014

Review: The Glass Magician

The Glass Magician by Charlie N. Holmberg

My rating: [rating=1]

Summary:

Three months after returning Magician Emery Thane’s heart to his body, Ceony Twill is well on her way to becoming a Folder. Unfortunately, not all of Ceony’s thoughts have been focused on paper magic. Though she was promised romance by a fortuity box, Ceony still hasn’t broken the teacher-student barrier with Emery, despite their growing closeness.

When a magician with a penchant for revenge believes that Ceony possesses a secret, he vows to discover it…even if it tears apart the very fabric of their magical world. After a series of attacks target Ceony and catch those she holds most dear in the crossfire, Ceony knows she must find the true limits of her powers…and keep her knowledge from falling into wayward hands.

Review:

(I got a copy courtesy of NetGalley, in exchange for an honest review.)

Again, an easy and fast read, much like the previous installment, but had not I already gotten a copy through NG, as mentioned above, I doubt I would’ve read it.

Some parts of the book were still pleasant. I still liked the idea behind the magic, and the more prominent use this time of Gaffers and their powers—seriously, working with mirrors, travelling through them, using them to spy on or find people? That’s awesome! It would have remained awesome if the rules of magic in that world hadn’t been broken in a snap of fingers at the end, and in a way that just any apprentice would probably think of at some point in his/her career. And who got to stumble upon it? Ceony.

Ceony this time just plunged deep into Too Stupid To Live territory, taking actions that a character as smart as she’s supposed to be would have immediately thought twice about. So, sure, she came prepared… but clearly not enough. And she definitely did not think through all her moves and what they may imply for other people. Not wanting to endanger more people is a very fine motive, only not when it ends up achieving exactly that.

As in the first volume, some historical elements were too out of place: she’s supposed to be of a struggling, working class-like background, but her father would take her to fire a gun when she was younger? This doesn’t scream “poor family background” to me, not in London at the end of 19th century. Other jarring elements included Ceony’s take on skirts and other views of women as creatures made to cook and take care of men:

“Langston didn’t seem to notice—he thought the tomatoes alone were a treat, and Ceony determined the man needed to get married right away. She wondered if Delilah could be coerced into dating him.”

This might have worked for another character. Not for a young woman who’s shown to act in daring ways, affirms her right to stay with her current master even though some may disapprove, wants to decide her own fate, and so on. Which is one of the problems I had with the romance in the first book: centered around the man, who was everything.

Speaking of the romance: still not convinced, all the more because of that weird chapter from Thane’s point of view, thrown among all the others narrated in Ceony’s, in which he thinks about his feelings for her. Less cooking this time; more fussing over things that seemed to spring out of nowhere (the allergy, for instance). Also, more blushing.

As for the villains, I found them paper-thin (pun totally intended). Grath and his fellow magicians would have been impressive in other circumstances, and their powers and cunning should have been put to better use. Instead, I never got to really understand their motives. Freeing Lira? All right, but what about a bigger plan, why have they been such targets for years (except for Excision, of course)? And Saraj. Why should the resident psychopath be Indian, and depicted in such a blatant display of “Danger: here comes the tall, dark stranger, so of course he must look suspicious, and of course those suspicions were well-founded”?

Decidedly, this isn’t working for me. (Nor is the cover, which is nice, but doesn’t look like anything that was in the book.)

Yzabel / November 23, 2014

Review: Unborn

Unborn by Amber Lynn Natusch

My rating: [rating=1]

Summary:

Born into mystery. Shackled to darkness…

Khara has spent centuries discovering everything about the Underworld―except her place in it. But when she’s ripped from her home, solving the riddle of her origins becomes more important than ever. With evil stalking her through the dark alleys of Detroit, she finds salvation from an unlikely source: a group of immortal warriors sworn to protect the city. Khara needs their help to unravel the tangled secrets of who and what she is—secrets many seem willing to kill for. But time is running out, and the closer she gets to the truth, the closer necessity binds her to an arrogant fallen angel.

Can their shaky alliance withstand that which threatens her, or will her soul fall victim to the unholy forces that hunt her―those that seek the Unborn?

Review:

(I got a copy courtesy of NetGalley, in exchange for an honest review.)

I shall be honest and say that I was one inch from DNFing this one. About four or five times. I trudged on because I felt I owed the book a review, since I had requested it, but I just can’t recommend it. Instead, I shall thank the local bus system and this past week’s early work shift, because they provided me with reading time at something-too-early AM, which made itall the more bearable.

I seriously wanted to like this. Roots in Greek mythology. A ward of Hades, snatched from the Underworld. The idea behind the treaty between Hades and Demeter, providing an interesting diplomatic explanation to Persephone being allowed to go back to her mother for six months every year. Khara’s origins, being the daughter of a kickass god, in spite of his usual shortcomings. Well, grantd, Detroit was kind of cliché—it seems like the Bleak City of Bleakiness of Doom for anything horror or supernatural—but hey, whatever, as long as it works!

Only it didn’t.

My very first gripe, and unfortunately one that lasted for the whole novel, was Khara’s narrative style, which I can only decribe as stilted and “trying too hard”:

Our destination was on the far side of the mob before us, and I cringed at the thought of having to navigate through them all, their sweaty stench already offending me from where I stood. Without time to relay those concerns to Kierson, he took my hand and pulled me behind him as he cut his way through the mass with ease. Though I was loath to admit it, there was something strangely appealing being surrounded by the dancing horde, swallowed up in their debauchery. I had not expected to find it so amenable.

I’ll acknowledge it tried to stray from basic, bland prose (because a book is urban fantasy, paranormal, young adult, etc. doesn’t mean its writing has to be dumbed down, for sure). However, by doing so, it achieved the contrary, making everything feel heavy-handed—all the more because dialogues, too, were in the same style. All the characters spoke in very similar ways, at odds with their surroundings, their usual places of dwelling, the kind of lifestyle they lived. I just can’t envision any son of Ares speaking like this:

“No,” Drew replied with an ounce of hesitation. “I have made the decision to hold off on that for now. He has his hands full out east. I see no reason to burden him with this as well, especially when there is nothing to report other than her existence. What he is dealing with has potentially far more disastrous implications than learning he has a sister. I do not think he needs a distraction to derail his focus.”

And Khara’s narrative remained like this all the time, even during fight scenes. So maybe, just maybe, her upbringing in the Underworld would have made her a wee mite uptight, but… No, not even that would really justify it.

I also couldn’t bring myself to care for Khara. Making her the a daughter of a war deity could at least have warranted a few nice traits. Natural ability for fighting, a mind cut for strategy, being world champion at chess… Whatever. But mostly, she remained passive and useless, observing everything, barely feeling a thing (well, that’s how her narrative made me feel, that is). The girl standing in the middle, the one that has to be protected and saved because she barely fends for herself, in spite of claiming she has spent centuries in the Underworld surviving her lot of blows. The one all the guys around fight for—thankfully not as a love polygon, since most of them are her brothers, but they still came off as “you’re the girl and so you stay here and when we tell you not to move, you don’t move.” She alleges her ability might actually be to “stay out of trouble”. Then here’s what she does:

“Stay close, and always behind me.”
[…]
I walked toward the voices, wanting to see just how the situation would play out. Would whatever creature Kierson pursued let her go, or would he face the wrath of my brother? Furthermore, I had a strange desire building within me that demanded to see just what the assailant was. I had not seen the evil that I had been so constantly told of since meeting Drew and the others. Curiosity got the better of me.
Just as I rounded a thick concrete pillar, I could see the three of them, though light was still scarce. A thin and sickly looking man held the young girl, her face cupped in his hands, mouths nearly touching. The second I stepped into view, his hollow, empty eyes snapped directly to me.
And they never left.

Excuse me for not quite believing that, Khara. Also, for questioning centuries’ worth of understanding ability:

“You are not going anywhere, especially not until we know more about why you came here in the first place. […] If you’re finally feeling rested, you should join us.”
“But you said to stay right where I am…”
He laughed heartily.
“Not literally right where you are. I meant I would feel better if you stayed with us.”

I just… I just can’t. Sorry.

I’m not even going to touch the romance here; no chemistry whatsoever between Khara the Bland and typical Tall, Dark and Dangerous Guy. Or how the psychopath who’s been trying to own Khara for centuries is brushed aside as a threat from the beginning, before someone finally starts to remember that maybe, just maybe, he should be kept in their computations. You know, just in case.

This novel was definitely not for me.

Yzabel / November 21, 2014

Review: The Blood Cell

Doctor Who: The Blood Cell by James Goss

My rating: [rating=3]

Summary:

“Release the Doctor – or the killing will start.”

An asteroid in the furthest reaches of space – the most secure prison for the most dangerous of criminals. The Governor is responsible for the worst fraudsters and the cruellest murderers. So he’s certainly not impressed by the arrival of the man they’re calling the most dangerous criminal in the quadrant. Or, as he prefers to be known, the Doctor.

What does impress the Governor is the way the new prisoner immediately sets about trying to escape. And keeps trying. Finally, he sends for the Doctor and asks him why? But the answer surprises even the Governor. And then there’s the threat – unless the Governor listens to the Doctor, a lot of people will die.

Who is the Doctor and what’s he really doing here? Why does he want to help the Governor? And who is the young woman who comes every day to visit him, only to be turned away by the guards?

When the killing finally starts, the Governor begins to get his answers…

Review:

(I got a copy courtesy of NetGalley, in exchange for an honest review.)

Third 12th Doctor novel I read, and this one was quite surprising, in a way I hadn’t expected.

It’s narrated from the point of view of a secondary character, and not in the usual third person POV I’ve seen used in the other DW novels I read (granted, they don’t amount to a lot, as previously mentioned). It was a bit disconcerting, and for some time I questioned that choice; however, after a while, I decided it wasn’t so bad. On the one hand, the Doctor and Clara aren’t so much the focus which can be seen as a problem. On the other hand, it allowed for a Doctor as seen by other people around him: how they perceived him, how he might come off to those who had no idea who he was, what kind of lasting impression he may leave on them. Because no matter what, the Doctor comes and go, and once he’s gone, well, what’s left behind? How is he going to be remembered?

Somehow, this novel provided the beginning of an insight into that, in a different way from what the new series has made me used to. It’s not distinctly Whovian, which isn’t exactly great, but somehow, it still kept me interested. I also liked Clara better here than I usually do, with her happy petitioning and picketing and her own antics (the cake, her pupils…).

The plot itself was OK: not the best I’ve seen, but not the worst either. It had more of a political bend, something I don’t see that often in DW, so here, too, the change can be seen as refreshing, or as annoying. It’ll all depend on the reader.

Conclusion: a novel I quite liked, though I could reproach it not to be “Whovian” enough.

Yzabel / November 20, 2014

Chamber of Music

Violins, pipes and cellos,
Orchestras, choirs and solos,
Songs to remember,
Songs to forget,
Songs to unmake the universe…
And songs to put it all right.

Have a seat in the Chamber of Music. These thirteen stories will take you to distant lands of faerie lords, lovelorn angels, plucky skyship pilots and plague-ravaged scavengers. They will guide you through our dark histories, our heartbreaks, our losses and revenges; our triumphs, escapes, recoveries and redemptions. No matter where, when, or whose story is being told, this collection will inspire and thrill you with the transformative power of music.

That’s right, here’s a new PSG Publishing anthology, following the theme of “music” in many variations.

Also, look at that cover!

Music is the one thing every human community on earth has in common. It is so fundamental to human experience that it is part of everything we do: music is part of our entertainment, or therapy, our expression and our ritual. We send it into space to someday meet distant life and we play it for our livestock to improve their produce, we use it seduce our lovers, to inspire our troops, to carry our messages and to ease our passing. It is part of who we are.

This, the second annual short story collection from PSG Publishing, contains the work of thirteen authors from seven countries writing in a variety of genres and styles. Featuring new stories from Charlotte Ashley, J.D. Carelli, Emerald Delmara, Dorchi Dreen, Kim Fry, Yzabel Ginsberg, Tim McFarlane, Ken Magee, Miloš Petrik, J.B. Roger, C. M. Rosens, Natasha Rowlin, and Adam Sigrist.

The proceeds from sales of this collection will be donated to Musicians Without Borders, a global network organization using the power of music for healing and reconciliation in areas torn by war and conflict.

You can buy Chamber of Music worldwide:

Yzabel / November 18, 2014

Review: Hacker, Hoaxer, Whistleblower, Spy

Hacker, Hoaxer, Whistleblower, Spy: The Many Faces of Anonymous by Gabriella Coleman

My rating: [rating=3]

Summary:

Here is the definitive book on the worldwide movement of hackers, pranksters, and activists that operates under the name Anonymous, by the woman the Chronicle of Higher Education calls “the leading interpreter of digital insurgency” and the Huffington Post says “knows all of Anonymous’ deepest, darkest secrets.” Half a dozen years ago, anthropologist Gabriella Coleman set out to study the rise of this global collective just as some of its adherents were turning to political protest and disruption (before Anonymous shot to fame as a key player in the Arab Spring and Occupy Wall Street). She ended up becoming so closely connected to Anonymous that some Anons claimed her as “their scholar.” Hacker, Hoaxer, Whistleblower, Spy brims with detail from inside a mysterious subculture, including chats with imprisoned hacker Jeremy Hammond and the hacker who helped put him away, Hector “Sabu” Monsegur. It’s a beautifully written book, with fascinating insights into the meaning of digital activism and little understood facets of culture in the Internet age, such as the histories of “trolling” and “the lulz.”

Review:

(I got a copy courtesy of NetGalley, in exchange for a honest review.)

An interesting read, but one that I found rather hard to read all at once—probably because it felt pretty dense and dry, with a lot of information that seemed to meander at times. I guess this was kind of unavoidable, because there is just so much to learn, to research, to take into account when studying such a broad subject, involving so many people, whose approaches and means of actions are as different as each individual in the lot. Nevertheless, I only managed to read it little bits by little bits.

The book allows for a better understanding of some of the best known cases in which Anonymous (as various groups) was involved, like Chanology and WikiLeaks, among others. This is a double-edged sword, though, in that it is useful if you know at least little… but if you know nothing at all, it’s going to be very confusing.

On the other hand, the author appeared as genuinely fascinated by her research. She made a point of trying to get in (well, as “in” as possible—clearly she couldn’t “get” everything, especially not what predated the 2006-2007 years) to get a better understanding of her topic, and to cast a more critical eye on a lot of tricky aspects surrounding Anonymous as a whole: people who got access to sensitive data and exposed it, people who dabbled on the fringes, people who supported the actions labelled as “Anonymous”, etc. I was expecting more bias, but she also took care of mentioning some of the (official, governmental) moves made against certain participants in the movement, without necessarily endorsing them as “the thing to do against the Bad Hackers (because that’s what I’m supposed to say to be on the right side of the law)”. Granted, she didn’t avoid all the pitfalls; however, her research in general could have been much more biased, and fortunately wasn’t.