The Y Logs

Yzabel / March 1, 2014

Review: The Unseemly Education of Anne Merchant

The Unseemly Education of Anne Merchant by Joanna Wiebe

My rating: [rating=1]

Summary:

So many secrets for such a small island. From the moment Anne Merchant arrives at Cania Christy, a boarding school for the world’s wealthiest teens, the hushed truths of this strange, unfamiliar land begin calling to her—sometimes as lulling drumbeats in the night, sometimes as piercing shrieks.

One by one, unanswered questions rise. No one will tell her why a line is painted across the island or why she is forbidden to cross it. Her every move—even her performance at the school dance—is graded as part of a competition to become valedictorian, a title that brings rewards no one will talk about. And Anne discovers that the parents of her peers surrender million-dollar possessions to enroll their kids in Cania Christy, leaving her to wonder what her lowly funeral director father could have paid to get her in and why.

As a beautiful senior struggles to help Anne make sense of this cloak-and-dagger world without breaking the rules that bind him, she must summon the courage to face the impossible truth—and change it—before she and everyone she loves is destroyed by it.

Review:

(I received an ebook copy from NetGalley, in exchange for an honest review.)

Such a weird, weird book. I have no idea if I found it just average, or if I didn’t like it. Probably both.

It’s one of those “good ideas, but…” novels for me. Intriguing blurb, a theme (revealed later) that normally fascinates me… I could’ve liked it, but.

All right, let’s start with the facepalming, to get it out of the way:
* Nothing remarkable about the writing style. I’ve seen worse, but I’ve also seen much better.
* Several “what the hell” and “head, meet desk” moments. The almost-constant lechery undermining the narrative. It’s set in a school, the characters are all pupils, yet some have it with teachers, and Anne’s Guardian is just one seriously disturbed creep. (His role is to determine Anne’s “quality” in life, and grade her on whether she lives up to it or not for the next two years. He determines her quality is “seduction”, and then proceeds—twice—to unzip his pants and suggest they have sex in exchange for good grades.
* Some plot holes. For instance, the aforementioned Guardians: every pupil is supposed to have one, but we only see Teddy? Where are the others? Also, what classes? The only class Anne ever goes to is Art; we never see her study anything else.
* Slut shaming. The cliché beautiful-yet-mean-girls quartet, immediately hostile to Anne, immediately judged and described by the latter as sluts and skanks. Most girls in the story seem to be that; the ones who aren’t vanish before the middle of the book. Not only does this particular cliché annoy me, slut shaming in general makes me want to slap someone.
* The dance off. No. Just… no.
* Anne is of the Too Stupid To Live breed (yes, considering what the novel’s really about, this is quite the irony). She’s supposed to be smart, but doesn’t piece obvious things together before it’s too late. She gives up on looking for something that, if found by anyone else, will cause serious trouble to herself and another person (a shoe with that other person’s name inside). A couple of characters wave huge “hint here!” signs at her by totally changing behaviours, or giving her items, yet she doesn’t bother to check said items. I was surprised she actually guessed what the Big V meant all by herself.
* I didn’t really get the romance part. I understand the connection, but it doesn’t justify romance to me. It felt like some unwanted cherry plopped on sauerkraut.
* Languages and nationality: the description of a French accent didn’t sit with me (trust me, I know what French sounds like, I’ve spoken it all my life, and we don’t “drawl”). Also, it was weird how Anne could immediately exactly pick who was Thai, Indian, Canadian, etc.

However, I did find a couple of redeeming qualities to this novel. It gave off a Silent Hill-esque vibe, and I’m totally partial to anything SH-related. (It’s not a SH rip-off; it simply left me with similar impressions—whether that was intended, or a complete coincidence.) When Anne realises everybody’s dead, and she must be as well, Cania Christy, the island, the village, suddenly take on a whole other meaning, with that claustrophobic feeling of being locked inside a nightmare world from which you can’t get out just by wishing it. I wasn’t too keen on the Big Reveal about the villain behind it all, nor about the sudden heel-face-turn coming from a character who had been creepy from beginning to end, but its deeper aspects, the power play, the way parents were so to speak forced to bow and kneel down for one fickle piece of fleeting hope… Now that was, in a way, cruelly enjoyable, as well as frightening—because who can honestly say “I’d never do it, I’d never sell my soul for a few more years with my deceased child”?

The last 30% of the book sort of made up for some of its previous facepalm-inducing moments. Not enough for me to give it 2 stars, but at least 1.5. I can’t say I totally disliked this novel.

Yzabel / February 27, 2014

Review: Soul Meaning

Soul Meaning by A.D. Starrling

My rating: [rating=3]

Summary:

‘My name is Lucas Soul.
Today, I died again.
This is my fifteenth death in the last four hundred and fifty years.’

The Crovirs and the Bastians. Two races of immortals who have lived side by side with humans for millennia and been engaged in a bloody war since the very dawn of their existence. With the capacity to survive up to sixteen deaths, it was not until the late fourteenth century that they reached an uneasy truce, following a deadly plague that wiped out more than half of their numbers and made the majority of survivors infertile.

Soul is an outcast of both immortal societies. Born of a Bastian mother and a Crovir father, a half breed whose very existence is abhorred by the two races, he spends the first three hundred and fifty years of his life being chased and killed by the Hunters.

One fall night in Boston, the Hunt starts again, resulting in Soul’s fifteenth death and triggering a chain of events that sends him on the run with Reid Hasley, a former US Marine and his human business partner of ten years. When a lead takes them to Washington DC and a biotechnology company with affiliations to the Crovirs, they cross the Atlantic to Europe, on the trail of a French scientist whose research seems intrinsically linked to the reason why the Hunters are after Soul again.

From Paris to Prague, their search for answers will lead them deep into the immortal societies and bring them face to face with someone from Soul’s past. Shocking secrets are uncovered and fresh allies come to the fore as they attempt to put a stop to a new and terrifying threat to both immortals and humans.

Time is running out for Soul. Can he get to the truth before his seventeenth death, protect the ones he loves and prevent another immortal war?

Review:

(I got an ARC of this book through NetGalley, in exchange for an honest review. Since this was an ARC, please note that it might still undergo a few changes before publication.)

One thing I should say from the start is that Soul Meaning would probably make a terrific movie: packed with action, flying bullets, underground treads in secret passageways, a conspiracy that could have a horrible impact on the whole world… A real page-turner.

I especially liked the setting. From what I could see, and as far as I know, real-world locations were well-documented, and I could feel the author researched those, and didn’t only made up stuff on the spot. Bonus points for proper use of French language, which isn’t such a given considering how many novels come up with mangled sentences in that regard. I also liked the way the immortals’ society worked, with two factions technically at peace, yet always seeming like they were on the brink of reigniting the conflict. Last but not least, the stakes were exactly of the kind I like to read about, and here, too, it was obvious things were researched beforehand.

Make it a (solid) 3.5 stars and not a 5, though, because of two things that didn’t really work out for me (unfortunately):

1) The action itself: I liked a fast-paced read, but this one was so fast-paced it made me feel tired. As in, physically tired, just like the characters could only be after so many days living on the edge. On the one hand, it is a positive point: any author can be proud when his/her books elicit responses from the readers. On the other hand, well… there were moments when I wanted to keep on reading, yet had to take a break nonetheless. In the end, it detracted from my enjoyment, even though it wasn’t a breaker either.
(Minor sidenote about suppressors, too: if I’m not mistaken, you’d still hear the gun shot, and it might still attract attention in enclosed spaces, if only the way a strange muffled sound where there isn’t supposed to be any would. Granted, this is nitpicking on my part.)

2) Because the story unfolds so quickly, and the protagonists are so often on the run, I felt there wasn’t enough room for character development. We get to see them react, made plans, devise means of escape, fight, piece hints together… but I didn’t get a complete feeling for them as people. I think they are deeper than that; their depth just couldn’t shine through as much as it would have in different circumstances.

Still, I liked this book (as said, I would easily envision it as a movie or an episode in a TV series), and will keep an eye out for more from this authir. It’s mostly those two specific aspects that didn’t agree with me—and may not be such a problem for another reader.

Yzabel / February 25, 2014

Review: Hollow World

Hollow World by Michael J. Sullivan

My rating: [rating=4]

Summary:

The future is coming…for some, sooner than others.

Ellis Rogers is an ordinary man who is about to embark on an extraordinary journey. All his life he has played it safe and done the right thing, but when faced with a terminal illness, he’s willing to take an insane gamble. He’s built a time machine in his garage, and if it works, he’ll face a world that challenges his understanding of what it means to be human, what it takes to love, and the cost of paradise. He could find more than a cure for his illness; he might find what everyone has been searching for since time began…but only if he can survive Hollow World.

Review:

(I got a copy of this book from NetGalley, in exchange for an honest review.)

I couldn’t help but think “Crapsaccharine World” as I was reading this book. Hollow World and its inhabitants seem to be the pinnacle of perfection for the human race (no diseases, instant transportation through portals, you can get whatever you want manufactured on the spot, no need to work…)—a sweet, sweet world, right? And yet, as soon as you scratch at the surface, you start wondering where’s the catch. It gets you questioning a lot of values, a lot of things we’d deem as “perfect”, and in turn, it also sheds another light on the villain’s beliefs (yes, there is a villain, but I’m not about to spoil it further).

I really liked “Hollow World”. I admit had a hard time wrapping my mind about the “suspension of disbelief is needed” part, but this might be, paradoxically, because of the foreword put in by the author. (I’m contrary like that, I suppose; I didn’t have any problems when it came to do it with H.G. Wells, but tell me to do it and I start noticing it too much.) But mostly, this story left me with a satisfied feeling. I appreciated how it was about time travel, yet in terms of changes inner and external, not in terms of theories, going back and forth, etc. (Those are hard feats to master, and a lot of TT-related books fail in that regard, in my opinion.) From the beginning, it was made clear that it was a one-way trip for Ellis, our “hero”, and that he’d have to make the best out of what he’d get once in the future.

Ellis: this character was a challenge, in a way, because he was everything I’m not (male, older, married, lived through the death of his child, very likely American conservative middle-class, and various other elements that make it a little harder to identify with). However, the author managed to make him a likeable person. He was flawed, he didn’t always see what was in front of him as clearly as he could have, but he evolved throughout the story; challenged with a completely different world, he had to come to terms with the fact that his former beliefs, his life, were more comfort-choices than something he really believed in. In that, I can only commend this character and his evolution.

Pax: he (let’s say “he”, because “it” would be demeaning to me, if closer) was such a beautiful person. Adorable and human to the core, in that everything about “him” seemed to be based on sheer human features, devoid of anything “polluted” by gender. Of course, everyone in Hollow World was supposed to be like that, but for me, Pax really epitomised those values. “He” seemed to be one of these people who manage to make beauty bloom in everyone, no matter how flawed.

Antagonists: Let’s call them “villain and followers”. Their plot wasn’t so complex in itself, yet it stemmed from thought patterns that, all in all, were logical, considering what had prompted them. Ellis and this antagonist were like inverted mirrors of each other, walking on similar paths that revealed who they truly were on the inside.

More than time travel, “Hollow World” is about differences, acceptance, humanity, and discovering one’s true self. And this made it beautiful.

Yzabel / February 20, 2014

Review: His Lordship Possessed

Disenchanted & Co., Part 2: His Lordship Possessed by Lynn Viehl

My rating: [rating=2]

Summary:

The second half of Disenchanted & Co.—the thrilling conclusion. In a steampunk version of America that lost the Revolutionary War, Charmian (Kit) Kittredge makes her living investigating magic crimes and exposing the frauds behind them. While Kit tries to avoid the nobs of high society, as the proprietor of Disenchanted & Co. she follows mysteries wherever they lead.

Lady Diana Walsh calls on Kit to investigate and dispel the curse she believes responsible for carving hateful words into her own flesh as she sleeps. While Kit doesn’t believe in magic herself, she can’t refuse to help a woman subjected nightly to such vicious assaults. As Kit investigates the Walsh family, she becomes convinced that the attacks on Diana are part of a larger, more ominous plot—one that may involve the lady’s obnoxious husband.

Sleuthing in the city of Rumsen is difficult enough, but soon Kit must also skirt the unwanted attentions of nefarious deathmage Lucien Dredmore and the unwelcome scrutiny of police Chief Inspector Thomas Doyle. Unwilling to surrender to either man’s passion for her, Kit struggles to remain independent as she draws closer to the heart of the mystery. Yet as she learns the truth behind her ladyship’s curse, Kit also uncovers a massive conspiracy that promises to ruin her life—and turn Rumsen into a supernatural battleground from which no one will escape alive.

Review:

(I got a copy of thie book through NetGalley, in exchange for an honest review.
Click here for my review of Part 1.)

I still liked the world developed in this story. It fels solid and sturdy, with lots of building behind the scene, even though we’re not to see everything yet (which is normal); anyway, the important part for me is that I could feel it).

The characters remain likeable and interesting. There’s more to Lucien than what he allows himself to show: far from perfect, but not the dark villain kind either. Kit is still her savvy self, doing her best to get herself out of predicaments (and her best does work), learning from past “mistakes” (ah, good old drugged cups of tea), as well as refusing to give up in spite of the odds clearly being against her. Thomas, although a little too bland to my taste, tries to help, and genuinely cares for Kit. And I like Rina and her girls.

I couldn’t enjoy this book more, though, because of the way the story moved. At some point, I felt it started to unwind too fast, with too many new elements introduced all at once, especially in terms of the world’s mythology. As I mentioned, this world’s interesting, but some of its most secret parts would’ve been easier to stomach if they had been unveiled more gradually. Some links seemed to be missing: for instance, I didn’t really saw how Kit came to the conclusion that “the real culprit behind all this is X”.

And I’m really not satisfied with the ending. It paves the way for Disenchanted & Co. (as a business), but the way it unfolded was a device I don’t like, too close to a deus ex machina, that negated many of the hardships the characters went through. Sure, it saved the day, but at a heavy cost plot-wise, at least in my opinion. I’d have preferred things to take a darker direction, as painful as it would have been for the characters.

Yzabel / February 17, 2014

Review: Dream Caster

Dream Caster by Najeev Raj Nadarajah

My rating: [rating=2]

Summary:

Haunted by memories of his massacred settlement, sixteen-year-old Weaver seeks cover in a hidden refuge among the remains of a ruined city. In the midst of building a new life, Weaver discovers that he has the amazing power to cast his dreams into reality. Convinced it’s just an anomaly, Weaver ignores it. That is until he learns of a mysterious man who shares the ability, and uses his power to bring nightmares into existence and wage war on the world. The peaceful life Weaver hoped for begins to unravel as waves of chaos begin to break loose about him. In a race against time, Weaver must learn to accept his role as a dream caster and master his new power, before his new home is destroyed and humanity is pushed to the brink of extinction.

Review:

(I got a copy of this book through Goodreads’ giveaway/First Reads.)

I’m not too sure how to rank this book; it’s a toss between “it’s OK” and “I liked it”. Some ideas I really enjoyed, but they weren’t enough to make me love the novel.

What I liked:

* The concept of materialising dreams into reality. It paves the way for incredible possibilities, and the whole idea lends itself to basically “imagination come true”. Oh, what a writer can do with that. And Weavers seems to find original ways of exploring his powers at the end.

* Corollary of this: the creatures. The Fire Hounds are just so wicked, and I love the paradox of fire as having sustained humanity for centuries, yet turning into its worst enemy. The people must’ve felt miserable without it to keep them warm.

* The Dream Eater (although I’m not sure why he got that nickname, considering his way of acting). While his goals aren’t totally clear, they seem to run deeper than mere destruction.

What I didn’t like:

* I couldn’t wrap my mind around the dialogues. The characters speak (and think) as if out of a fairly literary book. It would work if the narrative was, say, first person POV and told by someone with an academic background—but it doesn’t cut it for dialogues. I know quite a few teachers and people with solid backgrounds in literature, and even they don’t talk in such a way in everyday life. It makes little sense that survivors in a post-apocalyptic setting, all the more teenagers, would talk like that.

* Weaver was so. frelling. dense. Having spent years working the way he did for Ruben, there’s just no way he could be so naive regarding other human beings. When Abanel tells him “Show me”, it’s obvious she means his settlement, not his cloak. Then, when they reach the new settlement, he’s told—at least twice—that he’ll be given a job for life; his five days as a guard can’t compete against years of cleaning waste, but the people here don’t know he’s been a guard for a few days only, right? He could have lied. He could’ve said “I was a guard”, period. Instead, he tells the truth, and then feels crushed when he’s appointed as, well, waste-cleaner. Well, duh. Could’ve sensed that coming from miles. He becomes more clever later, but after his first blunders, such a growth appeared to be too quick. It would’ve worked better for me if he had been less sense in the beginning.

* Also, “coincidences”. There’s ice around his bed, just like in his dream, even though the room is well-heated. There comes a moment when you have to accept that, no, “coincidence” just doesn’t cut it. It’s not like he had been told he had awesome powers without ever seeing proof. The proof is there.

* The archetypal bad-guys-who-don’t-like-him-on-a-whim. I found them useless and predictable (and they did a poor job as bullies anyway).

* The catastrophe that led mankind to the brink of destruction: it happened a few decades ago, yet nobody seems to remember much, not even the old guys who lived through it. It felt weird: I would’ve expected at least some records, if only written down a few years later by younger people who had heard accounts from “first-generation survivors”.

Yzabel / February 14, 2014

Review: Les Enfants de l’Ô

(Review in French, since it concerns a French book.)

Les Enfants de l’Ô by Vanessa du Frat

My rating: [rating=5]

Résumé:

Alia, 2340

Un étrange signal apparaît sur les écrans de surveillance ECO. Ludméa, jeune stagiaire envoyée sur le terrain pour chercher son origine, se retrouve en pleine tempête, au cœur de la forêt de Gonara. L’affaire semble intéresser de près Ruan Paso, directeur adjoint des départements militaires pour la recherche scientifique, un homme plein de secrets.

Terre, 2066

Les jumeaux Line et Lúka tentent de survivre sous le joug d’un père violent, obsédé par ses manipulations génétiques. Leur existence triste et routinière est chamboulée le jour où Lúka désobéit aux ordres en laissant s’évader un sujet d’une importance capitale… ce qui ne restera pas sans conséquences pour le futur.

Les Enfants de l’Ô nous fait voyager entre deux mondes, deux époques et nous fait découvrir les destins croisés de personnages énigmatiques. Mêlant saga familiale, drame psychologique et science-fiction, ce premier tome pose les jalons d’une série qui s’annonce captivante.

Critique:

Cette critique est un peu délicate à écrire, car j’admets avoir une relation toute spéciale avec ce roman, que j’ai connu pour la première fois fin 2006, alors qu’il était encore publié sur internet. Cette version-là était différente de celle que j’ai à présent entre les mains, mais le gros des éléments qui la constituaient, et que j’appréciais à l’époque, est toujours là… et je l’aime toujours autant.

LEO (j’abrégerai le titre de cette manière) est avant tout une histoire de psychologie, sur fond de science-fiction. Si la SF n’est pas votre fort, vous pourrez tout de même apprécier le roman — tout comme les éléments SF qui y sont présents pourront vous plaire si vous êtes un(e) lecteur (lectrice) plus chevronné dans ce domaine. Il est également assez spécial, dans ce sens où il fait véritablement partie d’une saga: vous ne trouverez pas dans ce premier tome une histoire à peu près complète, et dans les suivants d’autres histoires complètes, avec des personnages récurrents d’un volume à l’autre. Au contraire, l’ouvrage soulève peut-être bien plus de questions à la fin qu’il n’apporte de réponses, chose qui peut soit agacer, soit faire trépigner d’impatience – tout dépend de quel type de lecteur vous êtes.

Ce début de saga se déroule principalement en deux lieux et deux époques différentes: Alia en 2340, une planète qui semble être une colonie, et dont les habitants sortent tout juste d’une guerre avec une planète rivale; et la Terre en 2066. Cinq personnages principaux se partagent la vedette: d’un côté Ludméa et Ruan sur Alia, de l’autre les jumeaux Line et Lúka sur Terre; au milieu, Lyen, arrachée à sa famille alors qu’elle n’était qu’une enfant, destinée à ne mettre au monde des bébés que pour mieux se les voir arracher, dans le cadre d’expériences génétiques menées par le père des jumeaux. Tout ce petit monde est lié par bien des secrets, dont certains se dévoilent de façon très subtile, et d’autres sont tout juste esquissés, voués à n’être pleinement révélés que plus tard.

Par ailleurs, tous semblent également partager, que ce soit en tant qu’acteurs ou victimes, un curieux Don, jamais exactement nommé, mais dont les effets se précisent peu à peu – et rarement à de bonnes fins. Ce Don leur permet d’échapper aux conséquences d’actions qui autrement auraient dû leur coûter cher… mais pour combien de temps? Un conseil: faites bien attention aux tout petits détails à ce niveau…

LEO se déroule surtout en huis-clos étouffants (la zone de quarantaine sur Alia, le Laboratoire sur Terre), qui permettent par là même de mettre d’autant mieux en lumière les différentes psychés en présence. Les personnages sont constamment confrontés les uns aux autres en des lieux dont ils ne peuvent s’échapper; ne peuvent échapper ni à eux-mêmes, ni au regard des autres; et si de beaux sentiments parviennent à s’y développer, d’autres, plus noirs, prennent également le pas. Les thèmes abordés traitent en effet de certains aspects assez sombres de la psyché humaine: domination, dissimulation, hypocrisie, couples brisés, lâcheté, voire inceste et meurtres (dans de tels lieux, quoi de surprenant à ce qu’un drame survienne?). Bien qu’ils essayent souvent de se voiler la face, ces mêmes personnages n’y parviennent pas toujours, et les excuses qu’ils se trouvent n’en sonnent que plus faux, ne font que montrer encore plus à quel point ils sont complexes, pleins de défauts autant que de potentiel. C’est pour moi une facette fort appréciable de cet ouvrage qui, en filigrane, les dévoile tels qu’ils sont. Il frappe de plus par moments avec une précision clinique: pas de scènes sanguinolentes gratuites, mais des actions chirurgicales, nettes, précises, à l’impact plus fort de par l’économie de descriptions.

Un autre aspect intéressant que je pense devoir noter: le rôle des femmes dans ce roman. Contrairement à un certain nombre d’ouvrages où les personnages féminins nous sont présentés comme “forts” alors qu’ils sont en fait “bridés”, ici, c’est l’inverse qui semble se passer. Lyen: prisonnière, violentée, violée dans son corps comme dans son esprit. Line: enfermée dans le laboratoire, son frère étant son seul contact avec le monde extérieur. Ludméa: l’intruse, dans un centre de recherches empli de militaires aussi bien que dans une relation qui autrement aurait été censée bien se passer. Ylana: belle, intelligente, génie de la microbiologie, mais exhibée comme une sorte de trophée. Et pourtant, on se rend compte au fil de l’histoire que ces femmes à première vue “simplistes” sont peut-être bien vouées à être les plus fortes, celles qui contrôlent tout en arrière-plan, celles par qui les véritables changements et révélations surviendront… avec tous les chamboulements que cela implique.

Si ces thèmes quelque peu crus vous rebutent, si vous préférez des histoires riches en scènes d’actions, ou encore de la science-fiction de type hard science, LEO ne vous conviendra sans doute pas. Par contre, si les paradoxes temporels, les histoires d’amour tordues, les manipulations génétiques et/ou virales, ou encore les pouvoirs étranges vous intéressent, dans ce cas, il n’y a pas à hésiter.

Yzabel / February 13, 2014

Review: By Blood

By Blood by Tracy E. Banghart

My rating: [rating=2]

Summary:

For 17-year-old Emma Wong, spending a summer in England should be a dream come true. Gorgeous scenery? Check. Lots of hot guys with accents? Yes, please.

Throw in an estranged mom, annoying new stepdad, and drooling baby half-brother, and it’s a disaster even her favorite cherry red leather jacket can’t fix. Even worse, there’s (hot) live-in research assistant Josh to contend with. The only thing more embarrassing than drunk-kissing him hours after they meet? Knowing he’ll be witness to her family’s dysfunction all. summer. long.

But when Emma meets a mysterious girl who happens to be a Druid, her vacation suddenly promises to be far more intriguing than she anticipated. Powerful rituals, new friends, an intoxicating sense of freedom…and Simon, the sexy foreign stranger she was hoping for. It’s all a perfect distraction from dirty diapers and awkward family dinners.

Trouble is, intriguing doesn’t often mean simple. And Emma is about to discover just how not simple her life really is.

By Blood is a novel about the ways that blood can bind us to others – or tear us apart.

Review:

(I received this book from NetGalley, in exchange for an honest review.)

2.5 stars. I enjoyed parts of this novel, while others seriously grated on my nerves. It wasn’t a bad story; it contains its share of good elements, only I may have read it at a moment when the ones I didn’t like bothered me more than in other circumstances.

I liked the idea of Druids-related beliefs, and how they were introduced into the story. On the one hand, Emma seemed to join in a little too easily; on the other, she was confused, had to leave her country, learnt some troubling things about her family, and it made sense that she’d want a place, a group of people to belong to. In that, the author did a fairly believable job. 17 is still an age at which you can be impressed by many things (hah, you can be that even later in life, after all), and some of her mistakes are somewhat understandable. Not to mention that the girl who introduced her to the whole thing was bubbly and likeable.

Another thing I found nice enough, although it took too much time to my liking to happen, was how Emma grew up somehow throughout the story. She started as an insufferable, self-centered person, and I must admit her tantrums sometimes made me roll her eyes and think “can we stop now?” However, in the end, she opens up and becomes more accepting, more mature. She drops the bratty attitude, and this is good.

What I really didn’t like:
* For someone who grew up with a cop father, who took and even taught self-defence classes, I found her too gullible and too prone to putting herself in tricky situations. I’ve never attended such classes, but I suppose one of the things they teach you there is how to avoid putting youself in dangerous situations for starters. At least, this seems logical to me. Emma, on the other hand, seemed to seek those, which totally clashed with how she was portrayed at the very beginning of the novel. Being confused should only take you so far.
* It was too heavy on the drama. I may have enjoyed this if I had been younger (I imagine it would ‘speak’ to a lot of teenagers, since those are the years when a lot of us feel rejected—sometimes justifiably so, sometimes not). But it leant a little too much towards woe-is-me moments. For instance, she gets the only small, closet-sized room in the house while her baby brother and basically everyone else get a gorgeous one. It may not seem like much, but considering her overall circumstances, the latter were enough for me to understand her unease; no need for more.
* Love triangle, good boy/bad boy. Predictable.

Yzabel / February 7, 2014

Review: The Edge of Never

The Edge of Never by J.A. Redmerski

My rating: [rating=1]

Summary:

Twenty-year-old Camryn Bennett had always been one to think out-of-the-box, who knew she wanted something more in life than following the same repetitive patterns and growing old with the same repetitive life story. And she thought that her life was going in the right direction until everything fell apart.

Determined not to dwell on the negative and push forward, Camryn is set to move in with her best friend and plans to start a new job. But after an unexpected night at the hottest club in downtown North Carolina, she makes the ultimate decision to leave the only life she’s ever known, far behind.

With a purse, a cell phone and a small bag with a few necessities, Camryn, with absolutely no direction or purpose boards a Greyhound bus alone and sets out to find herself. What she finds is a guy named Andrew Parrish, someone not so very different from her and who harbors his own dark secrets. But Camryn swore never to let down her walls again. And she vowed never to fall in love.

But with Andrew, Camryn finds herself doing a lot of things she never thought she’d do. He shows her what it’s really like to live out-of-the-box and to give in to her deepest, darkest desires. On their sporadic road-trip he becomes the center of her exciting and daring new life, pulling love and lust and emotion out of her in ways she never imagined possible. But will Andrew’s dark secret push them inseparably together, or tear them completely apart?

Due to sexual content and language, this book is recommended for 17+

Review:

(I got this book through Netgalley, in exchange for an honest review.)

The premise—hitting the road to Wherever, meeting someone, travelling together in search of something more—was interesting, and could’ve led to a (no pun intended) an “On the Road” approach. What I got was different, though. I liked the first ten percents of this story, but as I kept reading, little things started to pile up, and I realised I was going to be infuriated. I’m going to admit that hadn’t I read it both for a book club and for Netgalley, I might have not finished it.

First, Camryn. She’s supposed to be a smart girl with a lot of depth. I just found her flat and incredibly judgmental. From the beginning, she discretly disses other people for “dreaming up new sex positions” while she thinks “about things that really matter” (at least she adds “in my world”), such as the smell of the ocean. I could understand if she wrote poetry, but I doubt this is indicative of being “a deep person”. I don’t see how this is less shallow than sex positions. Anyway, the problem lies with how she keeps judging others, and placing herself in a higher position. All the time. Only in a subtle way. I didn’t pay attention at first; once I started to do it, it was everywhere.

Then, the slut-shaming. It’s everywhere, coming from Camryn first, but also from Andrew. I don’t get those books where all women but the protagonist are portrayed as “slutty”. Her ex cheated on her with “some red-headed slut”. Her best friend she considers a slut, even though it appears like silly banter. And there’s this gem, like a fist in your face:

“She pulls it from between his fingers and all the while she watches every little move his hand makes until it falls away from her eyes down behind the counter.
Slut.”

Because when a woman casts an appreciative look on a hot guy who isn’t even your boyfriend, she’s a slut. Yes. I just say she’s, well, you know. Normal. Who wouldn’t look at someone s/he finds beautiful (and is described, anyway, as having a muscled body and other attributes traditionally associated with beauty)?

Andrew, too, isn’t immune to that.
About one-night stands:
““If a girl did that a-lot,” he draws out that word with a squeamish smile, “then it would be slutty, sure. Once or twice, I don’t know…,” he motions his hands at level with his shoulders as if shaking the numbers around in his mind indecisively, “there’s nothing wrong with that.””

Of course. When a guy does it, it’s a proof of his virility; of how sexy he is; whatever. When a girl enjoys sex and having different partners, she’s a slut. (Note that they absolutely don’t mention having non-safe sex. It’s just sex in general.)

I’m so fed up with the slut-shaming and double-standards. They ruin everything. They make characters cliché, and not the good, amusing kind of stereotype either. Especially when they’re used to make the main characters appear as Mr. and Ms. Perfect. Enough with the holier-than-thou attitude. Stop trampling on other people to make yourself look better.

Speaking of Andrew: “If you were to let me fuck you, you would have to let me own you.” What kind of screwed-up reasoning is that? What is it meant to express? That they have to be in love? Can’t you just say “we have to be in a relationship”, and not give her some crap about being “owned”? Women aren’t items. This sentence isn’t romantic. It’s just infuriating. Andrew’s shown as a gorgeous guy with a heart of gold, and sure enough, he is kind… but he also has darker sides that are never shown as, well, being potentially wrong. (view spoiler)

The writing itself was nothing exceptional. The road trip part became annoying after a while. As for the ending, it seems that many people found it exceptional. I didn’t. It reminded me of soap-operas. Or of teenage-angst fanfic piling up bad event upon bad event. It was both too much and too unbelievable.

Yzabel / February 6, 2014

Review: Stiltskin

Stiltskin by Andrew Buckley

My rating: [rating=3]

Summary:

What would you do if you found an evil dwarf in your bathtub?

In Robert Darkly’s case you scream like a girl… and then you get taken on a journey to an entirely different world living just on the other side of our own reality; a world where fairy tales are real but not in the way we’ve come to expect them.

The aforementioned dwarf, Rumpelstiltskin, has escaped the Tower prison of Thiside determined to finish the sinister plot he started so many years ago.

Robert Darkly, oblivious that he is the son of the Mad Hatter, must partner with the mysterious ‘Agency’ to pursue Rumpelstiltskin across our world and the world of Thiside and uncover the treacherous secret that threatens to throw both realities into eternal chaos.

Review:

(I received an ebook copy from NetGalley, in exchange for an honest review.)

2.5 stars.

While the idea of retelling fairy tales and/or making them bastardised versions of darker truths is nothing new in itself, I think Andrew Buckley did a good job in building his world. In this world, nothing is as bright and pure as we were led to believe as children, and Robert Darkly is going to discover it fast. Some were thiefs; some were murderers; some were imprisoned in the Tower, or died, while others managed to remain at large; but all characters from those “tales” lived much different lives in Thiside than human people remember them in Othaside.

I had no problems when it came to imagining Thiside and its twisted landscapes, nor to appreciating the various twists made on stories: the author made the latter seem almost logical, in a convoluted way. And darker. Much darker. If it’s happy-ever-afters you’re looking for, it’s not in those versions of the tales you’ll find them. I tend to like this; other readers may not. In any case, this novel is fraught both with darkness and with humour, making the spins strangely amusing; I found myself chuckling more than once, even though some of the events weren’t perceived as such by the characters.

However, at times, said characters seemed a little too bland to my taste. I’m not sure why exactly, I just had the feeling that, while in some parts they came truly alive, in others they were “made for the story”, so to speak. As a result, a few happenings and evolutions had an aftertaste of artificial. (Well, of course a story is artificial, and the ones who people it are just as artificial; I just don’t like feeling it.) In some places, too, the writing wasn’t as polished as in others; for instance, I’d spot a fine sentence next to one full of unneeded (in my opinion, that is) adverbs.

It was an amusing book—and I must say, I loved the ending. I sensed it coming, but only in retrospect: only when it happened did I realise it just couldn’t end in any other way. I’ll remember the story and the atmosphere more than the characters, though.

Yzabel / February 1, 2014

Cover Reveal: Joe 2 – White Sheets

Upcoming soon: JOE 2: White Sheets. In the meantime, here’s the cover reveal:

Joe Knowe sees things before they happen. Bad things. Just a couple months ago it was a psychopath planning a mass shooting at the college she attended. Now, she’s facing a whole different kind of madman, and one potentially far more dangerous.
To keep the pending disaster from happening, this time Joe will have to get up close and personal, making herself at home in the lion’s den, and attempting not to be swallowed whole.
Will she be able to keep herself and those around her from drinking the Kool-Aid? Or will they all end up under white sheets? In this second installment of the thrilling JOE series, H.D. Gordon takes you into the heart of a cult, the mind of its leader, and the lives of his followers.