Yzabel / July 21, 2013

Review: Foreverland Is Dead

Foreverland is DeadForeverland is Dead by Tony Bertauski

My rating: [rating=4]

Summary:

Six teenage girls wake with no memories. One of them is in a brick mansion, her blonde hair as shiny as her shoes. The others are in a cabin, their names tagged to the inside of their pants. Their heads, shaved. Slashes mark the cabin wall like someone has been counting.

Hundreds of them.

There’s wilderness all around and one dead adult. The girls discover her body rotting somewhere in the trees. As the weeks pass, they band together to survive the cold, wondering where they are and how they got there. And why.

When an old man arrives with a teenage boy, the girls learn of a faraway island called Foreverland where dreams come true and anything is possible. But Foreverland is dead. In order to escape the wilderness, they’ll have to understand where they are.

More importantly, who they are.

Review:

(I got this book from the author himself, in exchange for a honest review.)

I read The Annihilation of Foreverland about one year ago; as a result, I was easily interested in knowing what happened next, and getting another side of the story. One of the very good sides of this second book is that you don’t have to read the first to understand and be pulled into the plot: since the characters wake up with most of their memories missing, the reader gets to discover everything along with them. On the other hand, if you enjoyed the “first volume”, you may find yourself wanting to read it again. At least, I did.

A warning, though: pay attention to details. No, really. Including names, for starters. This book is packed with little things here and there that aren’t so noticeable at first, but completely make sense once you reach the end. It’s not the kind of story you can afford to keep one eye on while doing something else on the side, because if you do, you’ll miss on something important, sooner or later, and find the plot “confusing”.

“Foreverland Is Dead” was quite the page-turner for me. Even though I knew the basics from the first part, I still enjoyed re-discovering the setting from the girls’ point of view. The relationships between those characters were interesting in more than one way: while apparently simple (the bad girl, the tentative leader, the one who does the cooking…), they actually go deeper than that, and not everything is what it seems. We’re taken into the plot mostly through Cyn’s and Miranda’s eyes, and as secrets unfold, so does the ugliness of human souls, once confronted to a situation threatening to go on for much longer than expected. The girls know they have to stand united in order to survive, yet they’re truly, only human, make mistake, and sometimes their darker side gets the best of them… for some more than for others. However, those who manage to overcome said dark side and fac their fears appear the braver for it.

I give FiD 4 to 4.5 stars. The one thing I wasn’t too sure about was, in fact, the writing style itself, often consisting of short sentences, which in turn sometimes makes it look jambled in places. Overall, it works for such a story, mirroring the girls’ confusion and how the world around them doesn’t make much sense; yet it might have the potential to bother readers who favour a more flowery style.

Yzabel / July 17, 2013

Review: Real Vampires Don’t Sparkle

Real Vampires Don't SparkleReal Vampires Don’t Sparkle by Amy Fecteau

My rating: [rating=1]

Summary:

Matheus Taylor didn’t ask to be murdered.

To be fair, the percentage of people actually asking to be murdered is probably small enough to be safely ignored, but he felt it was worth stating regardless.

His life might have been ordinary, but it was his life and he wasn’t done with it yet. Quin didn’t care. A seventeen-hundred old Roman, Quintus Livius Saturnius had a different view of morality than most people. Killing Matheus and hijacking his undead existence seemed perfectly acceptable to him.

Now, Matheus spends his nights running for his life, questioning his sexual orientation, and defying a mysterious new threat to the vampires within his city. Not that he set out to do any defying; he just wanted to be left alone.

Unfortunately, that was never going to happen.

Review:

(I got this book from NetGalley, in exchange for a honest review.)

There are good ideas in this novel, but I think it’s in need of serious editing and cutting for the story to become more interesting. While there was some humour in it, and a few dialogue lines that made me smile, things tended to go on for too long in between plot points, without necessarily providing information and/or character growth. It made me feel like the story was dragging on, and in turn, I had a hard time pushing myself to read it.

The characters have their interesting sides, and some dialogues had a nice dynamics—what can I say, I like a dose of healthy snark. On the other hand, too often they behaved like drama queens, with a lot of pouting, glaring and other behaviours I’d associate to teenage girls rather than to grown-up men, especially when those are supposed to have lived for centuries and be all badass otherwise. Matheus struck me as childish most of the time, and only in the very last part did he seem to partly grow out of this. I expected Quin to be less patient with his antics, and show him things the hard way, instead of letting him pout and whine, with the occasional outburst. (Same with Alistair, who in my opinion should have been old enough to get over it.) Not to mention that Quin kept too much to himself, which led to Matheus not understanding, demanding answers, being denied them, throwing a tantrum, then dropping the matter—only to run after Quin when the latter went out to do something dangerous.

As for the plot itself, it’s quite hard to define. It was partly too full (the hunters, Zeb’s book, Milo’s role, Bianca, the ‘real bad guys’…), and yet at the same time went too slowly, being glazed over in favour of what I might called “filling up”. Also, in the end, several things remained to be solved. Was there a traitor? Why did Quin claim Matheus, what prompted him to turn him instead of just murdering him? Perhaps this story would have fared better if divided between two books, and with less bantering in between turning points. For instance, Matheus discovering the world of vampires, going on his first hunts, being confronted to Grigori and the others, and to the hunters, would’ve made a complete story in itself. The way things were, I found those aspects weren’t explored enough, and left too much room instead to those behaviours I mentioned above—which sure didn’t fit well with what the title had led me to expect.

It looks like this is the first volume, and another one will follow, hopefully bringing answers. However, I’m still convinced it would’ve fared better with more editing, even if this meant going with two books instead of the one. The war mentioned in the last third would really deserve its own story, set apart from the rest—or be made the main plot from the beginning, without all the interruptions in between.

Yzabel / July 11, 2013

Review: DiSemblance

DiSemblanceDiSemblance by Shanae Branham

My rating: [rating=2]

Summary:

Jason Tanner’s life has always been different from the ordinary citizen’s. It started when he was an infant and his parents were only teenagers. A computer science prodigy, Lloyd attended MIT but left a pariah in the eyes of the school’s dean—but a computer physics genius in the eyes of his primary investor. Then his theories and ideas created a holographic machine and their world shrunk as contact with the outside world became less and less frequent. A computer prodigy now himself, Jason is about to learn that the world never waits for you if you have the ability to change it: it will come for you.

Detective Bruce Durante has been handed the case of the Comfort Killer, a serial killer so named because he appears to abduct terminally ill patients before returning their corpses to their families in refrigerated coffins. When he picks up the trail, it leads straight to the home of Lloyd Tanner.

Jason has been living life through the world of Lloyd’s invention and wishing he could carry on a relationship with Boston, the beautiful girl next door. When his father is murdered and framed as the Comfort Killer, he is brought back to reality in a hurry. He is forced to destroy all of the planted evidence—and finds he is being targeted as the killer’s new fall guy. But the secrets of his father’s invention run deep and Jason, his brother Isaac,Boston, the Comfort Killer, and Detective Durante hurtle towards one another on a deadly collision course that leaves everyone’s life hanging in the balance.

Review:

(Book provided by the author through ARR #110 in the We ♥ YA Books! group, in exchange for an honest review.)

I’m having a hard time writing this review, because I’d like to rate the book a little higher, but am not sure I should. In all fairness, I’d give the idea and story a solid 4 stars, but I wasn’t too thrilled about the writing itself.

“DiSemblance” is a story that you need to pay attention to. Don’t read it in a packed train, or juggling several things at once. It contains a lot of little details that are easy to miss if you’re not focused, and that are the very ones which help you puzzle everything back together. The author definitely did a good job at blurring the boundaries here, and more than once you’ll find yourself frowing at some plot point, reading back and wondering if there was a mistake… and no, there wasn’t, everything’s working according to plan. There’s a point after which things become clear, and in hindsight what happened in the first part of the book suddenly makes total sense; and yet, even then, you keep on wondering what’s true and what isn’t, what’s part of reality and what’s make-believe. In that, I’ll recommend this book if you like being bounced back from clue to clue without knowing clearly whether you’ve read those the right way or not. It’s got quite an exciting quality.

Unfortunately, I had a harder time with the style and pacing. There’s a lot of short chapters and sentences that give a jumbled feeling to the text as a whole, as well as what I’d deem “telling” about the characters and their actions rather than really showing them, which I found distracting (and as I said right above, this isn’t the kind of story where you can allow to let yourself be distracted). Also, connecting with the characters proved difficult. They’re interesting in their own ways, but with things moving so fast, I felt like we were only grazing at the surface, and as a result, I didn’t empathize with Bruce, Lisa, Jason or Boston as much as I would’ve liked to. Part of this might be related to how limits between reality and virtual world(s) keep shifting—we never know if we’re dealing with the real person or not—but I’m not sure it’s the only, nor the main reason.

In terms of plot, the ideas explored within this novel, as well as how the author manages to carry us from beginning to end, are great. But I think it would benefit from more editing, to make it easier to focus on the story.

Yzabel / July 8, 2013

Review: Her Ladyship’s Curse

Her Ladyship's Curse (Disenchanted & Co., #1)Her Ladyship’s Curse by Lynn Viehl

My rating: [rating=3]

Summary:

In a steampunk version of America that lost the Revolutionary War, Charmian (Kit) Kittredge makes her living investigating magic crimes and exposing the frauds behind them. While Kit tries to avoid the nobs of high society, as the proprietor of Disenchanted & Co. she follows mysteries wherever they lead.

Lady Diana Walsh calls on Kit to investigate and dispel the curse she believes responsible for carving hateful words into her own flesh as she sleeps. While Kit doesn’t believe in magic herself, she can’t refuse to help a woman subjected nightly to such vicious assaults. As Kit investigates the Walsh family, she becomes convinced that the attacks on Diana are part of a larger, more ominous plot—one that may involve the lady’s obnoxious husband.

Sleuthing in the city of Rumsen is difficult enough, but soon Kit must also skirt the unwanted attentions of nefarious deathmage Lucien Dredmore and the unwelcome scrutiny of police Chief Inspector Thomas Doyle. Unwilling to surrender to either man’s passion for her, Kit struggles to remain independent as she draws closer to the heart of the mystery. Yet as she learns the truth behind her ladyship’s curse, Kit also uncovers a massive conspiracy that promises to ruin her life—and turn Rumsen into a supernatural battleground from which no one will escape alive.

Review:

[I got an ARC of this book through NetGalley.]

Great world-building, revealed little bits by little bits and not through huge info-dumps, as the heroine faces the various circumstances that would demand some explanation for the reader to understand things better. A glossary is included at the end of the book, but I thought I could get most of the specific vocabulary just by using the context. The alternate history developed here seemed believable enough to me, and I went with it without a problem.

The heroine’s an interesting morsel, too. She doesn’t keep her tongue in her pocket, yet she doesn’t go on a feminist rampage every ten pages (which might have become boring after a while), and finds way to cheat the system in order to get what she wants (which is much more clever and logical, consider the powers she’d be up against if she were to blatantly stand up more than she already does). She’s resourceful in many ways, and has managed to create her own little network of useful people—whom good Torian society would deem ‘scum’, but can all contribute to Kit’s schemes for her to get the information she needs. I also liked how she went about discarding magic as something that doesn’t exist, and to explain this through logics and scientific explanations, when the true reason is actually quite clearly hinted at… she’s just the only one who can’t see it, much as if she was standing in the eye of the storm.

My main quibble with this story is how there’s no real conclusion to it. I know books ending on cliffhangers is all the trend these days, but this is too much to stomach. It reads like the first part of a whole book, rather than like volume 1 of a trilogy. Although it seems the next books are due soon enough (every two months or so?), it makes passing fair judgment harder. I wished the author had solved at least one plotline here—and I don’t mean the romantic one (that one might’ve been best kept for later, actually).

I may rethink the mark I’m giving “Her Ladyship’s Curse” later on: the world’s really interesting, and I want to know what’s going on behind the scene. For now, I’m keeping it at a solid 3… Well, alright, 3.5.

Yzabel / July 7, 2013

Review: The Necromancer’s Apprentice

The Necromancer's Apprentice (Paperback Edition)The Necromancer’s Apprentice by R.M. Prioleau

My rating: [rating=3]

Summary:

Jasmine Na’Darod lived a simple life with her parents and older sister on the family’s farm. She never strayed far from home until the ill-fated Blood Moon arose, basking the country of Caristan with a terrible, sickening drought.

When her mother falls ill, Jasmine and her family are forced to leave home in desperate search of a cure. During their journey, a series of tragic events will change Jasmine’s life forever.

With her former life shrouded and forgotten, Jasmine embraces a new path granted by an unlikely stranger, who, ironically, practices the Art of death and undeath.

As Jasmine is drawn to this enigma of a man, she soon realizes there is more to him than what she initially perceived — his true motives are beyond anything she could ever imagine…

Review:

A story I enjoyed in general, but I think it would’ve deserved to be a little longer, in order to develop the characters some more, as well as give more details about Jasmine’s apprenticeship per se.

The main problem I had with this story was Jasmine’s passiveness towards what happened around her. Her shutting off all emotions made her too bland, like a blank slate on which it’d be easy to write. Had she had a little more passion in her, it might have allowed for more development, for explanations about how she came to accept her new life—the latter was an abrupt change, after all, with a lot of disturbing events happening, and she went through those like a breeze. There was an abrupt shift in the middle of the book, that I wasn’t sure I really grasped: one moment, she was all resentful towards Dagg, then in the next chapter she talked about him as her beloved Master. This, in my opinion, would have needed more “showing” instead of “telling”, for readers to really feel how she went from one side to the other. I would also have liked to see more of the Master’s teachings.

On the other hand, I quite enjoyed the second part, and the themes explored through this novella. Necromancy is a fascinating subject in itself, because of the questions it raises. The narrative is often fraught with ambiguity: permeated with a dark, corrupted magic that demands “experiments” to be performed, yet hauntingly beautiful in many ways. Some descriptions may need editing, because they were just a tad too flowery and bordering on purple prose. But some others were strong and to the point, albeit in a gruesome way. Although we’re not shown much of the world in which the story unfolds, it’s alright, because we don’t actually need to know: the secluded cave and marshes are good things, providing readers with a definite focus on the characters. This is why I wished we could see more development on that side, for the setting itself is perfect in that regard.

I still don’t know whether I should give this book 2 or 3 stars. However, for now, I’m going to settle on 3 all the same: there’s definitely potential in this story.

Yzabel / June 30, 2013

Review: This Dark Endeavour

This Dark EndeavourThis Dark Endeavour by Kenneth Oppel

My rating: [rating=2]

Summary:

In this prequel to Mary Shelley’s gothic classic, Frankenstein, 16-year-old Victor Frankenstein begins a dark journey that will change his life forever. Victor’s twin, Konrad, has fallen ill, and no doctor is able to cure him. Unwilling to give up on his brother, Victor enlists his beautiful cousin Elizabeth and best friend Henry on a treacherous search for the ingredients to create the forbidden Elixir of Life. Impossible odds, dangerous alchemy and a bitter love triangle threaten their quest at every turn.

Victor knows he must not fail. But his success depends on how far he is willing to push the boundaries of nature, science, and love—and how much he is willing to sacrifice.

Review:

2.5 stars. I’d deem this story “okay”. It wasn’t bad, but I expected more of it, and it didn’t leave me with a sense of completion, although I wish it had. There are lots of good ideas in this book, that didn’t work for me, the way they were exploited, and it’s really too bad.

Lots of potential, indeed. For instance, the beginning that hints at a darker side in the two brothers’ relationships. Or the love triangle that could’ve become something really interesting, something that could have seriously thwarted Victor’s motivations. Unfortunately, I think the author didn’t go deep enough with those—perhaps because really going through with them to the end would’ve been too dark for a YA audience? I don’t know. Things felt a little weird in that regard, as if in style and themes, the book was aiming at the older part of the intended audience, yet didn’t dare to go there in the end, and remained a little too “light”, for the sake of the younger ones.

The love triangle also fell flat in general, in my opinion, and more childish than the dark and tragic affair it could’ve been (or than what I expected from the blurb on the back cover). Victor’s love would’ve had more impact for me if it had been there from the beginning, and not apparently triggered at the moment he learnt Konrad loved the girl too. Elizabeth was a character I enjoyed, showing a lot of pluck and decision-making. This may be the reason why I also disliked the way Konrad treated her, as if he was only looking at her, and not “seeing” her for who she was. In itself, this could’ve added to the tragedy of that relationship, but felt a little wobbly instead. This said, to be fair, I’m not too attracted by love triangles in general, so I’m pretty picky about those anyway.

Finally, I would’ve liked the ending to be just a tad less abrupt. It was a necessary ending—it couldn’t have been otherwise—but it came a little too quickly. I guess I would’ve liked some kind of explanation, even a non-scientific one, as to how exactly the tables turned so fast.

What I appreciated, though, was how “This Dark Endeavour” paved the way for Shelley’s story, and could likely bring more people to read that one—which really deserves to be read no matter what. Maybe this is the reason why I couldn’t be so enthralled with the book: because I already know the original masterpiece, and because for me, the stories don’t play on the same level. Nevertheless, this novel could be a good introduction to its predecessor for younger readers.

Yzabel / June 25, 2013

Review: Diverse Energies

Diverse EnergiesDiverse Energies by Tobias S. Buckell

My rating: [rating=4]

Summary:

“No one can doubt that the wave of the future is not the conquest of the world by a single dogmatic creed but the liberation of the diverse energies of free nations and free men. No one can doubt that cooperation in the pursuit of knowledge must lead to freedom of the mind and freedom of the soul.”
—President John F. Kennedy, from a speech at University of California, March 23, 1962

In a world gone wrong, heroes and villains are not always easy to distinguish and every individual has the ability to contribute something powerful.

In this stunning collection of original and rediscovered stories of tragedy and hope, the stars are a diverse group of students, street kids, good girls, kidnappers, and child laborers pitted against their environments, their governments, differing cultures, and sometimes one another as they seek answers in their dystopian worlds. Take a journey through time from a nuclear nightmare of the past to society’s far future beyond Earth with these eleven stories by masters of speculative fiction. Includes stories by Paolo Bacigalupi, Ursula K. Le Guin, Malinda Lo, Cindy Pon, Daniel H. Wilson, and more.

Review:

I got an ARC of this anthology through NetGalley last year, and have just realised I didn’t post a review back then—I suspect I finished it at a moment I didn’t have time to do so, and then it unfortunately slipped my mind.

Most of the works I read are pretty much Caucasian-centred, and I thought this book would provide me with a nice change, as well as with an opportunity to learn more about some cultures I’m not too familiar with—I’m utterly convinced that learning this way, for someone like me, is a solid bridge to wanting to learn more afterwards, and this han’t proved wrong yet. The different cultural points of view developed in the dystopian stories here turned out interesting, and shed light on some very logical aspects I probably wouldn’t have considered at first, due to my own ignorance.

Of course, as is mostly the case in anthologies, some stories I enjoyed more than others (“Next Door”, “Solitude” and “The Last Day” being my favourite ones), but as a whole, “Diverse Energies” holds its ground with a steady momentum, and doesn’t disappoint. At the same time, I also appreciated that this book didn’t give the impression of being the proverbial stone thrown to get the pond to ripple: it was, all that simply, logical, which is in my opinion a very strong point.

Yzabel / June 24, 2013

Review: Kojiki

KojikiKojiki by Keith Yatsuhashi

My rating: [rating=4]

Summary:

When eighteen-year-old Keiko Yamada’s father dies unexpectedly, he leaves behind a one way ticket to Japan, an unintelligible death poem about powerful Japanese spirits and their gigantic, beast-like Guardians, and the cryptic words: “Go to Japan in my place. Find the Gate. My camera will show you the way.”

Alone and afraid, Keiko travels to Tokyo, determined to fulfill her father’s dying wish. There, beneath glittering neon signs, her father’s death poem comes to life. Ancient spirits spring from the shadows. Chaos envelops the city, and as Keiko flees its burning streets, her guide, the beautiful Yui Akiko, makes a stunning confession–that she, Yui, is one of a handful of spirits left behind to defend the world against the most powerful among them: a once noble spirit now insane. Keiko must decide if she will honor her father’s heritage and take her rightful place among the gods.

Review:

(Book provided by the author through ARR #1181 in the Making Connections group, in exchange for an honest review.)

“Kojiki” is, in my opinion, quite a visual story, and would be just as suited if turned into a movie. The author wrote vidi descriptions that allowed me to picture whatever was going on clearly enough—and there was a lot going on. You may not like the story as much as I did if you’re not into action-packed plots; if you are, though, then go ahead.

The story may be more geared toward a younger audience, or at least one who is familiar with anime and some of their most popular themes, such as battles between spirits to save the world. However, there’s no dumbing-down here, as it also deals with deeper themes (treason, lost love, trust issues, being torn between saving or killing a friend…). I appreciate when books go that road, and don’t remain stuck to surface feelings and plots, the way things too often are in such works.

There are a couple of things here I’m not too sure about. For instance, Keiko is quickly thrown into the action—she doesn’t spend a third of the book looking for the gate, or getting into the swing of things; part of me was glad about that, while another part thought it may have been a little too abrupt. There are also several characters and points of view to follow; this isn’t a problem for me, but, again, I found those just a tad bit heavy to get into at first (which means that readers who are less familiar than I am with POV switches might have a harder time here). Another thing that may detract readers is the use of Japanese language. Someone like me, who speaks just enough of it to understand the (quite basic) vocabulary and sentence structures used here, won’t feel lost; on the other hand, I can imagine that someone who doesn’t speak the language may not always guess what those words are about (sometimes the context or dialogue provides an explanation… and sometimes not).

On the other hand, I think the whole mythology unfolding in the book should be easy to understand: spirits linked to elements (water, air, nature, earth…), fighting with their guardians (lesser spirits tied to the same elements) to prevent the world from being destroyed. Pretty basic at first sight, except that what could have been your good old black and white morality undergoes a few twists here. While the battle is fought above Japan, the spirits involved aren’t only Japanese, and hint at different cultures—in other words, they’re not anchored in one time and one place, and truly represent something bigger and older than that. At the same time, much like in legends, those spirits have to contend with their personalities and feelings, and aren’t mere concepts: in that regard, they feel like real people, and have depths as characters (which isn’t so easy to achieve when you’re dealing with what are basically Gods). Perhaps the only character I didn’t really get was Lon-Shan; maybe he would have deserved more screen time?

My conclusion: get this book if you’re at ease with 3rd person narration with several points of view, enjoy vivid descriptions of scenes and battles, want to get a clear visual of what’s happpening, and enjoy diving into plots that involve powerful beings who nevertheless have to deal with human-like problems. If you’re into anime on top of it, you’ll likely enjoy it even more.

Yzabel / June 5, 2013

Review: Showtime

Showtime (Marvelle Circus, #1)Showtime by Chloe Kayne

My rating: [rating=2]

Summary:

The grandeur of the traveling circus is at its peak in the early 1920s when sixteen-year-old Laila Vilonia is searching for an escape from her bleak future. Behind the gates of the legendary Marvelle Circus, she is thrust into a mysterious world she never knew existed—a paradise populated with outcasts. It’s in this glamorous new home that Laila sparks a controversial romance with notorious sideshow performer, “The Disappearing Man,” and learns just how dangerous her new life can be.

Touring the picturesque eastern coast of America, Laila’s immersed in friendship, vaudeville, festivals, sequins, and serial killers. But behind the curtain, a sadistic plan is brewing that will crack the very foundation upon which she’s become so dependent.

Review:

I wanted to like this book more than I did, because it showed potential. Alas, it just didn’t do it for me in the end.

The author took care of writing vivid descriptions, and those really pull you in, giving a fairly good view of what the circus looked like, the routines its performers went through, and so on. However, there were moments when they interferred with the narrative, slowing it down and making things confusing. I also spotted several misuses of words, which was jarring.

More importantly, while you can tell the author is facinated with her subject and wants us to share this interest, the historical period wasn’t the best choice here. The action takes place mostly in 1918, yet no mention is made of World War I, nor of the impact it was bound to have on circuses (on how many people could afford to attend performances, for instance). The 1900s-early 1910s would’ve been a more logical choice, at least to me. If you don’t care the least bit about historical accuracy, it may not be such a problem, but I couldn’t get past this.

There were a lot of characters—something normal in a circus—and it helped me imagine how life went on there on a daily basis, with everybody’s routines and personal drama; on the other hand, some of them were perhaps given too much spotlight for too little “return on investment” (the story wouldn’t have changed one bit if they had been left out). Also, I think the “Disappearing Man”, and the trick behind his show, should’ve been introduced sooner. The way things went, I felt it odd that everybody talked about the one “dangerous” guy, yet never mentioned the other: they’re all working in the circus, shouldn’t they have known about this?

As for the plot, there were several interesting leads, yet overall it tended to be confusing, with some subplots left dangling in the way (Ethan’s and Jodelle’s never got a proper conclusion); so when some more important things happened, they made me think “oh, yes, true, there was that.” It was hard to picture a clear antagonist, and the one who appeared as the most obvious often behaved, well, too stupidly to leave an impression.

Overall, I’d say this book is worth a pick for its atmosphere and if you like rich descriptions; unfortunately, those weren’t enough for me to go past what I didn’t like in it.

Yzabel / May 29, 2013

Review: Thirteen Reasons Why

Thirteen Reasons WhyThirteen Reasons Why by Jay Asher

My rating: [rating=4]

Summary:

Clay Jenkins returns home from school to find a mysterious box with his name on it lying on his porch. Inside he discovers several cassette tapes recorded by Hannah Bakera–his classmate and crush who committed suicide two weeks earlier. On tape, Hannah explains that there are thirteen reasons why she decided to end her life. Clay is one of them. If he listens, he’ll find out how he made the list.

Review:

I’m not sure where exactly I stand regarding this book. I found it fascinating in many ways, including bad ones—sometimes like a trainwreack you can’t help but watch. This story may not be for everyone, and I feel that it has the potential to equally fascinate some people, and alienate others.

Hannah’s character is far from being perfect, far from being a pitiful victim: her stunt with the tapes, all things considered, is actually a pretty cruel one, at least for some of the people involved. Did Clay deserve to hear all that—and wasn’t his being on the tape just as strong accusation as the others (although a more implicit one)? Was the girl with the stop sign more guilty than the guy who wouldn’t take no for an answer at first? Didn’t Hannah bring a lot of her problems onto herself, just because she didn’t react when she should have, didn’t confront people directly, and remained on the side doing nothing? What gave her the right to impose the tapes to those involved (and to those who weren’t, such as the one in charge of keeping the second set)

And yet, it’s also hard to judge her negatively, because nobody reacts to a series of events the same way as the person next door. Had I been in Hannah’s case, I would’ve confronted people much sooner, and not resorted to suicide; but that’s me, a woman with a strong personality when confronted to a lot of stressors, while others that can take me down will do nothing to another person. I don’t think we can judge suicidal tendencies on the account of “Hannah’s problems were too petty to justify it”: it’s not a matter of what’s petty or not, it’s a matter of how people live with their problems. What snowballed for Hannah wouldn’t have done anything to someone else; what would prompt that same someone else to suicide may not have had such an effect on Hannah.

Hannah isn’t a particularly pleasant character, due to her planning the tapes and how it looked like a revenge of sorts. At the same time—something we barely scrape over at the very ending—her actions might also have the potential to bring people to start thinking differently, considering how what seems trivial, little things to them could have tremendous influence on others. In any case, I found this book to be quite a thought-provoking one.