WordPress and Blogger
I can’t quite remember now on whose blog I had seen this mentioned; I know it can’t have been more than two or perhaps three weeks ago. Anyway, for whoever would need this information: there’s an option, in WordPress 2.0’s beta, that allows you to import posts from Blogger to WordPress. This can be quite useful if you want to move to WP, but cringe at the idea of copying/pasting all your old posts manually. Note that this is what I did, back in February, when I moved by Second Life blog to WordPress… It was terribly boring, I tell you. And I didn’t even have that many posts to start with.I’ve tested the feature on two old little blogs I had set up a couple years ago for a SWG character that I never got to finish (since I’ve decided to not try the game in the end) and for another MMORPG-related project. The points I’ve been able to note down so far are:Read More
I wonder if I’m right in thinking so, or if I am sort of deluding myself with this belief. I know that more than one writer has said that the first million words (or so) an author writes is crap, and I’m ready to swallow this and go on (although I’m probably past the million already given the amount of writing I do, but let’s consider it as a million words of serious novelling, not blog posts, aborted attempts at stories in junior high, and the likes). Now—and this is more specifically related to the “quantity vs quality” argument—can we consider that every word of every sentence of every first draft will always necessarily be crap, regardless of the years of practice a writer has behind her?
Although this doesn’t work the same for all of us who write, finding names for my characters from the start is for me always an important task. I need the names to resonate with the personality they’re associated with, and I need to be able to name my protagonists, rather than refer to them as “character X and Y”. At times, I’ll need days to find THE name, and it’ll usually be triggered by something totally unrelated. At other moments, the name comes by itself, or I already have it in mind, and develop a personality around it. Both methods work in my case, which is something I’m glad about, yet I must admit that the first one can be annoying—what if the days turn to weeks or even months? Remaining stuck because I lack a name to go on with a story can be very frustrating.
It’s a weird and unpleasant feeling, especially when it’s a scene that is planned, and not an idea that has struck all of a sudden and “looks like a good one”. It makes writing become sluggish and a chore, yet I know I can’t just give up or switch to something else in a snap of fingers, else I may very well remain stuck for much, much longer.I have such a scene in my current work in progress. It’s an important enough one, where one of the main characters reveals what she knows to the two others. It’s a planned scene, that actually looked great in my outline, when I noted town its main points and what was going to be revealed. However, it feels like a bore to write now, mostly, I suspect, because I’m not sure by which end to take it.
This thought hit me yesterday, while watching an episode of Monk, and this is probably why I’m going to link this to mystery novels and other kinds of “investigation” stories. How noticeable is a detail for an untrained person? To which extent can we consider that our characters are able to notice certain types of details more than other types? Of course, there’s a difference to be made here between knowledge learnt from books/school, knowledge learnt from experience/training/practice, and knowledge that one can happen to have because they stumbled upon it at some point in their lives, without their career and social/familial situation explaining it. The latter is always the one that is the trickiest for me: what is acceptable, and what is just a deus ex machina mechanism chosen by the author as a convenient solution?