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Yzabel / October 18, 2015

Review: Homunculus and the Cat

Homunculus and the Cat by Nathan Croft

My rating: [rating=2]

Blurb:

Just a typical kitten saves the afterlife story, disguised as a book about death.

In a world where every culture’s mythology is real, Medusa’s sisters want revenge on Poseidon, Troy is under siege again, and the Yakuza want their homunculi (mythological artificial humans) back.

Near Atlantis’ Chinatown, a kitten and her human campaign for homunculi rights. Against them are Japanese death gods, an underworld cult, and a fat Atlantean bureaucrat.

The main character dies (more than once) and a few underworlds’ way of death is threatened.

There are Also giant armored battle squids.

Review:

[I received a copy of this novel from the publisher, in exchange for an honest review.]

Good ideas in this mash-up of various mythologies and their associated creatures, however, in the end, it was a bit too choppy to my taste.

The world of Gaia was inventive, fun, full of conundrums and syllogisms, all of those making for a place brimming with diversity… and with the problems associated to it, especially acceptance. This theme, along with the one of “humanity” in its largest meaning, was developed through the homunculi: artificial human-shaped beings, crafted by alchemists, gifted with certain powers, with a beautiful appearance for some, with intelligence and feelings, yet considered as unworthy because they didn’t have a soul—or so, some people said.

The political undercurrents permeating the story (the vote, the tricks used in Atlantis to thwart it against the homunculi, the strong will of a few people like Petra to help them get rights at last) were definitely interesting. Perhaps because of all the many creatures in this novel, the hypocrisy behind their reluctance to accept the “soulless” articificial beings was even more tangible, and made for a good metaphor of injustices happening in the human world. I can say I’d really have wanted this specific plot to shine more.

Where the mashup worked much less for me was in the narrative itself. A lot of things happened, more or less tied to the aforementioned plot depending on the moments, but they happened very fast, in a chaotic way. I guess it reflected the chaotic nature of Gaia, yet it didn’t male for a coherent read, and there were several moments when I had no idea anymore what was happening, why, or how the characters had come to that particular point or conclusion. Even though it made more sense once I read a few pages back, it was annoying nonetheless.

The other problem with such fast-paced events was that they didn’t leave much room to character development, and I felt I was told, rather than shown, the relationships between Tyro and the cat, Tyro and Mina, Tyro and Herakles… (Tyro wants to save him, but since I didn’t get to see them interact much, I didn’t feel very invested in knowing about the outcome. Same about Tyro and Ankh’Si: the conclusion here was so rushed I wasn’t sure if my copy of the book missed a chapter or two.)

I really liked the world developed here, however it was so diverse that it eclipsed the characters. Since I like those to be as developed in a “humoristic” read as in a “serious” one, albeit in different ways, I suppose, it didn’t work very well for me in the end.

Yzabel / June 11, 2015

Review: The Gates of Atlantis Complete Collection

The Gates of Atlantis Complete Collection by Wendy Knight

My rating: [rating=3]

Blurb:

Centuries ago the great city of Atlantis had to be hidden from humans. Now magically buried in the depths of the ocean, it is the source of all magic. All is well in the magical world…until the leaders of Atlantis listen to the whims of a mad man.

A group of teens set out on their own unique quests to fight for the world they love. They face dangers they didn’t know existed. As they battle their way through mysterious tunnels and secrets of the ancient world, they find themselves in a race against time. One by one, the mad man will shut down the Gates of Atlantis and destroy the magic. Can these unlikely heroes stop him before it’s too late?

Book 1, Banshee at the Gate by Wendy Knight: Half-human, half-banshee Seven loves her life with her awesome brother Haran and her dad while delivering souls safely to death…until Death comes calling for Haran.

Book 2, Guardians of the Gates: Mermaid Talia wants to be a Guardian. Exander wants to leave Atlantis and explore the upper world. An accident at one of the gates gives them both their chance, but they also make a startling discovery—someone is destroying the gates.

Book 3, Secrets of the Mine: Adam believes in myths and magic. Clancy doesn’t. Two normal kids’ lives change when they embark on the adventure of a lifetime on the back of a sea kelpie…if only they can get away from the strange creatures that are determined to stop them.

Book 4, Magicians of the Deep: A trip to Ireland changes Colin’s life when a bite from a mysterious fish awakens unlimited knowledge and dormant magical powers. He knows exactly how to save a magical world, but can he get there before it’s too late?

Book 5, Madness Behind the Throne: Phoibos, bullied and taunted by other kids, believes something is wrong with Atlantis. His charm with the nobility and skill as warrior as he grows make him believe nothing will stop his quest to purge Atlantis from everything he finds impure.

Book 6, Battle for Acropolis: Talon keeps getting in trouble. It’s not his fault things around him randomly burst into flame, but he’s not sticking around to find out what happens next. When foster sister Hattie encourages him to run, they make a break for it, only to find an unexpected destiny awaiting them in Atlantis. They just have to get there first. When they do, they find a lot of help. Characters from all the previous books appear to help fight Phoibos. These unlikely heroes risk it all to save the magic and fight for Atlantis.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

Banshee at the Gate:
2 to 2.5*

+ Interesting in terms of mythological content, especially as banshees aren’t so often featured.
+ Nice and heart-warming relationship between Seven and Haran, and fun dynamics between them and their allies.
+ No stupid love interest out of nowhere, for a change. This is meant to be adventure, and adventure we get.
– Confusing in how Atlantis was tackled in the beginning, presented as something obvious all the characters know about; I felt like there was a previous story I had missed. Perhaps I did.
– Villains too easy to get rid of in my opinion. Coming into banshee powers too easy as well.
– Plot sometimes a bit silly.

>> So far this reads definitely more like children/middle grade than truly young adult—I wouldn’t recommend it to readers above 12-13 (Seven, the protagonist, is 13, too).

Guardians of the Gate:
2*

+ Merfolk with a strong backstory of friendship and loyalty. Again, no useless romance.
+ Wily Leprechaun and good lessons about “careful what you wish for (and how you wish for it)”.
+ More info about the other ancient races (Giants, Dragons).
+ Ties into the first book.
– Plot dragged in parts and I found myself skimming at times.
– Adults shown as idiots who can’t/won’t do anything to help, which is too often the case in books, and isn’t believable.
– Lack of consequences (shouldn’t the villains try to act against the young heroes by now?).
– Some more ties with the first book would’ve been appreciated, especially at the end of this one.

>> Confirming this is definitely for kids, and not YA.

Secrets of the Mine:
2.5 to 3*

+ The kelpie. I liked reading about him.
+ Archaeology and finding forgotten civilisations.
+ Antagonistic characters that learn to cooperate.
– Slightly annoying characters (childish instant dislike).
– The writing wasn’t too exciting.

Magicians of the Deep:
1*

+ Learning more about Indiatlantis.
+ The way magical creatures are actually affected by the portals closing one after the other.
– Seems to be for an even younger target audience.
– Too much telling.
– More pronounced than in Book 2: how much Atlantis is like our (Anglo-Saxon) world: school, malls… Why couldn’t it be more different, as mysterious as it’s supposed to be?
– Repetitive crossovers with book 2.
– Callous characters (the Laytons seem like a nice enough family, at least the parents, but Colin just doesn’t seem to care? Also what he learns about his family later was dropped like a brick.
– This particular book jumped from one thing to the other (for instance, discussing an important matter, then suddenly, “anyway, let’s go to the mall”). It reminded me of how I’d sometimes play when I was younger, but in terms of plot and writing, it didn’t sit well at all with me. To be honest, I’m really not sure I would’ve liked reading this as a kid.

Madness behind the throne:
3.5*, possibly 4*

+ More mature characters, possibly because Callidora is an adult, but also because Phoibos even as a child kinds of grows up fast.
+ Political intrigue that is easy to understand for younger readers.
+ The stakes do seem more dangerous here than in the previous books
+ Though the “bad guy” has no excuses, we’re also shown what contributed to shape his vision/madness.
+ Atlantis shown as technologically advanced (computers in the age of Plato), while still being different—more magic, less malls and 20th-century-like American names.
+ Hints about who Phoibos really is
– …Though they make it fairly obvious to guess what his secret is (or not? We’ll see…)
– A few of the adult characters (the king, Lisandra) are somewhat childish.
– The relationship between Callidora and Titanos progressed so fast (although Calli does acknowledge that she doesn’t know herself why that was, and that it didn’t make sense).
– Atlantian years being 100 human years, reconciling both was a bit hard (considering what happened in the previous books, it feels like Phoibos took his sweet time to get to closing the doors, when it was described first as it happening within a mere few days).

>> So far, definitely the one I preferred in the series, because it deals with more political themes and shows more of the other side of the conflict, all this in a way that is easy to grasp by middle-grade readers without being dumbed down.

Battle for Acropolis:
3*

+ Everything comes together and without a repeat this time, since it’s the direct follow-up to previous books’ events.
+ Hattie was adorable.
+ Surprises that were predictable, but in a good way (you know they’re coming, yet you’re happy to see them coming, and happy when they’re finally here). The “finding the grandma” part definitely made me smile: expected, but cute.
– Some characters got discarded pretty quickly, and didn’t feel as regretted as they should’ve been.
– Villain decay at the end—not as epic an ending as I had expected.

>> Enjoyable throughout, although the finale felt somewhat flat.

Conclusion:

2.5/3 stars overall. It was OK for me as a light reading (2/2.5 stars), but I think a middle-grade audience would enjoy it more, hence my higher rating in the end—after all, I’m not really the targetted readership.

On the plus side, the relationships between the characters in general rang true. The creatures that appear in the novels are a good introduction to mythology in general, even if other series dive into this more deeply (Percy Jackson, for instance): Irish (banshees), mermaids, dragons, nymphs…

On the downside, Atlantis itself often felt too much like your average contemporary setting (high school, mall, etc.). Not saying I wanted to see only guys in togas living like in Grecian antiquity—and this setting makes it easy for kids to find their marks—but I expected something more different, not a copy of our modern world (I’m positive young readers wouldn’t mind, and wouldn’t have a hard time to embrace it either).

Yzabel / May 21, 2015

Review: Treasure, Darkly

Treasure, Darkly by Jordan Elizabeth Mierek

My rating: [rating=1]

Blurb:

Seventeen-year-old Clark Treasure assumes the drink he stole off the captain is absinthe… until the chemicals in the liquid give him the ability to awaken the dead.

A great invention for creating perfect soldiers, yes, but Clark wants to live as a miner, not a slave to the army—or the deceased. On the run, Clark turns to his estranged, mining tycoon father for help. The Treasures welcome Clark with open arms, so he jumps at the chance to help them protect their ranch against Senator Horan, a man who hates anyone more powerful than he.

Sixteen-year-old Amethyst Treasure loathes the idea of spending the summer away from her bustling city life to rot on her father’s ranch, but when a handsome young man shows up claiming to be her secret half-brother, her curiosity is piqued. He’s clever, street smart, and has no qualms jumping into the brawl between the Treasures and Horans. Caught in the middle, Horan kidnaps Amethyst, and all she gets is this lousy bullet through her heart.

When Clark brings her back to life, however, the real action starts, and Amethyst joins him in his fight against the Horan clan—whatever the cost. Defeating the Horans may seem easy at first, but going up against men with the same fighting vengeance as Clark, and a Senator with power he’s obtained by brainwashing the masses?

Well, Amethyst’s boring summer at home has turned into an adventure on the run, chock full of intrigue, danger, love, and a mysterious boy named Clark.

Review:

(I was given a copy by the publisher, in exchange for an honest review.)

I had read a couple of short stories by this author, and thought the world she developed would be worth the read. I’m sorry to say I couldn’t push myself to enjoy Treasure, Darkly, in spite of a good beginning. Or perhaps because the beginning led me to hope for something quite different, something I’d have liked instead.

Adventure in a steampunk, western-like world, along with a mysterious power allowing the male protagonist to bring people back to life: that would’ve rocked, and it’s what I got in the first chapters. Clark seemed an intriguing character. On the run from the Army after he accidentally used their latest invention and ended up with powers over the dead, he turned to the only people he thought would be able to protect them, thanks to their wealth and reputation; a risky move if you ask me, but why not, when you don’t have much left to lose? Clark was kind of resourceful—ready to use whatever resources he could find, aware that he had to be ruthless at times, yet still trying to fit in in a “good” way no matter what.

The world depicted in the novel was interesting, too. Perhaps with a bit too much “steampunkish eye-candy”, in that you’d have to simply enjoy the descriptions and atmosphere for what they are, not look for any detailed explanation behind some of the machines. At some point, Clark goes on a quest for missing inventions, and if you like reading about such contraptions, well, those fit well within a steampunk universe.

However, I found it really difficult to remain invested into the story after the 40%-50% mark. First, Amethyst’s expected death doesn’t occur before then, i.e. a bit too late to my liking. Second, what would’ve been somewhat stereotypical but still enjoyable plot in a western-type plot (the Treasures vs. the Horans) wasn’t that much developed, with the race to find the missing inventions getting muddled in there. Third, and a killer for me, those parts of the plot, along with Clark’s power and running away from the military, got lost in the romance.

I didn’t care the least bit for the romance here. Partly because of the brother/sister thing, even though there’s a twist here. Partly because I wanted to see a kickass brother/sister pairing living adventures in a Weird Wild West world. Partly because it didn’t make much sense when pitched against the other stakes (the Horans, Clark being on the run, how the family in general was supposed to accept him…).

Amethyst I found fairly unlikeable all along. I could’ve forgiven her snobbish ways in the beginning, if only coming back from the dead would’ve redeemed them. I’d expect dying, then being resurrected would leave heavy traces in someone’s psyche, make them contemplate their mortality, see the world in a different way; but Amethyst doesn’t change, and remains as superficial as ever (all the more as she’s cast several times in a Damsel In Distrest role, moments during which she worries about the wrong things).

Clark’s power remained vague and not exploited after the first half. For instance, we’re told that when he brings back someone, he has to give death in the next minutes or so for the first life to indeed be spared, yet he’s never seen doing it, which felt like a cop-out. The villains didn’t do much in the second half either, the two brothers vanishing from the scene fairly quickly, to better leave room to Clark and Amethyst traipsing around, buying clothes, camping in the woods, and so on. Also, Clark’s secrets got out in the open too easily, and it was hard after a while to believe that people wouldn’t talk about it sooner, that he wouldn’t get in trouble sooner because of it.

In short, based on the first half of the novel, I was somewhat enthused, and expected adventure and a grand finale. In the end, I got bored by the romance and distractions from what should’ve remained the issues at stake. By the time they came back, it was too late.

1.5 stars.

Yzabel / April 10, 2015

Review: Book of the Dead

The Book of the Dead by Greig Beck

My rating: [rating=2]

Blurb:

Massive sinkholes are opening across the country – each larger and deeper than the previous one. First the family pets go missing, and anyone living near one of the pits, is reporting strange phenomena – the vibrations, sulphurous odours and strange sounds rising up from the stygian depths. Then come the reports of horrifying ‘things’ rising from the darkness.

When the people start disappearing the government is forced to act. A team is sent in to explore one of the holes – and all hell breaks loose – the Old Ones are rising up again.

From the war zones of the Syrian Desert, to the fabled Library of Alexandria, and then to Hades itself, join Professor Matt Kearns, as he searches for the fabled Al Azif, known as the Book of the Dead. He must unravel an age-old prophecy, and stop Beings from a time even before the primordial ooze, which seek once again to claim the planet as their own. Time is running out, for Matt, and all life on Earth.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

Enjoyable as a fast-paced read, with appropriate enough doses of action and gory descriptions—and I would definitely expect such descriptions to make their way into a story inspired from the writings of H. P. Lovecraft. It’s never easy to picture what’s supposed to be “unspeakable horrors”, and here I thought the enemies, the creatures, were scary, both because of where they came from and of the way they got rid of humans.

Although not everything was absolutely 100% on mark (I’m thinking of some names, unless my copy had a few typos, that is), it fit into the “mythos” well enough for the purpose of this novel. I liked that the author pointed out at the end what his inspirations were, as well as the reference to the Bloop, which is definitely one mind-blowing thing as far as I’m concerned.

This also seems to be the second novel featuring Matt Kearns as a main character, and… it wasn’t a problem. The author made it so that whatever needed to be known about him was known gradually, and I don’t think one needs to have read the first book to enjoy this one.

The plot may be seen as stereotypical, in an Indiana Jones-like/mythologically-based thriller way, but most of the time, it didn’t bother me. Unfortunately, what I definitely didn’t like were the cliché, one-dimensional characters. I found myself rolling my eyes more than once, and it’s too bad, since there were interesting profiles in there, including the badass Mossad agent who could clearly hold her own without a blink. I may have grown to like those characters if there had been more meat to them, so to speak, yet there comes a point where you can just see everything coming: who’s going to sleep with who, who’s thinking with his dick, how the women instantly disliked each other, who’s going to die due to making a stupid decision, etc. I’d have rated the novel higher if not for those clichés.

Not a bad story, and an interesting take on how Lovecraftian horrors may be tackled in the 21st century; but the stereotypes can definitely become a problem here.

Yzabel / September 6, 2014

Review: The Girl and the Clockwork Cat

The Girl and the Clockwork Cat by Nikki McCormack

My rating: [rating=1]

Summary:

Feisty teenage thief Maeko and her maybe-more-than-friend Chaff have scraped out an existence in Victorian London’s gritty streets, but after a near-disastrous heist leads her to a mysterious clockwork cat and two dead bodies, she’s thrust into a murder mystery that may cost her everything she holds dear.

Her only allies are Chaff, the cat, and Ash, the son of the only murder suspect, who offers her enough money to finally get off the streets if she’ll help him find the real killer.

What starts as a simple search ultimately reveals a conspiracy stretching across the entire city. And as Maeko and Chaff discover feelings for each other neither was prepared to admit, she’s forced to choose whether she’ll stay with him or finally escape the life of a street rat. But with danger closing in around them, the only way any of them will get out of this alive is if all of them work together.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

I had good expectations for this story (a street thief, victorian/steampunkish setting, part-mechanical cat), but in the end, it won’t leave me with a lasting impression, unfortunately.

The daughter of a prostitute and one of her unnamed customers, Maeko hit the streets after her mother got in debt, trying to help her pay it back as well as she could, but also resenting her. She made her way as a pickpocket and burglar, thanks to her nimble fingers and lithe body, and because she was street-savvy enough. That is, until the beginning of the novel, for at some point I thought she was not as clever as she was supposed to be. Some of her reactions seemed logical, but some of her other actions were too naive. (For instance, when she had to keep something from an enemy, she went back to a certain place, saw that said enemy had located it, too… yet she still went there to hide her package. The natural thing to do would have been to think “this place is compromised, he might not have believed what they told him, and come back later with more people.” At least that’s what “street rat thinking” should be for me.)

The setting itself is an alternate London divided between the Literati (the “modern society” and its police) and the pirates (those who openly don’t approve); the kids who fall between those are doomed to a life in an orphanage, reform house or work house, or to a life on the streets. Mostly we see this world through Maeko’s eyes, so of course everything couldn’t be developed, but it would’ve been better in my opinion if she had had just a little more interest in what happened around her, or if other characters had been there to give more information about that society. Some do… just not enough. This setting screams for more, having more to say about itself, without any room to do so.

The romance part was unneeded, a love triangle dumped out of nowhere on those poor characters. All it did was to make Maeko blush and blush and blush again and again. It quickly became old and tiring, and did not bring anything to the story. At least Maeko realised there was no time to think about boys in her predicament. On the downside, she had those thoughts fairly often, which created a tiresome cycle: “I think I like him. But I must not think about that now. But I think I like him. But I don’t have time to worry about this now.”

I wasn’t too impressed with the plot, which consisted mostly in two/three characters looking for people (the same people every time). Just like Maeko’s thoughts and blushing, it became repetitive after a while: locate people, see they’re already in someone else’s hands, realise they’re in no position to help them escape, retreat/get pursued by the police or detective, hide, rinse and repeat. I really wished the plot types would have been more varied.

The writing was all right, though a bit redundant and “telly” in places (especially when Maeko’s thought process was concerned).

The ending: if this is a standalone, then it deserved a better one, a proper one, that would wrap up everything, not just leave the reader to imagine “it probably happened like that”. If it wasn’t, it’s still a sort of cliffhanger, but one that doesn’t offer that many promises of revelations in a second book.

In the end, there were grounds for good things here, but those weren’t enough to make me enjoy the story.

Yzabel / April 7, 2014

Review: The Astounding Adventure of the Ancient Dragon

The Astounding Adventure of the Ancient Dragon by Jose Prendes

My rating: [rating=3]

Summary:

When 12-year-old John Watson is sent to Candlewood boarding school, he makes quick friends with a boy named Sherlock Holmes, a universally disliked know-it-all and amateur sleuth. Before long, Sherlock embroils his new friend in a covert investigation of the mysterious disappearances blamed on a vengeful ghost. Dodging the meaty fists of the bully Moriarty, and aided by bumbling patrolman Lestrade, they uncover a deadly secret hidden deep underneath Candlewood. But does the duo have the brains–and the brawn–to crack this dangerous case?

Review:

[I was sent a copy of this book by the publisher, in exchange for an honest review.]

Strong points:

The Astounding Adventure of the Ancient Dragon caught my eyes because of its premise: an alternate retelling of Holmes’s and Watson’s adventures, in a “what if those two had been children at a boarding school, instead of adults in London?” As a long-time avid reader of Arthur Conan Doyle’s stories, I couldn’t pass up on that, although any potential reader has to be aware that these new adventures are, of course, not canon. (The original Holmes and Watson didn’t meet before they were adults.)

This novel will likely provide an amusing and refreshing read to middle-grade children: boys going on exploring an old school, hidden corridors, mysterious kidnappings, peppered with a dose of humour and “old chap” banter. Some quips made me chuckle more than once:

“I ask you to come up with a distraction and you decide to set the boat on fire? Is that best you could come up with?”

And were even reminiscent of a Princess Bride kind of humour:

“I must warn you, I am a fencing champion,” Holmes replied, taking a defensive posture.
“And I must warn you,” Royston said, yanking out another sword. “I have two swords.”

Honestly, I laughed out loud at those ones.

I like boarding schools for a setting, and the latter had the makings for an interesting place, complete with a gang of local bullies and a head mistress who expresses her dislike for the heroes. Those are typical tropes, but I thought they worked well enough here, because they, too, were presented in a humorous way. The investigation and action are nicely balanced, the latter taking the main characters into fights that were easy to picture in my mind (though the former was a bit simple… but then, they’re twelve). Sherlock was true enough to his original self to my liking: oblivious to girls, possessed of a lot of knowledge, able to notice small details (and with a bonus way of talking his way out of the teachers’ wrath in an elegant and funny manner).

Last but not least, I found it easy enough to get into the concept of Holmes and Watson as children—which I wasn’t sure would happen at first. As with every retelling or alternate setting, this is, in my opinion, a matter of either love or hate. A reader who wants to see Holmes act exactly as he does in Doyle’s novels may not be completely satisfied; what worked for me here won’t work for everyone.

Problematic aspects:

I thought at times that the characters were able to do too many things (taking on opponents with a spear, firing a gun…): I can imagine how it fits an adventure-focused story, but the fact is, they’re only twelve. Sometimes I also found them a little callous, dismissing the death of a goon as if it was nothing, or Watson not seeming to care that much about the sick mother her had left behind him. Again, adventure is a distraction for the mind… but they’re still twelve.

I’m torn about the writing style. As an adult reader, I enjoyed it; the novel is well-written, and I could sense the same kind of vibes I’d get from the original stories, with the narrator (Watson) seeming to hit close enough a mark. It has a “gentlemen’s banter” quality that is exquisite to me. However, I’m not sure a 12-year-old narrator, even a precocious one, would master language to such an extent. In other words: I liked it, but I’m torn about how to judge it in an unbiased way. One thing’s for sure, though: the language wasn’t dumbed down “just because it’s for kids”, and this in itself has to be commended.

You may also want to enact suspension of disbelief regarding the school itself: the action is set in 1865, and I highly doubt there were any mixed-sex schools in Great Britain at the time, lest boarding schools. If you’re willing to overlook that in favour of focusing on the adventure, it’ll probably be all right, otherwise it might keep nagging you.

(NB. I wasn’t too keen on the illustrations, which weren’t necessary in my opinion, and seemed to hesitate between looking like a child’s drawing and “real” illustrations. This is a very minor quibble, though, that has nothing to do with the writing itself.)

I realise this review seems to contain a lot of criticism, and more flaws than merits. I’ve tried to write what I enjoyed, and what I found as being or not problems, in terms of intended audience especially. All in all, I enjoyed this novel, and think younger readers would also like it; but it definitely retains some aspects that could make it or break it for others.

Yzabel / March 18, 2014

Review: The House of Hades

The House of Hades by Rick Riordan

My rating: [rating=3]

Summary:

At the conclusion of The Mark of Athena, Annabeth and Percy tumble into a pit leading straight to the Underworld. The other five demigods have to put aside their grief and follow Percy’s instructions to find the mortal side of the Doors of Death. If they can fight their way through the Gaea’s forces, and Percy and Annabeth can survive the House of Hades, then the Seven will be able to seal the Doors both sides and prevent the giants from raising Gaea. But, Leo wonders, if the Doors are sealed, how will Percy and Annabeth be able to escape?

They have no choice. If the demigods don’t succeed, Gaea’s armies will never die. They have no time. In about a month, the Romans will march on Camp Half-Blood. The stakes are higher than ever in this adventure that dives into the depths of Tartarus.

Review:

I liked this one better than The Mark of Athena, though I still keep finding flaws in it—so no higher ranking from me here.

What I liked:

* Nico. I’ve always had a soft spot for the poor kid, who sure wasn’t the strongest demigod in the Percy Jackson series itself, went through his lot of crap, and ended up so lost, confused and convinced he couldn’t trust others, that he did everything alone… thus ending up even more isolated. But he’s strong in his own way—I guess walking alone for so long does make you grow no matter what. In this book, we also get to see at last something that had been plaguing him, and I just found that great (even though I have my qualms about it, too; see below). You know what? I want THIS GUY, yeah, the son of Hades, the one with the permanent circles under the eyes and gloomy aura of doom around him, to get his love interest in the end. I know it’ll never happen, but trust me, if I were into writing fanfiction instead of stories about my own characters and worlds, I’d do exactly that for him.

* Bob. (Now I need to read the Demigod Files, because I had absolutely no idea who he was, and wondered if I had missed a chapter somewhere in a previous book.) Also Damasen. I found it really interesting that those characters not being total evil guys happened in Tartarus, the very pit of despair, and a hellish setting to boot. It gets to show that the best can happen in the darkest moments. Anyway, how couldn’t I like a Titan janitor with a broom-o’-doom and a half-skeleton calico cat? (Granted, I tend to like things that are over the top, at least from time to time. Especially in darker settings.)

* The darker setting. As much as I liked Percy’s levity in the first series, the heroes are grown-up now, so it makes sense to see them confront darker events and monsters.

* Leo and Calypso.[Leo and Calypso. (hide spoiler)] A relationship I didn’t expect, and that was a nice break from the old Percabeth or Jasper (Pison?). Though it removed some tension from the Frank/Hazel pairing, but it’s not like Leo/Hazel would’ve happened anyway. I guess.

What I didn’t like:

* Nico. Oh why, why couldn’t we have chapters from his PoV from the beginning? Sure, it would’ve spoilt the bomb, but… but… I’m sure he’d have been more interesting than Jason. (Who, by the way, accepts the Big Reveal about him a little too easily. It’s a nice lesson in tolerance, but it feels exactly like that, like a lesson, and not as a 100% human reaction.)

* Jason is still his bland self. I’ve never been able to relate to him, and I still can’t here. So, all right, the guy’s got trouble conciling his Roman training with what he lived with the Greek demigods, and doesn’t know where he belongs anymore… but it’s just not working for me.

* It’s the same old formula, and even though I liked it in the beginning, I’d also appreciate seeing something else at some point. Also, nobody dies. They go to freaking Tartarus, yet nobody dies. No pressure. No tension. No worry on my part about who’s going to make it and who will be left behind. Although I admit that if in the next book, the one who dies is Nico, I’ll be one very, very frustrated girl.

* The enemies are as dumb as ever, and always get tricked the same way. I suppose it’s the only way, considering brute strength would never work against giants and immortal monsters, but… OK, Nyx. Come on? Nyx. *facepalm*

Yzabel / March 14, 2014

Review: Emilie and the Sky World

Emilie and the Sky World by Martha Wells

My rating: [rating=2]

Summary:

A Girl’s Own Adventure in the spirit of Jules Verne.

When Emilie and Daniel arrive in Silk Harbor, Professor Abindon, an old colleague of the Marlendes, warns them that she’s observed something strange and potentially deadly in the sky, a disruption in an upper air aether current. But as the Marlendes investigate further, they realize it’s a ship from another aetheric plane. It may be just a friendly explorer, or something far more sinister, but they will have to take an airship into the dangerous air currents to find out.

Emilie joins the expedition and finds herself deep in personal entanglements, with an angry uncle, an interfering brother, and an estranged mother to worry about as well as a lost family of explorers, the strange landscapes of the upper air, and the deadly menace that inhabits the sky world.

Review:

(I got an ARC copy from NetGalley. At the time, the book wasn’t published yet, but it took me some time to get to it. Some things may have changed between the version I have, and the actual, final version.)

One thing I have to get out of the way: I didn’t read Emilie and the Hollow World, the first installment in this series. Although each story seems to be self-contained, it was obvious that some elements from book #1 permeated book #2, partly through brief recapping here and there; and so I may or may have not missed a few things.

This story follows a classical adventure format, its world and themes reminiscent of classical works as well (the—lovely—cover, among other things, made me think of the old Jules Vernes books I had when I was a child). Airships, explorers, scientists with a dash of magic to their craft, and young people wanting part of the big adventure: these can and will certainly appeal to a younger audience. Bonus points, also, for the aether-ship creature, who truly was alien (not humanoid, as in too many novels), and for including the communication/language barrier. I tend to be highly skeptical of “aliens” with whom communicating is awfully easy in every aspect.

On the other hand, I found the story easily predictable (the missing expedition mentioned in the first chapters of the book was kind of a giveaway), and I think even younger readers would have the same feeling. The chapters leading to getting into the aether currents were too slow to my liking; I guess I wanted the Big Adventure to start faster—that’s why I pick adventure stories. (As I mentioned, I didn’t read book #1, but I suppose someone who has would want things to start faster?)

But those are smaller qualms: after all, sometimes we just want predictable, and in such genres, it’s not that much of a problem per se. The real issue for me were the characters, whom I just didn’t connect with: they felt brushed over, shown on the surface only, when clearly something deeper was going on for some of them, and I would’ve liked to see more in that regard. Emilie struck me as too mean and petulant regarding her brother; granted, they seemed to share history, but they’re still young (Efrain must be, what, 10?), and it was weird, because they somehow felt like they shared twenty years of resentment. As a result, Emilie wasn’t particularly likeable—at least, not like the adventurous, smart and resourceful girl I imagined her to be when I started reading. Same with the Professor and Miss Marlende: the tension between them was never really explained (though I could feel very early who they were), and it would’ve been interesting to know how exactly things became that way.

In itself, it was a fairly nice story, but one I’ll probably forget fast.

Yzabel / November 30, 2013

Review: Angelfall

Angelfall by Susan Ee

My rating [rating=2]

Summary:

It’s been six weeks since angels of the apocalypse descended to demolish the modern world. Street gangs rule the day while fear and superstition rule the night. When warrior angels fly away with a helpless little girl, her seventeen-year-old sister Penryn will do anything to get her back.

Anything, including making a deal with an enemy angel.

Raffe is a warrior who lies broken and wingless on the street. After eons of fighting his own battles, he finds himself being rescued from a desperate situation by a half-starved teenage girl.

Traveling through a dark and twisted Northern California, they have only each other to rely on for survival. Together, they journey toward the angels’ stronghold in San Francisco where she’ll risk everything to rescue her sister and he’ll put himself at the mercy of his greatest enemies for the chance to be made whole again.

Review:

I’ve thought about this book some more, and still can’t decide if I want to give it a 2 or 3 stars rating.

See, all things considered, it was an easy, entertaining read for me, and I can’t decently blame the book for delivering what I expected from it. Its setting is intriguing, and gives us to see that there’s more, much more, lurking behind the scenes. I liked the darker side, the experiments, the fact that the highest among the angels were far from being all white. What they did to children was horrific, and I must say, I appreciate when an author is gutsy enough to write about such doings and let us work our minds around what the ones behind them are trying to achieve. Nothing can be solved nor explained in just a few chapters here, and I like it when I know things can go deeper.

But can they? I don’t know. While reading “Angelfall”, I couldn’t shake off a nagging feeling, and after mulling over it, now I think I’ve put my finger on it: the angels are too human, and as weird as it sounds, this doesn’t work too well for me with the connections created between the character. We’re introduced to a post-ap world in which angels have killed a lot of people, destroyed a lot of places, and are controlling most of what’s left (the uncontrolled areas being prey to gangs, random violence, and so on). So I guess I was expecting them to be fairly different, non-human, with blue and orange thinking and behaviour patterns—in other words, “the enemy we can’t relate to because he’s just too alien.”

When Raffe an Penryn meet, she doesn’t need that much time to behave around him as if he were another human being, and this didn’t make much sense in retrospect. (I understand her plans of keeping an eye on him because he may be the only link to her sister; but she still warmed up too easily.) Same with Raffe: too easily as well, he passed for a human being, he behaved in such ways that made other humans believe he was like them. I don’t know… I would’ve imagined something like that very difficult to achieve, for a being who’s as old as the world and is supposed not to mingle with those pesky monkeys.

Still, it would’ve worked if Raffe had been some kind of exception; it would’ve added another explanation to his being cast off. (Well, maybe he was the exception; I just couldn’t see it in the progressing plot.) Only the other angels also behaved in very human ways, even going as far as to mimic going to night clubs, living in hotels, and so on. That part just boggled my mind, to be honest. It felt disconnected. Just like how Raffe and Penryn got to connect so much. Travelling companions in hard times, and at some point budding friends? OK. But romance? Not so early, not yet.

A few other things I wasn’t sure of include Penryn’s sister (we barely get to connect with her in the beginning, so it’s a little hard to care), and how society seemed to quickly revert, in a mere weeks, to male-dominated structures. Women doing the laundry, being allowed into the aerie as cheap trophies and perhaps whores on display… It might make sense in some ways, but it’s still annoying, and you’d think that modern USA would’ve ended up a little different in that regard, especially with a lead female character who’re supposed to be trained in martial arts. (She doesn’t use those skills enough, in my opinion; go kick a few more faces, Penryn, they deserve it anyway.)

And so, I remain torn over what I’m thinking of this novel. I can’t say I didn’t like it, since I was entertainted. I guess it just made me go “what?” in too many parts.

View all my reviews

Yzabel / September 28, 2013

Review: The Fear Institute

The Fear Institute by Jonathan L. Howard

My rating: [rating=4]

Summary:

Johannes Cabal and his rather inexact powers of necromancy are back once more. This time, his talents are purchased by The Fear Institute as they hunt for the Phobic Animus – the embodiment of fear. The three Institute members, led by Cabal and his Silver Key, enter the Dreamlands and find themselves pursued by walking trees plagued with giant ticks, stone men that patrol the ruins of their castles, cats that feed on human flesh and phobias which torment and devastate. The intrepid explorers are killed off one by one as they traipse through this obfuscating and frustrating world, where history itself appears to alter. Cabal, annoyed that the quest is becoming increasingly heroic, finds himself alone with the Institute’s only remaining survivor, and after a shockingly violent experiment, begins to suspect that not everything is quite as it seems…

Review:

(I got an ARC of this book from NetGalley, in exchange for an honest review.)

I’ve only read the first novel in the “Johannes Cabal” series, and hope I haven’t missed on too much by tackling #3 without knowledge of the events in #2. But from what I saw, “The Institute of Fear” does well enough as a standalone book, with the occasional hints at Cabal’s past adventure(s) being easy enough to understand.

The crossover with H.P. Lovecraft’s worlds and creations was nicely done in my opinion—here, too, prior knowledge isn’t absolutely necessary, although the regular winks are, of course, best enjoyed when you know what they’re about. It is also a cause for a lot of deadpan humour, which is something I like. Johannes Cabal is the voice of cold, unfazed logics in a place (the Dreamlands) that is all but rational, and where everything is shaped according to people’s deeply rooted unconscious beliefs. For instance, cats. If enough people believe that cats are intelligent, cunning creatures, then cats in the Dreamlands are exactly that, and have to be treaded around carefully. Well, this is what happens at several moments, and the hapless three travellers who’ve come to seek Cabal as their guide are reminded of such facts on a regular basis.

The necromancer’s point of view is definitely one of sarcasm and dark humour: a protection for his charges, but also his own way of keeping fear at bay, for Fear (or rather, its physical incarnation) is what the adventurers are seeking here, in order to destroy it. Their journey is impeded by the strange, changing geography, monsters, dead beings, and various other elements pertaining either concepts of dreams or the lovecraftian corpus. It’s full of interesting ideas (the dreffs, the Moon slavers), and it seems there’s always something new to discover… and dread.

If anything, I’d say the pacing was a little unequal in places. But the tone of the narrative definitely made up for this in my opinion.