Yzabel / August 6, 2016

Review: Who Wants to be The Prince of Darkness?

Who Wants to be The Prince of Darkness?Who Wants to be The Prince of Darkness? by Michael Boatman

My rating: [rating=2]

Blurb:

Lucifer is enjoying his retirement in an obscure corner of Limbo when he learns of a plot by Gabriel, the current ruler of Hell, to use humanity’s greatest weapon against it – Television!

Cue the hottest reality game-show ever conceived: Who Wants To Be The Prince Of Darkness? Gabriel orchestrates an “Infernal takeover” of Earth by stealing unwitting mortal souls and sending them to a mostly empty Hell, hoping to reinvigorate the Infernal Realm.

Now Lucifer must find a living champion to seize control of Hell and free millions of stolen mortal souls before the theft becomes permanent. But who would ever want to be Hell’s champion?

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

Unfortunately, the blurb on this one is rather misleading, and I admit I was disappointed, as I ended up reading a story I hadn’t particularly wanted to read. To be more specific: I thought there’d be much more of a focus on the “Who Wants To Be The Prince Of Darkness” (PoD) TV show, as a major plot device and as a “battleground” of sorts—maybe the heroes would have to infiltrate the TV set, impersonate some existing participants to get in, do things from within… I don’t know, but something clearly linked to the show, especially with the latter’s host being who he was, and with the whole commentary about how reality shows can subdue people

Instead, the TV game was more of a backdrop, mentioned now and then, but not being THE set the blurb hinted at. The actual story is much more… straightforward? Not uninteresting per se, just not what I wanted to read about in the first place. I suppose I wouldn’t have minded if it had turned out to be really surprising, and not playing on traditional themes, on a more traditional form of conflict. (Powerful artefact gone from Hell, Lucifer’s former generals need it to come back, unwitting protagonist is thrown in there as a potential key to finding it, fighting some demons along the way, etc.)

There are funny moments in the novel, as it plays on tropes like the Self-Help Guru who thinks he’s the Chosen One, but turns out to be completely clueless. Maybe there weren’t enough of such moments, though, or rather, they tended to look like each other after awhile, if this makes sense in such a context. The mythos around the main plot is also a little confusing in its chronology and in how it all unfolds. Lucifer retiring as a mortal? Why not. However, it was difficult to reconcile Hell time and Earth time, as the former made it sound like all this happened centuries ago, and the latter revealing only a couple of decades went by. I got it, sure; only it was pretty confusing, and the inclusion of different narratives, one in first person, the others in third, didn’t make it easy at times.

As for the characters, they were OK, but nothing particularly interesting in the long run, although they had nice little quirks and background stories to build on. I think the one I preferred was Abby D; I just liked her presence, sort of, and what happened around her.

Yzabel / December 27, 2015

Review: Marked

Marked (The Soulseer Chronicles)Marked by Sue Tingey

My rating: [rating=1]

Blurb:

With no family and very few friends, Lucky’s psychic ability has always made her an outcast. The only person she can rely on is Kayla, the ghost girl who has been with her since she was born.

But Kayla is not all that she appears.

And when Lucky is visited by a demonic assassin with a message for her friend, she finds herself dragged into the Underlands – and the political fight for the daemon king’s throne.

Lucky, trapped in the daemon world, is determined to find her way home… until she finds herself caught between the charms of the Guardian Jamie, the charismatic Daemon of Death Jinx – and the lure of finding out who she really is.

Review:

[I received a copy of this novel through NetGalley, in exchange for an honest review.]

I almost gave up. But I don’t like not finishing a book I’m supposed to review, so I made an effort.

First reason is because I didn’t exactly get what I expected. When I got the novel, the blurb I read led me to believe the story would be focused on paranormal investigation. The actual story, though, is more of the paranormal/supernatural romance type, with very little investigating in it. Not saying this is bad per se, but I’m not a huge proponent of romance at the best of times, and this one, like many others should I say, just didn’t work.

For the record, this is the blurb I first read:

In a world filled with charlatans, Lucinda “Lucky” de Salle’s psychic ability has always made her an outcast, even as it has also made her a sought-after (if reluctant) investigator of paranormal phenomena. With no remaining family and very few friends, she has only one “person” she can rely on–Kayla, the ghost girl who has been her constant companion since she was born.

When Lucky is called in to investigate a spectral disturbance at the all-girls school she attended as a child, she isn’t surprised. She herself had had a terrifying confrontation with the troubled spirits of two girls who died in the attic room. But when Lucky goes up to the attic, she discovers that the vicious little girls are the least of the problem–a demon has been released into this world, a creature of such malevolence that even the spirits of the two girls are afraid. When the demon demands that Kayla be handed over to him, Lucky realizes that this case will be like no other she has ever experienced.

For one thing, it seems that her chatty, snarky spirit companion is not what she has always seemed to be…

Second reason is… the one that always makes me grit my teeth and feel like climbing up the curtains and scream: “Stop holding back information!” Typically goes as follows: Important Character finds him/herself in dangerous circumstances, and needs to tread on eggs; however, in order to properly tread on eggs, you obviously need background information—background information that other characters have, bur refuse to disclose for Some Reason, usually of the “you don’t want to know” or “don’t look” kind. Which is the best way of getting Important Character killed, or at least committing some Horrible Faux-Pas, but whatever, I guess we’re dealing with some Schrödinger’s Logics here.

So when half the book is filled with such inane moments, of course I’m bound to be annoyed. Lucky being a bit of a doormat in that regard, too easily allowing shifty characters to derail the conversation, didn’t help.

Third: Male Posturing. I am oh so fed up with all those hot sexy love interests immediately crapping out testosterone as soon as they end up in the same room. I can understand Lucky not wanting to be involved with guys if it’s meant to be like that all the time. Also the whole “now you bear my mark” thing, a.k.a “You’re Mine In Whatever Way I Choose, by the way I never asked your opinion before lumping this on you but it’s fine, right, I’m sure you don’t mind”. In a nutshell (I hate that expression so I’m going to use it just out of spite): doormat female character being treated like an item, and thrown under false pretenses in a world where women’s most prized value is to allow their future husbands access to positions of power (and then they can pop out kids, then get offed when they’ve outlived their usefulness).

And there you also have the plot, not making much sense, and without much happening. The last chapters became a little more interesting (although still with the whole let’s-be-sex-toys-together thing at moments when it just shouldn’t have been there); yet what led to it could probably have been avoided had Lucky been a little less dumb, and her “protectors” more forthcoming with what may be taking place behind the scenes and how to start playing the political game. Seriously, you don’t dump a person into such a situation “for your own safety”, then tell her “actually you’re in great danger here too”, then add “but I’m not going to explain to you how it works because Reasons.”

I’m afraid I’ll have to pass on the next one. Definitely not my thing.

Yzabel / August 27, 2015

Review: The Veil

The Veil (Devil's Isle, #1)The Veil by Chloe Neill

My rating: [rating=3]

Blurb:

Seven years ago, the Veil that separates humanity from what lies beyond was torn apart, and New Orleans was engulfed in a supernatural war. Now, those with paranormal powers have been confined in a walled community that humans call the District. Those who live there call it Devil’s Isle.

Claire Connolly is a good girl with a dangerous secret: she’s a Sensitive, a human endowed with magic that seeped through the Veil. Claire knows that revealing her skills would mean being confined to Devil’s Isle. Unfortunately, hiding her power has left her untrained and unfocused.

Liam Quinn knows from experience that magic makes monsters of the weak, and he has no time for a Sensitive with no control of her own strength. But when he sees Claire using her powers to save a human under attack—in full view of the French Quarter—Liam decides to bring her to Devil’s Isle and the teacher she needs, even though getting her out of his way isn’t the same as keeping her out of his head.

But when the Veil threatens to shatter completely, Claire and Liam must work together to stop it, or else New Orleans will burn…

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

I’ve only read the beginning of Neill’s Chicagoland Vampires series, so I’m far from beginning an expert when it comes to her writing. Nevertheless, I definitely wanted to lay my hand on the beginning of this new series, as the premise clearly looked interesting.

And it is, both when it comes to what’s going on in New Orleans itself as to what’s happening behind, let’s say, other scenes as well. On the one side, the humans, trying to eke out a living in a city they don’t want to give up on and leave because, well, it’s *their* city, Veil or not. Containment as well as a couple of private contractors and other bounty hunters do their best to keep in check the resident Paranormals, stranded here after the Veil between their respective worlds closed during the war a few years ago. But are the “Paras”, as they’re nicknamed, so evil and threatening, or simply beings who mourn the loss of their own home?

I liked that things weren’t so black and white as they seemed at first. The Devil’s Isle is both a prison and a refuge, a temporary (or maybe not so much temporary) home, where angels, demons, fae and other creatures have to remain, cut from their magic and forbidden to use what’s left of it. As for Containment, it’s a very ambiguous organisation in its own rights: protecting humans, sure, but perhaps not doing as much as they could and should do regarding certain things. These things being notably the wraiths, humans sensitive to magic, whose powers were awakened by the ripping of the Veil, and who turn into mindless killing monsters after a while because of that very energy they were never supposed to touch in the first place. So once captured, they get locked up in Devil’s Isle… just as normal, still-human Sensitives are as well. And since they’re not allowed to do magic, they can’t expel what’s in them, and so they turn to wraiths, and… Not good, not good.

Pretty interesting for me, with the promise of hidden agendas, potential turncoats, unveiling of secrets, more knowledge about what’s going on behind the Veil, and so on.

However, what didn’t make this a better read for me were the characters: they’re merely “OK”, with a budding romance between Liam and Claire that felt somehow… typical of a lot of urban fantasy novels, without the added chemistry that would make it more palatable. These characters in general aren’t bad, just mostly sketched out rather than filled in, and as a result, I didn’t care that much about them. No special repartee and witty dialogue, no one particularly rising above the lot, so to speak.

The novel also felt more like an introduction than a real story, with a lot of it devoted to setting up the backdrop. It was good for world-building, but less good when it came to the plot itself, whose resolution came too fast after a few chapters I generally found less interesting.

I rate this book between “it’s OK” and “I like it”. I’d kind of like to know what happens next, yet more because of what briefly appeared behind the Veil, of what’s going to happen with Containment, than because of the characters themselves. 2.5 stars, rounded up to 3 for now.

Yzabel / July 22, 2015

Review: The House of Shattered Wings

The House of Shattered WingsThe House of Shattered Wings by Aliette de Bodard

My rating: [rating=3]

Blurb:

In the late Twentieth Century, the streets of Paris are lined with haunted ruins. The Great Magicians’ War left a trail of devastation in its wake. The Grand Magasins have been reduced to piles of debris, Notre-Dame is a burnt-out shell, and the Seine has turned black with ashes and rubble and the remnants of the spells that tore the city apart. But those that survived still retain their irrepressible appetite for novelty and distraction, and The Great Houses still vie for dominion over France’s once grand capital.

Once the most powerful and formidable, House Silverspires now lies in disarray. Its magic is ailing; its founder, Morningstar, has been missing for decades; and now something from the shadows stalks its people inside their very own walls.

Within the House, three very different people must come together: a naive but powerful Fallen angel; an alchemist with a self-destructive addiction; and a resentful young man wielding spells of unknown origin. They may be Silverspires’ salvation—or the architects of its last, irreversible fall. And if Silverspires falls, so may the city itself.

Review:

[I received an ARC through NetGalley, in exchange for an honest review.]

I liked the premise, I really did—not to mention that theme of the broken, rotting throne at night against the backdrop of a ruined Paris. There’s something both sick and magical to such a city. The Seine river blackened and polluted by magic turned sour, horrors lurking in its waters. Gangs scrapping remnants in order to survive, Fallen angels being their favourite preys, preys that end stripped up of blood and bone and basically everything, for the power those organs can bring. Houses full of mages, Fallens and their dependents, vying for domination, yet also teetering on the brink of destruction, for the last large-scale conflict among them ended up being the 1914 war, the Great War nobody nor any place in the world seems to have recovered even 60 years later…

Yes. Definitely enchanting, in a morbid way. I couldn’t help but be fascinated by this charred landscape, by the sheer hopelessness permeating eveything and everyone, despite the pseudo-grandeur some of the characters tried to keep as their facade. Descriptions here worked pretty well for me, making it easy to create this picture of Paris in my mind, all the more because I’ve walked those places, the parvis of Notre-Dame, the Halles, and so on. The atmosphere was somewhat old-fashioned, in that people in the story clung to a world long gone by (far away colonies entangled in the War, displays from fashion stores back when everything was still gilded…), and a lot of names were really traditional French names (Ninon, Madeleine, Isabelle, Philippe…). Although, as a native French speaker, it was also somewhat weird to see those names associated to English ones like Silverspires or Morningstar; that’s a matter of language on my part, though, and not any fault of the book.

And no romance. There was no room for that here. The only “links” were of blood and curses and magic and slavery of sorts. No “souls destined to be together”. The relationship between Philippe and Isabelle definitely wasn’t born under the brightest star, so to speak.

The reason why I’m not rating this novel higher is because… I wanted more. The mystery, the curse, those were intriguing, but the balance between unveiling them, developing the characters and showing the world around them was regularly a bit off. I would have wanted to see more interaction between Philippe, Isabelle and Madeleine; see more about how they evolved, or rather, could have evolved as people. I expected to see more of House politics, of the complex webbing of alliances and betrayal and various other ways of pecking at each other. More about Philippe’s origins and what his presence in Paris meant, more questioning about immortality and fallen angels, perhaps? At times, I felt that all that was more akin to beating around the bush, and that a while elapsed with nothing really happening, neither in terms of events nor of character growth. That while would’ve been the perfect place to inject… well, “more”.

I was also not too convinced by some of the secondary characters, more specifically Selene. I expected more cunning on her part, as someone who had been playing the game of House politics for decades. As a Head of House, she wasn’t “older” than Asmodeus, yet the latter and his schemes hooked me much more, seemed more ruthless and thus believable. I got it, nobody could have equalled Morningstar, but…

All in all, this is still an “I liked it” book. Just not the “I’m in awe” story I had hoped for.

Yzabel / July 12, 2015

Review: Darkness Brutal

Darkness BrutalDarkness Brutal by Rachel A. Marks

My rating: [rating=2]

Blurb:

Aidan O’Linn’s childhood ended the night he saw a demon kill his mother and mark his sister, Ava, with Darkness. Since then, every three years the demons have returned to try to claim her. Living in the gritty, forgotten corners of Los Angeles, Aidan has managed to protect his sister, but he knows that even his powers to fight demons and speak dead languages won’t keep her safe for much longer.

In desperation, Aidan seeks out the help of Sid, the enigmatic leader of a group of teens who run LA Paranormal, an Internet reality show that fights demons and ghosts. In their company, Aidan believes he’s finally found a haven for Ava. But when he meets Kara, a broken girl who can spin a hypnotic web of passionate energy, he awakens powers he didn’t know he had―and unleashes a new era of war between the forces of Light and the forces of Darkness.

With the fate of humanity in his hands, can Aidan keep the Darkness at bay and accept his brilliant, terrifying destiny?

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

The beginning of this novel was interesting and full of promises, combining Aidan and his sister Ava being targetted by demons to a mysterious man, Sid, gathering gifted youth with abilities to see and/or touch the supernatural. Yet a few things definitely rubbed me the wrong way after a while.

Aidan as a character was fairly enjoyable. He’s had a hard life, but doesn’t spend his time whining about it, instead doing what he can to ensure his little sister, at least, gets something better (not just a foster family: also avoiding the death of said family). He’s a decent person all around, the kind of guy who’ll help a girl in danger and not take advantage of her in any way, or who’ll recognise that someone alluring and sexy may not necessarily mean “I want to have sex with you”. He perceived the frailty within Rebecca and Kara, that what they were doing was not necessarily their choice or to their liking, and openly stated that he didn’t want Kara to do something she wasn’t convinced of, all the more after what she had been through.

Kara had a somewhat annoying, twitchy side—going from one reaction to the complete opposite. On the other hand, she also used what she had been dealt in order to try and make things better. Scarred and tough at the same time, in the spirit of survival and of refusing to let her former life crush her.

I still don’t know what to think about the “romance”. There was attraction and manipulation, and I didn’t really feel much chemistry, considering that one girl was basically attracted because of supernatural reasons, and the other… as well?

A more prominent issue for me was how the story suffered of regular cases of ain’t-telling-you-nothing-itis. It’s not the first nor the last time I notice that in novels. Sure, some information needs to be kept hidden, because disclosing everything at once is a) overwhelming and b) not really interesting. However, I don’t like it when it feels that the revealing of said information is artificially pushed back as far as possible in order to create confusion as a plot device. The “I’m not telling you in order to protect you” and “I’m keeping this secret, surely it won’t cause trouble for everyone later” kind. Aidan demanded information, while withdrawing important info of his own. Ava kept to herself and did things behind her brother’s back, instead of talking to him and maybe, just maybe, trying to find a third way to solve their issues. Sid was annoying as well in that regard, as he knew or at least suspected a lot of important stuff about Aidan, yet postponed its revealing, only to act later along the lines of “you have to listen to me because it’s absolutely crucial you act accordingly, wait, why don’t you want to listen to me now, is it maybe because you’ve become fed up with waiting?”

Granted, Aidan not wanting to tell the truth about Ava, nor about his reasons to bring her with him, was understandable. But other happenings could’ve been avoided if only the characters in general had been more open about some things. All those hidden agendas didn’t make for a good ground for budding trust, and in turn, it made things go the wrong way. A wrong way which was easy to foresee as a device.

I wasn’t sold either on the biblical/Babylonian/seers stuff. It seemed to pop out of nowhere, and not to be very well integrated within the general “mythology” of the urban fantasy world developed here. While reading, I had a feeling that its purpose was to make the usual angels/demons backdrop different, without really succeeding.

2.5 stars. Overall, there were good ideas in here, but all the beating around the bush was a little too much for me to stomach.

Yzabel / May 23, 2015

Review: The Devil’s Detective

The Devil's Detective: A NovelThe Devil’s Detective: A Novel by Simon Kurt Unsworth

My rating: [rating=3]

Blurb:

Welcome to hell…

…where skinless demons patrol the lakes and the waves of Limbo wash against the outer walls, while the souls of the Damned float on their surface, waiting to be collected.

When an unidentified, brutalised body is discovered, the case is assigned to Thomas Fool, one of Hell’s detectives, known as ‘Information Men’. But how do you investigate a murder where death is commonplace and everyone is guilty of something?

Review:

(I received a copy through NetGalley, in exchange for an honest review.)

First thing first: if you’re looking for nice things, Happy Ever Afters and something else than bleak prospects, this is not the book for you. But the fact it’s set in Hell, only in Hell and nowhere else, makes this fact kind of obvious anyway.

Thomas Fool is one of Hell’s few “Information Men”, meant to investigate crimes yet knowing that whatever the outcome, it won’t matter. Whether murderers get punished or not doesn’t matter, whether people die or not doesn’t matter—it’s Hell, and it’s nonsense, and the whole nonsense of it bears down upon every inhabitant, even the demons themselves. There are rules to follow, and all of Hell’s prisoners do, in the flimsy hope of being Elevated someday, freed and sent to Heaven, following a process of selection whose rules themselves are all but logical. Joy and hope? Of course there is: so that they can be better quashed.

It was sometimes a little difficult to make up my mind about this novel, as some of its defects also contribute to making its strengths. The characters in general are sort of bleak, unremarkable, lost within an investigation that doesn’t really seem important, like puppets stringed around while being totally aware of what they are. It was somewhat tedious at times, yet it fit pretty well into the Hell setting, into its “why bother” atmosphere. I would not necessarily care for what happened to whom, yet at the same time, I did, because it reinforced the feeling of a twisted structure here. (I was peeved however at the women’s roles: they were either absent/in the background or clearly too stupid to live anyway.)

Hell’s descriptions were vivid and made it easy to picture what Fool and his partners had to go through, as gruesome and malevolent as both places and inhabitants were. In the beginning, I expected more; later, it didn’t feel so important, as what was described became enough for me to form my own vision of Hell, and adding more would’ve actually been too much.

Dialogues were definitely of the weak sort, especially because of the various repetitions and name-dropping. For instance, one character kept calling Fool “Thomas” several times in the span of a few sentences only, and this happened more than just once of twice. Fool’s and some others’ lines were also often reduced to “Yes” or “No”, and those became quickly annoying.

Another issue: guessing who the perp was. Way, way too easy. It made sense fairly early in the novel, and it was equally annoying to see Fool & Co not doing the math. Granted, their investigations often fell into the “Did Not Investigate” category (Hell made it so that it was pointless for them to investigate most crimes in general), and I guess one could say they weren’t “used” to doing it, but… It was still annoying when Fool openly admitted to himself not understanding something that should’ve been obvious.

2.5 stars for the depiction of Hell, and how the story made clear that pointlessness, twisted logices and bleak surroundings can be turned into something as terrible as fiery pits and physical pain. The reader doesn’t get hammered with God and Satan, and has to make their own idea of whether this would truly be a kind of Hell for them. As an investigation/mystery type of story, though, or in terms of interesting characters, it didn’t work well.

Yzabel / May 4, 2015

Review: Black Dog

Black Dog: Hellhound ChroniclesBlack Dog: Hellhound Chronicles by Caitlin Kittredge

My rating: [rating=2]

Blurb:

Ava has spent the last hundred years as a hellhound, the indentured servant of a reaper who hunts errant souls and sends them to Hell. When a human necromancer convinces her to steal her reaper’s scythe, Ava incurs the wrath of the demon Lilith, her reaper’s boss.

As punishment for her transgression, Lilith orders Ava to track down the last soul in her reaper’s ledger… or die trying.

But after a hundred years of servitude, it’s time for payback. And Hell hath no fury like an avenging Ava…

Review:

(I got an ARC of this book from the publisher through Edelweiss, in exchange for an honest review.)

Interesting setting, but ultimately the characters didn’t keep me invested enough in the story. I wasn’t sure at first why; in the end, I think it was because they were presented as badass, did have an etremely badass-y potential, yet didn’t make enough use of this potential.

The good thing was that it made them vulnerable, more human, not the kind of characters who win all the time and tear through their enemies like there’s no tomorrow. Ava had a painful past, was abused and betrayed, and this makes it quite ironical that she ended up as a hound, expected to show the loyalty that was never really shown to her when she was alive.

On the other hand, there were also several moments when they were too weak, didn’t see through their enemies’ ploys, ended up in dire situations because they hadn’t been careful enough (though they knew they should have been)… Here’s a Hellhound and a warlock who keep being on the wrong end of the stick, being the underdogs (pun intended), and it’s not something I had expected from them. Obstacles and trials? Sure… Only not with such similar endings (character gets into problems, gets beaten up, blacks out, wakes up in an unknown room with someone who may or may not be an enemy…). This was all the more annoying with Ava, who’s supposed to be close to a century old, and not just a budding Hellpuppy. Ava who keeps making wrong decision after wrong decision. You’d think she’d learn.  (Also, akward sex scene out of nowhere.)

The setting itself was OK, with elements that could easily be used and developed later again: Leo’s father and his thugs; what happened in Hell; whether Ava will be really free or not; the way boundaries aren’t so well-defined when it comes to demons and angels, as being a meanie isn’t limited to “the bad guys”… There’s potential here as well, including vampires and shifters— not the most original I’ve ever seen, but not the cheesiest either. And necromancers. Shall I state once again how partial I am to necromancy?

Good ideas in general. My main beef with the book were the characters, whom I mostly found unremarkable, when they should have been.

Yzabel / November 23, 2014

Review: Unborn

Unborn (Unborn series)Unborn by Amber Lynn Natusch

My rating: [rating=1]

Summary:

Born into mystery. Shackled to darkness…

Khara has spent centuries discovering everything about the Underworld―except her place in it. But when she’s ripped from her home, solving the riddle of her origins becomes more important than ever. With evil stalking her through the dark alleys of Detroit, she finds salvation from an unlikely source: a group of immortal warriors sworn to protect the city. Khara needs their help to unravel the tangled secrets of who and what she is—secrets many seem willing to kill for. But time is running out, and the closer she gets to the truth, the closer necessity binds her to an arrogant fallen angel.

Can their shaky alliance withstand that which threatens her, or will her soul fall victim to the unholy forces that hunt her―those that seek the Unborn?

Review:

(I got a copy courtesy of NetGalley, in exchange for an honest review.)

I shall be honest and say that I was one inch from DNFing this one. About four or five times. I trudged on because I felt I owed the book a review, since I had requested it, but I just can’t recommend it. Instead, I shall thank the local bus system and this past week’s early work shift, because they provided me with reading time at something-too-early AM, which made itall the more bearable.

I seriously wanted to like this. Roots in Greek mythology. A ward of Hades, snatched from the Underworld. The idea behind the treaty between Hades and Demeter, providing an interesting diplomatic explanation to Persephone being allowed to go back to her mother for six months every year. Khara’s origins, being the daughter of a kickass god, in spite of his usual shortcomings. Well, grantd, Detroit was kind of cliché—it seems like the Bleak City of Bleakiness of Doom for anything horror or supernatural—but hey, whatever, as long as it works!

Only it didn’t.

My very first gripe, and unfortunately one that lasted for the whole novel, was Khara’s narrative style, which I can only decribe as stilted and “trying too hard”:

Our destination was on the far side of the mob before us, and I cringed at the thought of having to navigate through them all, their sweaty stench already offending me from where I stood. Without time to relay those concerns to Kierson, he took my hand and pulled me behind him as he cut his way through the mass with ease. Though I was loath to admit it, there was something strangely appealing being surrounded by the dancing horde, swallowed up in their debauchery. I had not expected to find it so amenable.

I’ll acknowledge it tried to stray from basic, bland prose (because a book is urban fantasy, paranormal, young adult, etc. doesn’t mean its writing has to be dumbed down, for sure). However, by doing so, it achieved the contrary, making everything feel heavy-handed—all the more because dialogues, too, were in the same style. All the characters spoke in very similar ways, at odds with their surroundings, their usual places of dwelling, the kind of lifestyle they lived. I just can’t envision any son of Ares speaking like this:

“No,” Drew replied with an ounce of hesitation. “I have made the decision to hold off on that for now. He has his hands full out east. I see no reason to burden him with this as well, especially when there is nothing to report other than her existence. What he is dealing with has potentially far more disastrous implications than learning he has a sister. I do not think he needs a distraction to derail his focus.”

And Khara’s narrative remained like this all the time, even during fight scenes. So maybe, just maybe, her upbringing in the Underworld would have made her a wee mite uptight, but… No, not even that would really justify it.

I also couldn’t bring myself to care for Khara. Making her the a daughter of a war deity could at least have warranted a few nice traits. Natural ability for fighting, a mind cut for strategy, being world champion at chess… Whatever. But mostly, she remained passive and useless, observing everything, barely feeling a thing (well, that’s how her narrative made me feel, that is). The girl standing in the middle, the one that has to be protected and saved because she barely fends for herself, in spite of claiming she has spent centuries in the Underworld surviving her lot of blows. The one all the guys around fight for—thankfully not as a love polygon, since most of them are her brothers, but they still came off as “you’re the girl and so you stay here and when we tell you not to move, you don’t move.” She alleges her ability might actually be to “stay out of trouble”. Then here’s what she does:

“Stay close, and always behind me.”
[…]
I walked toward the voices, wanting to see just how the situation would play out. Would whatever creature Kierson pursued let her go, or would he face the wrath of my brother? Furthermore, I had a strange desire building within me that demanded to see just what the assailant was. I had not seen the evil that I had been so constantly told of since meeting Drew and the others. Curiosity got the better of me.
Just as I rounded a thick concrete pillar, I could see the three of them, though light was still scarce. A thin and sickly looking man held the young girl, her face cupped in his hands, mouths nearly touching. The second I stepped into view, his hollow, empty eyes snapped directly to me.
And they never left.

Excuse me for not quite believing that, Khara. Also, for questioning centuries’ worth of understanding ability:

“You are not going anywhere, especially not until we know more about why you came here in the first place. […] If you’re finally feeling rested, you should join us.”
“But you said to stay right where I am…”
He laughed heartily.
“Not literally right where you are. I meant I would feel better if you stayed with us.”

I just… I just can’t. Sorry.

I’m not even going to touch the romance here; no chemistry whatsoever between Khara the Bland and typical Tall, Dark and Dangerous Guy. Or how the psychopath who’s been trying to own Khara for centuries is brushed aside as a threat from the beginning, before someone finally starts to remember that maybe, just maybe, he should be kept in their computations. You know, just in case.

This novel was definitely not for me.

Yzabel / November 30, 2013

Review: Angelfall

Angelfall (Penryn & the End of Days, #1)Angelfall by Susan Ee

My rating [rating=2]

Summary:

It’s been six weeks since angels of the apocalypse descended to demolish the modern world. Street gangs rule the day while fear and superstition rule the night. When warrior angels fly away with a helpless little girl, her seventeen-year-old sister Penryn will do anything to get her back.

Anything, including making a deal with an enemy angel.

Raffe is a warrior who lies broken and wingless on the street. After eons of fighting his own battles, he finds himself being rescued from a desperate situation by a half-starved teenage girl.

Traveling through a dark and twisted Northern California, they have only each other to rely on for survival. Together, they journey toward the angels’ stronghold in San Francisco where she’ll risk everything to rescue her sister and he’ll put himself at the mercy of his greatest enemies for the chance to be made whole again.

Review:

I’ve thought about this book some more, and still can’t decide if I want to give it a 2 or 3 stars rating.

See, all things considered, it was an easy, entertaining read for me, and I can’t decently blame the book for delivering what I expected from it. Its setting is intriguing, and gives us to see that there’s more, much more, lurking behind the scenes. I liked the darker side, the experiments, the fact that the highest among the angels were far from being all white. What they did to children was horrific, and I must say, I appreciate when an author is gutsy enough to write about such doings and let us work our minds around what the ones behind them are trying to achieve. Nothing can be solved nor explained in just a few chapters here, and I like it when I know things can go deeper.

But can they? I don’t know. While reading “Angelfall”, I couldn’t shake off a nagging feeling, and after mulling over it, now I think I’ve put my finger on it: the angels are too human, and as weird as it sounds, this doesn’t work too well for me with the connections created between the character. We’re introduced to a post-ap world in which angels have killed a lot of people, destroyed a lot of places, and are controlling most of what’s left (the uncontrolled areas being prey to gangs, random violence, and so on). So I guess I was expecting them to be fairly different, non-human, with blue and orange thinking and behaviour patterns—in other words, “the enemy we can’t relate to because he’s just too alien.”

When Raffe an Penryn meet, she doesn’t need that much time to behave around him as if he were another human being, and this didn’t make much sense in retrospect. (I understand her plans of keeping an eye on him because he may be the only link to her sister; but she still warmed up too easily.) Same with Raffe: too easily as well, he passed for a human being, he behaved in such ways that made other humans believe he was like them. I don’t know… I would’ve imagined something like that very difficult to achieve, for a being who’s as old as the world and is supposed not to mingle with those pesky monkeys.

Still, it would’ve worked if Raffe had been some kind of exception; it would’ve added another explanation to his being cast off. (Well, maybe he was the exception; I just couldn’t see it in the progressing plot.) Only the other angels also behaved in very human ways, even going as far as to mimic going to night clubs, living in hotels, and so on. That part just boggled my mind, to be honest. It felt disconnected. Just like how Raffe and Penryn got to connect so much. Travelling companions in hard times, and at some point budding friends? OK. But romance? Not so early, not yet.

A few other things I wasn’t sure of include Penryn’s sister (we barely get to connect with her in the beginning, so it’s a little hard to care), and how society seemed to quickly revert, in a mere weeks, to male-dominated structures. Women doing the laundry, being allowed into the aerie as cheap trophies and perhaps whores on display… It might make sense in some ways, but it’s still annoying, and you’d think that modern USA would’ve ended up a little different in that regard, especially with a lead female character who’re supposed to be trained in martial arts. (She doesn’t use those skills enough, in my opinion; go kick a few more faces, Penryn, they deserve it anyway.)

And so, I remain torn over what I’m thinking of this novel. I can’t say I didn’t like it, since I was entertainted. I guess it just made me go “what?” in too many parts.

View all my reviews

Yzabel / December 30, 2012

Review: Becoming

Becoming (Daughters Of Saraqael, #1)Becoming by Raine Thomas

My rating: [rating=1]

Summary:

Every three years, Amber Hopkins explodes. Okay, not a blown-to-smithereens explosion, but whatever it is always hurts like hell and leaves her life a shambles. She’s already worked her way through five foster placements, and she’s doing whatever she can to avoid getting blasted into a sixth.

As her eighteenth birthday approaches and she feels the strange and powerful energy building, disaster looms. When the inevitable explosion occurs, her life gets its biggest shakeup yet. She’ll not only learn how her fellow foster and best friend, Gabriel, really feels about her, but she’ll discover that she isn’t really without family.

To top it all off, she’ll finally find out why she’s having the power surges: she isn’t entirely human.

Amber must Become, transitioning to another plane of existence and risking the loss of the most important relationship she’s ever had. Her choice will impact the future of an entire race of beings, and will pit her against an enemy that will prey upon her doubt to try and take her very life.

Kind of makes the explosions now seem like a cakewalk.

Review:

I first picked this book because of its cover and somewhat intriguing blurb, not to mention that I’m always up for discovering new authors (published or indie–there are real gems in indie too); but now I’m not so sure what to make of it. I can’t exactly say that I didn’t like it at all, only it doesn’t completely reach the “it was OK” mark for me either.

I think I would have liked it if the story had been closer to what the blurb got me to think. “Every three years, Amber Hopkins explode” would have made up for an excellent in medias res beginning, something that would have prompted the action and then the revelations in an interesting way. Unfortunately, things dragged for too long. Although the romance between Amber and Gabriel was sweet and beautiful, there was too much time wasted in everyday little things, what each character is wearing, and this goes on until the end of the book. The ‘bad guys’ really started intervening some 30 pages before the end, which came too late to my tastes–I’d have appreciated seeing more action from them, especially since the girls were told they were in danger in the human world too. I never really felt the pressure they were supposed to enact.

I found most of the characters hard to relate to, and rather cliché too. Some were just too perfect (Amber, Gabriel), some too detached (granted, it’s a cultural trait), and mostly who they are was told rather than shown (there’s actually a chapter in which the girls’ strong points and shortcomings are described in front of a crowd…). The villains looked cardboard-like, maybe because they didn’t get much screen time, so to speak, which doesn’t usually make for strong development. Add to this a definite feeling of mary-sueness: everyone gets eyes that change colours, wings, super long hair for some, powers, strength… and accepts all of this a tad bit too quickly. By that point, I was rolling my eyes, I admit.

The Estilorian society had its interesting sides, and I liked the idea of how they developed parallel to humans, offering another explanation to the ‘gods’ and ‘demi-gods’ that were said to walk the Earth in times of old. I only regret that their tribal/caste/groups organization was a little too complicated to grasp all in one go, and might have been better kept to 3 or 4 groups only. Even by the end, I couldn’t tell who was supposed to do what and why they were in that specific group. Unfortunately, some things here also added inconsistencies to the book. For instance, the Mercesti were mentioned, they seemed to be a class of their own; then they were simply those who wanted the sisters killed; and then they wanted to recruit them (so what happened to the “kill the half-bloods because our blood must remain pure”?). There were also a few instances where I wasn’t sure where the whole Estilorian society was supposed to stand: though they had many angel-like traits, what I appreciated was that they *weren’t* angels, yet later there’s mention of a sword cursed in Hell, which throws an angels/demons manichean veil over the whole thing.

As for the ending, it didn’t do for me. Too cheesy and cliché to my tastes.