Yzabel / June 28, 2019

Review: Quantum Convention

Quantum Convention (Katherine Anne Porter Prize in Short Fiction Book 17)Quantum Convention by Eric Schlich
My rating:  [usr 2.5]

Blurb:

“Quantum Convention”’s eight genre-bending stories balance precariously between reality and fantasy, the suburban and the magical, the quotidian and the strange. Caught at a crossroads in his marriage, a high school teacher attends a parallel universe convention, where he meets his multiple selves and explores the alternate paths of life’s what-ifs. The story of Margaret Hamilton, the actress who played the Wicked Witch of the West, parallels the coming of age of a cross-dressing boy whose crisis of identity is tied to The Wizard of Oz. Other stories feature characters labeled as “outcasts” by society—whether physically, morally, or fantastically: an alcoholic lucid dreamer, a closeted bisexual, a bachelor time-epileptic, orphans-turned-keeners, a vengeful banshee, a nerdy cyclops, and more. Many struggle to find what Dorothy and her entourage searched for: the wisdom to trust or discount their faith; the ability of the emotionally detached to love; the courage to speak up for oneself; a place to belong.

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

As with every collection of short stories in general, some in this book were spot on, and some didn’t touch me much.

I enjoyed how relatable the stories were: the characters, their actions, their past, their motivations were altogether very human and understandable. It was easy to empathize with Lyssa’s fear of ending up left all alone, or with Owen’s desperate desire to go out and meet other people. Their themes were food for thought, the kind that will lead to introspection and wondering, and there would be a lot to say about those afterwards as well.

On the other hand, most of the stories left me with a feeling of lack, as if something undefinable was missing from them. I think I was expecting more of a punchline, something to let me know that the narrative was over and that now I could think about it on my own, but instead of that, it seemed that the thread was cut short, almost as if someone had stopped talking in the middle of a sentence. Why I wouldn’t mind filling in the blanks, and while I do enjoy open endings, whatever the length of the story, here, it was more jarring than thought-provoking. Almost every time, I got thrown out of my reading, wondering “and…?” As if the author didn’t know how to wrap it up, and so just left it there. Or maybe there was something to get, and I just didn’t get it. Hard to tell.

Conclusion: A quick and enjoyable read, but one that felt unachieved to me (eight times).

Yzabel / May 29, 2017

Review: Upside Down

Upside Down: Inverted Tropes in StorytellingUpside Down: Inverted Tropes in Storytelling by Monica Valentinelli

My rating: [rating=4]

Blurb:

Upside Down: Inverted Tropes in Storytelling is an anthology of short stories, poetry, and essays edited by Monica Valentinelli and Jaym Gates. Over two dozen authors, ranging from NYT-bestsellers and award winners to debut writers, chose a tired trope or cliche to challenge and surprise readers through their work.

Read stories inspired by tropes such as the Chainmaille Bikini, Love at First Sight, Damsels in Distress, Yellow Peril, The Black Man Dies First, The Villain Had a Crappy Childhood, The Singularity Will Cause the Apocalypse, and many more…then discover what these tropes mean to each author to find out what inspired them.

Review:

[I received a copy of this book through NetGalley.]

3.5/4 stars; I liked quite a few of these short stories, none of them made me roll my eyes, and to be fair, the essays at the end of the book were also quite interesting.

My favourites:

* “Single, Singularity”: While it doesn’t really invert the trope it’s based on, I’m a sucker for AI stories, and this one was both thrilling, and chilling in its ending.

* “Seeking Truth”: The ‘blind psychic’ trope, subverted in that here, the blind person is extremely skilled at reading other people, no need for special powers for that.

* “Can You Tell Me How to Get to Paprika Place?”: A mix of Sesame Stree-like TV shows and jaded ex-super soldiers trying to go home. Very nostalgic, perhaps a wee bit long, but a good read nonetheless.

* “Chosen”: A comic twist on ‘the Chosen’, with jabs at tropes like the gun-toting weapons maniac, the Buffy-like teenager fighting demons, and pedantic occultist scholar. This one was really fun.

* “The White Dragon”: A different take on the ‘yellow peril’, in a 1920s San Francisco (also, I liked revisiting that city in such a light, now that I’ve finally been able to actually travel there).

* “Her Curse, How Gently It Comes Undone”: The Witch and the Damsel In Distress, poised against each other, each with their wiles and strengths, and with the story playing on the trope of men rescuing the Damsel… only they’re not the right people to do the job.

* “Burning Bright”: I really liked the main character here, just the right mix of slightly hinged and yet fairly grounded at the same time.

* “Santa CIS (Episode 1: No Saint)”: This story plays well on both the Santa Claus/Christmas and ‘old soldier goes back to war’ tropes.

* “The First Blood of Poppy Dupree”: At first I thought this would be about werewolves, and it turned out it was something else, which I liked.

* “Until There is Only Hunger”: A strong story, with a definite end-of-the-world feeling, dwindling hope mixed with growing despair, and characters trying to find whatever comfort they can, although this rings more and more hollow. Bonus point for characters not being typical cis/hetero/white.

* “Drafty as a Chain Mail Bikini”: I suspected where this one was going, but I liked it, and it made me laugh.

* “The Tangled Web”: Love at first sight and romance woes… but not among humans, which lent a different dimension to this story.

The essays: definitely read those. They deal with the Hero’s Journey, its limitations, the Heroine’s Journey, its limitations as well, and push further, when it comes to trans and gay/lesbian heroes, which is really needed. Because let’s be honest: it’s already difficult to find a good story where a woman is not reduced to accomplishment = family/motherhood/taking care of others, but it’s even worse when you’re non-binary.

Yzabel / March 1, 2017

Review: Cyber World

Cyber World: Tales of Humanity's TomorrowCyber World: Tales of Humanity’s Tomorrow by Jason Heller

My rating: 3 of 5 stars

Blurb:

Cybernetics. Neuroscience. Nanotechnology. Genetic engineering. Hacktivism. Transhumanism. The world of tomorrow is already here, and the technological changes we all face have inspired a new wave of stories to address our fears, hopes, dreams, and desires as Homo sapiens evolve—or not—into their next incarnation. Cyber World presents diverse tales of humanity’s tomorrow, as told by some of today’s most gripping science fiction visionaries.

Review:

[I received an e-copy of this book through NetGalley.]

A collection of short stories with virtual reality, AI and technology themes in general. Despite the ‘cyberpunk’ flair, I agree with the curators: it’s not so much cyberpunk in its original meaning, as dealing with various ideas that fit our current societies more than the ‘old cyberpunk’ feeling.

* “Serenade:” 3/5

A hacker decrypting data on an old USB sticks realises that said data is not about future useful information, but memories.

* “The Mighty Phin:” 3/5

In a prison ship controlled by an AI, not everything is as it looks, and truth may be more difficult to stomach than the characters think at first. Bit of an abrupt ending, though, when I think about how it could’ve been more developed.

* “Reactions:” 3/5

What a drone pilot pumped up on battle drugs goes through when the operation he’s on is suddenly cancelled… but not what’s still lingering in his organism. I found it interesting, although, like the story before it, I’d have liked some more development (especially regarding the soldier’s decision to break his family).

* “The Bees of Kiribati:” 5/5

Chilling because even though this doesn’t exist (yet), the principles behind the murders in this story could very well be applied in other ways. It also raises the old but still accurate ethical question: would you kill a few people, even babies, if it meant being able to save many more?

* “The Rest Between Two Notes:” 2/3

Promising theme (a teenager killing her mother repeatedly in virtual reality), but I found the plot too muddled in places. The resolution brought at the end wasn’t too clear–I wouldn’t mind in a novel, but in short stories it’s another matter.

* “The Singularity is In Your Hair:” 5/5

Touching and horrible. A girl suffering from a degenerative disease, who can only experience living through virtual reality, performs jobs and meets people thanks to an AI who may or may not be so benevolent. The promise of one day being fully uploaded to virtual space, and leaving the meat behind instead of facing the prospect of her impending death, keep her going. And she desperately hopes this will come true sooner than later.

* “Panic City:” 5/5

In an underground city that is both a refuge and a prison, people have been living for generations following models and using technology that are gradually failing. When something threatens to break an opening into this ‘homeostatic’ environment, the AI controlling the city has to make a decision: is their original programming really ideal in this case?

* “The Faithful Soldier, Prompted:” 4/5

A veteran from corporate wars receives prompts on his augmented reality system, even though the war is over. While such defective prompts are known to be useless, and should be discarded, these seem different… and so he follows them, desperate in his hopes that the rewards will save the woman he loves. I liked the writing here–even the prompts sounded poetic.

* “Your Bones Will Not Be Unknown:” 4/5

An assassin is sent to kill a rival boss, knowing full well there are little chances of success here. But what the boss has in mind for them is not necessarily death, and could even actually be a gift.

* “Staunch:” 2/5

A group of kids-hackers-rebels, led by a doctor who used to be part of a legendary team, travel through what’s left of the UK to save the life of one of their own. Though the plot itself was a bit weak, I liked the technological problems used in it (replacement organs shutting down if the firmware’s outdated or the copyright has changed hands, etc.)—definitely freaky.

* “Other People’s Thoughts:” 2/5

About empathy, telepathic powers and gender fluidity. Good themes, and I would’ve loved actually liking the story, but it was more descriptive than actual plot, and I found it too weak to hold my interest.

* “WISYOMG:” 1/5

Almost skipped that one. The style and character weren’t appealing, and I’m still not sure what was the idea. Warning people against body mods and fads? It was hard to follow, so I’m really not sure.

* “We Will Take Care of Our Own:” 2/5

Of corrupt politicians and corporations trying to make money by officially solving problems, and officiously sweeping them under the carpet. Again, good theme, especially since the politician has a skeleton of her own in the closet, but in terms of plot and development, it wasn’t strong nor long enough.

* “A Song Transmuted:” 3/5

A young musician comes up with a new concept to be music, rather than simply playing it—spurred by her relationship with her grandfather, his way of encouraging her to meet other people and play music with her, and this in spite of a dishonest colleague stealing her idea. Good, though not groundbreaking.

* “It’s Only Words:” 2/5

A sort of neo-Luddite theme, of a boy writing his school project on paper when everybody else is constantly connected to the web and not doing anything in an “analogue” way anymore. I’m not sure where this story was going, though: I felt that something was missing, that the point wasn’t strongly made enough at the end, because nothing really changes, and the people targetted may not even have understood what was happening?

* “Small Offerings:” 5/5

Horrific but fascinating. A story about the means that may be necessary, in a future and over-polluted world, for people to carry healthy children to term, by sacrificing others.

* “Darkout:” 2/5

Good build-up to something bigger, in a society where everybody’s living under the camera’s eye… but the end just fell flat, and nothing really happened.

* “Visible Damage:” 3/5

A hacker goes on the trail of a nascent AI, in the hopes of finding it before everyone else obliterates it. Interesting, but a bit confusing.

* “The Ibex on the Day of Extinction:” 4/5

A man far from his family comes home to find everybody and everything gone—no GPS, no radio, no internet, and only empty clothes left behind.
I kind of suspected what had happened early on. Still, I liked this story. Sometimes all I need is for the conclusion to vindicate what I’m already thinking.

* “How Nothing Happens:” 1/5

Kind of what it says on the tin? I get the basic idea, but the way it was developed didn’t grab my attention.

Yzabel / February 20, 2017

Review: Invisible Planets

Invisible Planets: Contemporary Chinese Science Fiction in TranslationInvisible Planets: Contemporary Chinese Science Fiction in Translation by Ken Liu

My rating: [rating=3]

Blurb:

Award-winning translator and author Ken Liu presents a collection of short speculative fiction from China. Some stories have won awards; some have been included in various ‘Year’s Best’ anthologies; some have been well reviewed by critics and readers; and some are simply Ken’s personal favorites. Many of the authors collected here (with the obvious exception of Liu Cixin) belong to the younger generation of ‘rising stars’.

In addition, three essays at the end of the book explore Chinese science fiction. Liu Cixin’s essay, The Worst of All Possible Universes and The Best of All Possible Earths, gives a historical overview of SF in China and situates his own rise to prominence as the premier Chinese author within that context. Chen Qiufan’s The Torn Generation gives the view of a younger generation of authors trying to come to terms with the tumultuous transformations around them. Finally, Xia Jia, who holds the first Ph.D. issued for the study of Chinese SF, asks What Makes Chinese Science Fiction Chinese?.

 

Review:

[I received a copy of this book through NetGalley.]

An interesting collection of science-fiction stories by Chinese authors—I didn’t like all of them, but none was particularly bad either, and the themes and places they dealt with offered different perspectives on what I’m used to see throug a more “westernised” prism. I found both similarities and differences gathered here, making those stories familiar in parts, and a journey in unknown territories in others.

“The Year of the Rat”: 3/5
Quite creepy in its theme (students without much of a job prospect are enlisted to fight mutant rats whose intelligence and abilities may be more than meet the eye), and in its conclusion, although I would’ve appreciated a bit more insight in the exact reasons why the whole situation turned like that.

“The Fish of Lijiang”: 3/5
By the same author, and another take on a society where freedom is only an illusion, where everybody and everything is at their designed place.

“The Flower of Shazui:” 2/5
An ex-engineer who fled his designated area tries to help a prostitute whose desires aren’t necessarily in check with her partner’s. Still interesting, but less exciting?

“A Hundred Ghosts Parade Tonight”: 4/5
The author later mentioned a few inspirations for this story, and I agree, for I could feel them (especially the Miyazaki-like tones of a district/street full of “ghosts”, souls in robot bodies gradually getting discarded). I really liked the atmosphere in this one, and the sad ending was pretty fitting.

“Tongtong’s Summer”: 4/5
I read this one in another anthology already, but I liked it the second time round as well. Caretakers operate robots remotely in order to help elder people, and their increased role in society gives birth to other issues, but also to great hopes for a generation that, all in all, has still a lot to bring to the world. The characters were also attaching.

“Night Journey of the Dragon Horse”: 2/5
A mechanical dragon and a bat go on a journey to bring back light to a dead world. Beautiful, but unfortunately a little boring.

“The City of Silence”: 5/5
In a world become one State, what happens when so many words are forbidden that communicating becomes impossible?
Very chilling, because the way this State evolved is, in fact, extremely logical and cunning.

“Invisible Planets”: 3/5
Glimpses into little worlds. I wouldn’t mind seeing some of them explored more in depth… and at the same time, I feel they wouldn’t have the same impact anymore if this was done? Very strange.

“Folding Beijing”: 2/5
A city living in three different spaces, each alloted its own time of the day, and with inhabitants forbidden to cross from one space to the other. Which the main character wants to do, of course. Also interesting, however I felt the ending didn’t have much of an impact on me. I kept expecting something more… dramatic?

“Call Girl”: 3/5
The call girl’s wares are fairly interesting here. I would’ve liked some more background about them, how she came to be able to provide such services.

“Grave of the Fireflies”: 2/5
Loved the atmosphere, this rush through the stars to escape a dying universe, guided by the last queen of mankind… However the story itself felt too short and rushed.

“The Circle”: 4/5
I could see where this one was going from the moment the gates were introduced, and I wasn’t disappointed. I definitely liked how it was all brought.

“Taking care of God”: 4/5
Depressing in a way, but dealing with a theme that I’d deem definitely different from my own ‘western’ vision, with taking care of one’s parents and elders being part of culture in a way it isn’t in my own corner of the world.

Conclusion: 3.5 stars

Yzabel / September 23, 2016

Review: Gaslight & Grimm – Steampunk Faerie Tales

Gaslight & Grimm: Steampunk Faerie TalesGaslight & Grimm: Steampunk Faerie Tales by Danielle Ackley-McPhail

My rating: [rating=4]

Blurb:

Once Upon a Time, ageless tales were told from one generation to the next, filled with both wonders and warnings. Tales of handsome princes and wicked queens, of good-hearted folk and evil stepmothers. Tales of danger and caution and magic…classics that still echo in our hearts and memories even to this day, told from old, cherished books or from memory at Grandma’s knee.

Oh yes, tales have been told…but never quite like these. Journey with us through the pages of Gaslight and Grimm to discover timeless truths through lenses polished in the age of steam.

With tales by James Chambers, Christine Norris, Bernie Mojzes, Danny Birt, Jean Marie Ward, Jeff Young, Gail Z. and Larry N. Martin, Elaine Corvidae, David Lee Summers, Kelly A. Harmon, Jonah Knight, Diana Bastine, and Jody Lynn Nye.

Review:

[I got a copy through NetGalley, in exchange for an honest review.]

I found this anthology quite inspiring in general, and it left me with a better impression than anthologies generally do. I appreciated that most stories, while building upon the foundations of original tales, didn’t hesitate to stray from them at some point, instead of being “mere” retellings almost identical to their inspirations. For instance, the one inspired by “Rapunzel”.

The ones I liked best:
– “When Pigs Fly” (original story: The Three Little Pigs): airship and their badass captains, on a backdrop of Alliance vs. Rogues conflict. I was bound to like this one.
– “From the Horse’s Mouth” (The Goose Girl): a gritty retelling, that doesn’t shy away from the grim realities of a country at war.
– “The Giant Killer” (Jack the Giant Killer): with Jack being more of a Jane, with interesting devices and a tendency to get into trouble… but always with a certain style.

Remarks on a couple of other stories:
– “The (Steamy) Tale of Cinderella (Cinderella, obviously): set in a fleet gathered around the princely ship, where the fated ball is to be held. But the Prince isn’t just some charming vapid man, Cinderella is more interested in machines than in snagging a man, and there’s a nice LGBT dimension. I do regret, though, that the latter was presented a little abruptly, out of nowhere—there could have been so much more, instead of the (at first) traditional approach of shaming same-sex relationships. Fortunately Cinderella’s and the Prince’s decision is an interesting one.

– “The Hair Ladder”: I liked the different relationship dynamis between “Rapunzel” and “the witch”. I wasn’t convinced by the mother, however, as she was much too selfish and vain, and felt like a cardboard villain.

But overall, these stories were more 3 to 4 stars each than anything really bad. “The Walking House” (Baba Yaga) is probably my least favourite.

Yzabel / August 8, 2016

Review: One Thousand Words for War

One Thousand Words for WarOne Thousand Words for War by Hope Erica Schultz

My rating: [rating=3]

Blurb:

Imaginative and original, One Thousand Words for War explores in various fantastic settings the different types of conflict—from powerful internal and external conflicts with the potential to destroy the main character’s world to the peace that comes from accepting change. Whether it’s a transgendered girl standing up to bullies or a child soldier trying to save his fellows from war, this collection shows the powerful ways teens can overcome and embrace extraordinary circumstances.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

2.5 to 3 stars. This was a nice and fast read. Unfortunately, like a lot of short stories collections, the downfall of this collection of short stories is that, like a lot of anthologies, it is neither exceptional nor really bad, which makes it a little unremarkable; on the good side, it also means it provides the reader with totally acceptable pieces—hence my rating. A bit annoying is also the fact that some of those works were too short and felt like introductions to other, longer tales begging to be told; in this, I do prefer standalones.

Apart from what I mentioned above, what confused me was the very wide definition given to “war”. Not merely “conflict”, “war”. It immediately evokes a specific kind of theme, which I agree can be slightly simplistic, in a way; nevertheless, when one does want to read about war in its “battles” or “military” meaning, some of the stories gathered here kind of miss the mark. Again, they’re not bad—just not really to the point, in a way? (I admit I did want, and expected, to read war stories more than anything else. When it was about a definite conflict, like the story with Cal/Callie standing up to the bullies, it worked too; other stories, like the one with the maze of mirrors, felt like it fell too far off.)

The focus is in general on children and teens. While this made some stories a little too simple to my liking, it also dealt with universal themes that do not grow old (no pun intended): having to leave childhood behind to become an adult, embracing responsibilities while also discovering who we truly are, children confronted to a world of war and having to survive… I quite appreciate such themes.

I realise this sounds more like critique than praise, but, once again, this anthology wasn’t bad—I guess I just have a harder time putting words on how exactly I still enjoyed it. Sometimes, some things just do not ask or need to be explained, I suppose?

Yzabel / June 26, 2016

Review: Street Magicks

Street MagicksStreet Magicks by Paula Guran

My rating: [rating=3]

Blurb:

Streets are more than thoroughfares. Cobblestone or concrete, state of mind or situation streets are catalysts for culture; sources of knowledge and connection, invisible routes to hidden levels of influence. In worlds where magic is real, streets can be full of dangerous shadows or paths to salvation. Wizards walk such streets, monsters lurk in their alleys, demons prowl or strut, doors open to places full of delightful enchantment or seething with sorcery, and truly dead ends abound. This selection of stories some tales may be rediscoveries, others never encountered on your fictional map will take you for a wild ride through many realms of imagination.”

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

In the past, I read a couple of other anthologies edited by Paula Guran, and I remember liking them overall, due to the choice of stories: they may not all have been breathtaking, but they also weren abysmal, and as far as anthologies go, I think I do tend to appreciate that a little more than reading excellency pitched against really bad writing.

The stories here deal mostly with magical happenings and encountering in cities–a theme I especially like. Most are modern fantasy, but more traditional fantasy also has its place here.

“Freewheeling” – 2/5
A young woman tries to help a kid whose very special take on life may be madness… or a real touch of magic? And the question is, will mundane life keep interfering until something tragic happens, or will magic happen instead?
Not my favourite. I could see the ending coming almost from the beginning.

“A Year and a Day in Old Theradane” – 4/5
A band of retired thieves find themselves back in their ¨line of duty¨ to perform the theft of their lives: steal a whole street. Humour, magic, blackmail, backstabbing, an urban setting, and a cast of mostly women (and an automaton) whoŕe not afraid to be who they are. Whatś not to like?

“Caligo Lane” – 3/5
Read in another anthology “The Best Science Fiction and Fantasy of the Year, Volume Nine” so I guess the novelty wasn exactly there. Still, it remains a touching story, of a mage who uses maps to bend space and save people trapped in parts of the world where every other means of escape have failed.

“Socks” – 3/5
A Bordertown story. I don´t know that setting, except through another story in another anthology; however, I still think it´s not such a problem, as mood and theme are easy enough to ¨get¨ even without knowing the whole context. Here, Socks, a young girl, is taken in by a family of strays. Soon after, Perdita joins the crew, Perdita whose mysterious mother taught her many a tale…
Interesting, but I found myself wanting to know more about Socks at the end–it was never clear whereas the whole thing about her feet was merely illness, or a symptom of something else. I kept expecting that something else to happen, and… nothing?

“Painted Birds and Shivered Bones” – 3.5/5
A poetic tale of a man cursed to turn into a bird, going through centuries without respite, until a kind of magic apt to break his curse surfaces in the painting of artist Maeve. A bittersweet tale, perhaps a bit too focused at times on the artist-chic cliche? I may be a little jaded with that one at the moment — it itself, it doesn´t make the story bad, at any rate.

“The Goldfish Pond and Other Stories” – 2/5
Originally read in “Smoke and Mirrors”. This one relates a writer’s experience as he flies to Hollywood, where his novel is to be adapted into a movie, only to see said novel stripped to the bone and reworked every time. A tale of being dispossessed on one’s soul, maybe, and of having to let go. Or perhaps a tale of former Holywood legends fallen back into the mist of times, unremembered by all but the humblest?
Not my favourite Gaiman story, to be honest. It’s a bit… bland compared to some of his other works.

“One-Eyed Jack and the Suicide King” – 2/5
A good beginning, of a struggle between spirits/local gods fighting for their turf. The story was wanting, though, as it feels like it should be expanded into something more. It’s a beginning, indeed, and not a full-fledged plot.

“Street Worm” – 4/5
Rather scary when you come to think of it. A teenage girl runs away from a privileged home, for her parents believe her going on slightly crazy and want to send her to a shrink (probably not for all the good reasons either — a family has standards to uphold within the community…). But is this girl just mad, or does she really see things, things of another kind, worms danglings from buildings like a threat lingering above the city? And the man who tells her sheś magic, is he meaning well, or is he just a creep?
I wanted a bit more at the end, to be honest. Like a lot of stories, this one feels like unfinished business in some parts. Still, a good read.

“A Water Matter” – 2/5
The Duke is dead, may he stay dead! Only a mysterious and potentially malevolent shaman wants the power released upon that death, so the Dancing Mistress, a shapeshifter (…I think?) takes it upon herself to prevent this from happening.
More than with the Bordertown stories, I think I was missing something here—the action is set in a world with its own backstory, and I constantly felt it was part of something bigger, something that deserved more. The actual plot didn’t impact me as it could have, had things been otherwise.

“Last Call” – 3/5
A Harry Dresden short story. On principle, I tend to like those, because I’m fond of the world and character Butcher developed (they’re part of the works I’d quote first if someone asked me for examples of “urban fantasy”). On the other hand, this one is a bit spoilerish if you haven’t read at least the first 8-9 books of the series…

“Bridle” – 1/5
A kelpie story, with a dark fantasy approach that had its poetic moments. Still, it didn’t grab me much.

“The Last Triangle” – 4,5/5
A junkie finds shelter at an old woman’s who happens to realise a dark magic ritual is about to take place. Together, they do everything they can to stop it, as well as the person casting it.
This one had the kind of plot and ending I’d deem as “definite”. You can see it going somewhere, with a beginning, middle and end, and even though the latter is “open” as far as the main character’s future is concerned, it nonetheless brings resolution to the “dark spell” plot.

“Working for the God of the Love of Money” – 2/5
Again, an interesting beginning, but the end was very abrupt (in an expected-yet-not-waited-for way).

“Hello, Moto” – 4/5
Three witches with enchanted wigs let themselves be devoured by their magic… or not? For Rain, taking upon herself once again to mix up magic with technology, wants to stop her “sisters” gone on a rampage of take-never-give in Lagos. One may wonder, though, if using precisely what went wrong the first time can right that wrong… or not.
Original and entertaining. I just regret the ending, again too abrupt, with no true resolution per se. “Leaving things to the reader’s imagination” can only go so far…

“The Spirit of the Thing: A Nightside Story” – 3/5
A detective doing his job, a shady bar with an even shadier owner, and angry water spirit, the ghost of a murdered young woman, and a twist to try and make things right no matter what.

“A Night in Electric Squidland” – 3/5
Paranormal investigators working on a murder case end up in a night club whose practices may not be what they seem.
I liked the atmosphere (the dark and somewhat perverted rituals going on, while the club also offered “nicer” attractions like a stage magician). I didn’t connect much with the characters, though.

“Speechless in Seattle” – 3/5
A.k.a “pay attention to the exact wording of your spells”, which is something a lot of mages should do. 😉
A cute story, with likeable characters. Only, as usual in such cases, the grounds for budding romance were kind of wasted on me.

“Palimpsest” – 2/5
Pretty, I guess, and evoking strange places in a strange city whose elusive map can only be found in some very special places. However, it was rather confusing, without much of a plot to speak of.

“Ash” – 4/5
Laid off from his job with minimum benefits, a man decides to commit a robbery, but one decision made while running away from the security guard has dire consequences.
A story of guilt and revenge, of a dying curse, of the city turning stranger and stranger, darker and darker, until it closes over you and never lets you go.

“In Our Block” – 3/5
Or “two blokes find themselves wondering why the area they’re in is so intriguing”, full of strange little shops and sellers/peddlers of unusual talents, like the typewriter girl. Although it was more a slice-of-life story than one with a real plot, it was enough for me, for once.

Conclusion: 3/5. I kind of expected this, as a lot of stories were of the “I liked” kind but not “great/I loved it”. Still, more good than bad in there. Though not a “to buy” recommendation, maybe a “borrow it” one?

Yzabel / May 16, 2016

Review: The Big Book of Sherlock Holmes Stories

The Big Book of Sherlock Holmes Stories (Vintage Crime/Black Lizard)The Big Book of Sherlock Holmes Stories by Otto Penzler

My rating: [rating=3]

Blurb:

Presenting Edgar Award-winning editor Otto Penzler’s latest anthology, The Big Book of Sherlock Holmes Stories, the largest collection of Sherlockian tales ever assembled—now in a deluxe hardcover edition, perfect for the collector and gift markets.

Arguably no other character in history has been so enduringly popular as Sherlock Holmes. From his first appearance, in Arthur Conan Doyle’s 1887 novella A Study in Scarlet,readers have loved reading about him—and writers have loved writing about him. Here, Otto Penzler collects 83 wonderful stories about Holmes and Dr. John Watson, the majority of which will be new to readers. Among these pages are tales by acclaimed Sherlockians Leslie S. Klinger, Laurie R. King, Lyndsay Faye and Daniel Stashower; pastiches by literary luminaries both classic (Kenneth Millar, P. G. Wodehouse, Dorothy B. Hughes) and current (Anne Perry, Stephen King, Neil Gaiman); and parodies by Conan Doyle’s contemporaries James M. Barrie, O. Henry, and August Derleth.

Review:

[I received a copy of this book through Edelweiss, in exchange for an honest review.]

A huge collection of Sherlock Holmes-related short stories—as is made obvious from the title—written by various authors: some who were Doyle’s contemporaries, some from the late 1990s or even 2000s, and some from the 20th century. Mostly two kinds of stories are represented: “serious” Holmes adventures, and humorous ones (the latter ranging from light pastiches to ridiculous ones).

Breaking down this collection into separate commentary for each story (there are 83!) would be too long and time-consuming, so I won’t do this here, and keep to a more general commentary. As in every anthology, there are good things and less than interesting ones; as the editor himself wrote in the introduction, some of those are worth a shot because they were never reprinted, and were only published in obscure magazines in their time. In my case, I realised that I didn’t really care about the comical Holmes stories: I guess I like my Sherlock somewhat “serious”, although I’m also known for liking heroic sociopath versions of him (see Thomas Day).

Among the most memorable ones for me:
* “The Case of the Unseen Hand”, which goes back on the Dreyfus affair. (And that was *quite* a big deal in late 19th France).
*“The Martian Crown Jewels” — one the rare really different takes on Sherlock Holmes here (considering it’s science fiction).
* “A Case of Mis-Identity”, both quite amusing and clever, in presenting different points of view about the same situation.
* “The Startling Events in the Electrified City” — a plot against President McKinley’s life.

While I still think a lot of these stories had an interest only as quirky little examples of what was once done regarding the Holmes & Watson corpus, this is a collection still worth borrowing, for want of actually buying the book.

Yzabel / May 14, 2016

Review: Falling in Love with Hominids

Falling in Love with HominidsFalling in Love with Hominids by Nalo Hopkinson

My rating: [rating=4]

Blurb:

Nalo Hopkinson (Brown Girl in the Ring, The Salt Roads, Sister Mine) is an internationally-beloved storyteller. Hailed by the Los Angeles Times as having “an imagination that most of us would kill for,” her Afro-Caribbean, Canadian, and American influences shine in truly unique stories that are filled with striking imagery, unlikely beauty, and delightful strangeness.

In this long-awaited collection, Hopkinson continues to expand the boundaries of culture and imagination. Whether she is retelling The Tempest as a new Caribbean myth, filling a shopping mall with unfulfilled ghosts, or herding chickens that occasionally breathe fire, Hopkinson continues to create bold fiction that transcends boundaries and borders.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

To be honest, I had no idea who Nalo Hopkinson was until I requested this book. But I was definitely interested to read stories by an author who seemed to have an approach stemming from a different culture than mine. I didn’t know what to expect; I wasn’t disappointed.

This collection features stories inspired from various sources, situations and ideas—the author mentiones some of those before each story. Ghosts haunting a mall keep reliving their deaths. Plants that find an unusual soil to grow. Retellings of “The Tempest” and “Bluebeard”. A story set in Bordertown. Another one in a world ravaged by a strange epidemic, forcing children to band together until they all fall sick as well.

Urban fantasy, fairy tales, science fiction, magical realism: Hopkinson weaves a lot of ideas in various settings, while never losing sight of human beings: their complexity, the depth of their feelings, all their doubts and ambiguities. A mother tries to make her teenage girl realise that “taming her hair” may amount to rejecting where she came from. Fairy beings, humans and “half-breeds” mingle in Bordertown, but do they all really accept each other? Beings preying at each other, feeding on each other, going through phases of desire and guilt, of doubt and acceptance. Beings with both monstrous and loving sides, displaying alien features yet also deeply human ones, like the girl turning into a dragon, but whose deep desire remains, all in all, to be accepted by others… her own self included.

Here are the stories I liked best in this anthology:

“The Easthound”: a children-oriented vision of a post-apocalyptic future, where everybody turns into a monster when they reach puberty. A band of kids doing their best to survive, knowing all too well, though, that sooner or later they’ll have to kill one of their own, lest it kills them first.

“Shift”: a retelling of “The Tempest”, with themes revolving around identity, underlying racism, unfulfillable desires, and relationships that may be doomed to fail as soon as they are born.

“Old Habits”: ghosts trapped in the mall where they died, forced to go through their own deaths again and again, pining at the smells they can’t perceive anymore.

“A Raggy Dog, a Shaggy Dog”: pretty creepy, in a fascinating way. A woman very well-versed in orchids has developed… interesting ways to find a partner.

“Blushing”: another retelling, this time of “Bluebeard”. We all know what the new bride is going to find in that room; how she will react, though, is always another matter.

“Ours Is The Prettiest”: I’ve never read any Bordertown stories, but I don’t think the lack of background here would prevent someone from enjoying this stories. On a backdrop of enchantments, celebrations and impending danger, a woman is trying to help those around her… but is she right in doing so, or only making things worse?

“Message in a Bottle” was good, too, though I felt it lacked something—probably that something is “being turned into a novel”.

Yzabel / April 28, 2016

Review: Pawn’s Gambit

Pawn's Gambit: And Other StratagemsPawn’s Gambit: And Other Stratagems by Timothy Zahn

My rating: [rating=3]

Blurb:

This collection showcases the career-launching short fiction of Timothy Zahn, acclaimed author of Blackcollar, the Quadrail series, and the #1 New York Times bestseller Star Wars: Heir to the Empire

The pieces included in Pawn’s Gambit range from the adventure science fiction Timothy Zahn is famous for to post-apocalyptic tales and humorous fantasy. In “The Price of Survival,” an alien ship arrives in our solar system without hostile intentions—but with a desperate need that could destroy humanity. “The Giftie Gie Us” is set in a post-apocalyptic United States, in which two lonely survivors find love among the ruins. And in the title story, a human and his alien opponent face off over a game that will decide which one of them will return home—and which will not. This collection also includes the Hugo Award–winning novella Cascade Point and eight stories previously unpublished in book form.

Review:

(I received a copy through NetGalley, in exchange for an honest review.)

3.5 stars. Overall a decent collection of short stories, mostly science fiction, with some fantasy mixed in. I didn’t find any excellent, but none was really bad either, which makes for a good book to borrow, for want of actually buying it.

Some notes about the stories:

“The Price of Survival”: An interesting enough conundrum about how far two species are ready to go to survive. But while their representatives mourn about similar facts, the reasons that brought them to that point are different enough that it makes you reconsider the price to pay.

“The Giftie Gie Us”: I liked the idea behind the blind character. Still, it wasn’t my favourite story, probably because of the post-apocalyptic setting with its defined boundaries (Man hunts, Woman stays home… meh).

“The Final Report of the Lifeline Experiment”: Kind of a loaded topic here, however the experiment’s results may not be the ones you’d expect…

“Cascade Point”: One of my favourites. It deals with space travel/space bending/alternate realities gone wrong, as well as with the matter of one person’s happiness vs. the greater good. When the one person to be sacrificed will go back to a less than happy state, yet ignoring that choice will strip someone of their dignity, what should a captain choose?

“Music Hath Charms”: A bit of dark comedy here, that also raises the question of life’s worth in a different way. An alien artefact might actually kill thousands… or not?

“The President’s Doll”: Good idea (reverse voodoo, used to heal instead of harming), less thrilling execution. I’m not sure why. It just came out as flat for me.

“Clean Slate”: One of the fantasy stories, about a wizard who never got a chance to actually use his power to do good, and is ready to pay the price to do so at least once in his life, no matter what that price will be. Interestingly, the story made me think of Orson Scott Card’s writings about plot and world-building, and the author’s note confirmed why I had this feeling.

“Hitmen – See Murderers”: Another good idea that fell flat. What it posits gave me matter to think about, but the short story format didn’t leave room for more when it came to the flow of events, and I think a bit “more” would’ve been needed here to make this piece shine.

“Protocol”: In a colony where people live in fear of the mysterious Stryders, only very specific protocols allow them to survive encounters with those beings. However, what if the protocol were to fail, or if a yet undiscovered protocol was needed?

“Old-Boy Network”: Ethics and telepathy in a solar system where the wealthiest exploit whoever they want, in horrible ways. A bit heavy-handed in its criticism of ugly capitalism, though still another story that will make you think.

“Proof”: I could sense the ending coming. Still, it was a good game of cat and mouse, with reflections about whether we can trust what we see or not.

“The Ring”: A classical approach on the theme of boons and curses, of what price a man is ready to pay to get what he desires… but is it *truly* his heart’s desire?

“Trollbridge”: Urban fantasy story, about a lone troll desperately trying to protect “his” bridge, but up until now he hasn’t really bothered to wonder about other fae-like creatures. A somewhat light-hearted tale of survival in a modern world that will not leave any room to creatures of old… unless those very same creatures find another way.

“Chem Lab 301”: Not the most original plot ever, but a cute twist at the end.

“Pawn’s Gambit”: A study, through an alien-led experiment about gaming, of what would make another race dangerous or not in those aliens’ eyes… And Humans’ resourcefulness may be both an asset and a downfall here. Quite interesting, in part because the aliens’ point of view is somewhat valid, and in part because there’s still hope for humans to put their resources to witty uses.

In general, most of these stories tended to spin one or another aspect of what it means to be human, whether “a means to an end” is an appropriate way of living one’s life, about decisions and consequences, and how sometimes you may not have a choice–or may have to bend your thought processes to find another way. On the downside, some had less than stellar characters, who acted more like plot devices than real people, and weren’t very interesting.