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Yzabel / March 25, 2015

Review: The Girl At Midnight

The Girl at Midnight by Melissa Grey

My rating: [rating=1]

Blurb:

Beneath the streets of New York City live the Avicen, an ancient race of people with feathers for hair and magic running through their veins. Age-old enchantments keep them hidden from humans. All but one. Echo is a runaway pickpocket who survives by selling stolen treasures on the black market, and the Avicen are the only family she’s ever known.

Echo is clever and daring, and at times she can be brash, but above all else she’s fiercely loyal. So when a centuries-old war crests on the borders of her home, she decides it’s time to act.

Legend has it that there is a way to end the conflict once and for all: find the Firebird, a mythical entity believed to possess power the likes of which the world has never seen. It will be no easy task, though if life as a thief has taught Echo anything, it’s how to hunt down what she wants . . . and how to take it.

But some jobs aren’t as straightforward as they seem. And this one might just set the world on fire.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

I really wanted to like this book, all the more since I had loved Daughter of Smoke and Bone, but there’s a fine line between “if you liked this, you’ll like that as well” and “it’s so similar you get to wonder where one ends and the other begins”. Not very original. Same comment regarding the comparison with the Shadowhunters series (which isn’t so original to start with, but that’s another story). As a result, I kept being distracted by the plot turns and character dynamics that were either too close to the one series or too close to the other; in the end, The Girl at Midnight didn’t manage to stand on its own for me.

Very obviously, we have Echo/Karou, Caius/Akiva, Ala/Brimstone. Ruby is reminiscent of Madrigal’s “friend” in DoSaB. (There’s more, but details would lead to spoilers). The relationship between Caius and Dorian is pretty similar to the one between Jace and Alec, including the way it develops when Jasper/Magnus waltzes in. So many common points made it difficult to see the characters for who they could have been, and they remained closer to copies, instead of appearing like people with personalities of their own. Granted, the teasing between Jasper and Dorian was funny, but I couldn’t shake off my impression of “hey, I’ve already seen that…”, along with the feeling that relationships in general evolved too quickly in this book.

Relationships: they were all over the place, and not too subtly. I wasn’t aware that Echo had a boyfriend until it smacked me in the face, leaving me wondering where that guy came from. (Not to mention that this poor boy seemed to be here just because one love interest wasn’t enough and another one was deemed necessary. Basically, he was treated like dirt.) Also, too many mushy descriptions, with our heroine too busy being driven by the love triangle to actually make me feel that she was really involved in the plot—although she does have a fairly important part, one that could have been really good to read about if things hadn’t gone too fast.

It’s not a long novel, but the pacing was definitely strange: lots of events happening in little time, relationships developing too fast, and yet the story was slow. The world-building wasn’t enough to my liking: we get all those nice thresholds, jumping through portals, magic powder, sometimes magical descriptions of places (bonus points for Strasbourg, this city is absolutely lovely—trust me, I lived there for more than 10 years)… but the two races at war, the war itself, didn’t feel like “solid”. I would’ve wanted to know so much more about those, how they came to be in such a conflict, the souring relationship between Tanith and Caius, how the Drakharin and Avicen lived… More information in that regard would have allowed me to see the world this story’s set in as more strongly grounded. (I guess this would have been less of a problem if I could have fallen back on the characters, only I couldn’t, due to the aforementioned similarities. Same goes for the writing: it hadn’t the flow of DoSaB’s, nor did it bring a really fascinating atmoshpere to Echo’s surroundings.)

Conclusion: there were good ideas in this novel, but most often they were too close to stronger, existing ones that it was very difficult to see The Girl at Midnight as a self-contained story.

Yzabel / March 23, 2015

Review: The Raven’s Head

The Raven’s Head by Karen Maitland

My rating: [rating=2]

Blurb:

Vincent is an apprentice librarian who stumbles upon a secret powerful enough to destroy his master. With the foolish arrogance of youth, he attempts blackmail but the attempt fails and Vincent finds himself on the run and in possession of an intricately carved silver raven’s head.

Any attempt to sell the head fails … until Vincent tries to palm it off on the intimidating Lord Sylvain – unbeknown to Vincent, a powerful Alchemist with an all-consuming quest. Once more Vincent’s life is in danger because Sylvain and his neighbours, the menacing White Canons, consider him a predestined sacrifice in their shocking experiment.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

The theme of this story was interesting enough, but unfortunately, I never felt it grab me, and found myself at times not really caring whether I was keeping on reading, or taking a break to read something else.

The descriptions and atmosphere were vivid enough. This isn’t glamourised historical fiction: when people pee in the street, they do, and when they’re in a ghastly environment, they are. The author’s writing made it fairly easy to picture the characters’ surroundings and their lives—the sinister manor, Gisa’s daily drudgery, the boys trembling in fear at night at the abbey, expecting to be seized never to return…

However, the characters themselves didn’t leave me with a lasting impression. I liked how they were portrayed with their imperfections (Vincent especially: he started with justifying his bad actions as if they were logical, and I must say I quite enjoy such characters, bordering on sociopathic in their way of seeing the world while being the heroes of their own story). But only a few hours after finishing this novel, I’m already not exactly sure anymore of what they did, nor of what the plot tried to achieve. It took some time to get there, and mostly the protagonists were too passive, with things happening around them, or to them, without prompting a strong enough reaction. Gisa’s passivity was all the more infuriating that she tried to help someone, but so slowly that her repeated thoughts of “wanting to save that person” felt fake (and a mere plot twist to lead to the decisions she made later).

In fact, the characters were here mostly to make the plot happen without giving vibes of being real people, with lives of their own. Their background stories looked interesting, but remained just that: in the background. All that was very weird, because the chapters were short, yet seemed to drag at the same time.

I also didn’t get—still don’t—the necessity for a switch between the first person and third person, complete with present tense. I have no idea why this kind of style keeps popping in novels more and more, and I wish I could see its point, because so far, it’s been more jarring than anything else. It didn’t achieve anything for me, didn’t give me a sense of immediacy, and only made me keep wondering “wait, why are we doing that again”? Which in turn kept breaking my reading stride.

Not an infuriating book, but one that I’ll proceed to quickly forget.

Yzabel / March 15, 2015

Review: Harrison Squared

Harrison Squared by Daryl Gregory

My rating: [rating=3]

Blurb:

Harrison Harrison—H2 to his mom—is a lonely teenager who’s been terrified of the water ever since he was a toddler in California, when a huge sea creature capsized their boat, and his father vanished. One of the “sensitives” who are attuned to the supernatural world, Harrison and his mother have just moved to the worst possible place for a boy like him: Dunnsmouth, a Lovecraftian town perched on rocks above the Atlantic, where strange things go on by night, monsters lurk under the waves, and creepy teachers run the local high school.

On Harrison’s first day at school, his mother, a marine biologist, disappears at sea. Harrison must attempt to solve the mystery of her accident, which puts him in conflict with a strange church, a knifewielding killer, and the Deep Ones, fish-human hybrids that live in the bay. It will take all his resources—and an unusual host of allies—to defeat the danger and find his mother.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

A good story (definitely a 3.5 stars more than a 3), but one that also confirms once again that, in my opinion, “Lovecraftian influences” don’t go too well with “written for YA audience”: they need to be too downplayed, and end up too remote from the usually bleak, no-hope tone the original stories used to have, combined to the feeling of Sublime (in Burke’s meaning of this word) elicited by the appearance of Old Ones and various eldritch creatures. In turn, the novel was interesting, but…

I didn’t experience the same fascination I had when reading We Are All Completely Fine (the novel where H2 appears as an adult, along with another victim of the Scrimshander). The ingredients were here, only it didn’t seem there was much of a sense of danger, in a setting that begged anyone, reader included, to run away without ever looking back. It would have been better if it had been upped to real horror, and not, I suspect, downplayed to fit a younger public. (Especially since teenagers can very well read and appreciate genuine Lovecraft stories—I started reading those when I was 15, and it never was a problem.)

On the other hand, this book introduces characters I liked reading about. Selena was funny, yet definitely here to support her nephew in spite of the way she first appeared as “childish”: not the air-head she seemed to be, but a grown-up and serious woman, simply with a punny take on life. The kids had more depth than I would have given them credit for at first—including Lub, who kept making me smile but whose own approach on life must somehow have made lonely, in regard to his peers. And there was not a hint of romance between Harrison and Lydia (although everybody insisted she was his girlfriend, both made fun of this and dismissed it immediately). It’s refreshing enough in a category where every boy and girl always seems to find his/her “soul mate” two days after the beginning of the story.

The setting itself, Dunnsmouth, also hit the spot as far as “gloomy” and “creepy” were concerned. The strange atmosphere at school, the weird subjects (non-Euclidean geometry? Making nets? Uh…), the kids who all look like each others, the teachers with strange behaviours, the mysterious library with its equally mysterious librarian… These were well-rendered. No matter what, both in terms of settings and characters, I still found the Scrimshander as fascinating as ever. An urban-legend villain without a definite face, half-hidden under the brim of his hat, popping out of nowhere, performing gruesome magic by engraving bones with portraits of his victims… I thought he was intriguing in WAACF, and he remained fascinating here.

Conclusion: a good novel, only one I wish had upped the stakes where the horror element was concerned.

Yzabel / March 10, 2015

Review: Masters of Blood and Bone

Masters of Blood and Bone by Craig Saunders

My rating: [rating=4]

Blurb:

Holland’s a man who’s good with death. Good at death.

When his daughter goes missing, he finds himself pitted in a deadly game against the Gods themselves. Powerful enemies surround him—a changeling, a mage, and a god who wants to destroy the world.

With silver bullets in his gun and death on his mind, Holland aims to set things right…or die trying.

For the captors of Holland’s daughter, death is not only on it’s way, it’s in their very possession as Holland’s daughter isn’t just a girl…in fact, she’s barely mortal at all…

She’s Ankou, Death’s daughter, and she’s not an easy mark.

The battleground has been set, the world’s at stake, and all Hell is about the break loose.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

This was a strange tale, full of darkness and eerily fascinating, bordering at times on grotesque regarding the way some characters were depicted. A tale of gods walking the Earth, of legendary characters come back to life, of cruel deeds from the past done for a vision that was already corrupted before it ended. A tale of craziness, of people bigger than life, of exaggeration and little things all thrown together, in which mages escape from books bound by cursed sorcery. It’s man at at its crudest, at its maddest, and also man at its greatest level, full of love and ready to shake the whole world to find the one person that matters.

I thoroughly enjoyed Holland as a character. A no-nonsense man, who knows when to kill but also when not to, who doesn’t particularly enjoy it but will not shirk away from this “duty” of his when needed. Physically, he was far removed from the typical protagonist—no rippling abs here—but he had a strong charisma of his own. I felt he was poised between his condition of someone who can see the dead, and someone who’s just trying to give his daughter a normal life, even though said daughter.

Ank, too, wasn’t what I had expected her to be, and that was for the best. The blurb was a little misleading, presenting the story using an angle that isn’t exactly the one I found while reading, and at first I believed she would be the helpless kidnapped kid, but… no. Due to her nature, she wasn’t as close to humanity as Holland, yet even though this made her harder to get attached to, it still was logical in her case. And let’s not forget The Book.

The novel also puts an interesting twist on several mythological characters (the God, the mage, what one does, what the other did). I admit that at times, I wasn’t sure why they acted the way they did; however, it was also made clear that they were mad, so this worked for me in the end. The place of the “final battle” was a tad bit cliché, but depicted in prose that made it look almost magical, if corrupted—the way the novel tackled other themes and people, mixing beauty and darkness.

On the less bright side, I may have wanted just a little more in terms of characters, as I could only really “feel” Ank and Holland; although the nature of the others made this understandable, I guess this is just one of those cases when I would’ve liked to get to know the enemy some more. And a few things in the writing tended to grate on my nerves, especially the sometimes heavy use of “…”. If you don’t mind those, good for you; I just get easily annoyed (visually) with that. That’s a somewhat minor point, though.

Yzabel / March 3, 2015

Review: The Originals: The Rise

The Originals: The Rise by Julie Plec

My rating: [rating=1]

Blurb:

Family is power. The Original vampire family swore it to each other a thousand years ago. They pledged to remain together always and forever. But even when you’re immortal, promises are hard to keep.

Arriving in New Orleans in 1722, Original vampire siblings Klaus, Elijah and Rebekah Mikaelson believe they’ve escaped their dangerous past. But the city is lawless, a haven for witches and werewolves unwilling to share territory. The siblings are at their mercy…especially after Klaus meets the beautiful and mysterious Vivianne. Her impending marriage is key to ending the war between the supernatural factions and Klaus’s attraction to her could destroy the uneasy alliance. As Elijah works toward securing a piece of the city for his family, and Rebekah fights her unexpected feelings for a French captain, will Klaus’s volatile desires bring their world crashing down and tear them apart for good?

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

I have only watched a few episodes from the TV show, so I’m far from being an expert on the Mikaelson siblings and the kind of plots they get into in episodes. However, I’m not sure at all I found them here, nor that they were really interesting at all, in a more generic way. I kept thinking that they were, well, out of character—which was baffling, since I was under the impression that the people who worked on this novel were also those who worked on the series?

There was a lot of love in there, and of the insta-love, not very impressive kind. Rebekah, why not, as the series very early on showed that she was quick to develop interest for human guys. But in many other ways, she was so far from the badass girl I saw on screen. Neither could I find ruthless Klaus in the love-smitten dullard that ambled through the novel most of the time—and his reaction regarding Rebekah’s love interest was way too removed from what I would have expected (TV!Niklaus would never have had such a mellow reaction, let her do as she pleased so easily). Elijah was closest to his character, I think, with his desire and efforts to build a home for his family, and thus keep the latter together. I must not be the right audience for so much romance, especially when involving immortals, who I wouldn’t expect to develop feelings so quickly.

Mostly Elijah’s plot seemed to be the main one, with his siblings’ antics supposed to help (Rebekah recruiting an army) yet not helping much in the end, or just consisting in wooing a girl—at least the not-caring-about-what-others-do was somewhat Klaus-like, but that was all. (Also, why they absolutely had to remain in New Orleans, where they weren’t welcome, was a bit puzzling. But I guess finding another city would’ve demanded long days or weeks of travel, uncertainty as to what they’d find there, and having to delay finding a home at last… So, well, I could live with that.)

Speaking of plots and ways of moving it forward, I would also have expected vampires to be more cunning, more prepared. As mentioned at the beginning of my review, I haven’t watched many episodes; yet I remember Klaus’s plan regarding how to undermine Marcel’s influence, and… there wasn’t much of that here. These vampires seemed too naive, too easily surprised by other characters or events, too vulnerable, compared to the “Originals” I had been led to expect. This doesn’t fit with my idea of immortals.

In the end, my feelings about this book were mostly annoyance and boredom, and I couldn’t care less about what would happen to its characters (including the secondary ones, whose fates were so easy to guess anyway). I’ll stick to the TV series.

Yzabel / February 28, 2015

Review: The Death House

The Death House by Sarah Pinborough

My rating: [rating=3]

Blurb:

Toby’s life was perfectly normal . . . until it was unravelled by something as simple as a blood test.

Taken from his family, Toby now lives in the Death House; an out-of-time existence far from the modern world, where he, and the others who live there, are studied by Matron and her team of nurses. They’re looking for any sign of sickness. Any sign of their wards changing. Any sign that it’s time to take them to the sanatorium.

No one returns from the sanatorium.

Withdrawn from his house-mates and living in his memories of the past, Toby spends his days fighting his fear. But then a new arrival in the house shatters the fragile peace, and everything changes.

Because everybody dies. It’s how you choose to live that counts.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

I resent the comparison with The Fault In Our Stars, because The Death House was more readable: Toby, for all his faults, wasn”t so insufferable, probably because he behaved like a somewhat surly, but all in all normal teenager. And Clara was enjoyable, with a positive look on what happened to her, even though she knew how all the kids at the Death House were doomed to end.

I wouldn’t deem this the best novel ever. It left me wanting for more explanations. However, as a character study, at least for the main ones, it fairly hit the spot for me. The children and teenagers in that strange house all had to cope with their fear (and prospect) of dying in their own ways, andI thought we got to see quite a few interesting examples. Ashley, the believer kid who finds strength in the Bible and tries to share it with others. Toby, retreating into himself and pretending he doesn’t care, yet still takes very much care of the younger ones. Louis, both extremely intelligent, though still a child in many ways. Will, all innocent and carefree, thus hiding his fears from himself. Clara, who had to live to her parents’ expectations, and oddly enough was somewhat “freed” by the house. Jake, disguising his own fear behind his bully attitude.

Those were interesting portrayals, and through their interactions, we got to see how days and nights were spent in that microcosm that so much looked like a boarding school of sorts, yet was anything but—shadowed as it was by the mysterious sanatorium that none of the kids ever got to see, only hearing about it, only knowing one of them had been taken there when they discovered that child’s belongings being gone in the morning. And the presence of the Matron and the other silent nurses only made the pressure worse.

True, not much happens in terms of plot-twists during the largest part of the novel. It was still a nice read nonetheless. The ending was a 50/50: part of me expected it to be different, more original… but at the same time, the other part thought it couldn’t (and shouldn’t, anyway) have been otherwise.

I didn’t rate this book higher because in the end, too many things weren’t explained, and they kept bothering me, try as I might to ignore them. The “Defective gene”, for starters, was rather sketchy. How came the kids displayed so many different symptoms, and what was it suppose to lead to? Would it turn them into monsters of sorts, as was hinted at a couple of times? The kids were isolated like freaks, carried away in vans by men in dark suits, as if to protect the world from them; in my opinion, this would have warranted more than a few vague hints about the exact nature of the Defectiveness.

The same applied to the nurses and to their behaviour, especially considering a specific twist. Why would they hide it, and try to hush it? Out of fear it would go public? An actual reason would have been nice here.

Also, most of the twists were fairly obvious. It may be just me, I don’t know. I just guessed pretty early where they were leading.

One aspect of the book I can’t decide about were the other kids. While the characters I listed abover were indeed interesting, the rest were more like cardboard figures (even Tom, who got to share Dorm 4 with Toby and the others), which was weird in such a close space where I would’ve expected everyone to know everyone else. However, this fitted Toby’s tendency to close his eyes on his surroundings, and increased the feeling that each child was on his/ her own, and that at the end, they couldn’t afford to care about the others, only themselves.

Overall, I was leaning towards “I like it”. However, the lack of explanations, and the somewhat bland figures of the nurses and some of the kids, left me feeling that something was missing.

Yzabel / February 24, 2015

Review: Pacific Fire

Pacific Fire by Greg Van Eekhout

My rating: [rating=3]

Summary:

I’m Sam. I’m just this guy.

Okay, yeah, I’m a golem created from the substance of his own magic by the late Hierarch of Southern California. With a lot of work, I might be able to wield magic myself. I kind of doubt it, though. Not like Daniel Blackland can.

Daniel’s the reason the Hierarch’s gone and I’m still alive. He’s also the reason I’ve lived my entire life on the run. Ten years of never, ever going back to Los Angeles. Daniel’s determined to protect me. To teach me.

But it gets old. I’ve got nobody but Daniel. I’ll never do anything normal. Like attend school. Or date a girl.

Now it’s worse. Because things are happening back in LA. Very bad people are building a Pacific firedrake, a kind of ultimate weapon of mass magical destruction. Daniel seemed to think only he could stop them. Now Daniel’s been hurt. I managed to get us to the place run by the Emmas. (Many of them. All named Emma. It’s a long story.) They seem to be healing him, but he isn’t going anyplace soon.

Do I even have a reason for existing, if it isn’t to prevent this firedrake from happening? I’m good at escaping from things. Now I’ve escaped from Daniel and the Emmas, and I’m on my way to LA.

This may be the worst idea I ever had.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

While I still enjoyed reading about some of the characters I had got to know in the first book, California Bones, I was a little less thrilled this time.

I really like the world and magic developed here: dark, treacherous, tricky… Leeching power off dead animals’ bones? Check. Taking it a notch higher and killing other osteomancers to devour their bodies and steal their magic? Check. Dangerous sabotage-type jobs and being pursued bycrime lords’ goons? Check. The triumvirate, their plan to regain the control the Hierarch used to have, the sacrifice it required. The worm in the apple, the intent to sabotage, playing a dangerous game. Yes, I’m never going to get tired of these, I think.

The relationship between Daniel and Sam was touching in many ways. Daniel could’ve killed Sam, done to him what he had done to his predecessor, yet he didn’t: on the contrary, he did his best to raise him, protect him, and help him turn into a decent being, instead of the monster he could’ve become. Sam was a likeable boy, too: with teenage-angsty reactions at times, yet also with the budding maturity to understand what they were, and that he had to go past those. This story is definitely one of coming of age, more than of thwarting the bad guys’ plans. Of coming of age, and of realising what family means: does the blood count more than time spent together, and what exactly, in the end, make people “family”?

What saddened me here is that the novel offered several interesting plots in that regard, but never really got deep enough with them. The reason why Sam was weak at magic was somewhat obvious, in retrospect, yet it would’ve deserved more screentime in terms of relationships. What happened to Sofia was recalled a few times, but since she hadn’t been there for long, it didn’t have the impact it could’ve had. Carson could’ve been more than just a glimpse into another side of Los Angeles, instead of a device to move the plot forward. And there would’ve been so much more to tell about Sam…

I liked the story, I liked seeing the plot unfurl; however, I also kept thinking “I want more, more, more”. Every time I got to see another aspect of this character or of that relationship, it was left dangling after some point. Although those threads may be picked up in the third book, I’m somewhat afraid that not enough was told here (especially considering the cliffhanger we’re left with at the end), and that this lack of depth will come back to haunt the series later.

Partly because of this, the last third of the novel seemed rushed on some points. A couple of bombshells were dropped (Daniel’s past coming back full-force, for instance), and it was difficult to see where they came from. Not uninteresting; just events that would have warranted a few more bricks paving their way. Here, too, I kept wanting more, and wondering if the author had to work with a set amount of words, forced to cram as much as he could before the end.

This said, I still liked the book and its characters well enough to be more than willing to grab the next one once it comes out. If only to find out whether the threads I mentioned previously will be tied.

Yzabel / February 22, 2015

Review: Something Coming Through

Something Coming Through by Paul J. McAuley

My rating: [rating=4]

Summary:

The aliens are here. And they want to help. The extraordinary new project from one of the country’s most acclaimed and consistently brilliantly SF novelists of the last 30 years.

Something Coming Through and its sequel Into Everywhere will extend, explore and complete the near future shared by the popular and highly acclaimed short stories in the Jackaroo sequence, including ‘The Choice’, which won the 2012 Theodore Sturgeon Memorial Award. They present new perspectives on one of the central ideas of science and science-fiction – are we alone in the universe? – through two separate narratives.

Something Coming Through is set in a recognisable but significantly different near future London: half-ruined by a nuclear explosion, flooding and climate change; altered by the arrival of aliens who call themselves the Jackaroo.

Into Everywhere moves from a desert world littered with the ruins and enigmatic artifacts of a dozen former clients of the Jackaroo, through a quest across a brutally pragmatic interstellar empire, to a world almost as old as the universe.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

3.5 to 4 stars.

This novel, while predictable in parts (in a more traditional, “cop-oriented” way), raised some interesting points in terms of what to expect in a near-future, or a parallel present, shaped by the presence of aliens. Namely the mysterious Jackaroo, who showed up some thirteen years prior to the beginning of the story with shuttles and fifteen wormholes leading to just as many new worlds for humans to colonise. Worlds ertswhile inahbited by creatures long gone and forgotten, leaving only behind strange, “Elder Culture” artefacts. Meanwhile, Earth is falling prey to memes, ideas birthed into the mind of people who have been touched by ~~the Vorlons~~ some of those artefacts. And who knows how exactly the Jackaroo were responsible for this? Or their unscrutable associates, the !Cha, story-lovers who use plots to gather information used in turn to woo their mates?

Intersting, because the Jackaroo never revealed their true purpose, and because their gift was definitely a double-edged sword. Sure, it allowed humanity to recover from ongoing problems (crime, pollution), but others developed in turn, and the fifteen worlds turned into mirrors of Earth, with McDonald’s and Starbuck joints popping up on Mangala and, no doubt, other places. Crime developed there just as it did on Earth, and a lot of things and events made it clear that humans basically did to these colonies what they had done to their motherworld—perhaps worse, even, due to the fact they hadn’t had to “work hard” to get to these new places, served on a silver platter. The “benevolent” Jackaroo, in other words, might just be trying to repeat an experiment they did with other planets and will do again, some kind of sick experiment to see what the “lesser” races would do when gifted with space travel they didn’t have to develop themselves.

The name itself is also reminiscent of the Australian word “jackaroo” and its potential etmology: wandering people, watching over cattle. At least, this is how it felt to me, and what I believe the author wanted to achieve: making readers question the purpose behind the Jackaroo’s actions, all the while swathing them under layers of a thriller-and-chase plot mixed with a more typical seasoned-cop-and-rookie-partner murder investigation.

The more typical parts, as I wrote above, were a little predictable, especially Vic’s, whose background is fairly unoriginal in that kind of story. However, I liked how they entwined after a while, and how you have to pay attention to the dates at the beginning of each chapter. This type of narrative can be frustrating, as you keep jumping from Chloe to Vic to Chloe to Vic again, and are left on semi-cliffhangers most of the time… but it’s a style I love, and so I wasn’t disappointed.

On the downside, the characters weren’t that much developed. Vic is moulded on a fairly standard TV-show cop-type (divorced guy, been working for the force for years, somewhat jaded but still trying to make a difference…), Nevers and Harris are also somewhat predictable, and I would have liked to know more about Fahad and his family. Chloe’s background was definitely interesting, yet it also made her somewhat aloof and distanciated—something that stood to logics, considering what happened to her mother, only it made it harder to feel involved in her quest, as she was more carried by the plot than truly active at times. (In her defence, she wasn’t a dumb heroine, and was definitely aware of who was trying to manipulate her, and who intended to off her anyway once she wouldn’t be useful anymore.)

Nevertheless, barring the somewhat weak characterisation, I found the world described here—drop here by drop there, with some info-dumping, but never too much to my liking—intriguing, and I wouldn’t mind knowing more about it in a sequel (or in a prequel).

Yzabel / February 19, 2015

Review: Silverwood

Silverwood by Betsy Streeter

My rating: [rating=1]

Summary:

The Silverwoods are a clan with a messy history and an uncertain future, responsible to protect humanity from the shape-shifting Tromindox. Helen Silverwood, fourteen, is beginning to realize that she will never lead a normal life. There have been clues: Her mother’s unusual work habits, her father’s absence, her brother’s strange abilities with a pencil and paper, and her own recurring dreams and hacker tendencies. And, the family’s constant moves from place to place.

Things are about to get much more complicated, and it all leads to the remote town of Brokeneck, California. Can the Silverwoods keep from losing each other in space and time, while unraveling a dangerous mystery?

Review:

(I got a copy from NetGalley, in exchange for an honest review.)

As of now, I am not sure yet whether I should give this book 1 star or 2. I can’t say that I didn’t like it at all, because several ideas and themes were definitely interesting, and made me want to know more. But… This is one of those “good ideas, but…” novels, too.

Mostly I was constantly annoyed with the feeling that I was reading a first draft, instead of an edited copy. (Of course, as an Advanced Reader Copy, it was still liable to change; however, I still think an ARC is meant to be as close as possible to a ready-to-be-published version, not to a draft.) Sometimes the story dragged in places, sometimes it went much too fast, leaving gaps in the narrative that were difficult to fill. In the end, too many elements still remained shrouded in mystery—and not the kind of mystery that is justified, since it stemmed, in my opinion, from aforementioned gaps. Keeping revelations for a second installment is nice, but not when it makes a jumble of the first.

As a result, I had a hard time caring for the characters and for their predicament, as well as for the antagonists. The former’s decisions often didn’t seem to make a lot of sense, and too many secondary characters didn’t have enough screen time for their role to be understandable (Chris, Rosie, Eleanor…). The latter’s motives were unclear, their moves too sudden to know where they came from (puzzling the heroes is good; puzzling the reader, not so much). Adding time travel, portals, a jail, a Council, alien-like creatures, and a strange little town whose importance wasn’t properly stressed… Well, let’s just say the mix was too confusing.

The third person present tense style was the second thing that alienated me, so to speak. It is a tricky style to deal with, and while it works in some stories, here it didn’t do anything for me, and made me cringe more than once.

This is really too bad, because I did want to like this story, and it did seem like the kind of time travel-filled plot I would normally enjoy…

Yzabel / February 16, 2015

Review: The Room

The Room by Jonas Karlsson

My rating: [rating=4]

Summary:

A quirky and unsettling tale, of dark humour and strange realities, about a bureaucrat, an open plan office and a secret room…

The Authority looks favourably upon meticulousness, efficiency and ambition. Bjorn has all of this in spades, but it’s only in the Room that he can really shine. Unfortunately, his colleagues see things differently. In fact, they don’t even see the Room at all.

The Room is a short, sharp and fiendish fable in the tradition of Franz Kafka, Samuel Beckett and Charlie Kauffman. If you have ever toiled in an office, felt like the world was against you or questioned the nature of reality then this is the novel for you.

Review:

(I got a copy from NetGalley, in exchange for an honest review.)

This was a pretty strange read in many ways, but also a compelling one. I kept wondering about the mysterious room, whether it existed or not, whether Björn (the main character) was crazy or not, whether what happened in the room actually happened or not… because no matter what, everything was always just a tad bit too ambiguous to allow me to draw clear conclusions. On the one hand, it was slightly frustrating. On the other, it was interesting.

Björn is clearly a narrator of the totally unreliable variety. He’s also not very likeable, in that he thinks himself better than the others, more skilled and more knowledgeable—and at times, he’s exactly that, while at others, he appears as useless, so once more, you’re kept wondering what to believe. I found him pretty interesting, though, if considered from a sociopathic viewpoint (this kind of character tends to grab my attention: they’re trainwrecks in the making, fascinating and repulsive all at once). He had a very clear, definite image of himself that may or may not match what other people perceived, yet in his mind, the fault was very seldom his; and when he questioned himself, I would wait for the other shoe to drop. In other words, he wasn’t “likeable” as a human being, but as a study of a certain type of mindset, he certainly was.

Daily life in the Authority/the Office turned out a quirky study as well. Various social behaviours, people lined in their little cubicles, procedures, work habits, workplace events and how one can quickly fit in or, on the contrary, commit a fatal faux-pas… It wasn’t nonsense bureaucracy at its finest, but it still lent the whole book a very peculiar atmosphere, with everybody stuck with everybody else (the only character who’s seen being home is Björn, and even then it doesn’t really feel like him, much more like “the place where to be when you’re not at work”). Everybody had their flaw and good sides, but knowing what they are was to be judged according to Björn’s descriptions and to how he perceived his colleagues’ reactions. Definitely a clash of realities here, as one can empathise with the other workers, with how they felt the newcomer was strange and hostile… and at the same time, Björn’s narrative still manages to sow doubt, considering that, all in all, what he wants is to find his place in his new job, as well as a career to aim for.

Commenting on the writing style itself is a bit difficult, since it’s a translation. I found it fluid and easy to follow, with short chapters that broke the flow just like Björn’s personality seemed to be broken, too (if this makes sense). They also felt like a kind of internal filing system used by the character to compartmentalise and gain control over an environment different from what he expected. This format worked fairly well for me, considering the kind of story told here.