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Yzabel / February 8, 2015

Review: Red Queen

My rating: [rating=3]

Summary:

Mare Barrow’s world is divided by blood—those with red and those with silver. Mare and her family are lowly Reds, destined to serve the Silver elite whose supernatural abilities make them nearly gods. Mare steals what she can to help her family survive, but when her best friend is conscripted into the army she gambles everything to win his freedom. A twist of fate leads her to the royal palace itself, where, in front of the king and all his nobles, she discovers a power of her own—an ability she didn’t know she had. Except . . . her blood is Red.

To hide this impossibility, the king forces her into the role of a lost Silver princess and betroths her to one of his own sons. As Mare is drawn further into the Silver world, she risks her new position to aid the Scarlet Guard—the leaders of a Red rebellion. Her actions put into motion a deadly and violent dance, pitting prince against prince—and Mare against her own heart.

From debut author Victoria Aveyard comes a lush, vivid fantasy series where loyalty and desire can tear you apart and the only certainty is betrayal.

Review:

(I got a copy from NetGalley, in exchange for an honest review.)

3 to 3.5 stars. I mostly enjoyed this book, but I wish some aspects had been more developed, and I can only hope they will be in the next installment. (Which I would gladly read.)

The weak points, first:

– In general, the ideas and world-building weren’t too original. The novel is very close to many dystopian YA novels, with typical elements: class divide, a war, a group of rebels, the love triangle (square?)… In all fairness, had I not already read several books with similar plot devices, this one would have felt better for me, so who knows, it might not be such a problem for another reader.

– The world itself suffered from the (also typical) “pocket-universe” syndrome: everything seems to happen in an enclosed space, with just a few hints to other countries. I couldn’t help but wonder about those neighbouring governments and the rest of the planet, as well as the deep reasons to the war, and how Reds and Silvers came to be. It was easy enough to accept that “this is not our world, so these two races are just something that I can see as normal”; but it would still have been nice to get a better grasp on the larger picture, all the more because Mare got lessons about this, so it would’ve been a good place to insert some more information (without falling into the info-dumping trap, that is).

– The romance subplot, with a love triangle, or even a love square. I understand that parts of this subplot were not what they seemed to be; however, the potential romance, the love interests, didn’t strike me as believable, and rather out-of-the-blue in general. I didn’t feel any chemistry between Mare and either of the guys, and so that specific aspect of the story seemed forced and contrived.

– Sometimes the characters and their motives were too one-sided. I’m thinking of Evangeline specifically, with her Queen Bee attitude that, in my opinion, wasn’t really justified: Mare was never a threat to her position, and Evangeline already knew where she stood and that what she had would remain hers, so while mere contempt may have been logical, such open animosity wasn’t.

However, Red Queen also has several good points going for it:

– In spite of the typical, cliché sides, the author still managed to make them hers and to develop an enjoyable world. I liked the various powers displayed by the Silvers, and the many possibilities they offered.

– The roles of the main characters: they aren’t so clear-cut as they appear at first, and even though I admit I could sense a particular twist coming, I was still nicely surprised when it happened, in a “aha, YES, I knew it!” way. There was a lot of double-thinking and potential betrayal going on behind the scenes, and this was great.

– The political side of the romance. It explains a lot of things.

– Although the aforementioned romance left me cold, I liked that Mare wasn’t merely “the girl torn between two boys, wondering who to choose”. That aspect was a rather minor one, and mostly she placed her opinions, her aims, her conviction first. She wasn’t just passive and helpless while The Guys did all the work, and she took matters in her own hands. Granted, some of her decisions may be seen as naive; on the other hand, such naivety was also understandable, since Mare had never been schooled in court politics, and was ripped away from her world and family to be thrown into very different surroundings. Being alone, feeling isolated, wanting to clutch at the people who showed kindness: that was understandable.

Not a perfect novel, but not a bad one either.

Yzabel / February 5, 2015

Review: The Mindtraveler

The Mindtraveler by Bonnie Rozanski

My rating: [rating=2]

Summary:

What woman of a certain age doesn’t sometimes look upon her life and wish she could go back and do it all over again?

With more of her life behind her than ahead, Margaret Braverman, a physicist teaching at a small college, cannot help but regret the things she never quite got right. Most important among them was the tragic ending of her romance with her brilliant colleague Frank, something she has never gotten over. Then there is the prospect of restoring the respect of her colleagues after that unfortunate incident where she set her hair on fire. And, of course, it would be glorious to get even with that mean-spirited, conceited, womanizing Caleb Winter.

Fortunately, after years of experimentation in the back room of her lab, Margaret has finally built a time machine. The key, she discovered, is in teleporting not the body but the mind. And so, at 5:03 p.m. on May 3, 2012, Margaret teleports her mind to her 1987 self.

Though her body is that of a 35-year-old, the narration and point of view is that of her older self. “60″, as she calls herself, feels everything but can’t move a muscle. All she can do is to passively witness what she lived once before, and, until she figures out how to influence things, nothing is going to change.

Review:

(I got a copy from NetGalley, in exchange for an honest review.)

2.5 stars. Mixed feelings here.

On the one hand, it was permeated with a mellow, nostalgic atmosphere that I found pleasant. Not because of the events that unfolded in the past—some of those raised serious matters, like destroying a family, the glass ceiling, what it meant to be a woman in a place dominated by a patriarchal hierarchy. Because of how Margaret saw the past through the eyes of her younger self, with the hindsight of 60 years of life. As she was basically a silent passenger in the back of 35!Margaret’s head, she could easily reflect and contemplate on that world she didn’t remember accurately, and relive these memories in a way that would allow her to treasure them (seeing her parents again, for instance).

The ending was in part predictable, in part surprising (the twist with the student, all making sudden sense when you think about it), in part unavoidable, and I liked the latter aspect: I don’t think I would’ve wanted a too well-wrapped ending, with nice ribbons around. The one the author chose to go with seemed to fit Margaret’s character better than a “quieter” one.

A huge downside for me was the “silent passenger” side of the plot. For about 70-75% of the story, 60!Margaret can’t do much more than lift a few fingers, which forces her in an extremely passive role (somewhat reminiscent, though, of what 35 had to go through: “be a nice girl and shut up when it comes to the important stuff”—the echo wasn’t lost on me). It made up for a very awkward transition when she suddenly finds herself doing so much more, and as a result, the last chapters felt disconnected and in a hurry. It would’ve been more seamless if she had gradually started to do more, perhaps while her younger self was asleep/unaware of her “passenger”.

The romance aspect I could’ve done without. It wasn’t a breaker because it was romance, but it tended to obfuscate Margaret as a person who could make a life for herself—as in,” who cares about academic recognition and a whole career, as long as I can have The Man?” (This clashed with Margaret’s views on life, with her way of always deciding for herself, even if that mean making a bad decision, with her aims of becoming a researcher and getting tenure, etc.) This is why, I think, I’m glad the ending was what it was, and I can’t help but wonder what she would do afterwards: enjoy the good or moan about the bad?

As for the characters themselves, mostly they weren’t that enjoyable, unfortunately, either because they were greedy, sleazy or cowards, or just not impressive. This is humanity in a basket, I suppose, but a few more positive people to balance it out would’ve been nice. The mellow/nostalgic side of the novel would’ve made a stronger impression on me, too, if I had had a better feeling for them.

Not a bad novel, all in all, and the concepts and ideas it raised were definitely interesting. Unfortunately, in the end, it remained in the “just OK” category for me.

Yzabel / February 1, 2015

Review: A Myth to the Night

A Myth to the Night: Parts I-V by Cora Choi

My rating: [rating=3]

Summary:

Once home to the illustrious Order of the Crane — guardians of the world’s myths and legends — Stauros Island, now in the hands of the Order of the Shrike, is an elite university whose students are guaranteed positions of power upon graduating.

However, a dark curse hangs over the island: students are disappearing. The school officials declare it the work of a demon, and blame Hugh Fogg — a young monk of the Order of the Crane who died 400 years earlier.

Could the spirit of a young man who died in 1615 come back to haunt an island and terrorize its students? If so, for what purpose? A Myth to the Night is Hugh’s story and his struggle to see his mission complete.

Review:

(I got a copy from NetGalley, in exchange for an honest review.)

While this novel had its flaws, I nevertheless enjoyed it for some of the ideas it brought forth and for its half-dystopian, half-anachronistic atmosphere. The latter might be a deterrent to some, as it’s quite peculiar, but overall I liked it.

The story itself partly reads as a myth, with its cast of characters born from legends. After all the books about them were destroyed, they came to exist as “phantoms” on Stauros Island, striving to tell people at night about who they had been and what symbols and values they were meant to embody. The descriptions given of these people/heroes/creatures, as well as of their surroundings on the island, lent the novel quite a magical feeling.

I also liked the idea of an evil sect controlling the world through fear and systematic destruction of old tales and knowledge, so that people wouldn’t have anything to turn to, and would more easily allow themselves to be ruled. The sect’s role was a bit far-fetched and one-dimensional, in a “big villain” way, but on the other hand, it also had echoes of secret societies born from wealthy frats, or of a New World Order of some kind—people educated at Stauros are groomed to be the rich and powerful of this world, complete with signets revealing their belonging to the Order of the Shrike. This definitely wasn’t uninteresting.

On the downside, some parts were somewhat muddled and slow, and could lead to questioning the world-building if one thinks about it too much. Some aspects were clearly simplistic and/or too manichean or predictable. If you’re looking for solid world-building, these flaws will quickly become manifest. If you choose to read A Myth to the Night as a kind of myth itself, then it’s less of a problem.

Yzabel / January 30, 2015

Review: Mind The Gap

Mind the Gap by Tim Richards

My rating: [rating=2]

Summary:

Darius Ibrahim is not having a good week.

He’s been threatened by a knife-wielding maniac on a London train, interrogated by a mysterious warrior woman beneath the city’s streets, pursued by a military death squad in Melbourne, had his new girlfriend kidnapped and held hostage in Prague, and been captured and taken to another world.

And it’s barely been three days since his life started to fall to pieces.

On top of all this, he’s developed a bizarre ability that allows him to teleport in quite unusual circumstances – an ability that several deadly enemies will do anything to gain control of.

In a desperate struggle involving alternate worlds, Egyptian mythology, ancient prophecy, malevolent felines, underground railway stations and the power of dreams, can Darius long survive the arrival of his newfound power?

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

2.5 stars. It wasn’t bad, but it didn’t enthrall me as much as the blurb led me to expect. It contained its lot of good ideas (I’ve always had a fond spot for teleportation as a power, as well as for the Tube and underground trains, for some reason), while others felt muddled and confusing.

There’s a prophecy, and several parties competing around it to seize the “Chosen One” in the middle of all this; but after a while I started to realise I didn’t really know much about their motives, except for the most obvious ones, and it made for a plot that was at once complex yet underdeveloped. (One of the parties wanted to conquer, the other was striving for a certain being to come back to earth, the third and fourth one… I’m not exactly sure, in fact.) A few things were strange, too, such as the “bad guys” calling Darius “the boy”—he’s a grown man, not a teenager, so “the young man”, at the least, would have felt more justified. “Boy” just didn’t cut it for me.

The characters in general would have deserved to be fleshed out more. And though the relationship between Darius and Viv was somewhat amusing (in a good way), thanks to their interactions, it developed a bit too fast to justify the whole “will go to every length to find you again”. One event particularly put one character in extreme danger, as said character dove into a totally unknown situation with only a very basic plan, a.k.a “I’ll let them capture me and we’ll be together again”.

I liked seing Egyptian mythology included, and alternate worlds. However the world-building never went far enough for me, remaining on a stereotypical level, whether it was Mas-Ra, the lands controlled by the Horus Alliance, the place where the third party came from, or even our own Earth, as the characters move so fast from one location to the other. In a way, the story was long without being long enough. Very, very strange.

The ending happened too fast, with a lot of people/beings appearing, then vanishing, all piling on the rest. The epilogue also felt out of place somehow. It’s clearly here to introduce a second book, when this one seemed to be self-sufficient plot-wise.

Yzabel / January 25, 2015

Review: Zombies – More Recent Dead

Zombies: More Recent Dead by Paula Guran

My rating: [rating=4]

Summary:

The living dead are more alive than ever! Zombies have become more than an iconic monster for the twenty-first century: they are now a phenomenon constantly revealing as much about ourselves – and our fascination with death, resurrection, and survival – as our love for the supernatural or post-apocalyptic speculation. Our most imaginative literary minds have been devoured by these incredible creatures and produced exciting, insightful, and unflinching new works of zombie fiction. We’ve again dug up the best stories published in the last few years and compiled them into an anthology to feed your insatiable hunger…

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

Anthologies are always difficult for me to rate—so many different stories, so many authors, and you know you’re bound to find very good pieces, and some you don’t like at all. As far as collections go, this one about zombies was a fairly good one, all in all, that I would rate a 3.5 to 4 stars.

(Also, the time I spend reading a book is usually a good indicator of my interest in it, but in this case, it doesn’t apply. I was reading a couple of other zombie-themed books in the meantime, and I preferred to go slow, rather than eat too much of the same thing at once. pun totally intended, of course.)

My favourites:
– “Iphigenia in Aulis”: the story that spun “The Girl With All The Gifts”, so no surprise here. Reading this “first draft” was interesting, even though I liked the novel better (since it was more developed).
– “The Naturalist”: nasty and vicious undertones here.
– “What Maisie Knew”: a dark and twisted take on what use zombies can be. Somehow it also made me think of “Lolita”, probably because of the way the narrator views himself?
– “The Day the Music Died”: a manager trying to cover up that his money-making rock-star is actually dead. This one had a twisted, funny side that spoke to me. Don’t ask me why.
– “The Death and Life of Bob”: how zombies are not necessarily what you expect… and how dark and narrow-minded humans can be, too.
– “Jack and Jill”: parallels between the zombies and a child who’s sick with cancer and already a “living dead”, in that he knows he probably won’t stay in remission for long. (The fact that *I* actually enjoyed a story with cancer in it is mind-boggling, and speaks of how it managed to make me forget my own fears in that regard.)
– “The Gravedigger of Konstan Spring”: a remote little town where people don’t seem to stay dead for long. Disturbing, strange, quirky, and full of moments when I wondered to which extent the inhabitants would go to keep their gravedigger.
– “Chew”: disturbing not for its take on zombies, but for what actual human beings can do to other human beings.
– “What We Once Feared”: another story bent on revealing how bleak human nature can be, and how dire situations can reveal the worst in people.
– “Aftermath”: the title says it all. How people manage and how life gets back on track slowly after the cure to the zombie-virus has been found. Disturbing aspects about what killing those “zombies” actually meant.
– “Love, Resurrected”: a dark fantasy tale of sorcery, necromancy, and of a woman who has to keep battling even after the flesh has left her bones.
– “Present”: sad and touching in a terrible way.
– “Bit Rot”: when a zombie story collides with science-fiction of the space-travelling kind. The reason behind the “bit rot” was a nice change for me.

OK stories:
– “The Afflicted”: I liked the idea behind it (the elderly ones only falling ill… alas, everybody’s doom to grow old), but it deflated a bit after a while.
– “Becca at the End of the World”: the last hour of a teenager. However, it was a little too short to be as powerful as it could be IMHO.
– “Delice”: not one I’ll remember for long, but nice to read
– “Trail of Dead”: good concept, but I’m not too sure of the apprentice’s part in that (it seemed unfocused).
– “Stemming the Tide”: a little weird, though also poetic in its own way.
– “Those Beneath the Bog”: the curse on a lake, and how old folk tales shouldn’t be discarded. Perhaps a wee bit too long, though.
– “What Still Abides”: very, very weird, in that it tries to emulate Old English grammar. I can’t make up my mind about it, but overall, it still felt strange in a sort of good way for me.
– “In The Dreamtime of Lady Resurrection”: beautiful and dreamy. Not exactly a zombie story, though.
– “‘Til Death Do Us Part”: not exactly original, still enjoyable. A wife comes back from the grave, and her family tries to keep her with them.
– “The Harrowers”: the narrator’s name kind of tiped me about the ending, however it remained interesting.
– “Resurgam”: a good idea that unfortunately ended up in two storylines not meshing up together well. I still liked the Victorian narrative, though.
– “A Shepherd of the Valley”: a bit predictable.
– “The Hunt: Before and The Aftermath”: I wasn’t sure at first where this one was going, but it had interesting insights into revenge in general.

The ones I didn’t like:
– “Dead Song”: I didn’t care for the actor-narrating-story approach. Another one might have worked better, because there was a good idea behind it.
– “Pollution”: I like Japanese culture, but the tropes were too heavy-handed here.
– “Kitty’s Zombie New Year”: forgettable, I didn’t really see the point to this story.
– “Selected Sources for the Babylonian Plague of the Dead”: the narrative style didn’t do it for me at all here. Which is really too bad, because the different setting made for quite interesting grounds.
– “Rocket Man”: I don’t know if it was meant to be comical or not. It didn’t leave much of an impression (but then, I’m not too interested in base-ball for starters, which doesn’t help).
– “I Waltzed with a Zombie”: I couldn’t push myself to get interested in it, I don’t know why. I neither adore nor terribly dislike Hollywood B-movie settings in general, so maybe it was the narrative that didn’t grab me.

Note: A couple of stories are actually in poetic form, which makes them harder to rate (yes, including Neil Gaiman’s one).

Yzabel / January 20, 2015

Review: The Silence of Six

The Silence of Six by E.C. Myers

My rating: [rating=3]

Summary:

“What is the silence of six, and what are you going to do about it?”

These are the last words uttered by 17-year-old Max Stein’s best friend, Evan: Just moments after hacking into the live-streaming Presidential debate at their high school, he kills himself.

Haunted by the image of Evan’s death, Max’s entire world turns upside down as he suddenly finds himself the target of a corporate-government witch-hunt. Fearing for his life and fighting to prove his own innocence, Max goes on the run with no one to trust and too many unanswered questions.

Max must dust off his own hacking skills and maneuver the dangerous labyrinth of underground hacktivist networks, ever-shifting alliances, and virtual identities — all while hoping to find the truth behind the “Silence of Six” before it’s too late.

Review:

(I got an ARC through NetGalley, in exchange for an honest review.)

3.5 stars, because the book wasn’t without faults. In fact, I’d probably give it 4 stars in other circumstances—that is, if I didn’t know a lot to the online world, computers in general, and hackers. Some parts I found to be too “didactic”, which would be good for a reader with a less technological background, yet tended to become annoying after a while (I really don’t need to be taught what a DDoS attack is). However, this is a “it’s not you, it’s me” kind of fault, and I don’t doubt it’s precisely what would help another person enjoy the story more.

The events in the last third of the book also seemed to move just a tad bit too fast, making things somewhat confusing. I guess I would have liked to see more hide and seek there? Or a different approach? It’s actually hard to tell. I just know that I went “huh?” in a couple of places.

I liked the main characters, the ways they went through to meeting, and how they generally thought of clever little tricks to avoid being noticed (how to trick facial recognition software, etc.). Perhaps their relationship was a little forced, but it didn’t matter that much within the flow of the story.

The reflections the book leads to when it comes to social media and their impact on our lives, were interesting as well. So many people use their real names on such media, handing out very specific information, without realising that it could be exploited. Reminding this to younger readers (middle-schoolers, the “YA crowd”…) is certainly not a bad idea at all. Anyway, the use of social media, through the giant “Panjea”, was both a reminder and a wink, and I appreciate that kind of things.

Overall, it was a light, fast-paced read that could be quite enjoyable for a lot of readers. Had I been “younger” (less experienced, with less computer/online knowledge than I have now), I’d probably have given it 4 stars.

Yzabel / January 10, 2015

Review: The Girl on the Train

The Girl on the Train by Paula Hawkins

My rating: [rating=4]

Summary:

Rachel catches the same commuter train every morning. She knows it will wait at the same signal each time, overlooking a row of back gardens. She’s even started to feel like she knows the people who live in one of the houses. ‘Jess and Jason’, she calls them. Their life – as she sees it – is perfect. If only Rachel could be that happy.

And then she sees something shocking. It’s only a minute until the train moves on, but it’s enough.

Now everything’s changed. Now Rachel has a chance to become a part of the lives she’s only watched from afar.

Now they’ll see; she’s much more than just the girl on the train…

Review:

(I got an ARC through NetGalley, in exchange for an honest review.)

3.5 to 4 stars. Perhaps not the most original thriller ever for someone who’s read a lot of such books already, but for me—since I seldom read that genre—it was an interesting story. Guessing who the culprit is turned out to be relatively easy, but this book is of the kind where the whodunnit doesn’t really matter: it’s how it happened, how and why the person got there, that is the most important part. The fact that the narrators are all more or less unreliable, especially Rachel, also add to the confusion, in a good way.

The story is told in first person, from three women’s points of view, and each of those give a different insight and different sorts of tidbits, allowing to piece things together gradually. They’re all flawed protagonists in their own ways, and this can be seen as either annoying or fascinating, depending on where you stand on the matter. Sometimes, they seemed pretty weak and clingy (as in, being unhappy about their lives but not exactly doing much to change things); on the other hand, I guess we all know that big changes in general aren’t so easy to enact as it sounds, and so those protagonists are both relatable and slightly grating, because they might force us to face some problems of our own. (Had I read this book during another period in my life, I might have been uneasy, feeling like I was confronted with things I should be doing, but wasn’t.)

Whether one ends up liking or disliking the protagonists doesn’t really matter, because it’s clear they aren’t meant to be a hundred percent likeable, and that their roles are never all black or all white. Rachel’s alcohol problem and disturbing voyeuristic side (watching people from the train, imagining what their lives may be, then wanting to make her own place in those lives…). Anna who acts all righteous but who still was the proverbial bull in a chine-shop. “Jess” whose boredom is understandable, but who also twists truths in her own narrative. “Jason” who may not be such the perfect husband. And so on.

I would probably not call this book “the next Gone Girl“, though… but then, I don’t like comparing novels in general in such a way. This one stands on its own.

Yzabel / December 31, 2014

Review: The Sunken

The Sunken by S.C. Green

My rating: [rating=3]

Summary:

In the heart of London lies the Engine Ward, a district forged in coal and steam, where the great Engineering Sects vie for ultimate control of the country. For many, the Ward is a forbidding, desolate place, but for Nicholas Thorne, the Ward is a refuge. He has returned to London under a cloud of shadow to work for his childhood friend, the engineer Isambard Kingdom Brunel. Deep in the Ward’s bowels, Nicholas can finally escape his strange affliction – the thoughts of animals that crowd his head. But seeing Brunel interact with his mechanical creations, Nicholas is increasingly concerned that his friend may be succumbing to the allure of his growing power. That power isn’t easily cast aside, and the people of London need Brunel to protect the streets from the prehistoric monsters that roam the city. King George III has approved Brunel’s ambitious plan to erect a Wall that would shut out the swamp dragons and protect the city. But in secret, the King cultivates an army of Sunken: men twisted into flesh-eating monsters by a thirst for blood and lead. Only Nicholas and Brunel suspect that something is wrong, that the Wall might play into a more sinister purpose–to keep the people of London trapped inside.

Review:

(I got an ARC through NetGalley, in exchange for an honest review.)

Interesting ideas, blending 19th-century industrial Britain with religious sects based on trades. It gave the world a slightly dystopian flavour, casting skewed shadows on its inhabitants’ motives and on the way things were run. Historical events were loosely respected and used (such as the king’s madness, or Brunel’s engines and railroads), but in a way that seemed believable enough to me. Same with historical personae: sure, some of them died before 1830 (the year the story’s set in), but I didn’t exactly care. I found it nice to see them play roles both similar and slightly different.

I remain torn regarding Holman’s narrative, though: good, because it played on other senses than sight; strange, because it was the only first person point of view, and while it somehow fits with what was left by the real Holman in our world, it was also surprising. (I most often tend to feel like that when such switches occur in novels: why the need to insert such a POV in the story, what is it meant to achieve, etc.) Not uninteresting, just… questionable in places.

The story as a whole didn’t grip me as much as I thought it would. The right ingredients are here, only not always used in a way that would keep my attention span steady (for instance, some things are repeated throughout the novel, whereas others are left as mere details that demanded to be fleshed out). The society described in this book is intriguing, however at times the reader has to piece bits together just a little too much for comfort. Nothing terrible, just sometimes tiring after a while. (On the other hand, I doubt I would have appreciated page after page of explanations, so I’m not going to whine too much about this.)

Not my love-love book of the year, however I may still decide to check the next book once it’s out.

Yzabel / December 25, 2014

Review: Science… For Her!

Science…For Her! by Megan Amram

My rating: [rating=1]

Summary:

Megan Amram, one of Forbes’ “30 Under 30 in Hollywood & Entertainment,” Rolling Stone’s “25 Funniest People on Twitter,” and a writer for NBC’s hit show Parks and Recreation, delivers a politically, scientifically, and anatomically incorrect “textbook” that will have women screaming with laughter, and men dying to know what the noise is about.

In the vein of faux expert books by John Hodgman and Amy Sedaris, Science…for Her! is ostensibly a book of science written by a denizen of women’s magazines. Comedy writer and Twitter sensation Megan Amram showcases her fiendish wit with a pitch-perfect attack on everything from those insanely perky tips for self-improvement to our bizarre shopaholic dating culture to the socially mandated pursuit of mind-blowing sex to the cringe-worthy secret codes of food and body issues.

Part hilarious farce, part biting gender commentary, Amram blends Cosmo and science to highlight absurdities with a machine-gun of laugh-inducing lines that leave nothing and no one unscathed. Subjects include: this Spring’s ten most glamorous ways to die; tips for hosting your own big bang; what religion is right for your body type; and the most pressing issue facing women today: kale!!!

Be prepared to laugh about anything in this outrageous satirical gem.

Review:

(I got an ARC through NetGalley, in exchange for an honest review.)

I was hoping this one would be funny, with pokes to some “girly” magazines and their “silly” articles, yet also real scientific data in it—like a textbook with serious information, only in the shape of articles, lists of tips, etc.

It wasn’t the case. It only looked the part… until I started reading it.

Science here was reduced to a bare minimum. Nothing any high-schooler wouldn’t know, nothing really interesting, nothing to learn here. So the Earth is orbiting around the sun: big news. Reproduction: I learnt more about it in the anatomy book I got when I was 7. Either you really don’t know much about science and this is going to be useless, or you already know a bit, and it won’t be of any use to you. If there’s a middle-ground in that muddle, it’s a very thin and invisible one.

The rest didn’t save the book: it was just too heavy-handed to my taste. Like using plaster coating instead of foundation. Too full of fat jokes, rape jokes, wife-beating jokes, mean jokes, tasteless jokes in general, that went on for far too long, again and again and again. After the Nth iteration of “I can’t get over my boyfriend” and “here’s a dick” and “fat ugly bitch” and so on, I was glad I had had a few drinks in me to keep on reading. (Note: I’m only a social drinker, and a moderate one at that. When I need booze to get me through a book, it’s bad, bad news.)

There’s humour, satire and political incorrectness… and then there’s just too heavy and thick to bear. Hey, wait. Thickium: the one element you won’t find on the periodic table, because it’s atomic number is so high it actually fell off said table. See? I can do science, too.

It takes real skill to properly satirise any subject. I don’t think that skill was anywhere to be found here. In the end, I just wasted my time. (And probably would have wasted it much less if I had read an actual issue of Marie Claire, Elle, or whatever, instead. Unless the US versions of those magazines are really so much worse than the French ones, in which case I won’t ever touch them with a ten-foot pole.)

Yzabel / December 7, 2014

Review: The Accidental Alchemist

The Accidental Alchemist by Gigi Pandian

My rating: [rating=1]

Summary:

When Zoe Faust–herbalist, alchemist, and recent transplant to Portland, Oregon–begins unpacking her bags, she can’t help but notice she’s picked up a stow away: a living, breathing, three-and-half-foot gargoyle. Dorian Robert-Houdin is no simple automaton, nor is he a homunculus; in fact, he needs Zoe’s help to decipher a centuries-old text that explains exactly what he is. Zoe, who’s trying to put her alchemical life behind her, isn’t so sure she can help. But after a murder victim is discovered on her front porch, Zoe realized she’s tangled up in ancient intrigue that can’t be ignored.

Includes recipes!

Review:

(I got an ARC through NetGalley, in exchange for an honest review.)

1.5 stars. An interesting premise, but one I had trouble stayed focused on, and I just could never push myself to read more than a chapter or two before switching to something else.

The first chapters, with Dorian popping into Zoe’s life, his predicament, the book that needed deciphering, hinted at a good modern fantasy story. Unfortunately, the mystery that followed was too flat, and took too long to properly unveil. It could have been more of an adventure, yet it wasn’t. There wasn’t even that many alchemical concepts and knowledge to munch on.

I’d chalk a large part of this to the main character going around in circles about some things, always recalling her ability with plants, how she was not a night person, needed her healthy foods, etc. There was more cooking and vegan recipes than actual alchemy here. I know they say alchemy kind of started in the kitchen and all that, but the metaphor didn’t bring much to the story for me. I mean, it’s the Accidental Alchemist, not the Accidental Cook, so…

In turn, the sense of urgency got lost somewhere along the road. After a murder and another murder attempt, with Zoe having the potential to be seen either as the culprit or as the next victim, I would have expected more tension. When clues finally started appearing, and Zoe at last started taking them into account, I was past caring, and just wanted to finish the novel to see if Dorian could be saved.

The ending, by the way, was too rushed to my liking. I don’t have anything against McGuffins and McGuffin-plots used to introduce deeper, larger stakes; but I tend to feel frustrated when a story begins with such a plot, goes on reminding us regularly that it’s important, then brings a quick resolution after having focused on something completely different. It just makes me stop caring. (I’ll be honest, though, and mention that while I was reading this book, I was also reading another one that suffered from the exact same problem of “rushed ending”; I suppose they slightly “tainted” each other for me in that regard.)

(A minor quibble as well regarding Dorian’s speech patterns: speaking as a French expat living in the UK, seeing bits of French thrown in the middle of sentences is definitely weird. Whole sentences or exclamations, all right—it’s only natural to start speaking in your own language, before remembering you should switch to another one. But in my own experience, when this happens, we usually tend to stop and start again in English. For instance, I haven’t heard any other French expat finishing an English sentence with “n’est-ce pas”, so when the character did it, it kind of felt like “Hey, here’s a reminder I’m French”. Not needed in my opinion.)

On the bright side, I still think the basic idea was great, and I liked Dorian’s character in general, as well as the questions his existence raised: how he came to be, sure, but also how other people perceived him. When he recounted having to pass for a disfigured man who only worked for blind cooks and refused to let anyone else in the room, so that he could do what he loved without people freaking out, that was awfully sad—and a bit reminiscent of relationships such as the ones between Frankenstein’s monster and De Lacey. I always like when similar themes arise in a story (even though it was underexploited here).