arc Archives - Page 29 of 30

Yzabel / May 22, 2014

Review: Magic City: Recent Spells

Magic City: Recent Spells by Paula Guran

My rating: [rating=3]

Summary:

Bright lights, big city . . . magic spells, witchcraft, wizardry, fairies, devilry, and more. Urban living, at least in fantasy fiction, is full of both magical wonder and dark enchantment. Street kids may have supernatural beings to protect them or have such powers themselves. Brujeria may be part of your way of life. Crimes can be caused (and solved) with occult arts and even a losing sports team’s “curse” can be lifted with wizardry. And be careful of what cab you call—it might take you on a journey beyond belief! Some of the best stories of urban enchantment from the last few years is gathered in one volume full of hex appeal and arcane arts.

Review:

(I got a copy from NetGalley, in exchange for an honest review.)

As usual when anthologies are concerned, there are stories one will like, and stories that won’t cut it at all. What I can say about this one, before I ge to the stories individually:

1) Those are reprints. If you’re relatively new to urban fantasy as a genre, and/or usually don’t read anthologies, I think it should be all right. Otherwise, you may already know quite a few of those stories.

2) It may not be tremendously representative of urban fantasy, depending on how you perceive this genre.

3) The book began with the stories I liked the least, and I almost stopped reading at that point. Therefore, I’d advise not reading them in order.

#1 STREET WIZARD: To be read as an introduction rather than a story with a definite plot and punchline. A kind of “slice of life” story, that gives the reader a glimpse into what urban fantasy may entail, but not particularly exciting.

#2 PARANORMAL ROMANCE: Not convinced. The MC’s move (ditching her date) was pretty rude and uncalled for. Because the guy isn’t what you expected doesn’t mean he doesn’t at least deserve a “sorry, not working for me, I’m saying bye”. What’s with those characters who can’t be ballsy enough to enact basic courtesy?

#3 GRAND CENTRAL PARK: Interesting enough, I liked the ending more than the story itself, though.

#4 SPELLCASTER 2.0: Loved the premise, but not the moralistic aspect (nor the intrisic misogyny).

#5 WALLAMELON: I quite liked this one. Its themes are fairly common (the cost of magic, growing up and out of childhood beliefs), but touching nevertheless.

#6 -30-: Not to be read if you’re a writer who has hopes for his/her craft: it’s rather depressing. Worst, 2nd person POV is definitely a terrible idea. I won’t recommend that one.

#7 SEEING EYE: One of my favourites, properly wrapped up, with a definite resolution at the end, but also a couple of openings leaving room to the reader’s imagination.

#8 STONE MAN: Another one I liked. While dealing with serious prospects, it also leaves room for hope and fighting back—both for the main character and when it comes to the bigger picture.

#9 IN THE STACKS: A librarian’s dream come true… Well… A nightmare, rather? Another winner in my book (pun intended). Nobody ever belittle the job of a librarian now!

#10 A VOICE LIKE A HOLE: I liked the theme, but I felt that the story stopped just where it should’ve started. Weird.

#11 THE ARCANE ART OF MISDIRECTION: Not so surprising in theme (normal person discovering magic hiding right under her nose), but with an interesting setting (casino, hotel), and with the kind of magical effects I tend to like.

#12 THE THIEF OF PRECIOUS THINGS: I’m not really sure what to make of this story. I liked its atmosphere, eerie with magic, shapeshifting, a sort of lingering despair, and promises of both hope and dark days to come. I didn’t get a feeling for the characters, but in a way, it’s like it doesn’t really matter.

#13 THE LAND OF HEART’S DESIRE: Hard to tell where this one was was going. I didn’t really feel any sense of direction in it, and it seemed to lack purpose, despite the theme it dealt with.

#14 SNAKE CHARMER: Classic take on revenge. Not developed enough to my taste.

#15 THE SLAUGHTERED LAMB: Drag queen werewolf protagonist: not something you see everyday. Nice one about accepting people for who they are, no matter how different.

#16 THE WOMAN WHO WALKED WITH DOGS: Shadow dogs, always with their owners, yet never seen by those who don’t believe in them… until they’re needed. I’d like a Shep, too.

#17 WORDS: Words have power. Words have magic. Is it wise to annoy the ones who wield true words? Not so much. A retelling on the theme of the Rattenfänger, and one that somewhat resonated with me (perhaps because I fancy myself a writer, too?).

#18 DOG BOYS: New boy in school, thrown into gang hostilities. Likeable protagonist, who does what feels right, even though he knows he’ll get into trouble.

#19 ALCHEMY: Another one I liked. Quiet, and full of questions regarding knowledge: is the price to pay worth it? And if something is gained through other means than our own, is it really so interesting in the end?

#20 CURSES: Short story with Harry Dresden. Not as powerful as the novel-length stories, but still pretty much in the “Dresden Files” spirit.

#21 DE LA TIERRA: A twist on immigration stories. I liked how it dealt with misinformation, and how the latter can push people to do what they think is right, but isn’t necessarily so.

#22 STRAY MAGIC: Cute and moving story. This one should appeal to animal lovers.

#23 KABU KABU: Quite enjoyable, if (like me) you like crazy rides with strange landscapes and creatures from folklore. Also interesting for its take on one’s identity, since Ngozi, the protagonist, is somewhat estranged from her own culture.

#24 PEARLYWHITE: More on the horror side. Somewhat weak on the protagonists, because there are several, and a short story isn’t the best format to develop them. But I still liked it, as well as the gleam of hope at the end.

Yzabel / May 12, 2014

Review: Shadows & Dreams

Shadows & Dreams by Alexis Hall

My rating: [rating=3]

Summary:

My name’s Kate Kane. And right now, I don’t know which is more dangerous: my job, or my girlfriend. My job makes me the go-to girl for every supernatural mystery in London. My girlfriend’s an eight-hundred-year-old vampire prince. Honestly, I think it’s probably a tie.

A few weeks ago, I was hired for a simple missing person case. Next thing I know, I’m being arrested for murder, a vampire army is tearing up London, and even my dreams are out to get me. Something ancient, evil, and scary as hell is on the loose and looking for payback. The vampires are in chaos, the werewolves are culling everything, and the Witch Queen can’t protect everyone.

Which means it’s down to me. And all I’ve got to hold back the shadows is a stiff drink, a quirky sidekick, my creepy ex-boyfriend, and the woman who left me for a tech startup. It’s going to be another interesting day.

This title is #2 of the Kate Kane, Paranormal Investigator series.

Review:

[I got an ARC of this novel through NetGalley, in exchange for an honest review.]

I liked this one better than the first one. Partly because I already know the characters, but also, I think, because I found it less heavy on some of the things that had bothered me in the previous volume.

Characters, first. The reader will meet known ones again: Julian, Nimue, Ashriel, and get to know more about others (such as a Eve). Kate remains a fun point of view character, with a good dose of humour even in dire situations. She has a tendency to do things that aren’t exactly good for her, but at least she acknowledges it… even though it doesn’t prevent her from getting into dangerous situations. Elise plays a more important part, being here from the beginning, this time, and I must say she’s also a character I’ve taken quite a liking to. She’s discovering life as a normal human being (well, as normal as possible in the circumstances, that is), has an interesting way of speaking and apprehending the world, and I found that her becoming Kate’s assistant actually helped with furthering the plot. In “Iron & Velvet”, I sometimes felt that Kate stumbled upon information; Elise being tasked with finding information streamlines things a bit, and makes the investigation more believable in my opinion. Last but not least, Eve: she may seem bigger than life to some, but I found her geeky, Batman-wannabe side quite funny. And she gets the job done; no comic-relief useless sidekick on her part here.

There was less romance/erotica this time, and for me, it was for the best. I guess I’m used to the Kate-Julian relatioship now, so I wasn’t bothered by insta-love or anything similar. Owing to the plot, the two women didn’t spend as much time together, which wasn’t pleasant for them, sure, but also allowed less room for the sex scenes. (I don’t have anything against sex scenes, only they didn’t work for me in book 1, in part because of the weird similes often associated with them. So, yes, less of those here meant less clunky scenes in my opinion.) Although I still think Kate should learn to keep her dick in her pants, metaphorically speaking, she wasn’t as unfocused as previously, and therefore felt more believable as a PI.

I must admit that the Patrick/Sofia routine, while funny at first (with all the drama queen antics and the woe-is-me-I-totally-shape-the-world-to-my-beliefs attitude that clearly hints at bad emo stories), became a little tiresome after a while. I must’ve rolled my eyes as often as Kate did. But then, Patrick is an infuriating character, and one that is meant to serve as a comic relief.

The bit about the Vampire: the Requiem game made me smile. No irony lost here. It reminded me a bit of the RPG bit in Jim Butcher’s Dresden Files, and I wonder if this was intentional or not? On the other hand, I’m certainly not holding that against the author here, because it’s the kind of scene I like (and would probably write as well at some point).

Not the best book of 2014 for me, but definitely an improvement on the first one. I think I’ve warmed up to this world and characters.

Yzabel / May 8, 2014

Review: The Shadow Master

The Shadow Master by Craig Cormick

My rating: [rating=3]

Summary:

In a land riven with plague, inside the infamous Walled City, two families vie for control: the Medicis with their genius inventor Leonardo; the Lorraines with Galileo, the most brilliant alchemist of his generation.

And when two star-crossed lovers, one from either house, threaten the status quo, a third, shadowy power – one that forever seems a step ahead of all of the familial warring – plots and schemes, and bides its time, ready for the moment to attack…

Assassination; ancient, impossible machines; torture and infamy – just another typical day in paradise.

Review:

[I got an ARC from the publisher through NetGalley, in exchange for an honest review. Text is liable to change in parts upon publishing.]

I’ll admit I’m not quite sure yet what to make of this book, so for once, I’m going to make up my mind as I write my review.

The story’s set in an alternate Renaissance setting, in which the Medici and Lorraine families compete within the Walled City for the monopoly on a spice able to keep the plague out. While in other parts of the country, plague-infected people are dying by dozens, those in the city worry more about the political schemes of the two families, carried by the inventions of Galileo and Leonardo. The one controls time through clever devices; the other controls weather and has developed a science of metamorphosis. Amidst the tensions, Lucia Lorraine, the Duke’s daughter, and Lorenzo, apprenticed to Galileo and ward of the Medici, just want to be free to let their young love blossom, all too conscious that it could never happen unless they eloped or found another way.

There are lots of hints to well-known plots and historical events and people here. Renaissance Italy, the great inventors, Shakespeare’s plays (Romeo and Juliet comes to mind, of course, and the Duchess definitely has something of Lady Macbeth to her)… Mostly they’re easy to catch, though missing them would mean missing on some finer aspects of the novel. It didn’t lack a touch of humour either, and I found myself smiling more than once, because it was just the right amount for me, without derailing the story. The part with the cook’s assistant and the pie later delivered made me laugh, for its sheer “what the hell” aspect. The inventions were brilliant, and I liked that this strange science, poised between our own and sorcery, had drawbacks, such as making people grow older, faster, or turning them to stone. No such power should ever be totally free to wield.

The novel’s more plot-driven than character-driven. It worked for me, due to the context, the many winks to history and plays, and the city setting (I much prefer fantasy within enclosed spaces, than “travel fantasy”); on the other hand, a reader won’t find deep psychological profiles here.

I found the writing style efficient, able to carry vivid descriptions—the Walled City felt like a character itself, and I had no problem when it came to imagining it. However, the book could do with a last round of proof reading. There were a few typos and missing words now and then, noticeable enough that I couldn’t help but make a mental note about those. (This being an ARC copy, those typos may be fixed once the official publishing date rolls in.)

While the first part of the story was really entertaining, I thought the second one was a little confusing, in that I was left with more than just a couple of questions about who was who and what exactly happened. If those answers were hidden somewhere, then I’m afraid I missed them. What about the Medici and the Lorraine at the end? Was a new order meant to happen, or not? Who exactly were the Nameless One and the Shadow Master? At some point, I had that theory that the Master was part of Lorenzo’s mind only, that he didn’t really exist and was a way for the young man to find his place in the world, but it seems I was wrong. I also wondered if the Nameless One’s wife wasn’t Cosimo’s mother, but no father was ever mentioned, so I guess I was wrong again. I’m not positive I fully “got it”. It may be intentional, in order to leave the readers come up with their own conclusions and interpretations, but in this case, it was a little too vague to my liking.

3 to 3.5 stars, because I liked it no matter what.

Yzabel / May 7, 2014

Review: Deadly Curiosities

Deadly Curiosities by Gail Z. Martin

My rating: [rating=2]

Summary:

Cassidy Kincaide owns Trifles & Folly, an antique/curio store and high-end pawn shop in Charleston, South Carolina that is more than what it seems. Dangerous magical and supernatural items sometimes find their way into mortal hands or onto the market, and Cassidy is part of a shadowy Alliance of mortals and mages whose job it is to take those deadly curiosities out of circulation.

Welcome to Trifles & Folly, an antique and curio shop with a dark secret. Proprietor Cassidy Kincaide continues a family tradition begun in 1670—acquiring and neutralizing dangerous supernatural items. It’s the perfect job for Cassidy, whose psychic gift lets her touch an object and know its history. Together with her business partner Sorren, a 500 year-old vampire and former jewel thief, Cassidy makes it her business to get infernal objects off the market. When mundane antiques suddenly become magically malicious, it’s time for Cassidy and Sorren to get rid of these Deadly Curiosities before the bodies start piling up.

Review:

[I got an ARC through NetGalley, in exchange for an honest review.]

Hard to tell whether I liked it, or found it simply “OK”, so let’s consider this a 2.5 stars.

There are a lot of good ideas in this novel. About the magical community (the Alliance isn’t so big, the Family is likely to become a pain in the neck at some point). About the various kinds of magic, that I haven’t seen used that often in urban fantasy yet (weaving magic and psychometry, that is). About items and how they can become beacon of positive or negative energies. It goes to show that even the most inconspicuous little things can be harbingers of danger. And a store full of antiques, acting as cover for the magic folk to gather those special items and prevent them from falling into the wrong hands? Quaint and delightful—much like the town of Charleston, for which I could get quite a good feeling through the many little stories. (One of the secondary characters works in the historical archives. I tell you, you always need to know someone who works in a museum or something. Always.)

Another thing I liked was that, for once, there was no romance here. I don’t dislike romance, but sometimes I find there’s too much of it in UF in general, and it can more easily detract from the darkness and magic. Here, I didn’t want to read about a love story: I wanted to read about the antique shop, the mysterious items, Cassidy’s power, and so on. And this is what I got. So I was glad.

Unfortunately, this novel just didn’t click with me. I’m not even sure why exactly. I liked the ideas, the characters seemed interesting, but I never connected with them. I don’t think we get to see Sorren before the 30% mark, if I remember well, which I found too bad. As for the demon hunter, it was kind of annoying that he was introduced so late into the story, then made to die; his death would’ve been more striking if I had got to know him better. Yes, I’m a masochist. I know.

Regularly enough, I also found myself a little bored. It may have been because of the writing style: usually good when it came to descriptions of places, or to the stories passed around regarding the town and its inhabitants, but somewhat clunky in other parts. Examples would include repeated uses of the same first name in three consecutive short sentences, or some dialogue lines basically stating the same thing twice in a row. At first, I didn’t really notice it, but after a while, it started weighing down the narrative. The pace was perhaps a little too slow as well, though I can’t tell if this was because of the aforementioned style, or if it was just sluggish.

I’d place this novel among the ones that aren’t uninteresting, and could blossom into a good series; however, so far, I’m not really convinced.

Yzabel / May 5, 2014

Review: The Mark of the Tala

The Twelve Kingdoms: The Mark of the Tala by Jeffe Kennedy

My rating: [rating=3]

Summary:

Queen Of The Unknown

The tales tell of three sisters, daughters of the high king. The eldest, a valiant warrior-woman, heir to the kingdom. The youngest, the sweet beauty with her Prince Charming. No one says much about the middle princess, Andromeda. Andi, the other one.

Andi doesn’t mind being invisible. She enjoys the company of her horse more than court, and she has a way of blending into the shadows. Until the day she meets a strange man riding, who keeps company with wolves and ravens, who rules a land of shapeshifters and demons. A country she’d thought was no more than legend–until he claims her as its queen.

In a moment everything changes: Her father, the wise king, becomes a warlord, suspicious and strategic. Whispers call her dead mother a traitor and a witch. Andi doesn’t know if her own instincts can be trusted, as visions appear to her and her body begins to rebel.

For Andi, the time to learn her true nature has come. . .

Review:

[ARC received through NetGalley, in exchange for an honest review.]

I enjoyed some parts of this novel, while others left me cold, so in the end, I rounded it up to 3 stars: I didn’t like the first half much, but found the second one better. (I guess this is one of those books I might have given up on in the beginning if I hadn’t requested it (with the implicit promise of a review); fortunately, after a while, it finally worked for me.)

Andromeda didn’t strike me as remarkable, indeed, though not because of her place as the “invisible” second daughter, the one always wedged between her two sisters, and of whom nobody seemed to expect much. The reason why I had my qualms with her at first was that she remained mostly passive, let things happen, let her family decide to whisk her away to Windroven, and so on. Once she decided to take matters into her own hands, the dynamics shifted, and the story went onto a more interesting road. Andi made plans, thought more in terms of alliance and politics, and turned out to be more savvy than her wallflower-princess role had led me to believe. Good thing, good thing.

Annfwn was quite a fascinating place, too, and I enjoyed learning more about it, and about the mysterious Tala, with their shapeshifting abilities and their “dark” magic that may or may not be the worst thing in the world. Boundaries were continuously tested and shifted: the actual boundary between Annfwn and the Kingdoms, as well as the characters’ loyalties. Andi’s come to mind first and foremost, yet her sisters’ mettle will no doubt be tested, too. (I admit I would’ve liked to see more of this in the present novel; on the other hand, there would be a lot to show here, so I can understand that the focus here was on Andromeda—book 2’s focus will be on Amelia, from what I saw in the preview, and we might assume that book 3 will be from Ursula’s point of view?)

Throughout the story, I got to see sympathetic, antipathic, and grey-area characters. In the beginning, the court of Uorsin is shown as a place of nobility, with its “brought peace to all the kingdoms” gleam and its shiny guests (such as Hugh, overall a positive man, but not so blandly goody-two-shoes as his Prince Charming side leads people to think). Rayfe provides a rather striking contrast: dark, rough, a demanding, ruthless alpha-male who only cares about what he wants. However, the story soon points at different interpretations. The King’s suspicious attitude towards his own daughter after her meeting with Rayfe, his way of immediately considering her a potential traitor (while her only “crime” was to be assaulted during a ride), clearly show that he’s not so kind nor benevolent. There’s a lot of talk about loyalty in here—Ursula’s toward the crown, the continuous questioning of Andi’s, Amelia’s love and devotion to her family—but in the end, the most loyal ones aren’t always the ones who’re most vocal about it. Other characters are also ambiguous: Zevondeth with her mysterious demand, Dafne who may or may not hide deeper motives…

Mostly my problems with this story, and why I didn’t give it a higher rating:

1) In the first half, Andi comes off as your average YA-novel narrator, which I found a bit juvenile. This seemed to coincide with her passiveness, though, and I felt it less and less as the story went on. Kind of like having her “grow up” at some point and make conscious decisions, become a stronger person who’s been coerced once, but won’t be again, not if she can help it. (So this “problem” was soon solved.)

2) Rayfe: I usually don’t abide by dominating males who speak and act as if the woman doesn’t have a say in the matter, and Rayfe was exactly that. After all, he was ready to besiege a whole castle, take prisoners, and perhaps worse to get Andi. On the other hand, he could’ve done those things much sooner, and somehow he also appeared as wishing to wait for Andi to come to him of her own free will. But it was free will thwarted by threat. But she—not Rayfe—was the one who decided on a plan that was definitely cunning and not so kind. So, yes, I had anticipated Rayfe as a much, much worse character, and was pleasantly surprised when he actually showed himself as still somewhat decent. Ruthless, yet not a complete boor either.
(Also, I had to remind myself that in such a setting, noble people so often got married for politics and alliances rather than love. While it seems pressuring to me as a woman, of course, it still fits the theme of this story. Andi acknowledges that such a marriage would be for politics only, just like Ursula’s would have been.)

3) The romance itself: I’m definitely shared on that one. I still have no idea whether Andi loves Rayfe, or simply lusts after him. Sometimes she seemed to consider things under the “it’ll only be political, so let’s try to be friendly at least” angle, sometimes it felt like she couldn’t live without him. I really didn’t understand her in that regard, and she seems rather confused herself on the matter. As for the sex scenes, they didn’t work for me, mostly because of the vocabulary, though: the story being told from the point of view of a princess, in first person, we can’t really have vulgar words thrown in… but phrases such as “my nether tissues” just made me roll my eyes and wish the story jumped back to the magic and politics faster.

4) In my opinion, while it was great that Andromeda understood and mastered her powers, I found it came to her just a tad bit too quickly. A matter of pacing, maybe? Too much time spent on her hesitation in the beginning (and on the sex scenes as well—they were eye-candy for me, nothing more)? All in all, I suppose I was more interested in the politics here, and in how Andi would “earn” her place in the second half of the book… so it may just be me.

What is and isn’t a problem: I wanted to learn even more about Annfwn and its magic. For instance, a lot of it revolves around blood. Blood purity taken too far and producing weak offspring. Having enough Tala blood to get back into their home country, or remaining stranded outside. The whole deal with the blood phials: Salena’s one, of course, but also that innocuous little phial Zevondeth asks from Andromeda… and I’m sure that one will get to bite our princess in the back at some point! The fact that Tala royalty seems to be linked to queens rather than kings, in spite of Rayfe’s position. And let’s not forget the dichotomy between the rumours about Annfwn, and the country Andi discovers: are the rumours totally wrong, or are there darker secrets yet to be revealed? Lots, lots of fascinating aspects, that I hope will be developed in the next book, because I wanted more.

Conclusion: enjoyable story, not more than a “Like” due to the reasons mentioned above, but still interesting enough that I’ll consider picking Amelia’s story once it comes out.

Yzabel / May 1, 2014

Review: A Creature of Moonlight

A Creature of Moonlight by Rebecca Hahn

My rating: [rating=3]

Summary:

A stunning debut novel about a girl who is half dragon, half human, and wholly herself.

As the only heir to the throne, Marni should have been surrounded by wealth and privilege, not living in exile-but now the time has come when she must choose between claiming her birthright as princess of a realm whose king wants her dead, and life with the father she has never known: a wild dragon who is sending his magical woods to capture her.

Review:

[ARC courtesy of NetGalley, in exchange for an honest review.]

This novel was a delightful read, with enchanting prose that kept me enthralled—not too little description, not too much, and lyrical enough without diving head-first into purple prose. It was permeated with an eerie atmosphere, and there was something definitely haunting to that world encroached upon by nature and strange creatures from the woods. The latter were appealing, intriguing, making me thinkg that I, too, would want to see what was hidden in them. And I enjoyed the depiction of “sorcery”, the concept of knitting spells and/or creatures sent to do one’s bidding. I don’t think I’ve seen that in a story yet, so it was quite new for me, and I found the idea interesting, even though it didn’t turn out as it was meant at first.

I appreciated how women in general were shown here as people with the power to choose. Even though at first, some may seem powerless, drawn into an unwanted existence, or used as pawns, in the end, they want to exert their own power of choosing, and don’t hesitate to state it. Marni doesn’t necessarily know where she’s going, but at least she knows she doesn’t want someone else to decide for her. She could’ve given in easily to pressure. She could’ve married the lord and placed herself under his protection, thus making her life easier; but I think this would also have been the easy way out, the expected romantic outcome; I dreaded it, and that it didn’t happen felt refreshing for a change.

Marni’s also a character who grows up and learns. She’d have had many opportunities and reasons to enact revenge on those who failed and/or hurt her, but she didn’t act with too much haste, she pondered her decisions, and she seemed to me like a level-headed enough person.

The one thing that prevented me from liking this book more was how it kept meandering after a while, as if Marni’s thoughts were somewhat running in circles. It left me feeling that there was little sense of urgency to the story, that things “happened” in a slow way, and not to the extent they should’ve been happening. Considering Marni’s circumstances, for instance, I found it strange that events at court weren’t more intense. She speaks of several attempts on her life, yet those didn’t look as threatening as they were likely meant to be. So the story was beautiful, but there were a few moments when I wished it would go a tad bit faster.

3.5 stars. In spite of my qualms, this is a book I’d recommend.

Yzabel / April 29, 2014

Review: The Oversight

The Oversight by Charlie Fletcher

My rating: [rating=4]

Summary:

“The end always happens faster than you think.”

Once there were hundreds of members of the Oversight, the brave souls who guard the borders between the mundane and the magic. Now there are only five.

When a vagabond brings a screaming girl to the Oversight’s London headquarters, she could answer their hopes for new recruit, or she could be the instrument of their downfall.

Review:

[I got an ARC of this book through Edelweiss, in exchange for an honest review. Physical copy liable to change upon actual publishing.]

At first, I wasn’t sure what to make of this novel, not knowing if I’d like it or if it was starting too slowly to my liking. However, I soon found myself engrossed in the story—I only read it in more than just a couple of days because I was busy, otherwise I’d probably have gone through it much more quickly.

First, though, one thing must be made clear: this is book 1 in a trilogy, and while it doesn’t end on a strong cliffhanger, readers should be aware that not every single plot line gets resolved in it. The world building is quite complex, and only some of its aspects are revealed in this first installment. When one threat gets neutralised, another one appears; when one character is saved, another one gets into a predicament. All those things are meant to tie into the next book(s). If a reader’s all right with that, then there should be no problem.

I found the 19th century London depicted here to my taste: dark alleys and street urchins; gentlemen dealing with creatures they don’t fully understand; a travelling circus with a battle of “wizards”; the mysterious Oversight, who may be seen as “the nice ones”, but whose members can be just as ruthless as their enemies, if not more. This world is painted in more shades of grey than I could count; the purest-looking ones aren’t so innocent, and the darkest may not be so evil as they seem (the Sluagh’s vindictive attitude, for instance, partly stems from how they feel cheated: they were allowed to keep the forests/wild lands if they stayed out of the cities… but human cities are encroaching more and more upon the wilderness, making the deal somewhat obsolete).

The writing was descriptive and captivating enough, without making me feel that it was delaying too much the setting of the various plots. There was something magic-like to it that made me come back on a regular basis.

What makes this novel’s strength might be its downfall for some readers, though, in that it’s very much plot-driven. The author wove his story in a way that kept me guessing as to who was truly evil and who wasn’t, who was the enemy and who might actually be even more dangerous; on the other hand, while this was very well-done in my opinion, one might also find the characters not so well-developed in comparison. An example would be the relationship between Sara and Jack[Sara and Jack (hide spoiler)]: I could feel it, sense it, but it was perhaps too subtle, so in the end her decision to go through the mirrors[through the mirrors (hide spoiler)] seemed somewhat rushed. The story and the promises it holds for next volume prevented me from resenting this too much, but it could still be a problem, depending on one’s expectations.

Overall, a very intriguing novel which really caught my attention and makes me want to read the next one right now, but with the hopes that we’ll get to know the characters better.

Yzabel / March 26, 2014

Review: Dark Metropolis

Dark Metropolis by Jaclyn Dolamore

My rating: [rating=3]

Summary:

Sixteen-year-old Thea Holder’s mother is cursed with a spell that’s driving her mad, and whenever they touch, Thea is chilled by the magic, too. With no one else to contribute, Thea must make a living for both of them in a sinister city, where danger lurks and greed rules.
Thea spends her nights waitressing at the decadent Telephone Club attending to the glitzy clientele. But when her best friend, Nan, vanishes, Thea is compelled to find her. She meets Freddy, a young, magnetic patron at the club, and he agrees to help her uncover the city’s secrets-even while he hides secrets of his own.

Together, they find a whole new side of the city. Unrest is brewing behind closed doors as whispers of a gruesome magic spread. And if they’re not careful, the heartless masterminds behind the growing disappearances will be after them, too.

Perfect for fans of Cassandra Clare, this is a chilling thriller with a touch of magic where the dead don’t always seem to stay that way.

Review:

[I got an ARC through NetGalley, in exchange for an honest review. The book not being released yet, some things might be liable to change by the time it hits the shelves.]

3.5 stars. I had my qualms with this novel, but overall it had just the right amount of tension and mystery going to keep me wanting to turn the pages. And, of course, it’s got necromancy. I am always biased towards necromancy. Nothing can go wrong with necro—wait, what am I saying?

Though inspired from Metropolis, I found it to be able to stand on its own, through its mix of 1930-ish atmosphere and magic, the latter not exactly of the nice kind (even the Binding magic has its nasty side-effects). Some scenes bordered on gory and/or disturbing, and could scare younger readers, but they’re also tempered with an overall glitzy darkness, if this makes sense. We’re not given a lot of world-building, only general facts, such as the war that happened a few years ago, food shortages, people having to work in some mysterious factory, the government hiding things; I think this may or may not be a problem depending on the reader. It still worked for me, because it was reminiscent of the historical period that inspired the novel (late 1920-early 1930s Germany), and the feeling I got from this was more important than the absolute need to know everything about that world. Although I would like to know more about what exactly has been happening behind the scenes in other places than the one shown here; maybe in the next volume?

The characters were likeable, but not exceptional. I had the feeling that they were glossed over in parts, and that some events occurred too fast for them to really develop bonds. Freddy and Thea, mainly, barely meet a couple of times before he tells her everything, and this wasn’t so believable. I also found myself rooting for Nan and Sigi more than anyone else, even though Nan is barely mentioned in the blurb and we’re somewhat mistakingly led to believe Thea’s the main heroine. On the other hand, they had touching back stories, and I was still glad to see some sort of closure for them. It made for a bittersweet ending, but I wouldn’t have seen a happy-ever-ending for such a novel.

As for the plot, I found the idea to bring back dead people to life through necromancy brilliant; it’s so simple, it makes so much sense, and at the same time, it’s just so horribly fascinating that you don’t know in the end if you want to hug those people or put a bullet through their eyes, out of mercy, that is. I liked that there was a severe drawback to it, that they needed the serum to function; no magic should go without its price to pay, and Freddie himself was paying it without even knowing it. The other thing I liked about his magic was how it was in fact a good magic, one made to appease people, and not to create undead armies. Arabella’s sacrifice was moving, and helped show that Freddie could also do beautiful things using his powers.

I would however argue that things unfolded a little too quickly and easily in the last part of the book; I would’ve expected more spunk and deviousness from the villains, who went down too fast to my liking. I guess this ties with my comments about events when I mentioned the characters. I’m also rather puzzled about the whole “Guardian of Fate” business; it seemed a bit like a deus ex machina, and could’ve deserved a slightly different approach.

Dark Metropolis is, as said, not devoid of flaws; but its atmosphere and its take on necromancy definitely allowed me to enjoy it.

Yzabel / March 22, 2014

Review: The Midnight Witch

The Midnight Witch by Paula Brackston

My rating: [rating=2]

Summary:

“The dead are seldom silent. All that is required for them to be heard is that someone be willing to listen. I have been listening to the dead all my life.”

Lilith is the daughter of the sixth Duke of Radnor. She is one of the most beautiful young women in London and engaged to the city’s most eligible bachelor. She is also a witch.

When her father dies, her hapless brother Freddie takes the title. But it is Lilith, instructed in the art of necromancy, who inherits their father’s role as Head Witch of the Lazarus Coven. And it is Lilith who must face the threat of the Sentinels, a powerful group of sorcerers intent on reclaiming the Elixir from the coven’s guardianship for their own dark purposes. Lilith knows the Lazarus creed: secrecy and silence. To abandon either would put both the coven and all she holds dear in grave danger. She has spent her life honoring it, right down to her charming fiancé and fellow witch, Viscount Louis Harcourt.

Until the day she meets Bram, a talented artist who is neither a witch nor a member of her class. With him, she must not be secret and silent. Despite her loyalty to the coven and duty to her family, Lilith cannot keep her life as a witch hidden from the man she loves.

To tell him will risk everything.

Spanning the opulence of Edwardian London and the dark days of World War I, The Midnight Witch is the third novel from New York Times bestselling author Paula Brackston.

Review:

[I received an ARC through NetGalley, in exchange for an honest review. This not being a published copy, a few things may change in the final version of the novel.]

I had a bit of a hard time getting into the story at first, as the style felt a little too convoluted at times, and the whole present tense + 1st/3rd person POV shifts weren’t needed in my opinion.

Contrary to what usually happens with such stories, I ended up liking the romance part better than the witches one. It wasn’t particularly original—a young woman from a very conservative background, betrothed to a young man from an equally conventional background, falls in love with a a starving artist, and finds herself torn between what society dictates and what her heart truly wants. Though there’s chemistry between Lilith and Bram from the beginning, I thought their relationship progressed in a believable way, and that their fears and questioning about said relationship were understandable, considering the place and time period. Again, it wasn’t very original in itself, no surprises here, but it still worked, unlike too many romance plots I’ve seen in the past couple of years. Also, bubbly Charlotte wasn’t an important character, but I liked her way of being. Same with Gudrun; blunt, haughty, yet to-the-point Gudrun.

The witches-related plot, on the other hand, made me roll my eyes several times, because I couldn’t believe how the ninnies had managed to actually survive for so long. Here we have an ancient coven full of necromancers (nice ones, who only speak to the dead and don’t try to raise them every Saturday evening), but they didn’t do much, and didn’t seem very organised. That part (i.e. half the novel) seemed to rest on inconsistencies and deus ex machina, and it didn’t work for me at all. A few examples:
* When it’s time for Lilith to officially become Head Witch, someone in the coven challenges her to prove her worth. The challenge, as per the coven’s rules, is to summon then send back a demon, something that is considered as very hard and dangerous, and ended in the death of more than one witch in the past when the demon went on a rampage. For starters, why was this even a trial? Shouldn’t a coven leader realise that stooping down to this isn’t a very wise solution? Why was this rule still in effect, and not replaced by something difficult, but that may not end up with people dying?
* The challenger was a spy from the Sentinels, a group of enemy sorcerers. Everyone was wearing masks, and he had disguised his voice, so they didn’t know who it was. The senior witches decide to investigate and see who joined their coven in the past years, to try and find the spy. Then… Nothing.
* At some point, Lilith learns the name of her enemy. At least another member of the coven knows, too, because said enemy tries blackmail on that person. Were the other witches ever informed? If no, why? If yes, why didn’t they do anything?
* Very early in the story, Lilith finds herself haunted by a spirit. Why didn’t the coven band to destroy it? Lilith only enlisted the help of ONE witch. As if that would work.
* A first hard strike against Lilith. Someone dies. Then the war happens, and the enemy… does nothing to press his luck and gain some more ground.
* The Elixir, the one that can resurrect people and that the Sentinels so badly want, is on the verge of being stolen. It’s World War I: suddenly a bomb falls on the house. The thief and his acolytes die. Convenient.
* Lilith must keep the coven a secret from non-witches. But she reveals things easily enough to her lover. No wonder some deemed her unsuitable to be Head Witch.
There were other inconsistencies, and making a very detailed list would be tedious, so I’m going to stop here.

In general, I found the “nice witches” way too bland and passive. They had that whole coven, that power, they knew who their enemy was, they could’ve struck him, could’ve done, well, anything but they didn’t. They just seemed to wait in the background, wait for something to happen, not making moves of their own. I couldn’t understand why. (The matter of fragile balance or whatever else might have justified non-interference wasn’t raised, so I assumed it wasn’t an issue.)

I wish I had liked this novel more, but alas, it didn’t happen.

Yzabel / March 14, 2014

Review: Emilie and the Sky World

Emilie and the Sky World by Martha Wells

My rating: [rating=2]

Summary:

A Girl’s Own Adventure in the spirit of Jules Verne.

When Emilie and Daniel arrive in Silk Harbor, Professor Abindon, an old colleague of the Marlendes, warns them that she’s observed something strange and potentially deadly in the sky, a disruption in an upper air aether current. But as the Marlendes investigate further, they realize it’s a ship from another aetheric plane. It may be just a friendly explorer, or something far more sinister, but they will have to take an airship into the dangerous air currents to find out.

Emilie joins the expedition and finds herself deep in personal entanglements, with an angry uncle, an interfering brother, and an estranged mother to worry about as well as a lost family of explorers, the strange landscapes of the upper air, and the deadly menace that inhabits the sky world.

Review:

(I got an ARC copy from NetGalley. At the time, the book wasn’t published yet, but it took me some time to get to it. Some things may have changed between the version I have, and the actual, final version.)

One thing I have to get out of the way: I didn’t read Emilie and the Hollow World, the first installment in this series. Although each story seems to be self-contained, it was obvious that some elements from book #1 permeated book #2, partly through brief recapping here and there; and so I may or may have not missed a few things.

This story follows a classical adventure format, its world and themes reminiscent of classical works as well (the—lovely—cover, among other things, made me think of the old Jules Vernes books I had when I was a child). Airships, explorers, scientists with a dash of magic to their craft, and young people wanting part of the big adventure: these can and will certainly appeal to a younger audience. Bonus points, also, for the aether-ship creature, who truly was alien (not humanoid, as in too many novels), and for including the communication/language barrier. I tend to be highly skeptical of “aliens” with whom communicating is awfully easy in every aspect.

On the other hand, I found the story easily predictable (the missing expedition mentioned in the first chapters of the book was kind of a giveaway), and I think even younger readers would have the same feeling. The chapters leading to getting into the aether currents were too slow to my liking; I guess I wanted the Big Adventure to start faster—that’s why I pick adventure stories. (As I mentioned, I didn’t read book #1, but I suppose someone who has would want things to start faster?)

But those are smaller qualms: after all, sometimes we just want predictable, and in such genres, it’s not that much of a problem per se. The real issue for me were the characters, whom I just didn’t connect with: they felt brushed over, shown on the surface only, when clearly something deeper was going on for some of them, and I would’ve liked to see more in that regard. Emilie struck me as too mean and petulant regarding her brother; granted, they seemed to share history, but they’re still young (Efrain must be, what, 10?), and it was weird, because they somehow felt like they shared twenty years of resentment. As a result, Emilie wasn’t particularly likeable—at least, not like the adventurous, smart and resourceful girl I imagined her to be when I started reading. Same with the Professor and Miss Marlende: the tension between them was never really explained (though I could feel very early who they were), and it would’ve been interesting to know how exactly things became that way.

In itself, it was a fairly nice story, but one I’ll probably forget fast.