Yzabel / April 14, 2019

Review: Hacking Darwin

Hacking Darwin: Genetic Engineering and the Future of HumanityHacking Darwin: Genetic Engineering and the Future of Humanity by Jamie Metzl
My rating: [usr 4.5]

Blurb:

After 3.8 billion years humankind is about to start evolving by new rules…

From leading geopolitical expert and technology futurist Jamie Metzl comes a groundbreaking exploration of the many ways genetic-engineering is shaking the core foundations of our lives — sex, war, love, and death.

At the dawn of the genetics revolution, our DNA is becoming as readable, writable, and hackable as our information technology. But as humanity starts retooling our own genetic code, the choices we make today will be the difference between realizing breathtaking advances in human well-being and descending into a dangerous and potentially deadly genetic arms race.

Enter the laboratories where scientists are turning science fiction into reality. Look towards a future where our deepest beliefs, morals, religions, and politics are challenged like never before and the very essence of what it means to be human is at play. When we can engineer our future children, massively extend our lifespans, build life from scratch, and recreate the plant and animal world, should we?

Passionate, provocative, and highly illuminating,Hacking Darwin is the must readbook about the future of our species for fans ofHomo Deus and The Gene.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

This book is not heavy on the actual science details—if you’re looking for those, you’ll be better to get another book, but if you don’t know that much about genetics, then there won’t be anything in there impossible to follow. It focuses instead on the various advances in genetics in terms of “what do they do”, “what do they entail”, “what could the results be”, and “how should be approach those?” (You can tell that the author has also written novels, because there’s a definitive storytelling thread throughout some of the chapters, especially when he deals with IVF and the potential of modifying embryos to make their future selves healthier. This makes the reading all the more accessible and enjoyable.)

You can also tell that Jamie Metzl is probably more on the side of advocating gene-related manipulations than on the side of those who want them banned, but in a cautious way: it’s not all enthusiasm and sparks and giggles, and for every “good point” he lists, he also takes care to consider the negative sides (or potentially negative sides, since there are still many approaches that haven’t been tested, so we just have no idea how people would react when given the choice). And it is true that while the transhumanist in me is excited at so many prospects, the cynic is me is also convinced that, like we so many other things, humanity in general will bork its way through this and pervert it. But let’s keep hope, shall we?

“Hacking Darwin” considers the therapeutic potential of genetic intervention. Through current techniques such as CRISPR-Cas9, we are already able to cut material that leading to genetic diseases, although this hasn’t been approved so far on human embryos destined to be implanted, because the results are good, but more on a “60% good” scale than on a “95% good” one. Which leads to understandable caution about all this, and with reason. There is something frightening and sublime (in the philosophical and literary meanings of the word) to all these developing technologies, because when we contemplate them, we are put face to face with how we are, all in all, code; and code can be hacked, and modified, and this could be for the best or for the worst.

The best: if we had a chance of preventing babies with genes condemning them to Alzheimer’s or to Huntington’s disease, for instance, shouldn’t we take it and thus prevent future suffering? If we can make crops that yield more nutrients (Golden Rice comes to mind, and is actually even mentioned), shouldn’t we do it, so that people dying of malnutrition illnesses can get a chance at life? And if we could give our future children better health and strength in general, better chances in their future lifes through specific abilities, wouldn’t we want to do that? But the worst, too: who’s to tell that this won’t spiral downward (eugenics and the earluy 20th century come to mind), lead to less diversity (not a good thing), to people all wanting the same kind of child—or, perhaps more alarmingly, to a growing chasm between those who can afford to enhance tyheir future babies, and those who can, thus leading to a class of “superhumans” trampling “subhumans”?

The book considers these aspects, and other ones as well, including the major religion’s take on it (you’d be surprised at some of them) and approaches and pitfalls that humanity as a whole must consider here. It doesn’t hold all the answers, far from it. But it gives you a lot of food for thought. And even though it is perhaps too optimistic (again, seeing the world as it is today, I just don’t trust us in general to avoid creating worst societies based on even more inequalities, this time from before the womb), it does remain a very interesting start for more discussions about genetic engineering.

4.5 stars

Yzabel / April 8, 2019

Review: Invisible Women

Invisible Women: Exposing Data Bias in a World Designed for MenInvisible Women: Exposing Data Bias in a World Designed for Men by Caroline Criado Perez
My rating: [usr 5]

Blurb:

In her new book, Invisible Women, award-winning campaigner and writer Caroline Criado Perez shows us how, in a world largely built for and by men, we are systematically ignoring half the population. She exposes the gender data gap – a gap in our knowledge that is at the root of perpetual, systemic discrimination against women, and that has created a pervasive but invisible bias with a profound effect on women’s lives.

Caroline brings together for the first time an impressive range of case studies, stories and new research from across the world that illustrate the hidden ways in which women are excluded from the very building blocks of the world we live in, and the impact this has on their health and wellbeing. From government policy and medical research, to technology, workplaces, urban planning and the media – Invisible Women exposes the biased data that excludes women. In making the case for change, this powerful and provocative book will make you see the world anew.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

Wow, did this book hurt. And made me angry. In a good way, that is—not feeling angry at some, at least, of what it deals with, would have probably been abnormal. For two main reasons: 1) it points at things one doesn’t necessarily thinks about when reflecting at first upon all the ways women still get the short straw, and 2) once you consider these things, you realise you’re not even surprised, and -that- is proof that all of this stuff is… just sad. It’s the 21st century, and half of humanity is still forced to deal with rubbish.

Here’s a very simple illustration of one of the problems the author points. It’s very simple, and minor, and I bet a lot of people (possibly mostly men, but surely also some women) would tell me to ignore it and “suck it up” and “it’s not important, so stop dwelling on it.’ But it is a good example. I work in a fairly good company when it comes to treating people equally. It’s not perfect, of course, but let’s just say that for a Silicon Valley company, they actually openly try to recruit more diverse people than just 25-ish white male nerds, which in itself deserves to be pointed. And it gives its new hires little welcome gifts. So when I joined, among the gifts, was a pair of socks. They’re pretty, I like their colour, and I’d love to wear them. There’s just a problem that no one obviously though about: they’re not “one size fits all”, they’re “one size fits all MEN”. Which means they’ve been gathering dust at the bottom of my wardrobe, since wearing socks whose heels ride above your ankles is really incomfortable. And there you have it: the way the default “human being” is actually “male”, with female bodies being sort of a side show that those poor men have to accommodate (/le sigh).

(In defence of my employer, they do give us female version of T-shirts, too, so it’s not completely hopeless either. And no, my point is not to rant about socks. If someone hasn’t gotten my point by now, they should probably read this book because they’d make a good target for it.)

It is both enlightening and infuriating to read about this for 300+ pages, about all the circumstances in which women are still, more or less unconsciously, treated as the less important part of humanity, the part that can “suck it up” and “deal with it: look, we men deal with it”, except that it’s much easier for men to deal with it since the “it” was made for them at first. An example from the book: tsunami shelters in countries where there’s a solid separation between the female sphere and the male sphere, where women can’t go out unless they’re with men from their family, because if they do, they’re pretty much free buffet for all. So, when a tsunami hits, and the shelters are designed as huge places where hundreds of people have to cram, without any separation between the sexes, guess what happens? Well, women die, because they don’t dare to go in there (if they do, they almost surely end up shamed and beaten and raped); and that’s IF they get to the shelters in the first place, since a man from their family needs to warn them and take them there first. (It is also telling that in such dire circumstances, like these ones, or refugeed camps, the worst for women is often not even the wars or natural catastrophes that led them there, but male violence.)

And the worst of it, the saddest part, is that most of the time, it’s not even done on purpose: it happens because most people who plan these places, most people who decide about infrastructures, are still men, and the mere idea that not all people (read: 50% of the people) don’t have exactly the same needs as theirs doesn’t even cross their minds. How pathetic is that?

Conclusion: Read this book. Read about all these pathetic things, that you can’t dismiss as “oh well it’s not true, surely this (female, of course) author is exaggerating”, except that she’s not, nope, you can indeed see all this around you, every day, if you pay attention. I don’t even need to check sources to realise this. If it’s around me in 2019 Britain, I can’t dismiss it as “but it only happens in ‘certain countries’, luv”.

Yzabel / March 28, 2019

Review: The Quantum Magician

The Quantum Magician (The Quantum Evolution Book 1)The Quantum Magician by Derek Künsken

My rating: [rating=4]

Blurb:

Belisarius is a Homo quantus, engineered with impossible insight. But his gift is also a curse—an uncontrollable, even suicidal drive to know, to understand. Genetically flawed, he leaves his people to find a different life, and ends up becoming the galaxy’s greatest con man and thief.

But the jobs are getting too easy and his extraordinary brain is chafing at the neglect. When a client offers him untold wealth to move a squadron of secret warships across an enemy wormhole, Belisarius jumps at it. Now he must embrace his true nature to pull off the job, alongside a crew of extraordinary men and women.

If he succeeds, he could trigger an interstellar war… or the next step in human evolution.

Revierw

[I received a copy of this book through NetGalley, in exchange for an honest review.]

I loved the world built here. It took a bit of work and time to get into it and piece things together, but not so much time, all things considered, and I found the conundrums of the additional human species really fascinating. The Homo Eridanus, engineered to survive in several hundred atmospheres of pressure in hostile oceans, but unable to ever get to the surface unless they want to be crushed to death. The Puppets, twisted slave-race created by the Numen, who thought themselves superior to the others, and made themselves into gods… without really thinking about what this would make their “worshippers” do (a.k.a the Puppets are as fascinating as a train wreck). And the Homo quantus, made to delve into the mysteries of time and space, seeking a state of fugue which is the only one where they can fully observe the universe, but to the cost of their individuality and their health. (Speaking of which, the fugue demands the lack of an observing conscience in order to avoid collapsing the wavefunction; if the Copenhagen interpretation irks you to no ends, you may not like that part.)

And, behind this, a geopolitical system strewn through space thanks to wormholes, with patron and client nations, and a delicate balance between all of those. Many possibilities, only a few of which are explored here.

The story also has the proper elements of a good con/heist: an ambitious goal that most people would call crazy and impossible; a team of misfits and odd people gathered from various places to each play they parts (including, among others, an ex-soldier who loves her explosives, an exiled Puppet, a dying man, a geneticist, and an AI who believes itself the reincarnation of Saint Matthew); and, of course, things that don’t go exactly according to plan, because where would be the fun otherwise?

The characters, in general, are also compelling and well-developed. Belisarius and Cassandra draw an interesting dynamics: she loves the fugue but has trouble staying in it, he was engineered too well and can’t get out of the fugue before it kills his physical brain due to overheating. Gates-15 is a Puppet exiled because he cannot react to Numen pheromones, and so cannot experience the divinity of his captive gods, and who wants nothing more than to go back to his homeworld… with a twist, that is. William has to weigh what he stands to lose against all he could give his daughter instead if the con works. Marie was less developed, but her antics combined with those of Stills, the swearing Eridanian whose people’s credo is to give the finger to the universe who screwed them, were pretty fun to read (yeah, I loved Stills).

There was a downside here for me, though, in that while I loved the hard science incorporated in the foundations of this world, the way it was sometimes explained slowed down the whole caper/heist part. Also, I wouldn’t recommend this book to a reader who’s not keen on hard science fiction in general.

Conclusion: A solid 4 stars, I enjoyed the characters and the world, and I’m interested in any sequel that comes out.

Yzabel / March 13, 2019

Review: Breakfast With Einstein

Breakfast with Einstein: The Exotic Physics of Everyday ObjectsBreakfast with Einstein: The Exotic Physics of Everyday Objects by Chad Orzel

My rating: [rating=4]

Blurb:

 

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

Not exactly easy to grasp—basic understanding of quantum physics (and some classical physics concepts, too) is definitely needed here—but the use of typical kitchen/breakfast examples helps when it comes to illustrating each point and show how deeply intertwined quantum physics is with what we take for granted in everyday life. There were more than just a couple things about which I had never really paid attention, and once the obvious was pointed at, it suddenly made a lot more sense.

I usually find Orzel’s writing pleasant enough to help me follow through physics explanations. I can’t say I’ve memorised every single thing in the book, obviously, however, my understanding is definitely better now.

If there’s one thing, I would say that the idea of drawing parallels with breakfast rituals, while interesting, was probably stretched out here, in that it was used at the beginning and very end of each chapter, but not really throughout. So even the comparisons were useful, this book has a more typical approach to physics than the author’s books where he has conversations with his dog.

Conclusion: With my limited but not completely ultra-basic understanding of the subject, I enjoyed this book a lot. This said, it would probably discourage complete beginners, at least partly.

Yzabel / February 25, 2019

Review: The Psychology of Time Travel

The Psychology of Time TravelThe Psychology of Time Travel by Kate Mascarenhas

My rating: [rating=3]

Blurb:

1967
Four female scientists invent a time travel machine. They are on the cusp of fame: the pioneers who opened the world to new possibilities. But then one of them suffers a breakdown and puts the whole project in peril…

2017
Ruby knows her beloved Granny Bee was a pioneer, but they never talk about the past. Though time travel is now big business, Bee has never been part of it. Then they receive a message from the future – a newspaper clipping reporting the mysterious death of an elderly lady…

2018
When Odette discovered the body she went into shock. Blood everywhere, bullet wounds, that strong reek of sulphur. But when the inquest fails to find any answers, she is frustrated. Who is this dead woman that haunts her dreams? And why is everyone determined to cover up her murder?

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

A book that started a little on a rocky road for me, due to the writing style that I found at first fairly abrupt (too many short sentences stuck together), but that fortunately grew on me quite fast after the first few chapters.

The story doesn’t deal much with the science aspect of time travel, which in itself was rather wishy-washy—readers looking for ‘believable’ hard science won’t find it here. And I admit it rubbed me the wrong way at first, but I kept telling myself that when it came to this specific book, it wasn’t the important point here. The interest of “The Psychology of Time Travel” lies, like the title clearly hints at, in the characters’ psyches and relationships, in how the capability of travelling in different time periods affects them, in good and bath ways. All this articulated around a mystery and an investigation, following the discovery of a dead woman in a locked room.

Through the eyes of several characters, including the four pioneers of time travel and some of their descendants, we get to explore the various effects that going back and forth in time can have on human beings as well as on events. Here, the question of paradox, for starters, is tackled in the way events cannot be altered, even should a person go back in time several times to try and prevent it; as a result, time investigations do not aim at preventing a murder, for instance, but at making sure that enough clues can be gathered in advance so as to be able to convict the criminal. Following a similar logic, any person can also meet themselves in the past or future without causing the fabric of time to rip, which gives rise to interesting possibilities, such as dancing a ballet with several of one’s selves, having one’s older selves one’s (re)attend one’s own wedding, or even having sex with oneself.

With some characters going back and forth in times, it was sometimes a little difficult to properly follow the flow of the story; however, dates and names being provided at the beginning of each chapter help to quickly find one’s bearing again after the first moments of wondering who’s doing what, and when. The more the story progresses, the clearer it becomes, and there’s no confusion left at the end as to ‘whodunnit’ and why.

Exploring time travel-related mental health problems was definitely interesting, too. Due to one of the founders, Barbara, collapsing during the first live interview the scientists gave in 1967, her ex-colleagues, who kept forging onwards and created the Time Travel Conclave, adopted a hard stance when it came to psychological issues—especially Margaret, who immediately took the reins. On top of weeding out people who experienced some issues only once, for instance (such as situational depression), the Conclave paved the way for ruthless and dehumanising ‘tests’ and ‘hazing’, such as forcing a new recruit to announce to a person that their parent was about to die; this, and other acts, were meant to inure them to feelings and fear of death, so that the travellers wouldn’t develop issues after seeing their beloved ones die, then meeting them in the past, or conversely. This approach was both completely inhuman but also fascinating, in a way, because there’s no denying that such events -would- potentially traumatise a person (and repeatedly)—nor that people are able to behave in such callous ways, all the more when enabled through an organisation (see the Stanford Prison Experiment and the likes). The author explored several possibilities, such as that of an anorexic traveller who could only eat if going back to on a specific day in the past. It’s very likely triggering, or bordering on it—but nonetheless a different approach to the potential side-effects of time travel, veering away from the more usual ‘grandfather’s paradox.

It could probably have gone even further and deeper than that, too; so it’s a bid too bad it didn’t.

Where the novel lacked for me (and where it wasn’t helped by the writing style either) was in characterisation. I felt that I didn’t get to properly know most of the characters, the kind of people they were, and the way they built their relationships. Probably the only relationship that made sense was that of Bee and Ruby. The problem here came mainly, I think, from the fact that events couldn’t be changed, so whenever someone travelled in the future and saw that they were going to be in a relationship with someone, then back in the present, the relation just happened because that’s how it was meant to be—we don’t see it develop. (Also, due to that ‘fated’ approach, the Conclave’s judiciary system also made… uhm… well it did make some kind of sense, but also not so much at all.)

Conclusion: 3 stars.

Yzabel / February 15, 2019

Review: The Binding

The BindingThe Binding by Bridget Collins

My rating: [rating=4]

Blurb:

Imagine you could erase grief.
Imagine you could remove pain.
Imagine you could hide the darkest, most horrifying secret.
Forever.

Young Emmett Farmer is working in the fields when a strange letter arrives summoning him away from his family. He is to begin an apprenticeship as a Bookbinder—a vocation that arouses fear, superstition, and prejudice among their small community but one neither he nor his parents can afford to refuse.

For as long as he can recall, Emmett has been drawn to books, even though they are strictly forbidden. Bookbinding is a sacred calling, Seredith informs her new apprentice, and he is a binder born. Under the old woman’s watchful eye, Emmett learns to hand-craft the elegant leather-bound volumes. Within each one they will capture something unique and extraordinary: a memory. If there’s something you want to forget, a binder can help. If there’s something you need to erase, they can assist. Within the pages of the books they create, secrets are concealed and the past is locked away. In a vault under his mentor’s workshop, rows upon rows of books are meticulously stored.

But while Seredith is an artisan, there are others of their kind, avaricious and amoral tradesman who use their talents for dark ends—and just as Emmett begins to settle into his new circumstances, he makes an astonishing discovery. Soon, everything he thought he understood about his life will be dramatically rewritten.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

This was a little of a rollercoaster book for me, in that the blurb -is- pretty misleading when it comes to the expectations it raises—so there were quite a few chapters when my interest ebbed and flowed, as I poised between “this is not what I wanted to read” and “that’s pretty interesting” and “I expected something different in terms of world-building”, etc. Especially, there’s a romance element that is -not- in the blurb, and since I’m not a big fan of romance for the sake of romance in general, my first reaction was pretty much ‘ugh, no, not yet another romance plot, you should’ve warned me about this, since I don’t feel like reading romance these days’.

However, as everything settled, as the plot fully came together, as I got to know the characters more, this change of mood abated, and I found that I was actually liking this novel. I do regret that the art of binding wasn’t explored more in depths, with deeper explanations of how it worked, and this is something that disappointed me until the end. Still, I nevertheless felt myself rooting for several characters, getting angry at how other people treated them, didn’t accept them, at the rampant intolerance, too. It wasn’t ‘enjoyable’ (I so wanted to slap the parents), no. The main characters were often annoying in many ways, too. But it made for a good story.

I must say that I usually have several pet peeves when it comes to romance (yes, there’s some romance in it), one of the major ones being when the lovers lose sight of priorities (typical example: “who will she chose, the boy she loves, or saving the world?” –> everybody knows that 99% of the time, the world is doomed). Here, there is strong potential for turning these characters’ world(s) upside down, but I didn’t get that feeling of thwarted sense of priorities, because all in all, most characters had bleak prospects to start with, and what hinged on them was something that wouldn’t have made so many other people happy anyway: arranged marriages, bad job prospects, abuse, cannot go back to their old lives, etc.

Speaking of abuse, the world Emmett lives in is rather bleak in that regard as well. It reminded me a lot—and that was no doubt on purpose o nthe author’s part—of 19th century novels, with a strong country/town dichotomy: the countryside as a ‘pure, natural, innocent’ world where people have a chance to be happy, vs. the town as polluted, home to crime and vice, and where the wealthy treat servants and poorer people in general as dirt, as toys that can be broken and then mended at will. While the abuse is not depicted in gory ways, and usually alluded to rather than directly witness, the allusions are not veiled either. It is very clear who rapes their servants, and who gets others murdered for the sake of their own interests. Those aren’t triggers for me, but they could still be depending on the reader. All in all, that also reminded me of other literary movements of that time: there’s no shortage of showing people being sick, reduced to their ‘bodily functions’, shown as the cowards they are, and so on. If you’ve read Zola, you’ll know what I mean. This novel doesn’t sing the praises of human beings in general, for sure, and shows most people as being weak at best, and hidden monsters at worst.

I am… bizarrely satisfied with the ending. It’s fairly open, and there are still many loose ends, but it also allows the book to close on a kind of resolution that I found fitting, balancing between “it could still turn so sour so quickly” and “well, there’s hope left and the future looks kinda good”.

Conclusion: 3.5 stars

Yzabel / February 10, 2019

Review: The Flower Girls

The Flower GirlsThe Flower Girls by Alice Clark-Platts

My rating: [rating=2]

Blurb:

THREE CHILDREN WENT OUT TO PLAY. ONLY TWO CAME BACK.

The Flower Girls. Laurel and Primrose.

One convicted of murder, the other given a new identity.

Now, nineteen years later, another child has gone missing.

And the Flower Girls are about to hit the headlines all over again…

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

Interesting (albeit disturbing) theme: that of ‘the Flower Girls’, two children suspected of the murder of a toddler. The elder girl, Laurel, went to jail, where she’s still rotting many years later; the younger, Primrose, was considered as too young and traumatised to stand trial, and given a new identity. The story follows the two women nineteen years after the gruesome murder, when on New Year’s Eve, 5-year old Georgie disappears from the hotel where she’s been staying with her parents. A a host of other characters quickly get tangled with the case: DC Lorna Hillier, writer Max, Hazel Archer and her boyfriend Jonny, the cook who was the last person to see the little girl alive, but also Toby Bowman, Laurel’s uncle who was the only one to stick with her, and Joanna Denton, the aunt of the murdered toddler. Of course, during the investigation, revelations start to surface, hinting at something else going on.

The first part of the novel was pretty engaging, as the search for Georgie takes place, and DC Hillier starts suspecting that the truth is not so nicely packaged as it seems. We’re also given to see snapshots of Joanna’s fight to keep Laurel behind bars, as well as Laurel’s relationship with Toby, who’s trying to get parole for her.

However, after that, the story started to peter out for me, and I found the ending rushed and lacking. I get the later twists (predictable, but I get them), and that novels don’t all have to end up tied with nice little bows, but I felt that too many characters were either ushered out the easy way, or left hanging to dry. Those I liked the most, all in all, were Laurel herself; Toby, who in spite of being reviled in the eyes of the rest of his family for helping his niece, was probably one of the most human ones; and Hillier, who wouldn’t let go and really tried to figure out the real truth behind it all. Unfortunately, they were all part of these characters who were left out in the cold, with their storylines “unfinished”. (Yes, I know, that’s how it often is in real life; but see, the thing is, when I read a thriller/mystery, it’s not to see a mirror of real life: I want an actual resolution at the end.)

So I reached the last page thinking “wha, that’s it?”, and that’s how it remains, which is too bad, because there was a lot of potential in this story.

Yzabel / February 2, 2019

Review: The Monsters We Deserve

The Monsters We DeserveThe Monsters We Deserve by Marcus Sedgwick

My rating: [rating=2]

Blurb:

‘Do monsters always stay in the book where they were born? Are they content to live out their lives on paper, and never step foot into the real world?’

The Villa Diodati, on the shore of Lake Geneva, 1816: the Year without Summer. As Byron, Polidori, and Mr and Mrs Shelley shelter from the unexpected weather, old ghost stories are read and new ghost stories imagined. Born by the twin brains of the Shelleys is Frankenstein, one of the most influential tales of horror of all time.

In a remote mountain house, high in the French Alps, an author broods on Shelley’s creation. Reality and perception merge, fuelled by poisoned thoughts. Humankind makes monsters; but who really creates who? This is a book about reason, the imagination, and the creative act of reading and writing. Marcus Sedgwick’s ghostly, menacing novel celebrates the legacy of Mary Shelley’s literary debut in its bicentenary year.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

This book is somewhat of an oddball: part essay, part horror story, part reflection about the writer’s craft and what bringing a story into the world involves.

The book the author-protagonist talks about is Mary Shelley’s “Frankenstein”, but it’s also his own, his best-seller book, and the one about which he harbours the most doubts. It’s about disliking a story so much that you can’t help think about it; about the meaning of one’s writing, and how it completely escapes us from the moment it’s out in the world; about searching one’s soul and having to come to terms with our truths. Not an easy read, though it’s fairly short, and I admit I wasn’t entirely sold on it at first, but then it grew on me.

It’s also about monsters, of course, but not necessarily the kind we think at first.

Not my favourite book by Marcus Sedgwick, though, as parts of it are rather confusing and left me with a somewhat “off” feeling that I couldn’t place. Not to mention that if you’ve studied “Frankenstein” at least a little, most of the reflections outlined in it, as well as the “big reveal”, are kind of… super obvious?

2.5 stars. Interesting as a curiosity, I’d say.

Yzabel / January 26, 2019

Review: The Price Guide to the Occult

The Price Guide to the OccultThe Price Guide to the Occult by Leslye Walton

My rating: [rating=1]

Blurb:

When Rona Blackburn landed on Anathema Island more than a century ago, her otherworldly skills might have benefited friendlier neighbors. Guilt and fear instead led the island’s original eight settlers to burn “the witch” out of her home. So Rona cursed them. Fast-forward one hundred–some years: All Nor Blackburn wants is to live an unremarkable teenage life. She has reason to hope: First, her supernatural powers, if they can be called that, are unexceptional. Second, her love life is nonexistent, which means she might escape the other perverse side effect of the matriarch’s backfiring curse, too. But then a mysterious book comes out, promising to cast any spell for the right price. Nor senses a storm coming and is pretty sure she’ll be smack in the eye of it. In her second novel, Leslye Walton spins a dark, mesmerizing tale of a girl stumbling along the path toward self-acceptance and first love, even as the Price Guide’s malevolent author — Nor’s own mother — looms and threatens to strangle any hope for happiness.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

I really liked the beginning—the prologue had a sort of “fairy tale” touch, introducing as it did the “legend” of Rona Blackburn and what happened with the first settlers of Anathema Island. However, while I kept liking the setting of a small island, fairly isolated from the world and losing itself in the fog as the danger approaches, I had more trouble with the story after that. I think I can chalk that to the following points:

– Nor makes such efforts to remain inconspicuous and not be noticed that she’s not a very interesting character in general. We know that she likes running, and that she’s had trouble with self-harm, but the latter was more brushed upon in a way that didn’t make it seem so bad, which in itself is… bad, I guess. She’s mostly passive, doesn’t speak of her fears with other characters, even when she knows something is coming. By the time she woke up, I had lost interest in her. And no other characters jumped to the forefront either. Except for Judd. Judd was cool.

– The villain was just a villain. We’re told that what she did, she did for love, but it’s fairly obvious that she was never really in love and just wanted something she couldn’t have. There’s also no explanation as to how she came upon her powers: the means are known, not the cause. Same with Nor’s ability: is it because she’s the ninth daughter? Does the curse change after a while?

– The romance. How can I put this… Maybe it’s high time to stop putting romantic love in YA just because it’s YA and romance is a trope of YA and everyone expects it, but 99% of the time it’s not handled well? The love interest and the romantic subplot were bland at best, and the -second- love interest just came out of the blue as insta-love, and yet Nor is all about “I’m dangerous so I should put an end to it”, which in the end amounts to much ado about nothing. It’s not like it was essential to the plot, really.

– The writing itself was nothing exceptional. Often a character’s name would be used as sentence subject several times within the same paragraph, when it was obvious this very character was the subject all along. So it felt repetitive.

Conclusion: A very good start for me, that went downhill quickly after that. 1.5 stars.

Yzabel / January 24, 2019

Review: Breach

Breach (Cold War Magic #1)Breach by W.L. Goodwater

My rating: [rating=3]

Blurb:

AFTER THE WAR, THE WALL BROUGHT AN UNEASY PEACE.

When Soviet magicians conjured an arcane Wall to blockade occupied Berlin, the world was outraged, but let it stand for the sake of peace. Now after ten years of fighting with spies instead of spells, the CIA has discovered the unthinkable:

THE WALL IS FAILING.

While refugees and soldiers mass along the border, operatives from East and West converge on the most dangerous city in the world to stop the crisis or take advantage of it.

Karen, a young magician with the American Office of Magical Research and Deployment, is sent to investigate the breach in the Wall and see if it can be fixed. Instead she will discover that the truth is elusive in this divided city, and that even magic itself has its own agenda.

THE TRUTH OF THE WALL IS ABOUT TO BE REVEALED.

Review:

[I received a copy of this book through the First to Read program, in exchange for an honest review.]

Set in an alternate 1950s Berlin, “Breach” presents a different version of the Cold War: one where the bomb did help the Allies to win World War II, but against an enemy that had both an army and magic. The Berlin Wall, therefore, is not here merely a material wall: it is also made of magic, cast by a mix of Soviet magicians at the end of the war. And now the Wall is falling, and it’s up to both the CIA and their counterparts in the East to figure out what’s happening, how to rebuild it, and how to prevent a new war. From the USA, young magician Karen O’Neill is sent to help investigate; of course, as she discovers, things aren’t so straightforward; the men in Berlin have just as much trouble to adjust to the idea of a woman doing something else than having a husband and children; and there’s no way of telling who’s a liar, who’s not, and who’s mixing both so well that finding out the truth becomes the most difficult task ever.

The novel has its rough edges and, at times, awkward sentences and point of view switches. Some characters are clearly on the cliché side (like George, the manly-male magician who can’t get over seeing Karen sent to Germany rather than him, or Kirill, who apparently just likes to be cruel and doesn’t do anything else in life?), and not as developed as they could’ve been. And Karen’s way of facing her male peers usually amounts to giving in to the same attitudes as theirs, which makes her look perhaps too much on the defensive, which in turn diminishes her stronger side.

However, in terms of the world presented here and of the story itself, this story was a fairly enthralling read. It had, all in all, what I was looking for when I requested it. Spies and a Cold War backdrop. Magic that from the beginning offers a glimpse of its darker side (Karen and her colleague are desperately trying to find a way to use magic to heal people, because otherwise, magic seems pretty much suited for destruction and killing first and foremost). A female character, too, who has her flaws but refuses to give up and wants to get to the bottom of things. Secrets from the War, resurfacing. Extraction operations and forays into more the enemy side of Berlin. While at first, the magic itself doesn’t look terribly impressing (old, musty spells in Latin, etc.), there comes a moment when more about it is unveiled, and it hints at something definitely worth keeping in check. At all costs. (Not going to spoil, so let’s just say it dealt with a kind of effect that typically fascinates me.)

Unexpectedly, or maybe not, I found myself rooting for Erwin more than for the other characters. He has his own very dark past, but is also honestly redeeming himself, and not by hiding behind other characters—he gets his own hands dirty just as well.

Even though the pacing in the first half was slower, discovering this alternate world was enough to keep my attention here. The second half is more dynamic, although I’m torn about some of it (the finale being both awesome and “too much”, and I really can’t tell where I stand about it). The very ending, in hindsight, wasn’t unexpected; this said, it still got me, so cheers to that.

Conclusion: 3.5 stars. This novel has its faults, but also enough good points to make me interested in picking up the sequel later.