book Archives - The Y Logs

Yzabel / July 2, 2018

Review: Nyxia Unleashed

My rating: [rating=3]

Blurb:

Emmett Atwater thought Babel’s game sounded easy. Get points. Get paid. Go home. But it didn’t take long for him to learn that Babel’s competition was full of broken promises, none darker or more damaging than the last one.

Now Emmett and the rest of the Genesis survivors must rally and forge their own path through a new world. Their mission from Babel is simple: extract nyxia, the most valuable material in the universe, and play nice with the indigenous Adamite population.

But Emmett and the others quickly realize they are caught between two powerful forces–Babel and the Adamites–with clashing desires. Will the Genesis team make it out alive before it’s too late?

Review:

[I received a copy of this book from NetGalley.]

Usually, the second book in a series tends to be the one I find weaker, but here, I actually liked it a little more than the first one. Back then, the whole competition thing, while good at first, got quickly repetitive. Here, while the characters also go through some repeated motions (get to first mine, mine nyxia, get to second mine, etc.), there were enough plot-related events to keep me interested. All in all, I wanted to learn more about the Adamites, their society, and Babel’s goals, and at least we indeed get more here. The Adamites are their own brand of shady with their own agenda, and while it’s justified considering what’s at stake

Another peeve with book one, a.k.a. how nyxia explains everything, wasn’t present here, so this helped, too. The kids do use it to shape weapons, shields, items, etc., but this is something I expected, and more credible than nyxia allowing fast space travel for… reasons? We get a few more explanations about where nyxia comes from. I hope that book three will yield more information still.

I still find the romance part kind of bleh, in part because it has the potential to devolve into a trope I don’t like, that of “will do anything for luuuurve” (Isadora and Morning are pretty open about how they’ll always choose the boy over the group; how much do we bet that one of them will betray the group first thing because Babel will dangle the boy’s survival in front of them?).

Also, maybe it’s just me, but Isadora’s attempt at using her pregnancy to gain favour is… I don’t know. It felt much more like using the future baby as a pawn, rather than at loving and wanting to protect him/her. I think this ties into how we don’t know that much about the characters themselves in general: we get that they’re all of “poor” and “broken” backgrounds, but apart from Emmett, we still don’t know what are their deep motivations. I’d care more about the whole Roathy/Isadora thing if they were something else than just antagonists. And the same goes for the diversity aspect, which is even less mentioned here than in the previous book.

Conclusion: Still some peeves with this novel, but a couple of others that weren’t so present this time. In general, I enjoyed it more.

Yzabel / January 1, 2018

Review: Lady Mechanika 3 – The Lost Boys of West Abbey

Lady Mechanika, Vol. 3: The Lost Boys of West Abbey by Joe Benítez

My rating: [rating=4]

Blurb:

Lady Mechanika’s investigation into the murders of -undesirable- children in Mechanika City triggers an unexpected reaction from her subconscious self. But are they truly lost memories finally surfacing after so many years, or just simple nightmares? And what connection does the killer have to Lady Mechanika’s past? Collects the complete third Lady Mechanika mini-series, The Lost Boys of West Abbey, including extra pages which were not published in the original comic books.

Review:

[I received a copy of this book through NetGalley.]

Beautiful artwork like in the first two collected volumes. I didn’t notice the same ‘eye-candy’ level during action scenes as in the first volumes, which is good since it makes those scenes more believable. Exception made for the illustrations at the end, these are all fine since they’re meant to depict the character posing anyway. Also, they’re beautiful. The art and colours remain as enjoyable as ever.

While there’s no resolution as to Mechanika’s past here either, we do get a few glimpses into what she has been through, thanks to her nightmares and memories. I can only hope that at some point she’ll get to find out the information she’s seeking.

This volume dealt with body transfer into what appear like a mix of golems and automata, which means that of course I got sold on that idea pretty quick. There’s a mix of dark experiments with magic and technology, action, and conundrums about what defines life, that I tend to enjoy. There’s a tall, dark and somewhat mysterious detective (Singh) that for once I felt more connection with than I usually do with that character archetype. Oh, and creepy toys, in a sense, considering the golems are doll-like and can easily be mistaken for toys.

This third instalment felt darker to me than the second one, and more interesting even though there was no trip to mysterious temples or adventures in the jungle; I guess that’s my natural preference for urban settings speaking, along with the themes explored in this ‘Lost Boys of West Abbey’ story.

The one thing I really regret is how short this volume was compared to the others. The plot deserved more.

Yzabel / December 18, 2016

Review: The #MonuMeta Social Media Book

The #MonuMeta Social Media Book by Roger Warner

My rating: [rating=3]

Blurb:

Mee Corp is the developer of the world’s number one social network, The Stream. Based at the recently sold-off Natural History Museum, it’s run by bizarre aliens whose seemingly human appearance masks a hideous secret: their sinister mission is to make (fake) people matter. Tara Tamana, The Stream s talented new Head Architect, holds the key to the city’s fate. The trouble is she s got way too much sass to figure it all out – and she’s also gone missing. Who can find her and help her save the day? Enter an ageing janitor, a large marble statue, a small bronze boy and a fairy queen. Their quest is to find the girl and save London from mind control, ham-fisted cloning, and a monstrous arachnid with a voracious appetite…

Review:

[I received a copy of this book through NetGalley.]

This one was a bit of a strange read—I guess I could categorise it as an over-the-top near-future sci-fi cum fairies blend, with an underlying funny criticism of social media, abusing technology, and PR stunts? Even though it took me longer to read than I expected (mostly because I had library books I had to finish in a hurry!), in the end it was a positive read, and I had fun.

The story follows the shenanigans of animated statues, ex-librarians become janitors in a museum converted into offices for a software and social media company, genius programmers sometimes too engrossed in their code for their own goods, spirits of a fairy persuasion, and execs with a shady agenda in the name of their real boss. It has highly amusing moments (the Endless Demo!) as well as scary ones (Tara and her bucket of fake bacon in Tank #6)—yes, those vaguebooking-like descriptions are on purpose, since conveying all the weirdness of that future!London isn’t so easy in just a couple of sentences.

Obviously, the nonsense is on the surface; it does make a lot of sense underneath, provided you set aside all questions about “how can statues be animated” and “why would a person’s skin spontaneously turn blue”, which aren’t so important, in fact. I didn’t need explanations here to willingly suspend my disbelief, which is good. What mattered were the dangers looming over our “heroes”, and these were of a kind that could very well hit home at some point: that is, to which extent our daily immersion into the web and social websites, our obsession with sharing everything and knowing everything about each other online, may end up being abused and affecting us in ways we hadn’t imagined. Behind the humour and the antics of a bunch of misfits sometimes not very well-equipped to understand each other, lies this kind of questioning.

On the downside, sometimes the plot seemed to meander and lose itself, in a way that I can probably blame on plot holes rather than on “it’s meant to be weird.” (I tend to consider that a “nonsensical” story still needs an internal logic of its own to function properly, even if that logic seems complete nonsense on the outside. I hope I’m making sense here.) The villains were also a bit too much of the cartoonish kind, and while it can be fun, I keep thinking they would have remained fun yet more credible if that trait hadn’t been enhanced.

Conclusion: 3 stars—but that’s because over the top tends to be my thing, so if it isn’t yours, maybe you’ll like it less, though.

Yzabel / August 17, 2016

Review: The Hypnotic City

The Hypnotic City by Andrea Berthot

My rating: [usr 3]

Blurb:

Philomena Blackwell survived a city plagued with monsters, the gilded cage of high society, and the rule of a heartless man… and she aims to leave it all behind.

It’s 1905, and London has finally been freed from Henry Jekyll’s terrible legacy – its people cured, its thirteen-year quarantine lifted. The world is waiting, and for a girl who dreams of being its most dazzling star, what could be more enticing than the bright lights of New York City?

She is drawn across the ocean like a moth to a flame, her heart set on proving that while she may be small on the outside, her soaring talent eclipses even Manhattan’s towering skyline. When she lands a big break, it seems as if the city is ready to fall under her spell – just as she seems to be falling for a handsome young stage manager. But is it her stage presence mesmerizing the audience, or something more sinister behind the scenes?

Philomena has always relied on her fierce will and fiery heart, but a new and more terrible danger lurks in the shadows of Broadway’s bright lights, and even a mind as determined as hers may not be immune to its seductive, insidious pull…

Review:

[I received a copy of this book from the publisher, in exchange for an honest review.]

Although this sequel to “The Heartless City” is more of a standalone, I’d still recommend reading the first novel, as it will make understanding Philomena (and her relationship with her friends) better.

Philomena herself is a character I liked a lot in the previous book. As a young woman, almost a girl still, who grew up in an infested London and a slave of her household, just good enough to be married and have children as soon as she’d be of age, she could have been just any old secondary character, but let not her diminutive stature fool you: there’s fire and heart and willpower underneath. Disowned by her family, she goes to New York to fulfil her dream of becoming a singer on the Broadway scene. There starts the story of “The Hypnotic City”.

I must admit I remained torn throughout my reading, because of the “rags to riches” aspect—it was hard for me to decide if it was too cliché to my liking, or if it provided, on the contrary, a nice mise en abyme to Tom Casey’s shows: they’re described as “ridiculous and inane” by Jamie, stories where a working girl discovers she’s actually from a noble background and gets to embrace her legacy while also finding love… and this runs parallel to what happens to Philomena, except that she knows she’s of noble birth, but hides it, since people are always scared of her whenever she mentions coming from London. I tend to be on the fence regarding such plots, and there are quite a few clichés as well in this one: the letters that never arrive. Still, I couldn’t help but keep thinking that was totally on purpose, the author going all “sod it, I like those tropes, so I’m going to use them”, and not something done to fit a stereotype just because “some people love it”. I cannot fault that, and any reader who enjoys this kind of story is very likely to enjoy this one more than I did. (Which isn’t to say I didn’t—it’s just not my favourite kind of plot, if that makes sense.)

One really good thing here, regarding this “sterotypical plot”, is the feeling of unease permeating it. Perhaps because I already knew what Philomena had been through, perhaps because I expected “something” to happen at some point, but also because, under all the glitter and budding-singer-becomes-a-star glitz, I could sense that something was amiss. And I’d say the characters feel it too, especially Jamie, who may speak out of jealousy or contempt, yet nevertheless puts a finger on a few strange things in the process.

Another good thing is that the heroine is not a passive, helpless creature who lets events unfold around her; she tries to seize chances (going to auditions…) when she can, and she asserts her will (when a man boos her at her first show, she improvises and ends up impressing the audience). Phil knows what she wants, and is ready to fight for it, even though there are moments when she feels defeated. Yet this is also part of what “being a strong character” entails: it doesn’t mean being strong all the time, nor doing everything alone, it also means being able to acknowledge when you need help, and get it, and then win. Sort of.

The romance part was alright (I know, I know, I’m really a tough audience in terms of romance). Philomena’s love interest definitely had flaws, which made him human (and that’s good), but those flaws weren’t a deal breaker for me, unlike all these brooding-assholish “I’m so dangerous so don’t come near me characters”, and he was a decent person all around, who respected Phil’s personality.

The other guy was revolting, to say the least. I hated reading about him—and that is an extremely good thing, since eliciting feelings in a reader isn’t so easily done, at least not when I am concerned. When an author conveys how despicable a character is, in a manner that makes me feel like strangling said character with their own guts, well, that author has done something right.

I do believe the story could and should have been longer, though. As it is, a lot of screen time, so to speak, was devoted to the “rags to riches” part, and by contrast the resolution came too quickly. We barely get to see anything of Iris, Elliot and the others, when their role was important and would have deserved more, without necessarily detracting from Phil’s status as the main character. As it is, it seemed as if the main story was all told already, and that the mysterious/conspiracy part of the plot had to be dealt with because a resolution was expected, yet without being really convinced about it. Had this part been more developed, it’d have been a 4-stars for me.

Yzabel / August 2, 2016

Review: The Body Reader

The Body Reader by Anne Frasier

My rating: [rating=2]

Blurb:

For three years, Detective Jude Fontaine was kept from the outside world. Held in an underground cell, her only contact was with her sadistic captor, and reading his face was her entire existence. Learning his every line, every movement, and every flicker of thought is what kept her alive.

After her experience with isolation and torture, she is left with a fierce desire for justice—and a heightened ability to interpret the body language of both the living and the dead. Despite colleagues’ doubts about her mental state, she resumes her role at Homicide. Her new partner, Detective Uriah Ashby, doesn’t trust her sanity, and he has a story of his own he’d rather keep hidden. But a killer is on the loose, murdering young women, so the detectives have no choice: they must work together to catch the madman before he strikes again. And no one knows madmen like Jude Fontaine.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

For three years, Detective Jude Fontaine was kept under lock, in the dark, abused and malnourished, at the hands of her unknown abductor. With no contact with any other human being than that man, her survival reflexes made her learn to “read” him, in order to stay alive. After she seizes an opportunity to escape, she realises she has retained this ability to “read” other people, booth the living and the dead: even a frozen corpse will still “talk” to her, in its expression, the way its fists are closed, and so on. As she’s trying to go back to her former career as a cop, Jude understands she can use this newfound skill to make things right.

Excellent idea, but one that I thought wasn’t exploited enough throughout the story: we are made to see June “read” her new partner first, then “read” a corpse, yet nothing much happens in that regard after that, and it’s like the body-reading concept got lost along the way, along a more “traditional” thriller story. This was rather too bad, as I would have enjoyed seeing more of Jude’s ability, things that would truly set her apart from “just yet another very talented cop”.

Another problem I had with the story was the moments when Jude tried to figure out how to go back to a normal life, or even if she could: a new flat, maybe getting back with her boyfriend, her tense relationship with her family… All interesting things, but presented in too descriptive a way, rendered too flat: I didn’t “feel” her predicament, I simply read about it, and it just wasn’t the same. I felt more connected to Uriah, who had his own emotional struggles to contend with, but here too the whole thing was more descriptive, not vibrant enough.

Finally, the ending was too neatly wrapped, too quickly, without the kind of intensity I’d expect from the last chapters of a thriller. I could also sense the places where the story was trying to mislead me, yet at the same time the lack of involvement (or, should I rather say, the sideline involvement) of some characters gave a few things away.

I did like, though, how Jude, even though toughened and emotionally withdrawn, went about getting back control of her life by doing something useful, like picking up cold cases, and how the author didn’t fall into the typical trappings of adding some romantic twist in there. Sure, there’s the boyfriend, but this side plot is never presented as an end in itself, never touted as “Jude’s salvation in the arms of a man”, or whatever similar tripe. In the same vein, Jude and Uriah give off a definite “work partners and perhaps friends someday” vibe, not a “and perhaps lovers someday” one.

2 stars: I quite liked some of the themes here, but this remains an “OK” book and nothing more, because it fell flat for me, and because its ideas weren’t developed enough compared to what the blurb had made me expect.

Yzabel / May 27, 2016

Review: Fluence

Fluence: A Contemporary Dystopian Novel by Stephen Oram

My rating: [rating=4]

Blurb:

Amber is young and ambitious. Martin is burnt out by years of struggling. She cheats to get what she wants while he barely clings on to what he has.
It’s the week before the annual Pay Day when strata positions are decided by the controlling corporations. The social media feed is frenetic with people trying to boost their influence rating while those above the strata and those who’ve opted out pursue their own manipulative goals.
Set in a dystopian London, ‘Fluence’ is a story of aspiration and desperation and of power seen and unseen. It’s a story of control and consequence. It’s the story of the extremes to which Amber and Martin are prepared to go in these last ten thousand minutes before Pay Day.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

This was quite a gripping, intriguing and also worrying dystopian story. Set in a not so future London, where the government has failed and corporations have taken over, it deals with a lot of themes that seem potentially “silly” at first, yet quickly make you wonder more and more about whether this is possible or not… whether we might be close to that already, or not.

Society in “Fluence” is divided into stratae: at the top, the Reds, kind of a nobility that takes care of its own; at the bottom, the violets, and even lower the whites (people who’ve opted out of the system for various reasons: disability, being overstressed because of the system, and so on). Both main characters, Amber and Martin, work for a branch meant to deal with requests by various people to become “white”, and the approach taken here is rather chilling, casting a crude light on various questions—money and budget cuts remain, unsurprisingly, weighing factors.

Originally a Violet, Amber managed to climb her way to Yellow a first time, but had to drop back to Green after her first (Orange) husband died. Obsessed by the idea of going back to yellow status, she spends her day acting a role, going out to parties and events she chooses depending on how many “points” they’ll earn her, and updating her personal feed so that people will vote for her—basically Facebook-like social networking pushed to the extreme, and let’s be honest: isn’t that a bit the case already for us today? Couldn’t we easily veer towards a similar system at some point?

Meanwhile, Martin is her polar opposite: older, tired of struggling to keep his place at Green level, but feeling forced to it because he wants his family to be happy. His own issues include his growing difficulty to perform well in his job, understanding the points/Fluence game, and his son, not legally adult yet, who’s living on the fringe of society and doing shady deals with shady people.

While a bit rough in places, this story was highly entertaining, with more than just one twist that at some point seriously makes you start questioning what you’re reading: who’s manipulating who, who’s betraying who, who’s threatening this or that character, who’s a real friend or only acting the part to earh yet more points… All this is both somewhat grotesque (the bulimia shows, the obscene parties…) and frighteningly believable (our obsession with ranking, performing well, being under constant scrutiny…). And even though the plot could’ve been a bit tighter and better defined, in the end it didn’t matter that much to me, as I still enjoyed the various scenes and situations the characters went through.

3.5 to 4 stars.

Yzabel / August 20, 2015

Review: The Gateway of Light and Darkness

The Gateway of Light and Darkness by Heather Marie

My rating: [rating=2]

Blurb:

The battle of good vs. evil wages on for Aiden Ortiz in this final installment of the Gateway Series: The Gateway of Light and Darkness. With the Dark Priest defeated, and the Brethren of Shadows refusing to forfeit calling upon the Darkness, the Brethren are determined more than ever to discover a way to banish the Men of Light for good. And as the Dark Priest’s curse invading Aiden’s veins continues to take on a life of its own, he finds himself in a standoff between his own kind, and the Brethren that want to recruit him for all the wrong reasons. Accompanied by fellow Gateway, Julie Martin, and his best friends Trevor and Evan, seventeen-year-old Aiden prepares himself for the battle of his life.

Protecting those he loves, and learning to put aside his differences for his father in order to learn the ways of the Light, Aiden begins to realize that the thing endangering their lives might not be the threat of the Brethren alone, but the thing taking shape inside of him —readying to unleash itself upon them all.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

I still like the mythology/back story woven into this series, but… but… Seriously, this trend of ain’t-telling-you-nothing-itis has to stop. I don’t know what it’d take. I don’t know why this is still considered a good idea. It’s not. It’s not building plot, it’s forcing it down into holes that aren’t even the same shape.

So basically, Aiden makes the wrong choices (some crossing into Too Stupid To Live territory) mostly because all the characters around him who have information don’t share it with him. And when he stumbles and falls, they get all “I’m disappointed in you”, “I told you so”, “I knew it”, “I’m sorry I falied you”. When they know very well that he *wants* to get rid of his curse. Their “help” in that regard, though, falls so far from the mark that it’s not funny. I don’t buy the belief that someone has to battle against darkness alone, and if they fail, well, then it means they were doomed from the start, weren’t they? No. Maybe people wouldn’t fall if they had just the right help. There are times when it’s too much for one person to tackle. In this book, it’s one of those times. (I also don’t buy “we did it for your own good”, because had this failed, whoops, they’d likely have killed him, too bad, son.)

I guess it was almost painful, seeing how this character had to go through it half-blindedly when it mattered most. The training his father gave him, the support he was supposed to have, were only part of what he needed. What he actually needed, he didn’t really get. Thus his mistakes and wrong choices. It didn’t help that Aiden didn’t open up much about Koren, what he felt for her, thinking he could still “hear” her, etc… but what else to expect? His tentative attempts at getting answers always ended up in closed doors. Many people would give up and clam up for less than that.

It didn’t help that the story was a little slow going, and peppered with events where more than one person shone through their wrong choices. Things picked up after the 70-75% mark, though, and the ending was more enjoyable. I would’ve liked this story more, I think, if its pacing had been more balanced in that regard, and if we had gotten to see more some of the secondary characters (Aiden’s parents, for instance, or Seth). What felt slow could’ve been more exciting if they had been given some more limelight.

Not terrible per se, but not more than “just OK” either for me.

Yzabel / January 19, 2013

Cover project: Was

This isn’t exactly a true “cover reveal”, as in I’m not doing it to announce an upcoming book (well, not so soon, at any rate). But I’ve had a lot of fun and excitement working on a cover project for the first part of my story “Was”, and of course I’m eager to share it.

Paris, February 1989. With the help of his deadly minion, the cunning Necromancer Louis Valdemar is well on his way to awake dark forces no human being should ever play with. Abiding by treaties held up for centuries, the Anima Mundi, an organisation of mages, sends a team of hunters to put an end to this madness, and prevent the French capital from being destroyed.

Bristol, May 2008. A-level student Louisa Keynes wakes up in a white hospital room, after a car crash that left her in a coma for ten months, only to find out that everything has changed, that her nights are now plagued by weird dreams, and that magic does exist. She has become a Technomancer, one of those mages who can bend Reality to their will using modern devices; and she’s decided to walk that path as far as she needs to in order to learn more about herself.

London, December 2009. Near the oily waters of the river Thames, sys-op Echoes and Blood Witch Ring investigate a series of gruesome murders whose victims had their souls devoured. At St Pancras railway station, Marek Van Cartier is about to wreak havoc, a sweet smile on his lips. Standing on the platform at Tottenham Court Road tube station, Lyle Karlowitz is staring at a heartless woman in a colourless world. From beyond a wall of thorns, the hand of death is about to curb the fates of thousands of people. And Louisa is riding the Northern Line, unknowingly rushing towards the encounter that will once again turn her life to shambles.

What was and what is shall now meet.

Yzabel / December 14, 2012

Review: The Beekeeper’s Apprentice

The Beekeeper’s Apprentice: or, On the Segregation of the Queen by Laurie R. King

My rating: [rating=1]

Summary:

In 1915, long since retired from his observations of criminal humanity, Sherlock Holmes is engaged in a reclusive study of honeybee behavior on the Sussex Downs. Never did he think to meet an intellect to match his own—until his acquaintance with Miss Mary Russell, a very modern fifteen-year-old whose mental acuity is equaled only by her audacity, tenacity, and penchant for trousers and cloth caps, unthinkable in any young lady of Holmes’s own generation.

Under Holmes’s sardonic tutelage, Russell hones her talent for deduction, disguises, and danger: in the chilling case of a landowner’s mysterious fever, and in the kidnapping of an American senator’s daughter in the wilds of Wales. But her ultimate challenge is yet to come. A near-fatal bomb on her doorstep—and another on Holmes’s—sends the two sleuths on the trail of a murderer whose machinations scatter meaningless clues and seem utterly without motive. The villain’s objective, however, is quite unequivocal: to end Russell and Holmes’s partnership—and their lives.

Review:

I’m going to add those books to the list of “novels I wish I had enjoyed more”. My opinion about it is very, very mixed.

The biggest peeve I have with it are what I’ll deem “weak characterization”. I read all the Sherlock Holmes canon—the novels as well as the short stories—and while I can enjoy a Sherlock that is a little different from Doyle’s (after all, I did enjoy Thomas Day’s over-the-top Holmes in L’Instinct de l’Equarrisseur), here it kept on feeling… wrong. Actually, the impression the whole novel left me with was that of fanfiction. Nicely written fanfic, alright (the style of the writing itself was really pleasant to read), but fanfic all the same, and not in the good meaning of the word. Mary Russell’s middle name must be “Sue”, and she suspiciously smelt of author self-insert; she’s pretty, witty, intelligent, has read a lot more than any girl her age, has got heaps of money waiting for her… and her ‘defects’ don’t really ring true (she had an awful lot of freedom, for someone supposed to be under her nasty, resenting aunt’s tutelage). From the start, I couldn’t push myself to like her, nor to like reading about her. She was just too perfect in many regards, and knowledgeable in too many areas, considering her age and past, especially at the beginning of the novel.

Next thing: stop bashing Watson, thank you. I’ve never enjoyed those versions of SH where Watson was just a bumbling idiot. He’s far from being it in Doyle’s stories, and even if he may seem clueless at times, let it also be said that anyone would look clueless, next to Sherlock Holmes (he’s a genius, after all—albeit a misogynistic one, with sociopath tendencies). I was deeply annoyed every time Mary felt compelled to make some remark about her “foolish Uncle John”, and, worse, when Holmes himself talked about him in similar terms. Or completely forgot about him when it was clear that he may be targeted too, and had to be reminded by Mary. No. Just no.

The story itself could have been more interesting, were it not for a certain amount of inconsistencies. First, why that foreword about how the author received a manuscript evidently written by Mary herself, yet had to correct its (I quote) “atrocious spelling”? That just doesn’t add up with Mary’s repeated intelligence, Oxford studies, and overall large bundle of knowledge (yes, I know “knowledge” doesn’t equal “excellent spelling”, but please, this was just too weird). Some of the events boggled the mind (the Palestine trip, for instance, didn’t bring anything to the story, and made me wonder what the heck was the point). Also, the novel felt more to me like a collection of short stories put together—as if they had been written that way first, and then only strung together with an overall plot added as an afterthought; this contributed to reinforcing my impression of all of this being originally fanfiction, with the author putting herself in a place of choice to live through adventures with her favourite character (from the signature at the bottom of the ‘introduction’ as well as from the characters’ behaviour, I’m going to take a guess and predict that in some later book, Mary will marry Holmes).

To be honest, I wouldn’t exactly say it’s a totally bad book. It’d have scored one more star from me if it had been a completely original story, without Sherlock Holmes, or maybe with just Mary working on her own cases, without him at her side, and only being a remote mentor. But as it is, Holmes would’ve better be left alone.

If you thoroughly enjoyed Arthur Conan Doyle’s stories, don’t bother with this book. And if you haven’t read them yet, well, do that instead, too. It’ll be a much more interesting and fulfilling experience.

Yzabel / June 22, 2012

Review: Fire With Fire

Fire with Fire by Penelope King

My rating: [rating=4]

I had read the first installment of this series for {Read It & Reap 55} in the Shut Up And Read group, and found it interesting. The second one, that got sent to me through the same group, I went through like a breeze. The story was compelling, and I kept being drawn back to it to read more, which is always a good sign in my case.

We already know the main characters from the first book, of course; we get to know them better here, as well as see some development that I was glad about. While Lucky might have just a tad bit too much of a tendency to feel guilty about everything bad that happens (but still gets out to kick ass no matter what), I thought Liora was getting better. There was less whining about how she doesn’t fit in, and more taking things into her own hands, as well as starting to accept to live with her current state (instead of closing her eyes and trying to ignore Lucky’s doings). There was also something terribly beautiful about the relationship between Lucky and Bones (I was so, so unhappy at how things unfolded in chapter 19, and hope we get to know, let’s say, more in the next novel).

Kieron… got on my nerves, but part of me couldn’t keep on thinking that there must be more to his shitty attitude. It was half expected, but he still gave me a good scare here. I found him weaker in this book, though. Perhaps because he doesn’t appear for the first half, and gets less ‘screen time’?

Tristan seemed so shady from the beginning, but I had no idea at first who or what exactly he was, nor what he wanted. I liked the way he progressively weaseled his way into Liora’s life, and how it was introduced, through her skewed perception. It’s not so easy to do that in a first-person narrative, and I was surprised, then intrigued, then satisfied at the way it was brought. (The part about coming back from the mines, and then chapter 11 especially, made me frown and go all “ooookay, now this is really getting weird”—toppled with that line about the blueberries pancakes.)

And Tatiana. I already liked her in the first installment, but now I like her even more.

It’s hard to write a full review without spoiling too much, so I’ll leave it at that. Suffice to say that I will very likely read #3, because I definitely want to know where the characters are going to take it from now on. Too many things have changed in their lives, they can’t go back, and so going forward is the only option, and is bound to bring some surprises.