Yzabel / October 8, 2018

Review: Sleepyhead

Sleepyhead: Narcolepsy, Neuroscience and the Search for a Good NightSleepyhead: Narcolepsy, Neuroscience and the Search for a Good Night by Henry Nicholls

My rating: [rating=4]

Blurb:

When Henry Nicholls was twenty-one, he was diagnosed with narcolepsy: a medical disorder causing him to fall asleep with no warning. For the healthy but overworked majority, this might sound like an enviable condition, but for Henry, the inability to stay awake is profoundly disabling, especially as it is accompanied by mysterious collapses called cataplexy, poor night-time sleep, hallucinations and sleep paralysis.

A writer and biologist, Nicholls explores the science of disordered sleep, discovering that around half of us will experience some kind of sleep dysfunction in our lives. From a CBT course to tackle insomnia to a colony of narcoleptic Dobermans, his journey takes him through the half-lit world of sleep to genuine revelations about his own life and health.

Told with humour and intelligence, Sleepyhead uses personal reflections, interviews with those with sleep disorders and the people who study them, anecdotes from medical history and insights from art and literature to change the way we understand our sleeping hours.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

There’s a wealth of information in this book, sometimes in the text, and sometimes through the references it offers—I’ve picked in those a couple of books I’ll need to read at some point.

“Sleepyhead” is probably more interesting if one is already suffering from sleep-related troubles, maybe not as bad as narcolepsy, but even temporary troubles, such as acute insomnia caused by stress. It goes through a certain amount of factors that trigger narcolepsy and other “X-somnias”, providing details about how misdiagnosed those used to be historically, and helping understand what they entail. For instance, I always thought that narcolepsy was about people falling asleep at any time of the day, but it had never occurred to me that their sleep at night was highly disturbed, and not the peaceful slumber one would imagine from that very basic description. I’m glad I know more about it now.

The book was also interesting for its insights about sleep in general, though the focus remains on the dysfunctional parts: it seems that over the centuries, lots of superstitions (like “incubi”) were in fact descriptions of parasomnia-induced symptoms, such as night terrors. I also didn’t know about the two-time sleep people seemed to have had before artificial lights: sleeping early for a few hours, then being awake for 1-2 hours in the dead of night, then sleeping again for a few more hours.

While note a bona fide scientific book, “Sleepyhead” is useful no matter what: for the journey it describes (Henry Nicholls went to meet and interview many people while researching), and for the information it provides. It could be beneficial for people who suffer from such troubles, sleep apnea for instance, if only to alert them in a “hey, that sounds exactly what -I- am going through!” way.

Yzabel / October 1, 2018

Review: Not That Bad

Not That Bad: Dispatches from Rape CultureNot That Bad: Dispatches from Rape Culture by Roxane Gay

My rating: [rating=5]

Blurb:

In this valuable and revealing anthology, cultural critic and bestselling author Roxane Gay collects original and previously published pieces that address what it means to live in a world where women have to measure the harassment, violence, and aggression they face, and where they are “routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied” for speaking out. Contributions include essays from established and up-and-coming writers, performers, and critics, including actors Ally Sheedy and Gabrielle Union and writers Amy Jo Burns, Lyz Lenz, Claire Schwartz, and Bob Shacochis. Covering a wide range of topics and experiences, from an exploration of the rape epidemic embedded in the refugee crisis to first-person accounts of child molestation, this collection is often deeply personal and is always unflinchingly honest. Like Rebecca Solnit’s Men Explain Things to Me, Not That Bad will resonate with every reader, saying “something in totality that we cannot say alone.”

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

This collection of essays is a very enlightening one: about people who were raped and/or sexually assaulted, about those who work with them, about the rape culture that permeates so many places and societies.

The latter especially is worth mentioning, because little gestures, little ‘jokes’, everyday sexism and attitudes and ‘if you wear those clothes then You’re Asking For It’ sayings are the foundations of something deeper, something that leads to rape, and make it so that no matter what, the victims are still the ones who have to justify themselves. Justify the amount of times they said ‘no’; or whether they said it clearly enough (apparently, for many people, a woman who says no actually means yes… and they never question it, and therefore make a decision based on what they want to hear). Justify and quantify their pain: if it was ‘so bad’, shouldn’t they be dead? And, since they aren’t, shouldn’t they be grateful that ‘at least they’re not dead’ (as if that could erase and negate what was done to them)? As if this was but a trifle, something that you just can, and have to, get over with, because mentioning it will Make Other People Uncomfortable.

I guess I should be grateful that the ‘only’ aggression I had to go through dealt with random guys deciding that fondling my thigh in the train was something they had a God-given right to do. Or grateful that they ‘only’ flashed their dick in front of my face. It wasn’t ‘that bad’, right? Well, screw that. At the root of it, our stupid, crappy society is still stuck on Man Sees, Man Takes (sometimes women do that, too, but it’s nevertheless much more often the other way ‘round, because Boys Will Be Boys, and all that rubbish we dump into boys’ heads when they’re still so little). And as long as we don’t wake up and grow up for a change, this won’t go away.

The styles are varied, by various authors (female, male, trans), including even an essay in comics format, while being close enough to clearly resonate as a whole. They read quickly and easily in terms of grammar/vocabulary, and yet remain powerful and hard to stomach as well, due to the theme they explore and the pain they deal with, whether they are actually depressing or carrying some form of hope.

These essays are definitely worth reading: as an eye opener for some, as a reminder in general of what is at stake, of the day to day attitudes towards sexual harassment, of all the tiny ways well-meaning people can and will say/do the wrong things.

Yzabel / September 24, 2018

She Wants It

She Wants ItShe Wants It by Jill Soloway

My rating: [rating=2]

Blurb:

When Jill Soloway’s father came out to her as transgender in his seventies, all of a sudden she had the key she’d always felt was missing–the key to understanding her family, her past, and herself. In this intimate memoir, Jill explores the modern family–the one we inherit and the one we choose–through the lens of finally understanding her father’s long-held secret and the ways in which it has impacted her worldview and changed her life dramatically.

Drawing upon her challenges and successes as a filmmaker, writer, showrunner, and director, She Wants It is by turns nuanced and moving, uplifting and outrageous. Soloway, with her bold voice and incisive viewpoint, writes brilliantly on being a daughter, sister, wife, mother (single then married then divorced), and girlfriend, as she reexamines her own identity within her family and the world at large in light of her father’s brave revelation. As she forges a new path as a queer woman in her fifties, she comes into her power as an artist and has all the awards to prove it. As Transparent takes the world by storm, Jill leads the charge toward toppling the patriarchy and creating a world in which everyone is safe no matter how they identify.

Pulling no punches, Soloway delves into the great loves and losses of her life, ruminates on feminism, and discusses how to inspire women to create art. All the while, she entertains with an outsider’s perspective graced with insider access, writing eloquently on the evolution of the modern family and the revolution that came out of writing about her own.

Review:

[I received a copy of this book through the First To Read program, in exchange for an honest review.]

I had only watched the first season of “Transparent” before, but I guess I knew enough then to recognise the author’s name, and be interested in the book’s premise. As a word of warning, though, if you’re in the same case… uh, the book contains spoilers as to the next seasons. I wasn’t too happy about that, especially since I had been able to avoid them so far. Or maybe it was just unavoidable for starters?

It’s also different from what I had expected, that is to say, more of a memoir, and not exactly “essays” or more structured writing about feminism, being non-binary, questioning, and so on. As such, while it remained interesting, spoilers notwithstanding, it felt kind of disjointed in places, and at the end, I felt like it hadn’t gone in depth into anything.

The last part about Me Too and people coming out about Tambor was also… well, it played straight into the unfortunately usual “she came out about this and now the actor/the show is going to be ruined, we should’ve talked about this among ourselves only and seen where to go from there”. Soloway does acknowledge that it’s wrong, but it still felt like there was much more to say here, and it was brushed over. It’s not on the same level as powerful men paying women they have abused so that they keep silent, but the feeling remains somewhat similar nonetheless, like an afterthought, like something that was mentioned at the end only so that people wouldn’t dwell on it too much. I didn’t like that.

Yzabel / September 21, 2018

Review: Sadie

SadieSadie by Courtney Summers

My rating: [rating=4]

Blurb:

A missing girl on a journey of revenge and a Serial-like podcast following the clues she’s left behind.

Sadie hasn’t had an easy life. Growing up on her own, she’s been raising her sister Mattie in an isolated small town, trying her best to provide a normal life and keep their heads above water.

But when Mattie is found dead, Sadie’s entire world crumbles. After a somewhat botched police investigation, Sadie is determined to bring her sister’s killer to justice and hits the road following a few meager clues to find him.

When West McCray—a radio personality working on a segment about small, forgotten towns in America—overhears Sadie’s story at a local gas station, he becomes obsessed with finding the missing girl. He starts his own podcast as he tracks Sadie’s journey, trying to figure out what happened, hoping to find her before it’s too late.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

This was quite a gripping story, that for once I felt like reading more slowly than I usually do, perhaps because I kept dreading the next “Sadie” chapter, not knowing where it would take me… or, rather, suspecting where it would, and not wanting to see whether I was right or not. Why I do that to myself, I have no idea.

The mixed format, alternating between Sadie’s first point of view and the script of a podcast about her and her sister Mattie, worked pretty well for me. I’m usually a good enough audience for those novels that play with different formats, and this one wasn’t of the kind that tries too hard or think it’s so much more clever than it really is. “The Girls” is reminiscent of a true crime narration, and Sadie’s parallel narration puts everything back into perspective every time, adding heart to the more neutral tone of the podcast (although West McCray, the podcast’s “narrator”, is fairly involved—in fact, I’d say his involvement is similar to what I was feeling: he, too, wants and doesn’t want to know what he’s going to find).

Sadie’s story is both touching and sad. Here’s a girl who doesn’t have much—her mother’s an addict, she stutters and people make fun of her because of that, she doesn’t have friends, or money, or prospects… the kind of person that, too often, no one would really care about, because she’s not important enough, or was “looking for it”, or whatever similar tripe. She has a fierce love for her younger sister Mattie, and what happens to the latter devastates her to the point of taking her to the road in search of the truth.

In a way, the double narration is part of her life, too: while West keeps searching, there’s always that feeling that he’s not doing enough, not going fast enough, not digging deep enough, and you want to tell him “hurry up, we’re nearing the end of the book, find her before…”. After the abuse she’s suffered, you want someone to take care of her, not the way her surrogate grandmother did (Mae was her support as she was growing up), but as support in what she’s doing now, in her current odyssey as a girl become an adult much too soon, and who’s trying to right a wrong (and save other people) even if it means suffering so much herself. Because Sadie could’ve given up any time, turned back any time, and she doesn’t: it’s not only about Mattie, but about the others, too.

Conclusion: A slow read for me, as it was kind of painful and I kept dreading turning the page… but that’s also what made it a good book. Scary, creepy, horrifying, for the worst monsters are the ones who look human… but definitely a good book.

Yzabel / August 19, 2018

Review: If Cats Disappeared from the World

If Cats Disappeared from the WorldIf Cats Disappeared from the World by Genki Kawamura

My rating: [rating=3]

Blurb:

Our narrator’s days are numbered. Estranged from his family, living alone with only his cat Cabbage for company, he was unprepared for the doctor’s diagnosis that he has only months to live. But before he can set about tackling his bucket list, the Devil appears with a special offer: in exchange for making one thing in the world disappear, he can have one extra day of life. And so begins a very bizarre week . . . Because how do you decide what makes life worth living? How do you separate out what you can do without from what you hold dear? In dealing with the Devil our narrator will take himself – and his beloved cat – to the brink.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

An enjoyable read with an important message about the value we give to life, what we do with our lives, and what we’d be ready to sacrifice to extend them. Confronted to the prospect of dying very soon, in the next few months if not the next few days, the narrator is offered a bargain by the Devil itself, and a tempting one at that: for each thing he erases from the world, he gets to live one more day. Which quickly raises a lot of questions and conundrums, because if it’s worth earning more life time, it has to be a sacrifice… but if we sacrifice too much, is it worth keeping on living?

The chapter with the talking cat was well done, too: first because of the cat’s voice, second because he was very… feline (those bipeds never understand anything to cats, do they?), and third due to his selective memory, something that was sad, but also a reminder that we don’t know how animals think, and what we take for granted may not be what is important to them.

I did find the story too predictable, though, in that the message was obvious from the beginning, and completely expected considering the type of stories it usually goes with. There’s no real twist, nothing I didn’t see coming, and no ‘revelation’ either, if this makes sense—other novels on a similar theme already did it, and this one doesn’t go far enough with the associated tropes to rise above them all. (I also think that the Devil imposing choices about what to make disappear removed the possibility of things going awry because of the narrator: ‘he made me do it, so it’s not my fault’. I prefer when my protagonists make their own mistakes, and then atone for / learn from them.)

3.5 stars.

Yzabel / August 16, 2018

Review: Strategy Strikes Back

Strategy Strikes Back: How Star Wars Explains Modern Military ConflictStrategy Strikes Back: How Star Wars Explains Modern Military Conflict by Max Brooks

My rating: [rating=3]

Blurb:

The most successful film franchise of all time, Star Wars thrillingly depicts an epic multigenerational conflict fought a long time ago in a galaxy far, far away. But the Star Wars saga has as much to say about successful strategies and real-life warfare waged in our own time and place. Strategy Strikes Back brings together over thirty of today’s top military and strategic experts, including generals, policy advisors, seasoned diplomats, counterinsurgency strategists, science fiction writers, war journalists, and ground‑level military officers, to explain the strategy and the art of war by way of the Star Wars films.

Review:

[I received a copy of this book through Edelweiss, in exchange for an honest review.]

A collection of essays relating real-world strategies to examples from the ‘Star Wars’ franchise. As usual with this kind of book, some were good, and some not so good, and there were a few that didn’t do much for me, and/or seemed to repeat themselves (as well as be repeats of others). Still, I found it interesting, and a good starting point for more reading, since many of the essays don’t only rely on Star Wars, but also on actual strategy theories (Clausewitz, modern strategy-related articles, and so on).

Having only watched the movies, and not the animated Clone Wars series (and not having laid my hands on more than a couple of books from the former SW extended universe), I can’t speak for the accuracy (or not) of the essays discussing, well, other aspects of SW. From what I know, though, these essays are fairly accurate in their interpretation and depiction of the chosen excerpts from the movies.

Rating: 3.5 stars. Apart from the couple of points I made above (mostly the redundancy), I think it’s more interesting in terms of Star Wars than in-depth military strategy, and I’d have appreciated seeing more examples of real-world situations contrasted with the SW ones.

Yzabel / August 13, 2018

Review: Killing It

Killing It: She's one bad mother . . .Killing It: She’s one bad mother . . . by Asia Mackay

My rating: [rating=3]

Blurb:

Every working mum has had to face it.

The guilt-fuelled, anxiety-filled first day back in the office after maternity leave.

But this working mum is one of a kind.

Meet Alexis Tyler.

An elite covert agent within Her Majesty’s Secret Service.

Her first project back is a high-stakes hit of global significance and the old boys network of government espionage is far from ready for the return of an operational mother. But woe betide anyone who ever tells Alexis Tyler ‘you can’t’.

She will have it all. Or she’ll die trying . . .

And yes, she damn well will be home for bath time.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

A fairly entertaining novel, although it didn’t keep me enthralled.

I couldn’t decide if ultimately, the whole spy organisation was believable or not; some aspects felt far-fetched, where I had expected something more on the… ‘realistic’ side? Not that I know much about actual MI6 operations are conducted, that is: it was more a feeling than anything truly objective. Some parts I found amusing and inventive, in a sort of parodic way that I could only envision in a novel or a game (such as conducting interrogations in disused Tube parts, so that nobody would hear the cries over the din of trains or wonder about ‘that drunk, stumbling friend I’m dragging with me at 1 am is absolutely not a suspect I’ve just finished torturing’). I’d say this works if you’re looking for the kind of caricatural spy network, and works probably less well otherwise. As far as I’m concerned, I’m on the fence with it.

As a result, the plot was a little unconvincing, and I couldn’t really connect with Lex as a character: I liked her snarky comments in general, but found it difficult to reconcile her callous take on offing and torturing people with the double standard of ‘I do it on a regular basis to other people, but no one dare touch my daughter’. While wanting to protect one’s family is totally normal, there’s an underlying hypocrisy here that doesn’t sit too well with me, probably because I usually have a strong reaction to ‘do what I say, not as I do’ people.

On the other hand, the novel raises interesting, if not unexpected points about age-old attitudes in the workplace regarding women, and especially mothers. In that, ‘Killing It’ is close to a lot of things we can still see nowadays, where in spit of feminist progress and workplaces generally opening up, a woman’s position is still subjected to ‘having to prove herself twice as much as the men’. (There’s been a lot of progress IRL, and I sure won’t deny this, but I’ve been in enough interviews with barely concealed sexist questions to know that the way to full equality is still long.) Basically, Lex’s struggle with coming back to work after her maternity leave felt real and relevant: some of her colleagues, and especially her boss, kept on questioning her ability to do her job and not ‘giving in to hormones’ and all manners of crap arguments. Here, too, some things were caricatural and laid out too heavily (like Bennie’s attempts at putting Lex down)—and, of course, Lex’s job is not just any office job, and is much more dangerous—but it doesn’t change the fact that many people (other women included) still assume too often that as soon as one becomes a mother, one becomes ‘weaker/less smart/less able/whatever’ and have to prove herself all over again… while nobody bats an eyelid at a man becoming a father.

Conclusion: The humour didn’t always work for me, and some things were definitely hammered in too much. Still, as a light novel that doesn’t demand too much focus, it worked.

Yzabel / August 9, 2018

Review: Give People Money

Give People Money: How a Universal Basic Income Would End Poverty, Revolutionize Work, and Remake the WorldGive People Money: How a Universal Basic Income Would End Poverty, Revolutionize Work, and Remake the World by Annie Lowrey

My rating: [rating=4]

Blurb:

Imagine if every month the government deposited $1,000 into your checking account, with no strings attached and nothing expected in return. It sounds crazy. But it has become one of the most influential and discussed policy ideas of our time. The founder of Facebook, President Obama’s chief economist, Canada and Finland’s governments, the conservative and labor movements’ leading intellectual lights—all are seriously debating versions of a UBI.
 
In this sparkling and provocative book, economics writer Annie Lowrey looks at the global UBI movement. She travels to Kenya to see how a UBI is lifting the poorest people on earth out of destitution, India to see how inefficient government programs are failing the poor, South Korea to interrogate UBI’s intellectual pedigree, and Silicon Valley to meet the tech titans financing UBI pilots in expectation of a world with advanced artificial intelligence and little need for human labor. Lowrey also examines the challenges the movement faces: contradictory aims, uncomfortable costs, and most powerfully, the entrenched belief that no one should get something for nothing.
 
The UBI movement calls into question our deepest intuitions about what we owe each other. Yet as Lowrey persuasively shows, a UBI—giving people money—is not just a solution to our problems, but a better foundation for our society in this age of marvels.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

This is more an introduction to the topic, I think, than a fully-developed treaty on how exactly a UBI (Universal Basic Income), but it remains an interesting book no matter what. While heavily focused on the USA, it also considers other countries, so it’s definitely not just US-centric with no mentioning the rest of the world (examples from Finland and India, for instance, are included).

The idea itself (giving a basic sum of money to everyone, every month, so that their basic needs are ensured) is not new. Lots of people will tell you “money can’t buy happiness”, but let’s be honest: when you don’t have to worry about when (when, not if) power will go out in your home because you can’t pay your electricity bills, when you know you can give your children the food they need, it makes life better all around—and also allows you to focus on finding a job and other needs, or simply help you not getting sick all the time, or any other issues one faces that lack of money can cause.

Of course, it clearly opens the way to many disagreements, including fear that “if people have money, they’ll become lazy and complacent”. Which is, 1) I guess, very specific to “work hard, thrift societies”, 2) not necessarily true, 3) why should the “American way” (that false assumption that if you only work hard, you will be successful no matter what) be the only valid one? Most people want a job, especially since our world in general values a human life according to whether it’s “productive” or not—another issue we’ll need to address sooner than later, since automation and incoming AI are very likely to make us redundant when it comes to jobs, and we’ll need to rethink ourselves in other terms.

Is it doable? Possibly, I think… provided governments think about it the right way, and provided people don’t consider it in terms of “something that should only go to a certain class of people”, or “welfare queens will abuse it”, or “those people will only buy drugs with it”, or “it’s good if it’s for us, but we don’t want immigrants to have it” (apparently, the more diverse a society, the more this question reveals rampant racism: “we want it for US, not for THE OTHER”—and sadly, I wouldn’t even be surprised if that was a wide-spread opinion).

The book considers these questions, as well as others and what they really entail, such as giving supplies, clothes etc. to people rather than money: it’s all well and all, but we don’t think about all it implies. One of the examples involves giving shoes to people in a poor village, with two unwelcome effects: what they need is not necessarily shoes, but, for instance, clean water; and doing this also deprives the local shoe-making economy of customers. If those people were given money instead, they could help that economy (by buying shoes, by buying a cow and starting their own farm/business…) AND get the water they need, too. To me, it makes sense.

On the other hand, the way the book is currently laid out doesn’t show references well enough. And while the ideas developed here are definitely food for thought, I believe they stand better as an introduction, as stepping stones for more in-depth research and reading, rather than as sturdy research. I wouldn’t call that an issue, because it does pave the way to opening up to the idea of a UBI, and to really thinking about it, about what’s trickling down from it and how current demographics may influence it (in a good or a bad way). I simply wouldn’t take the book as THE work of reference about it.

Conclusion: 3.5 stars. Clearly a good starting point if you’re getting interested about this subject, and aren’t sure how to approach it.

Yzabel / August 7, 2018

Review: Stars Uncharted

Stars UnchartedStars Uncharted by S.K. Dunstall

My rating: [rating=3]

Blurb:

Three people who are not who they claim to be:

Nika Rik Terri, body modder extraordinaire, has devoted her life to redesigning people’s bodies right down to the molecular level. Give her a living body and a genemod machine, and she will turn out a work of art.

Josune Arriola is crew on the famous explorer ship the Hassim, whose memory banks contain records of unexplored worlds worth a fortune. But Josune and the rest of the crew are united in their single-minded pursuit of the most famous lost planet of all.

Hammond Roystan, the captain of the rival explorer ship, The Road, has many secrets. Some believe one of them is the key to finding the lost world.

Josune’s captain sends her to infiltrate Roystan’s ship, promising to follow. But when the Hassim exits nullspace close to Roystan’s ship, it’s out of control, the crew are dead, and unknown Company operatives are trying to take over. Narrowly escaping and wounded, Roystan and Josune come to Nika for treatment–and with problems of her own, she flees with them after the next Company attack.

Now they’re in a race to find the lost world…and stay alive long enough to claim the biggest prize in the galaxy.

Review:

[I received a copy of this book through Penguin’s “First To Read” program, in exchange for an honest review.]

I have a soft spot for sci-fi stories with rag-tag crews and old spaceships; unsurprisingly, this is the kind of story that will get my attention.

The story revolves around two main female characters: Nika, a body modder on the run from her abusive-slash-mafioso boyfriend, and Josune, undercover engineer on board a ship known as “The Road” (these aren’t spoilers: you learn about it in the very first chapters). As they both have to face their own brand of trouble, their paths converge towards The Road, always underlined by the shadow of a man named Goberling, who almost a century ago came back from an expedition with precious metals… but never revealed where he had found them.

This is space opera through and through, with a dash of transhumanism. It’s a world where humanity obviously colonised many worlds, and where people regularly reinvent themselves through body modding—which offers pleznty of possibilities, too, considering how many characters in the book aren’t who they claim to be. It’s also a world of commercial ships, of big corporations that no one dares to cross, and of exploration and legends: The Road’s full name is “The Road to the Goberlings”, and another ship, the Hassim, is renowned through the whole galaxy as an exploration ship whose crew has dedicated itself to finding Goberling’s lost world.

In general, I quite liked the characters, and the relationships developing between them. They’re all their own kind of badass, even the ones, like Nika, who’re not crew that learnt to fight on a ship. There’s a slight dash of hinted romance, but never enough to interfere with the story. The budding friendship between Nika and Josune never veers towards that annoying trope of “female friendships always tinged with interest for A Man”. The Road’s crew sticks together, bound with a loyalty that keeps growing with each trip. And the regular quibbles between Nika and Snow (another modder), was overall fun enough, also because you can feel the nascent respect underneath.

Other things I liked less, though. First, the pacing was sometimes weird, carried in places by short sentences and paragraphs that felt too abrupt; the characters are constantly on the run, and at times it felt that not much happened, that everything was mainly their running away, with bits of story in between.

Another problematic aspect was Nika’s obsession with modding. I enjoyed the more technical side of it (I wish we had such machines, hah!), but she too often went about imagining how she’d reinvent the people around her, from their hair to judging them too fat, which was definitely obnoxious (and motivated much more by aesthetic judgements than by health reasons). For a character who prides herself on being a trend-setter, her trends were somewhat quite… conservative, a.k.a. everybody has to be slim and trim. Somehow, I’m not convinced that if our future does hold such body modding in store, everyone will want the same.

Finally, I wasn’t fully on board (look what I did there) with some of the plot twists, because they were too easy to guess, and I could see them coming a parsec away, to the point that I couldn’t understand how the characters didn’t see it sooner. Maybe it’s just me, or maybe it was made too obvious, too soon? I don’t know. And we don’t get to learn that much about Snow, which is a shame, because I suspect he also has his closet full.

Conclusion: 3 to 3.5 stars. In the end, some parts I had trouble with, others kept me hooked, so while it wasn’t the best book I read this year, it was nonetheless very entertaining, and set in a world that I wouldn’t mind revisiting, because a single book can’t possibly reveal all there is to know about it.

Yzabel / July 30, 2018

Review: 21 Lessons for the 21st Century

21 Lessons for the 21st Century21 Lessons for the 21st Century by Yuval Noah Harari

My rating: [rating=3]

Blurb:

Sapiens showed us where we came from. Homo Deus looked to the future. 21 Lessons for the 21st Century explores the present. In this new book, Harari helps us to grapple with a world that is increasingly hard to comprehend. How can we protect ourselves from nuclear war, ecological cataclysms and technological disruptions? What can we do about the epidemic of fake news? Which civilization dominates the world – the West, China, Islam? What can we do about terrorism?

With his trademark clarity and vision, Harari takes us on a thrilling journey into today’s most urgent issues as well as turning to more individual concerns. The golden thread running through this exhilarating new book is the challenge of maintaining our focus and attention in the face of constant and destabilising change. Ultimately what we and our children will need is mental stability, compassion, resilience and reason. This is a crucial part of our ongoing education in the 21st Century.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

I read Harari’s two other books (“Sapiens” and “Homo Deus”), and quite liked them, so when this one was available, I couldn’t help but request it. It did turn out to be an interesting read as well, dealing with current problems that we just can’t ignore: global warming, terrorism, the rise of harmful ideologies, etc. It’s definitely not seen through rose-tinted glasses, and it’s a good thing, for it’s time people in general wake up and—to paraphrase one of the many things I tend to agree with here—stop voting with their feet. (Between the USA and Brexit Country, let’s be honest: obviously too many of us don’t use their brains when they vote.)

I especially liked the part about the narratives humans in general tend to construct (nationalism and religions, for instance, being built on such narratives)—possibly because it’s a kind of point of view I’ve been holding myself as well, and because (as usual, it seems), the “narratives of sacrifice” hit regular people the most. Another favourite of mine is the part played by algorithms and “Big Data”, for in itself, I find this kind of evolution both fascinating and scary: in the future, will we really let algorithms decide most aspects of our lives, and isn’t it already happening? (But then, aren’t we also constructs whose functioning is based on biological algorithms anyway? Hmm. So many questions.)

I don’t necessarily agree with everything in this book, and to be fair, there was too much matter to cram everything in one volume, so some of it felt a little hurried and too superficial. I’ll nevertheless recommend it as an introduction to the topics it deals with, because it’s a good eye-opener, and it invites to a lot of introspection, questioning and thinking, which is not a bad thing.