Yzabel / May 12, 2014

Review: Shadows & Dreams

Shadows & Dreams (Kate Kane, Paranormal Investigator, #2)Shadows & Dreams by Alexis Hall

My rating: [rating=3]

Summary:

My name’s Kate Kane. And right now, I don’t know which is more dangerous: my job, or my girlfriend. My job makes me the go-to girl for every supernatural mystery in London. My girlfriend’s an eight-hundred-year-old vampire prince. Honestly, I think it’s probably a tie.

A few weeks ago, I was hired for a simple missing person case. Next thing I know, I’m being arrested for murder, a vampire army is tearing up London, and even my dreams are out to get me. Something ancient, evil, and scary as hell is on the loose and looking for payback. The vampires are in chaos, the werewolves are culling everything, and the Witch Queen can’t protect everyone.

Which means it’s down to me. And all I’ve got to hold back the shadows is a stiff drink, a quirky sidekick, my creepy ex-boyfriend, and the woman who left me for a tech startup. It’s going to be another interesting day.

This title is #2 of the Kate Kane, Paranormal Investigator series.

Review:

[I got an ARC of this novel through NetGalley, in exchange for an honest review.]

I liked this one better than the first one. Partly because I already know the characters, but also, I think, because I found it less heavy on some of the things that had bothered me in the previous volume.

Characters, first. The reader will meet known ones again: Julian, Nimue, Ashriel, and get to know more about others (such as a Eve). Kate remains a fun point of view character, with a good dose of humour even in dire situations. She has a tendency to do things that aren’t exactly good for her, but at least she acknowledges it… even though it doesn’t prevent her from getting into dangerous situations. Elise plays a more important part, being here from the beginning, this time, and I must say she’s also a character I’ve taken quite a liking to. She’s discovering life as a normal human being (well, as normal as possible in the circumstances, that is), has an interesting way of speaking and apprehending the world, and I found that her becoming Kate’s assistant actually helped with furthering the plot. In “Iron & Velvet”, I sometimes felt that Kate stumbled upon information; Elise being tasked with finding information streamlines things a bit, and makes the investigation more believable in my opinion. Last but not least, Eve: she may seem bigger than life to some, but I found her geeky, Batman-wannabe side quite funny. And she gets the job done; no comic-relief useless sidekick on her part here.

There was less romance/erotica this time, and for me, it was for the best. I guess I’m used to the Kate-Julian relatioship now, so I wasn’t bothered by insta-love or anything similar. Owing to the plot, the two women didn’t spend as much time together, which wasn’t pleasant for them, sure, but also allowed less room for the sex scenes. (I don’t have anything against sex scenes, only they didn’t work for me in book 1, in part because of the weird similes often associated with them. So, yes, less of those here meant less clunky scenes in my opinion.) Although I still think Kate should learn to keep her dick in her pants, metaphorically speaking, she wasn’t as unfocused as previously, and therefore felt more believable as a PI.

I must admit that the Patrick/Sofia routine, while funny at first (with all the drama queen antics and the woe-is-me-I-totally-shape-the-world-to-my-beliefs attitude that clearly hints at bad emo stories), became a little tiresome after a while. I must’ve rolled my eyes as often as Kate did. But then, Patrick is an infuriating character, and one that is meant to serve as a comic relief.

The bit about the Vampire: the Requiem game made me smile. No irony lost here. It reminded me a bit of the RPG bit in Jim Butcher’s Dresden Files, and I wonder if this was intentional or not? On the other hand, I’m certainly not holding that against the author here, because it’s the kind of scene I like (and would probably write as well at some point).

Not the best book of 2014 for me, but definitely an improvement on the first one. I think I’ve warmed up to this world and characters.

Yzabel / May 8, 2014

Review: The Shadow Master

The Shadow MasterThe Shadow Master by Craig Cormick

My rating: [rating=3]

Summary:

In a land riven with plague, inside the infamous Walled City, two families vie for control: the Medicis with their genius inventor Leonardo; the Lorraines with Galileo, the most brilliant alchemist of his generation.

And when two star-crossed lovers, one from either house, threaten the status quo, a third, shadowy power – one that forever seems a step ahead of all of the familial warring – plots and schemes, and bides its time, ready for the moment to attack…

Assassination; ancient, impossible machines; torture and infamy – just another typical day in paradise.

Review:

[I got an ARC from the publisher through NetGalley, in exchange for an honest review. Text is liable to change in parts upon publishing.]

I’ll admit I’m not quite sure yet what to make of this book, so for once, I’m going to make up my mind as I write my review.

The story’s set in an alternate Renaissance setting, in which the Medici and Lorraine families compete within the Walled City for the monopoly on a spice able to keep the plague out. While in other parts of the country, plague-infected people are dying by dozens, those in the city worry more about the political schemes of the two families, carried by the inventions of Galileo and Leonardo. The one controls time through clever devices; the other controls weather and has developed a science of metamorphosis. Amidst the tensions, Lucia Lorraine, the Duke’s daughter, and Lorenzo, apprenticed to Galileo and ward of the Medici, just want to be free to let their young love blossom, all too conscious that it could never happen unless they eloped or found another way.

There are lots of hints to well-known plots and historical events and people here. Renaissance Italy, the great inventors, Shakespeare’s plays (Romeo and Juliet comes to mind, of course, and the Duchess definitely has something of Lady Macbeth to her)… Mostly they’re easy to catch, though missing them would mean missing on some finer aspects of the novel. It didn’t lack a touch of humour either, and I found myself smiling more than once, because it was just the right amount for me, without derailing the story. The part with the cook’s assistant and the pie later delivered made me laugh, for its sheer “what the hell” aspect. The inventions were brilliant, and I liked that this strange science, poised between our own and sorcery, had drawbacks, such as making people grow older, faster, or turning them to stone. No such power should ever be totally free to wield.

The novel’s more plot-driven than character-driven. It worked for me, due to the context, the many winks to history and plays, and the city setting (I much prefer fantasy within enclosed spaces, than “travel fantasy”); on the other hand, a reader won’t find deep psychological profiles here.

I found the writing style efficient, able to carry vivid descriptions—the Walled City felt like a character itself, and I had no problem when it came to imagining it. However, the book could do with a last round of proof reading. There were a few typos and missing words now and then, noticeable enough that I couldn’t help but make a mental note about those. (This being an ARC copy, those typos may be fixed once the official publishing date rolls in.)

While the first part of the story was really entertaining, I thought the second one was a little confusing, in that I was left with more than just a couple of questions about who was who and what exactly happened. If those answers were hidden somewhere, then I’m afraid I missed them. What about the Medici and the Lorraine at the end? Was a new order meant to happen, or not? Who exactly were the Nameless One and the Shadow Master? At some point, I had that theory that the Master was part of Lorenzo’s mind only, that he didn’t really exist and was a way for the young man to find his place in the world, but it seems I was wrong. I also wondered if the Nameless One’s wife wasn’t Cosimo’s mother, but no father was ever mentioned, so I guess I was wrong again. I’m not positive I fully “got it”. It may be intentional, in order to leave the readers come up with their own conclusions and interpretations, but in this case, it was a little too vague to my liking.

3 to 3.5 stars, because I liked it no matter what.

Yzabel / May 7, 2014

Review: Deadly Curiosities

Deadly Curiosities (Deadly Curiosities, #1)Deadly Curiosities by Gail Z. Martin

My rating: [rating=2]

Summary:

Cassidy Kincaide owns Trifles & Folly, an antique/curio store and high-end pawn shop in Charleston, South Carolina that is more than what it seems. Dangerous magical and supernatural items sometimes find their way into mortal hands or onto the market, and Cassidy is part of a shadowy Alliance of mortals and mages whose job it is to take those deadly curiosities out of circulation.

Welcome to Trifles & Folly, an antique and curio shop with a dark secret. Proprietor Cassidy Kincaide continues a family tradition begun in 1670—acquiring and neutralizing dangerous supernatural items. It’s the perfect job for Cassidy, whose psychic gift lets her touch an object and know its history. Together with her business partner Sorren, a 500 year-old vampire and former jewel thief, Cassidy makes it her business to get infernal objects off the market. When mundane antiques suddenly become magically malicious, it’s time for Cassidy and Sorren to get rid of these Deadly Curiosities before the bodies start piling up.

Review:

[I got an ARC through NetGalley, in exchange for an honest review.]

Hard to tell whether I liked it, or found it simply “OK”, so let’s consider this a 2.5 stars.

There are a lot of good ideas in this novel. About the magical community (the Alliance isn’t so big, the Family is likely to become a pain in the neck at some point). About the various kinds of magic, that I haven’t seen used that often in urban fantasy yet (weaving magic and psychometry, that is). About items and how they can become beacon of positive or negative energies. It goes to show that even the most inconspicuous little things can be harbingers of danger. And a store full of antiques, acting as cover for the magic folk to gather those special items and prevent them from falling into the wrong hands? Quaint and delightful—much like the town of Charleston, for which I could get quite a good feeling through the many little stories. (One of the secondary characters works in the historical archives. I tell you, you always need to know someone who works in a museum or something. Always.)

Another thing I liked was that, for once, there was no romance here. I don’t dislike romance, but sometimes I find there’s too much of it in UF in general, and it can more easily detract from the darkness and magic. Here, I didn’t want to read about a love story: I wanted to read about the antique shop, the mysterious items, Cassidy’s power, and so on. And this is what I got. So I was glad.

Unfortunately, this novel just didn’t click with me. I’m not even sure why exactly. I liked the ideas, the characters seemed interesting, but I never connected with them. I don’t think we get to see Sorren before the 30% mark, if I remember well, which I found too bad. As for the demon hunter, it was kind of annoying that he was introduced so late into the story, then made to die; his death would’ve been more striking if I had got to know him better. Yes, I’m a masochist. I know.

Regularly enough, I also found myself a little bored. It may have been because of the writing style: usually good when it came to descriptions of places, or to the stories passed around regarding the town and its inhabitants, but somewhat clunky in other parts. Examples would include repeated uses of the same first name in three consecutive short sentences, or some dialogue lines basically stating the same thing twice in a row. At first, I didn’t really notice it, but after a while, it started weighing down the narrative. The pace was perhaps a little too slow as well, though I can’t tell if this was because of the aforementioned style, or if it was just sluggish.

I’d place this novel among the ones that aren’t uninteresting, and could blossom into a good series; however, so far, I’m not really convinced.

Yzabel / May 5, 2014

Review: The Mark of the Tala

The Twelve Kingdoms: The Mark of the TalaThe Twelve Kingdoms: The Mark of the Tala by Jeffe Kennedy

My rating: [rating=3]

Summary:

Queen Of The Unknown

The tales tell of three sisters, daughters of the high king. The eldest, a valiant warrior-woman, heir to the kingdom. The youngest, the sweet beauty with her Prince Charming. No one says much about the middle princess, Andromeda. Andi, the other one.

Andi doesn’t mind being invisible. She enjoys the company of her horse more than court, and she has a way of blending into the shadows. Until the day she meets a strange man riding, who keeps company with wolves and ravens, who rules a land of shapeshifters and demons. A country she’d thought was no more than legend–until he claims her as its queen.

In a moment everything changes: Her father, the wise king, becomes a warlord, suspicious and strategic. Whispers call her dead mother a traitor and a witch. Andi doesn’t know if her own instincts can be trusted, as visions appear to her and her body begins to rebel.

For Andi, the time to learn her true nature has come. . .

Review:

[ARC received through NetGalley, in exchange for an honest review.]

I enjoyed some parts of this novel, while others left me cold, so in the end, I rounded it up to 3 stars: I didn’t like the first half much, but found the second one better. (I guess this is one of those books I might have given up on in the beginning if I hadn’t requested it (with the implicit promise of a review); fortunately, after a while, it finally worked for me.)

Andromeda didn’t strike me as remarkable, indeed, though not because of her place as the “invisible” second daughter, the one always wedged between her two sisters, and of whom nobody seemed to expect much. The reason why I had my qualms with her at first was that she remained mostly passive, let things happen, let her family decide to whisk her away to Windroven, and so on. Once she decided to take matters into her own hands, the dynamics shifted, and the story went onto a more interesting road. Andi made plans, thought more in terms of alliance and politics, and turned out to be more savvy than her wallflower-princess role had led me to believe. Good thing, good thing.

Annfwn was quite a fascinating place, too, and I enjoyed learning more about it, and about the mysterious Tala, with their shapeshifting abilities and their “dark” magic that may or may not be the worst thing in the world. Boundaries were continuously tested and shifted: the actual boundary between Annfwn and the Kingdoms, as well as the characters’ loyalties. Andi’s come to mind first and foremost, yet her sisters’ mettle will no doubt be tested, too. (I admit I would’ve liked to see more of this in the present novel; on the other hand, there would be a lot to show here, so I can understand that the focus here was on Andromeda—book 2’s focus will be on Amelia, from what I saw in the preview, and we might assume that book 3 will be from Ursula’s point of view?)

Throughout the story, I got to see sympathetic, antipathic, and grey-area characters. In the beginning, the court of Uorsin is shown as a place of nobility, with its “brought peace to all the kingdoms” gleam and its shiny guests (such as Hugh, overall a positive man, but not so blandly goody-two-shoes as his Prince Charming side leads people to think). Rayfe provides a rather striking contrast: dark, rough, a demanding, ruthless alpha-male who only cares about what he wants. However, the story soon points at different interpretations. The King’s suspicious attitude towards his own daughter after her meeting with Rayfe, his way of immediately considering her a potential traitor (while her only “crime” was to be assaulted during a ride), clearly show that he’s not so kind nor benevolent. There’s a lot of talk about loyalty in here—Ursula’s toward the crown, the continuous questioning of Andi’s, Amelia’s love and devotion to her family—but in the end, the most loyal ones aren’t always the ones who’re most vocal about it. Other characters are also ambiguous: Zevondeth with her mysterious demand, Dafne who may or may not hide deeper motives…

Mostly my problems with this story, and why I didn’t give it a higher rating:

1) In the first half, Andi comes off as your average YA-novel narrator, which I found a bit juvenile. This seemed to coincide with her passiveness, though, and I felt it less and less as the story went on. Kind of like having her “grow up” at some point and make conscious decisions, become a stronger person who’s been coerced once, but won’t be again, not if she can help it. (So this “problem” was soon solved.)

2) Rayfe: I usually don’t abide by dominating males who speak and act as if the woman doesn’t have a say in the matter, and Rayfe was exactly that. After all, he was ready to besiege a whole castle, take prisoners, and perhaps worse to get Andi. On the other hand, he could’ve done those things much sooner, and somehow he also appeared as wishing to wait for Andi to come to him of her own free will. But it was free will thwarted by threat. But she—not Rayfe—was the one who decided on a plan that was definitely cunning and not so kind. So, yes, I had anticipated Rayfe as a much, much worse character, and was pleasantly surprised when he actually showed himself as still somewhat decent. Ruthless, yet not a complete boor either.
(Also, I had to remind myself that in such a setting, noble people so often got married for politics and alliances rather than love. While it seems pressuring to me as a woman, of course, it still fits the theme of this story. Andi acknowledges that such a marriage would be for politics only, just like Ursula’s would have been.)

3) The romance itself: I’m definitely shared on that one. I still have no idea whether Andi loves Rayfe, or simply lusts after him. Sometimes she seemed to consider things under the “it’ll only be political, so let’s try to be friendly at least” angle, sometimes it felt like she couldn’t live without him. I really didn’t understand her in that regard, and she seems rather confused herself on the matter. As for the sex scenes, they didn’t work for me, mostly because of the vocabulary, though: the story being told from the point of view of a princess, in first person, we can’t really have vulgar words thrown in… but phrases such as “my nether tissues” just made me roll my eyes and wish the story jumped back to the magic and politics faster.

4) In my opinion, while it was great that Andromeda understood and mastered her powers, I found it came to her just a tad bit too quickly. A matter of pacing, maybe? Too much time spent on her hesitation in the beginning (and on the sex scenes as well—they were eye-candy for me, nothing more)? All in all, I suppose I was more interested in the politics here, and in how Andi would “earn” her place in the second half of the book… so it may just be me.

What is and isn’t a problem: I wanted to learn even more about Annfwn and its magic. For instance, a lot of it revolves around blood. Blood purity taken too far and producing weak offspring. Having enough Tala blood to get back into their home country, or remaining stranded outside. The whole deal with the blood phials: Salena’s one, of course, but also that innocuous little phial Zevondeth asks from Andromeda… and I’m sure that one will get to bite our princess in the back at some point! The fact that Tala royalty seems to be linked to queens rather than kings, in spite of Rayfe’s position. And let’s not forget the dichotomy between the rumours about Annfwn, and the country Andi discovers: are the rumours totally wrong, or are there darker secrets yet to be revealed? Lots, lots of fascinating aspects, that I hope will be developed in the next book, because I wanted more.

Conclusion: enjoyable story, not more than a “Like” due to the reasons mentioned above, but still interesting enough that I’ll consider picking Amelia’s story once it comes out.

Yzabel / May 4, 2014

Review: Arms of Anu

Arms of Anu (Arrow of the Mist, #2)Arms of Anu by Christina Mercer

My rating: [rating=2]

Summary:

Blood of body, blood of soul,
Entwined for life, then unfolds;
If blood still runs when magic binds,
Soul is never too far to find.

In ARMS OF ANU, Lia and Kelven battle through a land of tyrants, war and magic.

Can Lia escape the foes who ensnare her?
Will Kelven’s love withstand the darkness taking root inside Lia?
Is freedom too high a crown to reach, or will they forever remain in the hollows?

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

I read Arrow of the Mist in 2013, and I was interested in knowing how Lia’s story went on. Like its predecessor, Arms of Anu is a fast read that makes you want to get to the next chapter to see what happens, and how the characters will solve the problems at hand. In this one, Lia also remains a strong person, true to her beliefs, as well as willing to act and use her powers to protect her people and country; however, she also has to contend with another threat, one she hadn’t sensed coming, and this time, the battle is as much with herself as with external forces.

The writing was flowing and consistent—not too complex, since fit for a younger audience, but still able to carry good descriptions. I only found a couple of misprints, nothing more, and no sentence struck me as particularly odd. As with the first book, I had no problems picturing my surroundings in this story; it had just the right amount of descriptive language to make me feel immersed, without drowning me under too much.

I enjoyed the first part of the novel more than the second one, though, probably because the later chapters involve travelling, and I tend to be more at ease with fantasy that happens in more constricted settings, such as cities. (I have to mention this; another reader may not have the same qualms in that regard.) I absolutely loved the part in Anu, where Lia and Wynn had to face the king’s wrath, and find a way to escape a certain death. Lia’s magic was involved in useful ways, she managed to find an unexpected ally, and I was glad that she wasn’t cast in the Damsel In Distress role.

The second half, on the other hand, left me wanting for more (partly because Kelven was rather too passive in it in my opinion). While interesting—it deals more deeply with Lia’s predicament regarding Brume—it seemed both too slow (travelling) and too rushed, especially when the ending came in sight. There was potential for a lot more in this story, for a more complex type of narrative, but once the threads came together at the end, I still wanted more. This is mainly about the plot with the Hawks and what happens in Anu while Lia and Kelven are away. We see those two a lot, whereas the rest of the cast is totally forgotten for a while… yet is definitely doing something, since the Hawks have seized power, and are now wielding it in less than wise ways. This plot and those characters deserved more spotlight. As a result, I thought Wynn, Holly, and a certain ally were left on the side. Subsequently, Wynn’s and Murdina’s relationship came just out of nowhere. It would have been so interesting to see it develop, and to see how they fared in the castle while the Hawks seized power. Why did they abided by Lia’s wish to treat Murdina so kindle, when they were so ruthless otherwise, and could have spared her without giving her much comfort? So Wynn was thre, sure, but if he was captured a first time, what ensured he couldn’t be taken by surprise again, in spite of his weapons? There could’ve been such a strong parallel plot here, but to me, it appeared as brushed over at the end, as a kind of afterthought to explain what happened in the meanwhile. I regretted not getting to know those characters more, and I would’ve wished for more development when it came to the Hawks’ motivations. (And I doubt that a MG/YA audience would be too young to follow such a plot, anyway.)

I’d give this book a higher rating, if not for the characters and subplots that were put on a bus at some point, because overall, the story and atmosphere were definitely enjoyable.

Yzabel / May 3, 2014

Review: Prep School Confidential

Prep School Confidential (A Prep School Confidential Novel)Prep School Confidential by Kara Taylor

My rating: [rating=4]

Summary:

In this breathtaking debut that reads like Gossip Girl crossed with Twin Peaks, a Queen Bee at a blue-blooded New England prep school stumbles into a murder mystery.

Anne Dowling practically runs her exclusive academy on New York’s Upper East Side—that is, until she accidentally burns part of it down and gets sent to a prestigious boarding school outside of Boston. Determined to make it back to New York, Anne could care less about making friends at the preppy Wheatley School. That is, until her roommate Isabella’s body is found in the woods behind the school.

When everyone else is oddly silent, Anne becomes determined to uncover the truth no matter how many rules she has to break to do it. With the help of Isabella’s twin brother Anthony, and a cute classmate named Brent, Anne discovers that Isabella wasn’t quite the innocent nerdy girl she pretended to be. But someone will do anything to stop Anne’s snooping in this fast-paced, unputdownable read—even if it means framing her for Isabella’s murder.

Review:

A fast and fun read, and also one that kept me on the edge of my seat—the mystery part was well-done in my opinion, enough that I had my suspicions about a potential culprit, but without seeing it coming too easily.

I have a soft spot for boarding schools. I don’t know why. Perhaps because I’ve always wondered in hindsight if I wouldn’t have felt better in such a school as a teen? (Not necessarily a posh prep school. Just a school where I could be away from my family and experience things in a different way. As a university student, anyway, I was the kind of person who loved eating breakfast with others, spending time in each other’s rooms, and various dorm activities.) So, boarding schools often tend to grab my interest for their closed community aspect, and for the closed setting they provide, too. You can’t just walk away and ignore whatever problem happens there: you have to face it, whether the problem is gossip or a murder.

I didn’t really like Anne in the very first chapters. She came off as a snotty brat, the kind of girl who knew she’d get away with everything just by batting her eyelashes, twirling a lock of hair between her fingers, and by basically “being her”. Then she grew on me (and not like mildew). All in all, she was likeable. She had that ability to make people gravitate around her, but not in a condescending, Mean Girl way, which I something I can appreciate. No slut-shaming here, no attempts to make others look bad; when she refused to take crap, she did it in a direct, not a passive-aggressive way (often involving snark and sarcasm, but not underhanded). She wasn’t perfect, and just like so many people, she tended to judge others on first impressions—yet she also did it on actions, and was able to revise her judgment when it appeared she was wrong. The potential for snotty, woe-is-me attitude went away quickly enough to my liking. Although Anne didn’t want to stay at Wheatley, she acknowledged she hadn’t much choice in the matter, so might as well do with it in the meantime.

Other characters were handled in believable ways. I wondered sometimes why the arson story wasn’t thrown in her face more often, because it definitely could’ve been, especially by the characters who didn’t like Anne; on the other hand, I also didn’t find it too surprising that, considering her way of handling things, such a “rumour” wouldn’t have looked like what would hurt her the most, and made her appear like the mysterious, dangerous, yet oddly attractive kid. The main Mean Girl character wasn’t as cliché as I thought at first; even though I couldn’t bring myself to like her, at least she had circumstances of her own. As for other high school clichés, they were nicely toyed with, and I didn’t feel them as heavy as they did in other similar works I read in the past.

The romance part didn’t really work for me. Fortunately, it never detracted from the story, never took precedence over the actual plot (investigation/murder), and I was very grateful for that. Only I just didn’t care much for it.

I also questioned some choices on Anne’s part at times. Mostly she came off as sensible, knowing she could end up in dangerous situations and preparing herself in case of. However, there were a few moments when I wondered if she wasn’t too trusting of some people, in a setting where “trust no one” should’ve been a definite rule. I found this a little jarring, especially considering how she used people in general. (I don’t mind the “use others” attitude in a place where everyone could potentially be a murderer, or at least someone with dirty secrets and a tendency to use their parents’ money to become a problem to you; that was sort of logical. But if you do that, don’t tell all your plans to some of those people either. Even though Anne investigating completely on her own wouldn’t have been too interesting, I suppose.)

This set aside, I really liked this story, and will likely pick the next book… because we’re clearly not done yet with the many skeletons in Wheatley’s many closets.

Yzabel / May 1, 2014

Review: A Creature of Moonlight

A Creature of MoonlightA Creature of Moonlight by Rebecca Hahn

My rating: [rating=3]

Summary:

A stunning debut novel about a girl who is half dragon, half human, and wholly herself.

As the only heir to the throne, Marni should have been surrounded by wealth and privilege, not living in exile-but now the time has come when she must choose between claiming her birthright as princess of a realm whose king wants her dead, and life with the father she has never known: a wild dragon who is sending his magical woods to capture her.

Review:

[ARC courtesy of NetGalley, in exchange for an honest review.]

This novel was a delightful read, with enchanting prose that kept me enthralled—not too little description, not too much, and lyrical enough without diving head-first into purple prose. It was permeated with an eerie atmosphere, and there was something definitely haunting to that world encroached upon by nature and strange creatures from the woods. The latter were appealing, intriguing, making me thinkg that I, too, would want to see what was hidden in them. And I enjoyed the depiction of “sorcery”, the concept of knitting spells and/or creatures sent to do one’s bidding. I don’t think I’ve seen that in a story yet, so it was quite new for me, and I found the idea interesting, even though it didn’t turn out as it was meant at first.

I appreciated how women in general were shown here as people with the power to choose. Even though at first, some may seem powerless, drawn into an unwanted existence, or used as pawns, in the end, they want to exert their own power of choosing, and don’t hesitate to state it. Marni doesn’t necessarily know where she’s going, but at least she knows she doesn’t want someone else to decide for her. She could’ve given in easily to pressure. She could’ve married the lord and placed herself under his protection, thus making her life easier; but I think this would also have been the easy way out, the expected romantic outcome; I dreaded it, and that it didn’t happen felt refreshing for a change.

Marni’s also a character who grows up and learns. She’d have had many opportunities and reasons to enact revenge on those who failed and/or hurt her, but she didn’t act with too much haste, she pondered her decisions, and she seemed to me like a level-headed enough person.

The one thing that prevented me from liking this book more was how it kept meandering after a while, as if Marni’s thoughts were somewhat running in circles. It left me feeling that there was little sense of urgency to the story, that things “happened” in a slow way, and not to the extent they should’ve been happening. Considering Marni’s circumstances, for instance, I found it strange that events at court weren’t more intense. She speaks of several attempts on her life, yet those didn’t look as threatening as they were likely meant to be. So the story was beautiful, but there were a few moments when I wished it would go a tad bit faster.

3.5 stars. In spite of my qualms, this is a book I’d recommend.

Yzabel / April 30, 2014

Review: A Gift of Ghosts

A Gift of Ghosts (Tassamara, #1)A Gift of Ghosts by Sarah Wynde

My rating: [rating=3]

Summary:

Akira Malone believes in the scientific method, evolution, and Einstein’s theory of relativity. And ghosts.

All the logic and reason in the world can’t protect her from the truth-she can see and communicate with spirits. But Akira is sure that her ability is just a genetic quirk and the ghosts she encounters simply leftover electromagnetic energy. Dangerous electromagnetic energy.

Zane Latimer believes in telepathy, precognition, auras, and that playing Halo with your employees is an excellent management technique. He also thinks that maybe, just maybe, Akira can help his family get in touch with their lost loved ones.

But will Akira ever be able to face her fears and accept her gift? Or will Zane’s relatives be trapped between life and death forever?

Review:

[I got a free copy of this book through NetGalley, in exchange for an honest review.]

This was a quick and light read, and I mostly appreciated it. Not the best book I’ve read this year, but definitely enjoyable.

I liked its take on ghosts, how they behaved, the way they were bound to places that had been important to them in life or at the moment of their death. Their world wasn’t in black and white only: the “bad” ghosts, though definitely dangerous, aren’t totally unredeemable, and aren’t intrisically bad either; conversely, a “safe” ghost could turn into a dangerous one just as well if overwhelmed with grief. A lot seemed to be about balance, about regrets left behind, but it wasn’t so simple as “just get rid of your regrets and you’ll find the white light that’ll help you move on.” This predicament (for both the ghosts and Akira, who had her share of bad experiences with people she had tried to help) was interesting, and left room to various interpretations on the reader’s part. Being able to see ghosts doesn’t mean Akira can “save” them, and it explained her attitude on the matter. For instance, she doesn’t like advertising her ability because then she’s asked to bring closure to the ghosts’ relatives; yet simply relaying said ghosts’ messages doesn’t ensure their family will feel better, nor that the dead will manage to move on.

Those plots with the ghosts may or may not be seen as a problem. In a way, the story felt a little disjointed, in that those subplots were of the slice-of-life (pardon the pun) kind and didn’t seem to serve a larger purpose at first. However, in the end, they were important to understand Akira’s views, played a part in how relationships developed, and I think they also helped shape the ending. (I liked the twist with Henry, by the way.)

The writing itself was pleasant. Good formatting and editing, no weird sentence structures (if there were any, they really didn’t strike me). There was one sex scene that might seem weird at first, because the flirting/foreplay part involved a lot of references to physics; I think it depends on the reader here. I liked it, and I guess my inner geek just found it sexy—much better than the usual purple prose I’ve seen in too many depictions of romance/erotica—but I can also see how it wouldn’t work for other people.

The two things I liked the less were:

1) The setting. We have a small Florida town seemingly full of psychics, with Zane’s family members also having their share of powers, but we don’t see them that much. It would’ve been interesting to have a better glimpse into the life of Tassamara as a whole.

2) The characters were somewhat lackluster (though some got better later in the book). I think I liked the ghosts characters (Dillon and Rose mostly) better than the human ones. Akira especially struck me as a little too passive: accepting a job she didn’t know that much about for starters, not reacting that much to situations that should’ve prompted a more heated answer… I got a better feeling of her later on, but not at first.

In general, this novel had its faults, but as far as I’m concerned, the ghost-related plots made up for them.

Yzabel / April 22, 2014

Review: Iron & Velvet

Iron & Velvet (Kate Kane, Paranormal Investigator, #1)Iron & Velvet by Alexis Hall

My rating: [rating=2]

Summary:

First rule in this line of business: don’t sleep with the client….

My name’s Kate Kane, and when an eight-hundred-year-old vampire prince came to me with a case, I should have told her no. But I’ve always been a sucker for a femme fatale.

It always goes the same way. You move too fast, you get in too deep, and before you know it, someone winds up dead. Last time it was my partner. This time it could be me. Yesterday a werewolf was murdered outside the Velvet, the night-time playground of one of the most powerful vampires in England. Now half the monsters in London are at each other’s throats, and the other half are trying to get in my pants. The Witch Queen will protect her own, the wolves are out for vengeance, and the vampires are out for, y’know, blood.

I’ve got a killer on the loose, a war on the horizon, and a scotch on the rocks. It’s going to be an interesting day.

Review:

A fun read in several ways. I quite liked the tone in general, as well as some of the characters. I think Elise remains my favourite, even though she doesn’t appear that much, and I can only side with Julian when she says, basically, that “very few people manage to give life to something inanimate, it’s a great feat of ancient, difficult magic… and most of the time, they use their creation as a sex toy.” But then, I’m always partial towards golems. And London, because I love this city. Blood magic and creepy fairies and a hive mind of rats. And there’s a Geat vampire prince. Seriously, how fucking cool is that?

However, after a while, some of the recurrent sass became a little, well, too recurrent—notably Kate’s “Huh” and her tendency to underline the crappy situations in which she put herself in (“Here lies Kate Kane, blah blah. Beloved daughter. Sorely missed.”). She didn’t strike me as a good investigator, spending too much time running here and there grasping at straws, too easily distracted, and I felt that the lead she needed rested too much on happenstance, and was made for plot convenience, rather than something a talented investigator could deduce (or maybe she should have deduced it, considering her origins?). At times I wanted to bang my head and call a too stupid to live on her.

I really didn’t connect with the Kate/Julian relationship. I do get lust, physical attraction, spur-of-the-moment desire, but I tend to find it hard to believe when it turns into strong ties in barely a few days. Certainly not when 800-year-old immortals are concerned (I’d expect them to be more jaded about that). The “sweeting” bit got on my nerves pretty quickly—but I have a hard time with pet names in general. Also, every other female wanted to do Kate, or had been her girlfriend, it seems, and this is treading too much into Mary Sue territory to my liking. As for the sex scenes, they weren’t so exciting—too much purple prose and weird metaphors (“She lay underneath me like an unexploded grenade”… How to put it… Uhm, no?).

I still don’t know if the hints at other stories (Patrick, for instance) are intentional, winks, or lack of inspiration. They’re fun, in a way, but… I don’t know.

2 or 2.5 stars, not sure. I can’t say I disliked this novel, because it does contain elements that make me go squee; however, I can’t say I loved it either.

Yzabel / April 21, 2014

Review: What Remains

What Remains (Dead World, #1)What Remains by Kay Holland

My rating: [rating=1]

Summary:

Project Fed. It was supposed to be the answer to hunger, but
instead, it was the destruction of the world as we knew it. The growth of chemically enhanced “super” fruits and vegetables began in unmarked farms across the Nations, as well as their distribution in small towns. Within hours of Project Fed’s first delivery and primary consumption, something far beyond expectancy was unleashed. Something far beyond what anyone could help.

Four months later, Seventeen year old Max Cade is trying to
survive amongst what remains of her old life. In an effort to escort an awry “Doctor” from one camp to the next, she will have to reintroduce her two young friends to the horrors beyond their shelter that she so badly wanted to shield them from. Getting there was supposed to be the easy part, but when travelling through a world of ruin, sometimes the undead have other plans.

Review:

[I got a copy through NetGalley, in exchange for an honest review. The book already been published when I requested it, I don’t think it was an ARC.]

From the blurb, as well as from the first two chapters, this novel had an interesting premise, and looked like a short, nice read; alas, I didn’t enjoy it.

First problem: too many spelling mistakes and misused words. I know a lot of books out there contain the odd typo, and I wouldn’t nitpick about one, but too many will just throw me out of the story, and this is exactly what happened. A few examples:

“Something still stirred in her bowls after all of this time”
“their since of security”
“the extent of differentially”
“A few interns had committed suicide due to depression and fear” (I think the right word was “inmates”?)
“psychical” in place of “physical”

Also weird sentence structures:

“made helped him to decide”
“Just behind him whom Max thought to be his father was standing at the makeshift hole/window watching the kid and wearing a blank face.”

After a while, it really gets hard to ignore those. (There are also a couple of weird tense shifts, as well as point of view changes that sometimes made it confusing when it comes to know who’s thinking/doing what.)

Another problem: the dichotomy between blurb and book. We readers immediately know what caused the epidemics, but the characters learn about it some 69% in, and in a kind of passing way, as if so many people already knew, except for them. I wouldn’t have minded the late reveal, if the blurb hadn’t given it away from the beginning. So basically the whole mystery about the “virus” petered out quickly, and I wondered what was the point.

The story also runs into several plot holes. The well-locked store where they find shelter, for instance: no infected has been able to enter it in months, yet the characters just waltz in? Or a character whos named before he was formally introduced (probably a typo more than a plot hole… but still annoying). Or the crazy camp captain who threatens to throw them out without their weapons if they don’t do his bidding, yet never takes their guns to better keep them under his thumb.

I couldn’t like nor connect with the characters either. Too much telling about their feelings, for starters; as a result, they came off as bland and more like generic zombie-novel-archetypes rather than real people (and Peter being so ready for a zombie apocalypse, just like that? Hmmm…). They also displayed contradictory reactions (Max knows Paul was only a pre-med student, yet blames him for not being a “real doctor”—he never said he was). Sometimes, those even reached the Too Stupid To Live zone: Paul doesn’t do much when it comes to defending himself, and although they know that travelling by car attracts zombies, they still jump in one as soon as they get the opportunity. Guess what happens next?

The novel does contain good ideas that clearly have their place in such a genre: trust issues; fear of losing one’s “family” because any such connection can be severed at any moment; difficult decisions to make (abandoning someone who may or may not be infected); people going overboard, their crazy desire for control running amok now that there’s no more real society to keep them in check. Unfortunately, those weren’t enough to counterbalance the many mistakes and abrupt transitions.