Yzabel / January 21, 2015

Review: Wish You Weren’t

Wish You Weren'tWish You Weren’t by Sherrie Petersen

My rating: [rating=3]

Summary:

Marten doesn’t believe in the power of wishes. None of his have ever come true. His parents ignore him, his little brother is a pain and his family is talking about moving to Texas. Not cool. So when he makes an impulsive wish during a meteor shower, he doesn’t expect it to make any difference.

Until his annoying brother disappears.

With the present uncertain and his brother’s future in limbo, Marten finds himself stuck in his past. And if he runs out of time, even wishes might not be enough to save the ones he loves.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

A quick and entertaining read, that could appeal to a lot of middle-graders, especially the first-borns who (like me *wink* *wink*) found themselves “trapped” at 11-12 with a younger sibling they had to be responsible for, and burdened with the feeling that life was so unfair. Seriously, even 20-odd years later, I could still relate, remembering how that was the way I felt towards my own sister at the time. A book that can appeal to older readers through the chasm of time, well, isn’t that something?

The story was sometimes pretty bizarre, and I suppose I would’ve liked some parts to be better explained (let’s just say Tör isn’t the most straightforward character when it comes to answering questions). It may or may not be a problem, in that having such answers doesn’t really matter in the end, but not having them made things a little confusing, so it’s a tie here. For instance, I would’ve liked to see more of the watches, how exactly they worked, etc: not essential to the story and the message it conveys… but still something that would titillate my curiosity. The shooting stars part felt confusing somewhat confusing, and a couple of points (such as, people able to see the characters when they weren’t supposed to) were maybe too easily chalked out to “things aren’t working as intended”, without anything to support the why and how behind it.

The characterss reactions weren’t always the most clever, to be honest. However, being 12 and stranded and without any advice to go by, I guess you can’t help but making mistakes. I wouldn’t have forgiven this is an older character; I could forgive Marten, though, all the more because he also realised soon enough how exactly he felt about his brother, whose “fault” things were, and because he grew up in the process, becoming more understanding of the people around him.

This book is also interesting for its bits of astronomy: not too many, nothing impossible to understand for a younger reader, and at the same time this is something that could make one look further (which is also why the book provides links at the end, towards various websites about the Hubble telescope and other astronomy-related themes).

In short: a pretty sweet novel, with a few holes, but nonetheless enjoyable for younger readers.

Yzabel / November 15, 2014

Review: Krabat

KrabatKrabat by Otfried Preußler

My rating: 3

Summary:

Krabat, a fourteen-year-old Wendish beggar boy, is summoned in a dream to a mysterious mill. When he awakens, an irresistible force makes him seek out a mill near the village of Schwarzkollm where he becomes apprenticed to the master. He soon discovers that the mill is actually a school for black magic and that he and the mill’s journeymen are virtual prisoners. During the week they do the normal work of the mill, but on Friday nights, the master initiates them into the strange rituals of the Art of Arts. The very first Friday, the master turns Krabat into a raven, a trick the boy quickly learns to do himself.

Krabat completes his apprenticeship, becomes a journeyman and the master’s star pupil in necromancy. But the power his new skills endow him with does not compensate for his loss of freedom. And the more he learns of the mill’s dark secrets, the more determined he becomes to escape from the master’s bondage.

The Satanic Mill is set against the colorful background of seventeenth-century Germany. The story of Krabat’s captive apprenticeship and ultimate victory over the master is an unusual, tension-packed thriller that readers of all ages will find difficult to put down until the last page is turned.

Called a masterpiece by reviewers in Germany, The Satanic Mill was awarded the 1972 German Children’s Book Prize.

Review:

(I got a copy of this book through NetGalley, in exchange for an honest review.)

I liked this story well enough: it has the definite markings of a fairy tale, somehow reminding me of old legends from my home area. (I’m not German, but we do have our own tales dealing with similar themes, such as clever journeymen who manage to outsmart supernatural beings, etc.)

There was magic in the atmosphere here—no pun intended: though sorcery was obviously a strong theme, indeed, events and descriptions themselves, even of daily activities, always seemed to have been touched by something out of the ordinary. We get to discover this at the same time Krabat does, wondering more and more about his surroundings and why things are the way they are.

The writing style was fairly simple, easy to grasp and prompting imagery in an efficient way. Probably suffering from a “lost in translation” syndrome, though, as it sometimes felt a bit dry. (I tend to avoid judging harshly in such cases, since I wouldn’t be able to compare with the original version.)

The downside (of sorts) is that, as in most fairytales, the characters aren’t too developed, and used more to carry the story on their shoulders than as people with their own lives. For instance, we never get to know the singer’s name, which makes her appear as a symbol more than as a real person. The way the relationship develops is clearly a device, and not believable in terms of “falling in love the natural way”. Also, Krabat and the other guys don’t question the Master’s motives that much, even though they live in fear during a certain period of the year.

It probably works better as a story for younger readers: frightening in parts, but not gory, with darker aspects but “appropriate” morals. However, at the same time, it left me longing for more. The ending was rushed, in my opinion,, and I would have wanted to learn what happened to everyone else afterwards.

Yzabel / April 7, 2014

Review: The Astounding Adventure of the Ancient Dragon

The Astounding Adventure of the Ancient DragonThe Astounding Adventure of the Ancient Dragon by Jose Prendes

My rating: [rating=3]

Summary:

When 12-year-old John Watson is sent to Candlewood boarding school, he makes quick friends with a boy named Sherlock Holmes, a universally disliked know-it-all and amateur sleuth. Before long, Sherlock embroils his new friend in a covert investigation of the mysterious disappearances blamed on a vengeful ghost. Dodging the meaty fists of the bully Moriarty, and aided by bumbling patrolman Lestrade, they uncover a deadly secret hidden deep underneath Candlewood. But does the duo have the brains–and the brawn–to crack this dangerous case?

Review:

[I was sent a copy of this book by the publisher, in exchange for an honest review.]

Strong points:

The Astounding Adventure of the Ancient Dragon caught my eyes because of its premise: an alternate retelling of Holmes’s and Watson’s adventures, in a “what if those two had been children at a boarding school, instead of adults in London?” As a long-time avid reader of Arthur Conan Doyle’s stories, I couldn’t pass up on that, although any potential reader has to be aware that these new adventures are, of course, not canon. (The original Holmes and Watson didn’t meet before they were adults.)

This novel will likely provide an amusing and refreshing read to middle-grade children: boys going on exploring an old school, hidden corridors, mysterious kidnappings, peppered with a dose of humour and “old chap” banter. Some quips made me chuckle more than once:

“I ask you to come up with a distraction and you decide to set the boat on fire? Is that best you could come up with?”

And were even reminiscent of a Princess Bride kind of humour:

“I must warn you, I am a fencing champion,” Holmes replied, taking a defensive posture.
“And I must warn you,” Royston said, yanking out another sword. “I have two swords.”

Honestly, I laughed out loud at those ones.

I like boarding schools for a setting, and the latter had the makings for an interesting place, complete with a gang of local bullies and a head mistress who expresses her dislike for the heroes. Those are typical tropes, but I thought they worked well enough here, because they, too, were presented in a humorous way. The investigation and action are nicely balanced, the latter taking the main characters into fights that were easy to picture in my mind (though the former was a bit simple… but then, they’re twelve). Sherlock was true enough to his original self to my liking: oblivious to girls, possessed of a lot of knowledge, able to notice small details (and with a bonus way of talking his way out of the teachers’ wrath in an elegant and funny manner).

Last but not least, I found it easy enough to get into the concept of Holmes and Watson as children—which I wasn’t sure would happen at first. As with every retelling or alternate setting, this is, in my opinion, a matter of either love or hate. A reader who wants to see Holmes act exactly as he does in Doyle’s novels may not be completely satisfied; what worked for me here won’t work for everyone.

Problematic aspects:

I thought at times that the characters were able to do too many things (taking on opponents with a spear, firing a gun…): I can imagine how it fits an adventure-focused story, but the fact is, they’re only twelve. Sometimes I also found them a little callous, dismissing the death of a goon as if it was nothing, or Watson not seeming to care that much about the sick mother her had left behind him. Again, adventure is a distraction for the mind… but they’re still twelve.

I’m torn about the writing style. As an adult reader, I enjoyed it; the novel is well-written, and I could sense the same kind of vibes I’d get from the original stories, with the narrator (Watson) seeming to hit close enough a mark. It has a “gentlemen’s banter” quality that is exquisite to me. However, I’m not sure a 12-year-old narrator, even a precocious one, would master language to such an extent. In other words: I liked it, but I’m torn about how to judge it in an unbiased way. One thing’s for sure, though: the language wasn’t dumbed down “just because it’s for kids”, and this in itself has to be commended.

You may also want to enact suspension of disbelief regarding the school itself: the action is set in 1865, and I highly doubt there were any mixed-sex schools in Great Britain at the time, lest boarding schools. If you’re willing to overlook that in favour of focusing on the adventure, it’ll probably be all right, otherwise it might keep nagging you.

(NB. I wasn’t too keen on the illustrations, which weren’t necessary in my opinion, and seemed to hesitate between looking like a child’s drawing and “real” illustrations. This is a very minor quibble, though, that has nothing to do with the writing itself.)

I realise this review seems to contain a lot of criticism, and more flaws than merits. I’ve tried to write what I enjoyed, and what I found as being or not problems, in terms of intended audience especially. All in all, I enjoyed this novel, and think younger readers would also like it; but it definitely retains some aspects that could make it or break it for others.

Yzabel / March 14, 2014

Review: Emilie and the Sky World

Emilie and the Sky World (Emilie, #2)Emilie and the Sky World by Martha Wells

My rating: [rating=2]

Summary:

A Girl’s Own Adventure in the spirit of Jules Verne.

When Emilie and Daniel arrive in Silk Harbor, Professor Abindon, an old colleague of the Marlendes, warns them that she’s observed something strange and potentially deadly in the sky, a disruption in an upper air aether current. But as the Marlendes investigate further, they realize it’s a ship from another aetheric plane. It may be just a friendly explorer, or something far more sinister, but they will have to take an airship into the dangerous air currents to find out.

Emilie joins the expedition and finds herself deep in personal entanglements, with an angry uncle, an interfering brother, and an estranged mother to worry about as well as a lost family of explorers, the strange landscapes of the upper air, and the deadly menace that inhabits the sky world.

Review:

(I got an ARC copy from NetGalley. At the time, the book wasn’t published yet, but it took me some time to get to it. Some things may have changed between the version I have, and the actual, final version.)

One thing I have to get out of the way: I didn’t read Emilie and the Hollow World, the first installment in this series. Although each story seems to be self-contained, it was obvious that some elements from book #1 permeated book #2, partly through brief recapping here and there; and so I may or may have not missed a few things.

This story follows a classical adventure format, its world and themes reminiscent of classical works as well (the—lovely—cover, among other things, made me think of the old Jules Vernes books I had when I was a child). Airships, explorers, scientists with a dash of magic to their craft, and young people wanting part of the big adventure: these can and will certainly appeal to a younger audience. Bonus points, also, for the aether-ship creature, who truly was alien (not humanoid, as in too many novels), and for including the communication/language barrier. I tend to be highly skeptical of “aliens” with whom communicating is awfully easy in every aspect.

On the other hand, I found the story easily predictable (the missing expedition mentioned in the first chapters of the book was kind of a giveaway), and I think even younger readers would have the same feeling. The chapters leading to getting into the aether currents were too slow to my liking; I guess I wanted the Big Adventure to start faster—that’s why I pick adventure stories. (As I mentioned, I didn’t read book #1, but I suppose someone who has would want things to start faster?)

But those are smaller qualms: after all, sometimes we just want predictable, and in such genres, it’s not that much of a problem per se. The real issue for me were the characters, whom I just didn’t connect with: they felt brushed over, shown on the surface only, when clearly something deeper was going on for some of them, and I would’ve liked to see more in that regard. Emilie struck me as too mean and petulant regarding her brother; granted, they seemed to share history, but they’re still young (Efrain must be, what, 10?), and it was weird, because they somehow felt like they shared twenty years of resentment. As a result, Emilie wasn’t particularly likeable—at least, not like the adventurous, smart and resourceful girl I imagined her to be when I started reading. Same with the Professor and Miss Marlende: the tension between them was never really explained (though I could feel very early who they were), and it would’ve been interesting to know how exactly things became that way.

In itself, it was a fairly nice story, but one I’ll probably forget fast.

Yzabel / March 13, 2014

Review: Please Don’t Tell My Parents I’m A Supervillain

Please Don't Tell My Parents I'm a SupervillainPlease Don’t Tell My Parents I’m a Supervillain by Richard Roberts

My rating: [rating=4]

Summary:

Penelope Akk wants to be a superhero. She’s got superhero parents. She’s got the ultimate mad science power, filling her life with crazy gadgets even she doesn’t understand. She has two super-powered best friends. In middle school, the line between good and evil looks clear.

In real life, nothing is that clear. All it takes is one hero’s sidekick picking a fight, and Penny and her friends are labeled supervillains. In the process, Penny learns a hard lesson about villainy: She’s good at it.

Criminal masterminds, heroes in power armor, bottles of dragon blood, alien war drones, shapeshifters and ghosts, no matter what the super powered world throws at her, Penny and her friends come out on top. They have to. If she can keep winning, maybe she can clear her name before her mom and dad find out.

Review:

(I got a copy of this book through NetGalley, in exchange for an honest review.)

I found this book to be a very entertaining and refreshing read, focused on the characters’ adventures, and likely something I’d have thoroughly enjoyed in middle school—well, I did enjoy it now, after all. In my opinion, it definitely reaches its aim of providing younger readers with likeable characters, all with their specific traits. Penny, the mad scientist, whose power works in spurts of genius, and whose voice throughout the story I quickly grew fond of. Claire, cute but also resourceful, especially when it comes to using connections to the team’s advantage. Ray, who simply was, well, classy, and whose take on circumstances was definitely contagious. At the same time, I could tell they were kids, reacting like kids getting powers, and wanting to have fun with those before it was time to get all serious and act like grown-ups.

Paradoxically, the fact they were kids made the community’s reaction to their presence somewhat more believable: with heroes and villains alike used to fighting each other with magic and “adult” powers, throwing in kid-like actions in the middle can be unsettling, and difficult to predict. The Inscrutable Machine did exactly that. As for the heroes/villain community itself, your mileage may vary on the “believability scale”. Personally, I found it mostly made sense in its own way: with both sides having super powers, at some point you have to reach some kind of agreement to avoid really wreaking havoc with no one the winner at the end. (That, and the alien invasion in the past, which seemed to have forced them to cooperate.)

Another likeable side of the story was how it really focused on its premise, a.k.a. teenagers accidentally labelled as supervillains, then deciding to play the part until they could “see the errors of their ways and become heroes”. I’ve read too many books that start off with something interesting like that, then veer off toward teenage drama/love stories, with those not being the reason why I picked them in the first place. There is a touch of romantic interest here, but it’s subtle, and played in a somewhat comical way, so it agreed with me in the end.

The few qualms I had about this novel were mostly related to the adults’ reactions. While some of them were understandable (Brian being too focused on his own science, too much of an air-head when it comes to relationships; the Minx as a playful, secret-loving woman who found fun in what her kid was going through; Lucyfar, who openly plays on her ambiguity as a villain who occasionally does good, so she’s left alone…), I thought the Audit, on the other hand, was too oblivious to what was happening. It would’ve worked if she had had a different personality, but I wondered why she, among all the others, didn’t catch that something was going the wrong way? Perhaps this could have been played a little differently. I also wondered about Ray’s family: he seemed frightened of their reaction, and so I wish we had had more of a glimpse into that, more explanations. (Unless this book’s meant to have a sequel, in which case this question might get an answer later, but I don’t know about that yet.)

I’d give this story a 3.5 stars, because of those problems that kept nagging at me. However, I’m still rounding it to a 4. I had fun, plain and simple; I think younger readers would have fun, too; and so I think this has to factor in.

Yzabel / September 23, 2013

Review: The Cypher

The Cypher (Guardians Inc. #1)The Cypher by Julian Rosado-Machain

My rating: [rating=2]

Summary:

GUARDIANS INC.: THE CYPHER is two stories in one. A glimpse into a multinational company that is in reality the oldest of secret societies, one that spans close to seven thousand years of existence, weaving in and out of history, guiding and protecting humanity from creatures and forces that most of us believe are only mythology and fairy tales.

The other is the story of Thomas Byrne, a young man thrust into secrets he shouldn’t be aware of and dangers he shouldn’t face, but that he ultimately will, for he is a Cypher. The only one who can steer humanity’s future.

The ultimate conspiracy theory is that Magic is real. Kept in check by technology, but every five hundred years the balance can shift and, if it does, technology will fail and those creatures we’ve driven into myth will come back with a vengeance.

To protect the present, Guardians Incorporated needs to know the future.

Review:

(I got an ebook copy from NetGalley in exchange for an honest review.)

This novel was likeable enough, but in the end, I’ll probably forget it quickly, in spite of its good points.

You don’t get bored with the story: there’s always something happening. It is also rife with good ideas regarding magic, its role in shaping the world, elementals, various fantastic creatures, and basically lets us see a world close to our own, yet fundamentally different no matter what. Most of the characters all have their distinct features, and pave the way for more development later on. The concept of the Cypher, too, was fascinating: it’s kind of like being a super-librarian and super-translator at once, and as someone who likes both those fields of work, well, of course I would like that! Same with how the author included the works of H.P. Lovecraft, and various books supposedly never published for common people, yet available in the special Guardians’ library.

On the other hand, even though the story was interesting, I found myself dragging through it. I wasn’t sure why at first, but I think it had to do with the discrepancy between the main character and the style, among other things: although Thomas is in high school, the book reads more like a middle-grade novel, and this became strange after a while. I’m sure I’d have liked it a lot more when I was 13, but not at 17-18 (which seems to be the intended audience). Furthermore, while it’s indeed packed with action, sometimes things just moved too fast, and I had to pause and flip back to see if I hadn’t missed anything in between. A downside to this is that the characters don’t get fleshed out as much as they could have in other circumstances—Thomas especially appeared as somewhat ‘flat’ compared to others. Finally, I also wondered several times at some of the decisions made by the adults in the book (I would’ve expected them to be more clever).

All in all, “The Cypher” will likely please readers from the middle-grade crowd, but perhaps not older ones.