circus Archives - The Y Logs

Yzabel / October 25, 2016

Review: Orphans of the Carnival

Orphans of the Carnival by Carol Birch

My rating: [rating=2]

Blurb:

A life in the spotlight will keep anyone hidden.

Julia Pastrana is the singing and dancing marvel from Mexico, heralded on tours across nineteenth-century Europe as much for her talent as for her rather unusual appearance. Yet few can see past the thick hair that covers her: she is both the fascinating toast of a Governor’s ball and the shunned, revolting, unnatural beast, to be hidden from children and pregnant women.

But what is her wonderful and terrible link to Rose, collector of lost treasures in an attic room in modern-day south London? In this haunting tale of identity, love and independence, these two lives will connect in unforgettable ways.

Review:

[I received a copy of this novel through NetGalley.]

This novel is based on the story of Julia Pastrana, a perforrmer and “freak” who lived in the 19th century; more than the typical “woman with a beard”, Julia was covered in hair, and had a facial condition that made her look like an ape. Throughout the story, we get to see here leave her hometown and the house where she had lived, to perform with a troupe, then with independent managers. More than a mere attraction, Julia sang and danced beautifully, something other characters find both fascinating and troubling: after all, is she really a human being, or merely an animal?

I found this attraction mixed with revulsion fascinating, for all the questions it raised. Most of the story is told from Julia’s point of view, and there’s no doubt she’s a human being, period, with her own thoughts, feelings, dignity, and desires in life. She may appear as a little passive at first (her fellow performers have to remind her to get a contract, not just take everything her manager send her way, and she let herself be prodded by doctors and scientists), but she reveals herself quickly as full of willpower: leaving the people she’s always known for the big unknown, and especially accepting her condition as something normal, something that’s part of her, while making use of skills that, in about everybody, would certainly garner admiration (singing, dancing, playing the guitar, acting). There’s some contradiction in her character, true; on the other hand, this is just part of the human condition—so many of us are creatures of contradiction.

But the world isn’t so kind to her, and while a lot of people are ready to pay just to see her, or are her friends (Ezra, Friederike…), some others don’t hesitate to criticise her, judge her as amoral, or as an abnormality that should be kept under lock and not shown to people. This definitely raises the matter of the “freaks” (Victorian period) and how they were perceived, not to mention what may easily be forgotten: that those people were, well, people first. In this way, the novel can be shocking—thus reflecting a very Victorian feeling, with “well-thinking people” judging those who’re different, while at the same time never judging themselves for gawking. (Also, there’s the matter of Theo’s decision later.)

This highlighted the tragedy of Julia’s life: people came to see her, but less for her skills than for her appearance. She was invited to social gatherings, but less for her personality than for others to “see the freak”. People talked about her relationship, but less out of happiness for the couple than to whisper in their backs about “does he does it with -that-?” It was all very sad, all the more because Julia can never free herself from her appearance, which in turns is limiting (she can’t go out without a veil, for instance, and in spite of travelling a lot, she doesn’t get to really see that many places).

Theo, well… Theo was less interesting. Mostly his character was of a mercantile quality (and at least he’s honest about that), and there was never any mystery about the part money/fame played in their relationship. Still, when things were told from his point of view, they never seemed as rich and interesting as when they were from Julia’s.

Julia’s story would have been a 3/4 stars. However, a few things prevented me from really enjoying it. First, Theo’s voice (as said, not very enthralling, especially when it dealt with his ambiguous feelings for her); I kept thinking that I would’ve wanted to see this relationship told only through Julia’s eyes, perhaps because there would’ve been more than a seed of wondering whether he truly loved her or just took advantage of the situation? Hard to tell. Also, the fact that Julia doesn’t stay that long with other performers, and apart from a couple of encounters with Ezra, Berniece and Cato later, mostly everything revolves around Julia and Theo, therefore: not much potential for various interactions.

Finally, the Rose narrative: I disliked that one, none of the characters were particularly appealing, and that story was only connected by a lose thread to Julia’s. I had expected something more… intense? More closely related? The way it was, it brought nothing to Julia’s story, and in the end my only feeling was “why did I bother reading those parts?”

Conclusion: 2.5 stars. Julia’s narrative didn’t need to be bogged down by Rose’s.

Yzabel / December 8, 2015

Review: Menagerie

Menagerie by Rachel Vincent

My rating: [rating=2]

Blurb:

When Delilah Marlow visits a famous traveling carnival, Metzger’s Menagerie, she is an ordinary woman in a not-quite-ordinary world. But under the macabre circus black-top, she discovers a fierce, sharp-clawed creature lurking just beneath her human veneer. Captured and put on exhibition, Delilah in her black swan burlesque costume is stripped of her worldly possessions, including her own name, as she’s forced to “perform” in town after town.

But there is breathtaking beauty behind the seamy and grotesque reality of the carnival. Gallagher, her handler, is as kind as he is cryptic and strong. The other “attractions” — mermaids, minotaurs, gryphons and kelpies — are strange, yes, but they share a bond forged by the brutal realities of captivity. And as Delilah struggles for her freedom, and for her fellow menagerie, she’ll discover a strength and a purpose she never knew existed.

Review:

[I received a copy of this novel through NetGalley, in exchange for an honest review.]

An interesting read, for its themes and the issues it raised. What defines “humanity”. How a whole category of beings were enslaved and treated like dirt because they were considered as sub-human and not even worth the attention you’d give a pet. The dichtomy between the handlers, some of whose displayed really crappy features, and the cryptids (with some being savage beasts, but others also being loving parents, like the werewolf Claudio and the cat-shifter Zyanya, much more humane than humans here. There were somewhat decent people in the lot (Alyrose, Atherton)… and yet not everything was in black and white, as these nevertheless didn’t raise above the others: they didn’t want to lose their jobs, they didn’t want to attract unwanted attention from the police, etc. Not the most original approach, and one that became a bit heavy-handed after a while; still, it kept me interested nonetheless.

I liked the depiction of the circus, the state of misery, hunger and weakness the cryptids were left in, with the most “dangerous” ones (sirens, creatures with enchanting powers…) kept sedated. It enhanced how awful their daily life was, although I woud’ve liked to see more world-building in that regard: how came they let themselves be treated in such a way, for instance? Were they killed en masse, threatened with lethal weapons, or captured through more insidious means? Did the humans hit them all at once to ensure they couldn’t strike back? And what exactly was the reaping? A few snippets from “newspaper articles” etc., prefacing the different parts of the novel, brought some insight into the events of the 1980s leading to the cryptids being oppressed; I would’ve appreciated seeing more (or less cryptic snippets), with more details about how exactly this went on.

I found the pacing uneven, too, as events ran much faster in the last chapters—too fast, compared to the rhythm of the novel in general. Even though the supernatural aspects were more exciting, quite a few things happened (for instance, those moments with Delilah’s mother, or with Kevin) and it felt as if they were swept under the carpet quickly after, with little aftermath for the characters. It’s difficult to know if Romilly’s predictions about Eryx were fulfilled here, and we’re done with that arc, or if something else is coming in the next volume. It’s difficult to determine if the events in this book (Adira…) are going to impact the characters, or if this is done as well.

Delilah… I found her annoying most of the time, and while she became better towards the end, I didn’t care much for her. On the one hand, I wanted to root for her because she didn’t let herself be abused without retaliating at least in words; on the other hand, her reactions often bordered on stupid, inviting more abuse. It was tricky, as finding a balance between “giving up” and “biding one’s time until it’s time to strike back” is very difficult, so I can’t fault her for being who she was, but I think the way it was done is what grated on my nerves.

I definitely wasn’t sold on the narrative being in 3rd person, except Delilah’s, in 1st person: because it highlighted what a special snowflake she was, and also because the prose looked weird in places, for instance when she described herself being shocked or in fear: “Terror pooled in my stomach like acid, eating at me from the inside” looks definitely weird in 1st person.

Overall it was an okay novel, but I’m not sure I’m feeling invested enough in the characters to want to read the next book in this series. 2.5 stars.

Yzabel / May 13, 2014

Review: The Diamond Thief

The Diamond Thief by Sharon Gosling

My rating: [rating=1]

Summary:

By day Rémy Brunel is a daring circus acrobat, by night she is an equally talented jewel thief currently assigned to steal a famous diamond in Victorian London–but when the theft goes wrong she finds herself allied with a young policeman as they try to find the elusive gem.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

A fast read, and one of those books I wish I had liked more (Victorian London + circus + thief + mechanical inventions: what’s not to like in there, really?), but also one that didn’t convince me in the end, unfortunately.

Things I liked: the steampunk side, light enough to be understandable by basically everyone, younger readers included. It has a touch of Fushigi no Umi no Nadia (in that stones/jewels play an important part), though it doesn’t go further than that, and makes use of machinery whose concepts are easy to grasp, such as experimental night-vision goggles. Not the most creative I’ve ever seen, but a nice introduction nonetheless.

On the other hand, I found the backdrop fairly light, too—not a good thing. I never really got the feeling of a real circus, nor of Victorian mores. I think this could apply to several other aspects of the novel, in fact: it brushed against them, without ever diving deep enough for me to feel immersed. I could sense this most specifically with the characters. At first, I found them interesting, but they were never developed enough to hold my attention until the end, nor make me care about them. (And there definitely were interesting ideas in here, such as the unlikely trapeze artist/thief + young cop duo, the Professor with his inventions, the mysterious Lord…) Also, I didn’t like the romance at all. I couldn’t feel any chemistry within this couple, it seemed like a plot device to add some drama, and there were a few very melodramatic scenes that made me roll my eyes and want to slap those characters. Somehow, it moved too quickly, too superficially.

The plot itself seemed to rest on a lof of deus ex machina, predictable twists, and events inserted for convenience. I would’ve been more enthralled if Rémy and Thaddeus had had to really investigate, which in turn would have given them time to talk, get to know each other better; I guess this would have made the romance more palatable for me, as well as enhanced the strong points of their pairing, in terms of skills. Another thing I had a hard time with were a couple of plot points. First, the opal’s role. One of the characters says that it would allow Rémy to hear other people’s thoughts, yet I never got the purpose of that specific thread. Is there a second book in the writing? If there isn’t, then I don’t see the point. Same with the curse[the curse (hide spoiler)]: couldn’t Gustave tell Rémy about it way earlier than that, considering how involved she was, and how she was the one tasked with stealing the stone?

I suppose it could work as a very light read, or for really young readers (things never go further than a brief kiss in the romance department), but for me it didn’t.

Yzabel / July 26, 2013

Review: Angel on the Ropes

Angel on the Ropes by Jill Shultz

My rating: [rating=2]

Summary:

Dazzling trapeze artist Amandine Sand leads a perilous double life. Will her secret—and her choices—save her planet or ruin it?

Amandine walks a high wire between two lives—hobbled by a life-threatening secret. She’s one of the spotted humans wrongly accused of being a plague carrier. These “leopards” are hunted by zealots to protect their offworld colony from the scourge. Despite this threat, Amandine spends her days guiding other leopards to an underground shelter run by the pacifist Seekers. At night, with her own spots hidden, she takes to the air, the one place this extraordinary artist feels free and gloriously alive.

When the persecution of leopards explodes into widespread violence, the Seekers demand more of her time. But her circus is teetering toward bankruptcy and desperately needs her, too. She has no time to breathe… and then she meets a stranger who leaves her breathless. And might just be the biggest risk of all. If her trust is misplaced and she’s unmasked, everyone she loves—and everything she’s fought for—could crash.

Now she must make an irrevocable leap. Without a net.

To survive, Amandine must draw upon everything she’s learned from the circus and Seekers and summon the courage to reveal her true colors. But can a pacifist defend her violent enemies to stop a civil war? And can this reluctant angel fly beyond her limits to save her life, her love, and her world?

Review:

(I got this book from NetGalley in exchange for an honest review.)

2.5 stars. I enjoyed some parts of the story, but others almost made me give up at times, especially in the beginning (not enough for me to drop the book, though).

The circus routines are described in marvellous ways, and I found it easy to picture them, even though I’m not too familiar with such performances. They didn’t seem repetitive either, and I could feel that the author had done her research and put a lot of care into making her readers *be* in the audience, rather than remain distanciated readers.

The world presented in the book is also a complex one—a very peculiar colony (more a Dyson sphere than a traditional solar system) with its various classes and problems. However, things were a little confusing at first regarding those, and it took me some time to understand what Titans or Seekers really were; although the author introduced all those in such a way as to avoid info-dumping (which is good),

What constituted the biggest problem for me with “Angel on the Ropes” was that the plot seemed to end up dwarfed and rushed at some point. It started with concepts such as leopards (people born with spots on their skins) being hunted down and killed by Plaguellants (religious extremists who believe said leopards are responsible for a terrible illness). Around the 40% mark, it then moved to something much more complex, involving a very flawed healthcare system in which people have to gamble in casinos in order to have some of of their organs healed—winning means receiving cures, losing means getting indentured, sometimes for years. Another subplot involved a species imported from Earth, with the potential of totally thwarting the local ecosystem. All of those collided into something pretty complex, and I felt that they would have deserved more development. As it is, the story seemed rushed in parts, with too many others left in the dark, or dropped along the way.

The ending especially made me feel let down. While I understand what it tried to achieve (and this was a beautiful lesson), it didn’t solve the aforementioned subplots. It also made some characters appear as they had taken a U-turn that may have happened, sure, but only later, with more “meat” and reasons in between, so to say. I kept waiting for more, and “more” didn’t happen.

I don’t know if this is the beginning of a series, or a standalone book. If there’s a second volume on its way, it could explain why some subplots were left aside for now, but I’m not sure.

Yzabel / June 5, 2013

Review: Showtime

Showtime by Chloe Kayne

My rating: [rating=2]

Summary:

The grandeur of the traveling circus is at its peak in the early 1920s when sixteen-year-old Laila Vilonia is searching for an escape from her bleak future. Behind the gates of the legendary Marvelle Circus, she is thrust into a mysterious world she never knew existed—a paradise populated with outcasts. It’s in this glamorous new home that Laila sparks a controversial romance with notorious sideshow performer, “The Disappearing Man,” and learns just how dangerous her new life can be.

Touring the picturesque eastern coast of America, Laila’s immersed in friendship, vaudeville, festivals, sequins, and serial killers. But behind the curtain, a sadistic plan is brewing that will crack the very foundation upon which she’s become so dependent.

Review:

I wanted to like this book more than I did, because it showed potential. Alas, it just didn’t do it for me in the end.

The author took care of writing vivid descriptions, and those really pull you in, giving a fairly good view of what the circus looked like, the routines its performers went through, and so on. However, there were moments when they interferred with the narrative, slowing it down and making things confusing. I also spotted several misuses of words, which was jarring.

More importantly, while you can tell the author is facinated with her subject and wants us to share this interest, the historical period wasn’t the best choice here. The action takes place mostly in 1918, yet no mention is made of World War I, nor of the impact it was bound to have on circuses (on how many people could afford to attend performances, for instance). The 1900s-early 1910s would’ve been a more logical choice, at least to me. If you don’t care the least bit about historical accuracy, it may not be such a problem, but I couldn’t get past this.

There were a lot of characters—something normal in a circus—and it helped me imagine how life went on there on a daily basis, with everybody’s routines and personal drama; on the other hand, some of them were perhaps given too much spotlight for too little “return on investment” (the story wouldn’t have changed one bit if they had been left out). Also, I think the “Disappearing Man”, and the trick behind his show, should’ve been introduced sooner. The way things went, I felt it odd that everybody talked about the one “dangerous” guy, yet never mentioned the other: they’re all working in the circus, shouldn’t they have known about this?

As for the plot, there were several interesting leads, yet overall it tended to be confusing, with some subplots left dangling in the way (Ethan’s and Jodelle’s never got a proper conclusion); so when some more important things happened, they made me think “oh, yes, true, there was that.” It was hard to picture a clear antagonist, and the one who appeared as the most obvious often behaved, well, too stupidly to leave an impression.

Overall, I’d say this book is worth a pick for its atmosphere and if you like rich descriptions; unfortunately, those weren’t enough for me to go past what I didn’t like in it.

Yzabel / December 26, 2012

Review: The Night Circus

The Night Circus by Erin Morgenstern

My rating: [rating=3]

Summary:

In this mesmerizing debut, a competition between two magicians becomes a star-crossed love story.

The circus arrives at night, without warning. No announcements precede it. It is simply there, when yesterday it was not. Within nocturnal black and white striped tents awaits a unique experience, a feast for the senses, where one can get lost in a maze of clouds, meander through a lush garden made of ice, stand awestruck as a tattooed contortionist folds herself into a small glass box, and gaze in wonderment at an illusionist performing impossible feats of magic.

Welcome to Le Cirque des Rêves. Beyond the smoke and mirrors, however, a fierce competition is underway–a contest between two young magicians, Celia and Marco, who have been trained since childhood to compete in “a game,” in which each must use their powers of illusion to best the other. Unbeknownst to them, this game is a duel to the death, and the circus is but the stage for a remarkable battle of imagination and will.

Review:

This is one of those curious cases where I find lots of faults with the book, yet still end up liking it.

The world of the circus depicted here fascinated me. I’m usually not up for lots of long descriptions, but the author’s writing flows so smoothly that I couldn’t help but being entranced, and find everything delightfully enchanting. Strong visual imagery of the circus, its tents, the characters, their clothes… kept on invading my mind, especially as the dominant colour scheme was all in black, white and grey, with a touch of purple, which are colours that speak to me like no others can (perhaps because of the whole ‘polar colours’ symbolism). Erin Morgenstern created a place full of eerie yet pleasant visions, and I couldn’t help but coming back to her book and read more about those.

The second reason why I liked it is something that a lot of people find fault with, but that I personally appreciate: shifting timelines. I’m quite good at navigating such narratives, and I’m fond of the foreshadowing (or the ‘aha, so THAT was it!’) aspects made possible through it.

On the other hand, the plot itself and the characters were the novel’s weak points for me. Mostly the characters are interesting because of their quirks, but I’m convinced the author could have done more with them, make her readers closer to them. And the plot wasn’t what the cover blurb advertised: intriguing, with a certain amount of suspense, yet not the daring, somewhat dangerous and active ‘competition’ I had been led to expect. It’s a shame, for I guess it wouldn’t have been a bother if from the start I had known that I was going to read something that was slower-paced, and different in many ways. Also, the love story may have been stronger, with more impact, if the two characters had been aware earlier on of who they were to each other, and if they had been able to compete really face to face, and have more time ‘together’. I understand that they got to know each other through their creations; still, it wasn’t exactly as palatable this way.

I liked how everything tied up in the end, though, and I may read the novel again later on, to see if this changes my perception of the whole story.