Yzabel / November 7, 2016

Review: The Easy Way Out

The Easy Way OutThe Easy Way Out by Steven Amsterdam

My rating: [rating=2]

Blurb:

Evan’s job is to help people die.

Evan is a nurse – a suicide assistant. His job is legal – just. He’s the one at the hospital who hands out the last drink to those who ask for it.

Evan’s friends don’t know what he does during the day. His mother, Viv, doesn’t know what he’s up to at night. And his supervisor suspects there may be trouble ahead.

As he helps one patient after another die, Evan pushes against the limits of the law – and his own morality. And with Viv increasingly unwell, his love life complicated, to say the least, Evan begins to wonder who might be there for him, when the time comes.

Review:

[I received a copy of this novel through NetGalley.]

OK, I admit I don’t really know what to write in this review, which seldom happens. It wasn’t a bad story—and its theme is fairly interesting (legalised euthanasia, and potential risks and abuse that may be related to it vs. what it accomplishes for people who suffer). But I never really feel connected to the characters, and thus never really cared about them.

I can feel somewhat close to the debate about euthanasia. I’m not sure if it’s something I’d choose for myself, however with my phobia of cancer, I really “get” the wish to go while you can still decide for yourself, because I see absolutely no point in “living longer” if this “life” is spent pissing myself in a hospital bed and begging for morphine or not being aware anymore of what’s around me. At this point, that’s not even surviving anymore, so… I don’t know. Somehow I really hope I’ll never have to find out for myself. That’s the kind of knowledge I can blissfully remain ignorant of.

Evan’s dilemmas, his trouble adjusting to what his job demanded of him and what, deep inside, he wanted/needed to give, were interesting as well. There are a lot of grey areas here, and I’d often wonder at all the legal parts in this legalised assisted death in the novel: on the one hand, the law has to prevent abuse, otherwise it’s easy to veer into murder; on the other, what do you do when a patient with degenerative disease has expressed until the end their wish to die, but their disease prevent them from drinking their glass of Nembutal? Not helping means denying their wishes; but actually helping them drink may be construed as “pushy” and “choosing for them”. So, so very grey.

Also, props for including a relationship that is not the cookie-cutter traditional heterosexual one, AND including it in a natural way, as something that simply “is”, and not some matter for moral discussion or judgment or whatever. You don’t see that too often to my liking in books and movies. Granted, I wished Evan had been more involved in it, because Lon and Simon were lovely and supportive people, and I felt they were always left on the sideline; but that has nothing to do with gender.

On the other hand, some things were not fleshed out enough. Evan’s relationship with his boss Nettie, for starters—I was sure there was matter for discussion here, a basis for more conflict and/or, on the contrary, more relating, yet it was never really accomplished. Same with Evan’s decision to keep mum about his job when it came to some of (close) characters, or Jasper’s Path, which came a bit out of nowhere?

I didn’t really get either the very, very quick decline in Viv. Sure, it was dramatic, however the scientist in me would’ve liked to see more explanations about her going from Parkinson’s to almost-miraculous recovery to going downhill in a matter of 4-5 days. I totally get the whole tragedy in her condition—a fiercely independent woman who finds herself becoming dependent and is inwardly scared of it—but this decline felt like a plot device and not like an exactly natural evolution of said plot, if that makes sense.

Conclusion: interesting, but I never felt involved.

Yzabel / September 28, 2015

Review: The Euthanasia Protocol

The Euthanasia ProtocolThe Euthanasia Protocol by Grahame Howard

My rating: [rating=2]

Blurb:

In this vision of the future, set after the apocalyptic religious wars, the State is managed by a series of secular Life Protocols.

Drawn up by a young and idealistic civil servant called Giles, the Protocols soon become grossly misinterpreted as an end in themselves, rather than being an aid to government. Society becomes slavishly adherent to these documents, to the extent that they begin to take on pseudo-religious significance. Among the Protocols is one addressing the problem of an aging population, and this Euthanasia Protocol is implemented throughout the country as an income-generating, yet socially acceptable, method of age control.

Giles rapidly becomes disillusioned by the way in which his concept has been abused. However, when he attempts to rectify the situation, he falls foul of the system, being condemned to a life of ignominy. As an old man who is resigned to euthanasia, can he appeal the order in time?

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

A book whose review was long overdue, and since the copy I got wasn’t the fully edited, final product, there may have been some changes brought to it when it was actually published.

The society depicted in this novel, while definitely a caricature in many ways (including through some of its most outrageous characters, especially Doreese), gives food for thought, in that it deals with the issue of aging populations and the potential means to solving it. There’s no denying that euthanasia could very well become such a means, at some point in the future, and the farcical approach here manages to highlight it fairly well.

“The Euthanasia Protocol” is one of those dystopian stories where the world has gone a nonsensical road, with a government so entrenched within its ways and desires to “make things right” again after religious wars that it fell head first into the very same mistakes it was trying to avoid. The Protocol is revered like a messiah, officials make a point of convincing themselves that euthanasia for “criminals” is not capital punishment, and trials and verdicts are left in the digital hands of computers fed information through a system that just cannot ensure common sense to bear any weight. It is comical, it is a farce, and it has the potential to make people both laugh and shudder—because the execution (pun totally intended) may look ridiculous, but the contents are quite frightening. And it’s not all giggles, since quite a few characters throughout the story are killed in the name of the Protocol, to make an example, to cause other people to bend and break, or simply to fuel a wish for personal revenge.

My main criticism, and one that unfortunately mitigated my enjoyment, was the writing style itself. It may just be me, or it may be because I had an ARC and not a final copy (though in my experience, ARCs are so close to their published version that it’s approximately the same—I mean in style, not typos and the likes). I don’t know. I kept finding it too “dry”, describing the characters’ feelings and thoughts rather than letting me see them in action, so to speak. It made thoughts and dialogues rather stilted, all the more when The Boy was concerned: I’m all for stopping dumbing down teenager characters, but nobody thinks or talks like he (and others) did, even as adults. And I’m not sure it was absolutely necessary to enforce the satirical side and the novel’s messages through a narrative of the “tell, don’t show” kind.

Conclusion: 2.5 stars. Enjoyable, but I admit it would’ve worked better for me if the writing had been different.