fae Archives - The Y Logs

Yzabel / May 30, 2018

Review: Savage Prophet

My rating: [rating=2]

Blurb:

Legions of murderous undead, Haitian voodoo, and a five-thousand-year old serpent god.

Yeah, ’cause that’s exactly what Yancy Lazarus needs in his life: more complications. As if being the Hand of Fate and the newly appointed guardian over one of the Horsemen of the Apocalypse wasn’t headache enough.

All Yancy wants is an easy life on the open road—chock-full of ribs, beer, cigarettes, and smoky bars blaring with gritty blues music—but that just isn’t in the cards. Nope, not anymore. He’s been charged to save the world and now that he’s got a no-shit demon riding shotgun in his head, he’s sorta committed to the cause.

If Yancy can’t sort through this colossal heap of bullshit, he’s coffin bound. But, he’s not dead yet. In fact, he even has a lead.

Turns out one of the Horsemen of the Apocalypse—the pale Rider, Death—is slumming around in one of Yancy’s old haunts. In order to corner this new threat, though, Yancy’s gonna have to face some deadly supernatural nightmares from his distant past. And, to make matters worse, he’s not the only one trailing the Pale Rider. A powerful new mage with some serious magical chops, is also aiming to find the Fourth Seal and he’ll do whatever it takes to win. Even if it means hurting those closest to Yancy … Like F.B.I. Agent Nicole Ferraro.

Review:

[I received a copy of this book through NetGalley.]

Entertaining, like the previous instalments in the series. The author’s upped the ante when it comes to grit and violence, reflecting the increasing stakes: Yancy now has to face his own inner demon (literally) on top of the looming menace of the Savage Prophet, old enemies surfacing again, and his own people who don’t see him in a very good light. Good thing, then, that he can still count on Ferraro, as well as on the new addition, Darlene, who may not be a great fighter, but has aces of her own up her sleeve.

However, this book felt more like a filler: a lot of action, but comparatively little character development. In spite of all that happened, especially at the end of volume three, Yancy is still pretty much the same as in all the other books, when I would’ve expect an evolution of some kind. (I don’t want such a character to start moping and be completely broken, for sure, but I didn’t feel much difference between Yancy from book one and Yancy from book four, all things considered.) I admit I ended up skimming over some scenes.

Conclusion: 2 / 2.5 stars.

Yzabel / April 29, 2018

Review: Fire (The Ninth Circle)

Fire by C.A. Harland

My rating: [rating=2]

Blurb:

Tala Morgenstern lives for the hunt, embracing her heritage as a demon hunter. When her younger sister, Hartley, disappears while on the trail of her long-lost father, Tala must seek the help of her other sister Aiva, who has turned her back on the underworld of magic and hunting. Suspecting demonic involvement, Tala and Aiva race to find Hartley before she can be claimed by hell.

Their search takes them deeper into the bowels of Dublin’s criminal underground, where the gangs are led by demons, and the currency is souls. With each Circle of hell bringing new dangers, and new revelations about their own place in the demon hunting world, Tala and Aiva have to rely on each other if they are to stand a chance of fighting their way to the Ninth Circle, and the demon lord who is waiting for them.

Review:

[I received a copy of this book through NetGalley.]

I had trouble at first to get into this book (I don’t know why, the first paragraphs felt strange?), however the feeling vanished after a while, once I got used to the narrative style.

The narrative is indeed somewhat specific, in that the chapters seem to me like they mirror episodes from a TV series, with the search for Hartley being the ‘season arc’, and the chapters often revolving around ‘side quests’. This turned out to be both interesting and a weakness. Interesting, because it’s a format I don’t see that often in books; a weakness, because it forced the chapters into a pattern that works on screen, but not so well on books (especially since here, most of the time it was about the sisters finding clues and rushing into a trap). So we had both an overabundance of side plots, but at the same time these plots were discarded after their ‘episode’, and in turn the main narrative was the only real one in the book.

Now, I kind of liked the world building in this story. It’s not the most original ever (there are demons and fae, and humans who train to fight and destroy them and have their own community… we’ve seen that in several series), but the way the nine ‘circles of Hell’ were also involved in the mundane world as nine circles of criminality (prostitution, gambling, money laundering, etc.), and let’s not forget Hell’s Archive and its government, was a good idea. This organisation, this world both parallel to and intertwined with the human world, organised in something understandable, lent more weight, too, to the argument the characters have at some point with the enemy, that is, ‘you kill us demons, but contrary to humans, -we- aren’t given free will, so who’s the most at fault here?’ (So yeah, demons kill and abduct humans and all that, and have to be stopped. Still, that guy had a point.)

I also enjoyed the relationship between the sisters. Tala first appeared as annoying, but redeems this aspect thanks to her strong loyalty to her family. Same with Aiva, who at first looked like she had taken the easy way out for no reason, but turned out to have one (or at least, a trauma explaining her decision), and then focused back on her family when it became really important.

Last but not least, while there were a couple of potential love interests throughout the book, the story remained focused on family relationships (including Owen), and I was glad it didn’t devolve into the typical ‘urban fantasy that is in fact an excuse for some shoddy paranormal romance’ (UF and PNR are two different genres for me, you can tell which one I favour…).

I do regret not seeing more about their relationship with Hartley. All we know about the younger sister is that she’s a paranormal investigator and has a gambling problem, but since she was never seen interacting with her sisters before she vanished, it was difficult for me to really care about her, about what motivated her search, and more importantly, to understand her decisions and her exact plan. It also raises the question of what exactly will happen after that: so there was that huge plan in motion for years, and… Now what? What will the sisters do with their inheritance after that?

Another problem were the action/fight scenes (and there were quite a few), which I found a little too ‘descriptive’, and as such didn’t have enough impact. I didn’t have trouble to imagine them, but I didn’t feel the tension, the adrenaline, so to speak. The writing in general was okay-ish, and didn’t thrill me.

Conclusion: 2.5 stars. It’s not the most original story or world ever, and the writing has just as many good as bad points. I may still be interested in checking out the next book, though, if only to see what the consequences to this series of events will be.

Yzabel / April 12, 2018

Review: Wendigo Rising

Wendigo Rising by James A. Hunter

My rating: [rating=2]

Blurb:

Bigfoot is real. Yancy Lazarus—mage, bluesman, and rambler—knows because there happens to be a nine-foot-tall, walking myth standing in the road, flagging him down.

Yancy just can’t escape his reputation as a supernatural Fix-it man even when cruising through the forgotten backwoods of Montana. Turns out Bigfoot has a serious problem on his hands: one of his own has gone rogue, developing a taste for the flesh of humans and Sasquatch alike. A greater Wendigo has risen for the first time in thousands of years and if Yancy can’t stop the creature it could be a slaughter for the residents of a rural Montana town.

But even with the monstrous threat looming on the horizon, Yancy has bigger fish to fry. He’s working as an agent of Fate, attempting to put the kibosh on a nefarious scheme, aimed at upsetting the tenuous balance between the supernatural nations. When your boss is Lady Luck, however, nothing is ever left to chance, and his two cases may have more in common than it appears. If he can’t figure out the missing link it could usher in a new world order: an age of inhuman creatures and walking nightmares … one where Yancy Lazarus doesn’t exist.

Review:

[I received a copy of this book through Netgalley.]

Still an original setting, one that makes use of less known supernatural/folklore creatures (such as Sasquatches—I don’t think I’ve seen a single vampire yet in this series, and this is refreshing). We also find again some of the previously involved characters, such as agent Ferraro, Yancy’s old Vietnam comrade Greg, and James from the Guild, along with unlikely allies in the person of, well, Bigfoot and his daughter (he’s not named Bigfoot, although Yancy keeps calling him Kong, for want of being able to remember his full name). To be fair, at times I preferred these two Sasquatches, once they got past their tendency to refuse to explain their real reasons.

Some of the action scenes were pretty interesting. There’s a curious ‘battle of the bands’ at some point, mixing music with combat, and that isn’t something I’ve often read. Other such scenes left me quirking an eyebrow, though, like the one with Cassius. I quite dig Cassius, but I’d like to know more about him, apart from the little Yancy tells us about him, and the fight scene I’m thinking about, the one at the end, was… OK, I’m not really sure what I’m supposed to make of it. It was fun in a WTF way, but it jarred with the rest of the UF/supernatural-oriented action. I think a little less action in parts would’ve been good here.

This book tended to annoy me more than the previous ones when it comes to Yancy’s personality, though. I’m all OK for the grumpy, no-strings-attached guy who prefers to live in his car, but the way he acts at times is much too childish for someone with so many years of experience, and especially so many battles and betrayals behind him. I guess this is why I particularly appreciated the moment when ‘monsters’ put him back in his place regarding ‘all the people they had killed’ vs. ‘did you ever wonder if the monsters you killed had friends and families?’

Conclusion: 2.5 stars, there are good things in this series, and the end paves the way for more, since part of the threat is gone, but not fully… and things could still go terribly wrong.

Yzabel / August 4, 2017

Review: Cold Hearted

Cold Hearted by James A. Hunter

My rating: [rating=3]

Blurb:

Yancy Lazarus just wants to be left alone. He wants to play his blues music, smoke a few cigarettes, and otherwise leave the supernatural world to fend for itself.

He especially wants to be left alone by the Guild of the Staff—the mage ruling body—where he used to work as a Fix-It man. But when a little kid gets nabbed by an ancient Fae creature from the nether regions of Winter and the Guild refuses to set things right, he just can’t seem to heed good sense and leave things be.

Nothing’s ever easy though. Turns out, the kidnapping is just the tip of one big ol’ iceberg of pain and trouble. It seems some nefarious force is working behind the scenes to try and unhinge the tenuous balance between the supernatural nations and usher in a new world order. So now, if Yancy ever hopes to see the bottom of another beer bottle, he’s gonna have to partner up with an FBI agent—an agent who’s been hunting him for years—in order to bring down a nigh-immortal, douchebag mage from a different era. And to top it off, Yancy’s gonna have to pull it off without his magical powers … Boy, some days just aren’t worth getting out of bed for.

Review:

[I received a copy of this book through NetGalley.]

I do believe I liked this second instalment in the series more than the first one (usually, it’s the contrary).

Still packed with action, a little less noir and but with perhaps a bit more grit towards the middle , and also more female presence this time (not the Damsel In Distress kind either—she’s the one saving his ass more than the contrary… and at the same time, she’s also the way through which he can realise he may be a better person than he thinks). A dash of potential romance, but it’s light, and follows the no-nonsense I’m getting used to from Yancy, and from the other party as well: they both know they live in a world that isn’t what it seems, that is more often than not hectic and unforgiving, and so they’re going with a carpe diem attitude rather than the usual sappy ‘true love forever’.

The plot felt a little tighter than in the first book, although I could’ve done with a few less flashbacks (we already know about Yancy’s past family and time in ‘Nam from book one, so having him think about it -and- tell another character about it was redundant). Here there are more hints of a meta-plot that I think is going part of the next books in the series for now, considering a certain name dropped during a conversation, and which is bound to resurface. So far I like the world the characters evolve in; the author keeps going with other supernatural creatures than the usual vampires, werewolves and ghosts—there is a sort of werewolf, but only in appearance, and that creature’s nature is actually really cool in my opinion. The Guild of mages is prooobably full to the brim with corrupt people, and I bet it’s going to end in Yancy and a couple of good guys having to save the world or something (if the ones appearing good aren’t the most corrupt of the bunch!), which would be predictable, but also fitting in that kind of universe. I’m not sure I’d like to see it otherwise anyway.

While the main antagonist was more of the pitiful kind, all things considered, he was a good reminder than sometimes one doesn’t need to be truly evil at hear to do evil… and thus, anyone in a moment of weakness may end up turning to means they shouldn’t envision. Yancy included (good thing he plans for failsafes).

Conclusion: It still reads in some places as if it could do with another editor’s pass, but all in all the story and the characters were entertaining (in a good way, that is).

Yzabel / June 26, 2016

Review: Street Magicks

Street Magicks by Paula Guran

My rating: [rating=3]

Blurb:

Streets are more than thoroughfares. Cobblestone or concrete, state of mind or situation streets are catalysts for culture; sources of knowledge and connection, invisible routes to hidden levels of influence. In worlds where magic is real, streets can be full of dangerous shadows or paths to salvation. Wizards walk such streets, monsters lurk in their alleys, demons prowl or strut, doors open to places full of delightful enchantment or seething with sorcery, and truly dead ends abound. This selection of stories some tales may be rediscoveries, others never encountered on your fictional map will take you for a wild ride through many realms of imagination.”

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

In the past, I read a couple of other anthologies edited by Paula Guran, and I remember liking them overall, due to the choice of stories: they may not all have been breathtaking, but they also weren abysmal, and as far as anthologies go, I think I do tend to appreciate that a little more than reading excellency pitched against really bad writing.

The stories here deal mostly with magical happenings and encountering in cities–a theme I especially like. Most are modern fantasy, but more traditional fantasy also has its place here.

“Freewheeling” – 2/5
A young woman tries to help a kid whose very special take on life may be madness… or a real touch of magic? And the question is, will mundane life keep interfering until something tragic happens, or will magic happen instead?
Not my favourite. I could see the ending coming almost from the beginning.

“A Year and a Day in Old Theradane” – 4/5
A band of retired thieves find themselves back in their ¨line of duty¨ to perform the theft of their lives: steal a whole street. Humour, magic, blackmail, backstabbing, an urban setting, and a cast of mostly women (and an automaton) whoŕe not afraid to be who they are. Whatś not to like?

“Caligo Lane” – 3/5
Read in another anthology “The Best Science Fiction and Fantasy of the Year, Volume Nine” so I guess the novelty wasn exactly there. Still, it remains a touching story, of a mage who uses maps to bend space and save people trapped in parts of the world where every other means of escape have failed.

“Socks” – 3/5
A Bordertown story. I don´t know that setting, except through another story in another anthology; however, I still think it´s not such a problem, as mood and theme are easy enough to ¨get¨ even without knowing the whole context. Here, Socks, a young girl, is taken in by a family of strays. Soon after, Perdita joins the crew, Perdita whose mysterious mother taught her many a tale…
Interesting, but I found myself wanting to know more about Socks at the end–it was never clear whereas the whole thing about her feet was merely illness, or a symptom of something else. I kept expecting that something else to happen, and… nothing?

“Painted Birds and Shivered Bones” – 3.5/5
A poetic tale of a man cursed to turn into a bird, going through centuries without respite, until a kind of magic apt to break his curse surfaces in the painting of artist Maeve. A bittersweet tale, perhaps a bit too focused at times on the artist-chic cliche? I may be a little jaded with that one at the moment — it itself, it doesn´t make the story bad, at any rate.

“The Goldfish Pond and Other Stories” – 2/5
Originally read in “Smoke and Mirrors”. This one relates a writer’s experience as he flies to Hollywood, where his novel is to be adapted into a movie, only to see said novel stripped to the bone and reworked every time. A tale of being dispossessed on one’s soul, maybe, and of having to let go. Or perhaps a tale of former Holywood legends fallen back into the mist of times, unremembered by all but the humblest?
Not my favourite Gaiman story, to be honest. It’s a bit… bland compared to some of his other works.

“One-Eyed Jack and the Suicide King” – 2/5
A good beginning, of a struggle between spirits/local gods fighting for their turf. The story was wanting, though, as it feels like it should be expanded into something more. It’s a beginning, indeed, and not a full-fledged plot.

“Street Worm” – 4/5
Rather scary when you come to think of it. A teenage girl runs away from a privileged home, for her parents believe her going on slightly crazy and want to send her to a shrink (probably not for all the good reasons either — a family has standards to uphold within the community…). But is this girl just mad, or does she really see things, things of another kind, worms danglings from buildings like a threat lingering above the city? And the man who tells her sheś magic, is he meaning well, or is he just a creep?
I wanted a bit more at the end, to be honest. Like a lot of stories, this one feels like unfinished business in some parts. Still, a good read.

“A Water Matter” – 2/5
The Duke is dead, may he stay dead! Only a mysterious and potentially malevolent shaman wants the power released upon that death, so the Dancing Mistress, a shapeshifter (…I think?) takes it upon herself to prevent this from happening.
More than with the Bordertown stories, I think I was missing something here—the action is set in a world with its own backstory, and I constantly felt it was part of something bigger, something that deserved more. The actual plot didn’t impact me as it could have, had things been otherwise.

“Last Call” – 3/5
A Harry Dresden short story. On principle, I tend to like those, because I’m fond of the world and character Butcher developed (they’re part of the works I’d quote first if someone asked me for examples of “urban fantasy”). On the other hand, this one is a bit spoilerish if you haven’t read at least the first 8-9 books of the series…

“Bridle” – 1/5
A kelpie story, with a dark fantasy approach that had its poetic moments. Still, it didn’t grab me much.

“The Last Triangle” – 4,5/5
A junkie finds shelter at an old woman’s who happens to realise a dark magic ritual is about to take place. Together, they do everything they can to stop it, as well as the person casting it.
This one had the kind of plot and ending I’d deem as “definite”. You can see it going somewhere, with a beginning, middle and end, and even though the latter is “open” as far as the main character’s future is concerned, it nonetheless brings resolution to the “dark spell” plot.

“Working for the God of the Love of Money” – 2/5
Again, an interesting beginning, but the end was very abrupt (in an expected-yet-not-waited-for way).

“Hello, Moto” – 4/5
Three witches with enchanted wigs let themselves be devoured by their magic… or not? For Rain, taking upon herself once again to mix up magic with technology, wants to stop her “sisters” gone on a rampage of take-never-give in Lagos. One may wonder, though, if using precisely what went wrong the first time can right that wrong… or not.
Original and entertaining. I just regret the ending, again too abrupt, with no true resolution per se. “Leaving things to the reader’s imagination” can only go so far…

“The Spirit of the Thing: A Nightside Story” – 3/5
A detective doing his job, a shady bar with an even shadier owner, and angry water spirit, the ghost of a murdered young woman, and a twist to try and make things right no matter what.

“A Night in Electric Squidland” – 3/5
Paranormal investigators working on a murder case end up in a night club whose practices may not be what they seem.
I liked the atmosphere (the dark and somewhat perverted rituals going on, while the club also offered “nicer” attractions like a stage magician). I didn’t connect much with the characters, though.

“Speechless in Seattle” – 3/5
A.k.a “pay attention to the exact wording of your spells”, which is something a lot of mages should do. 😉
A cute story, with likeable characters. Only, as usual in such cases, the grounds for budding romance were kind of wasted on me.

“Palimpsest” – 2/5
Pretty, I guess, and evoking strange places in a strange city whose elusive map can only be found in some very special places. However, it was rather confusing, without much of a plot to speak of.

“Ash” – 4/5
Laid off from his job with minimum benefits, a man decides to commit a robbery, but one decision made while running away from the security guard has dire consequences.
A story of guilt and revenge, of a dying curse, of the city turning stranger and stranger, darker and darker, until it closes over you and never lets you go.

“In Our Block” – 3/5
Or “two blokes find themselves wondering why the area they’re in is so intriguing”, full of strange little shops and sellers/peddlers of unusual talents, like the typewriter girl. Although it was more a slice-of-life story than one with a real plot, it was enough for me, for once.

Conclusion: 3/5. I kind of expected this, as a lot of stories were of the “I liked” kind but not “great/I loved it”. Still, more good than bad in there. Though not a “to buy” recommendation, maybe a “borrow it” one?

Yzabel / April 28, 2016

Review: Pawn’s Gambit

Pawn’s Gambit: And Other Stratagems by Timothy Zahn

My rating: [rating=3]

Blurb:

This collection showcases the career-launching short fiction of Timothy Zahn, acclaimed author of Blackcollar, the Quadrail series, and the #1 New York Times bestseller Star Wars: Heir to the Empire

The pieces included in Pawn’s Gambit range from the adventure science fiction Timothy Zahn is famous for to post-apocalyptic tales and humorous fantasy. In “The Price of Survival,” an alien ship arrives in our solar system without hostile intentions—but with a desperate need that could destroy humanity. “The Giftie Gie Us” is set in a post-apocalyptic United States, in which two lonely survivors find love among the ruins. And in the title story, a human and his alien opponent face off over a game that will decide which one of them will return home—and which will not. This collection also includes the Hugo Award–winning novella Cascade Point and eight stories previously unpublished in book form.

Review:

(I received a copy through NetGalley, in exchange for an honest review.)

3.5 stars. Overall a decent collection of short stories, mostly science fiction, with some fantasy mixed in. I didn’t find any excellent, but none was really bad either, which makes for a good book to borrow, for want of actually buying it.

Some notes about the stories:

“The Price of Survival”: An interesting enough conundrum about how far two species are ready to go to survive. But while their representatives mourn about similar facts, the reasons that brought them to that point are different enough that it makes you reconsider the price to pay.

“The Giftie Gie Us”: I liked the idea behind the blind character. Still, it wasn’t my favourite story, probably because of the post-apocalyptic setting with its defined boundaries (Man hunts, Woman stays home… meh).

“The Final Report of the Lifeline Experiment”: Kind of a loaded topic here, however the experiment’s results may not be the ones you’d expect…

“Cascade Point”: One of my favourites. It deals with space travel/space bending/alternate realities gone wrong, as well as with the matter of one person’s happiness vs. the greater good. When the one person to be sacrificed will go back to a less than happy state, yet ignoring that choice will strip someone of their dignity, what should a captain choose?

“Music Hath Charms”: A bit of dark comedy here, that also raises the question of life’s worth in a different way. An alien artefact might actually kill thousands… or not?

“The President’s Doll”: Good idea (reverse voodoo, used to heal instead of harming), less thrilling execution. I’m not sure why. It just came out as flat for me.

“Clean Slate”: One of the fantasy stories, about a wizard who never got a chance to actually use his power to do good, and is ready to pay the price to do so at least once in his life, no matter what that price will be. Interestingly, the story made me think of Orson Scott Card’s writings about plot and world-building, and the author’s note confirmed why I had this feeling.

“Hitmen – See Murderers”: Another good idea that fell flat. What it posits gave me matter to think about, but the short story format didn’t leave room for more when it came to the flow of events, and I think a bit “more” would’ve been needed here to make this piece shine.

“Protocol”: In a colony where people live in fear of the mysterious Stryders, only very specific protocols allow them to survive encounters with those beings. However, what if the protocol were to fail, or if a yet undiscovered protocol was needed?

“Old-Boy Network”: Ethics and telepathy in a solar system where the wealthiest exploit whoever they want, in horrible ways. A bit heavy-handed in its criticism of ugly capitalism, though still another story that will make you think.

“Proof”: I could sense the ending coming. Still, it was a good game of cat and mouse, with reflections about whether we can trust what we see or not.

“The Ring”: A classical approach on the theme of boons and curses, of what price a man is ready to pay to get what he desires… but is it *truly* his heart’s desire?

“Trollbridge”: Urban fantasy story, about a lone troll desperately trying to protect “his” bridge, but up until now he hasn’t really bothered to wonder about other fae-like creatures. A somewhat light-hearted tale of survival in a modern world that will not leave any room to creatures of old… unless those very same creatures find another way.

“Chem Lab 301”: Not the most original plot ever, but a cute twist at the end.

“Pawn’s Gambit”: A study, through an alien-led experiment about gaming, of what would make another race dangerous or not in those aliens’ eyes… And Humans’ resourcefulness may be both an asset and a downfall here. Quite interesting, in part because the aliens’ point of view is somewhat valid, and in part because there’s still hope for humans to put their resources to witty uses.

In general, most of these stories tended to spin one or another aspect of what it means to be human, whether “a means to an end” is an appropriate way of living one’s life, about decisions and consequences, and how sometimes you may not have a choice–or may have to bend your thought processes to find another way. On the downside, some had less than stellar characters, who acted more like plot devices than real people, and weren’t very interesting.

Yzabel / April 19, 2016

Review: Monstrous Little Voices

Monstrous Little Voices: New Tales From Shakespeare’s Fantasy World by Jonathan Barnes

My rating: [rating=3]

Blurb:

Mischief, Magic, Love and War.

It is the Year of Our Lord 1601. The Tuscan War rages across the world, and every lord from Navarre to Illyria is embroiled in the fray. Cannon roar, pikemen clash, and witches stalk the night; even the fairy courts stand on the verge of chaos.

Five stories come together at the end of the war: that of bold Miranda and sly Puck; of wise Pomona and her prisoner Vertumnus; of gentle Lucia and the shade of Prospero; of noble Don Pedro and powerful Helena; and of Anne, a glovemaker’s wife. On these lovers and heroes the world itself may depend.

These are the stories Shakespeare never told. Five of the most exciting names in genre fiction today – Jonathan Barnes, Adrian Tchaikovsky, Emma Newman, Foz Meadows and Kate Heartfield – delve into the world the poet created to weave together a story of courage, transformation and magic.

Including an afterword by Dr. John Lavagnino, The London Shakespeare Centre, King’s College London.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

A tale told through five different shorter stories, and by the hand of five different authors. “Monstrous Little Voices” picks some of Shakespeare’s plays (“The Tempest”, “Macbeth”, “Twelfth Night”…) and extrapolates on their themes and characters. Gender identity, the roles a gender may impose on a person, one’s decision to shake off those shackles and keep living without a care for the shape they’re in, the bravery of women acting “like men” (to the dismay of said men, poor creatures!)… More than once are those explored, while all the stories gather around a plot of impending war and intrigue, under the watchful eyes of fairies with their own agendas, and deities with shady plans as well.

There are a lot of cameos and cross-references here, and not knowing the works from which they sprang would lead to missing on quite a few good parts, so be prepared to brush up your Shakespeare before diving into this collection, and to know who we’re talking about when mentioning Miranda, Puck, Paroles or Helen—not to mention those characters who allude at yet other sources… much like Shakespeare himself found inspiration in various sources as well. And so, many, many times, the five tales entertwining here do so with their faire amount of echoes.

The first, second and third were clearly my favourites, both for their plots and for their themes. “Coral Bones” is the story of Miranda’s journey, after she left her island and realised that life among men, abiding by laws written for Man by men, was nothing to write home about. I particularly liked her take on gender, on wanting to be “human” and “oneself” above anything else, of not agreeing with those for whom gender should define one’s behaviour and ways of thinking. And this story definitely shows her as more resourceful and cunning than one would think. “The Course of True Love” was ripe with magic, metamorphoses, questioning about one’s true nature—and seeing older people at the heart of romance was extremely refreshing, showing that love can be born anywhere, anytime. As for “The Unkindest Cut”, I liked its self-fulfilling prophetic contents, and how it played on twisting words and visions; its end is bittersweet, full of dark promises… but here, too, showing another female character who’s determined to take her life between her hands (in an interesting twist, considering how blank she was at first, when all she wanted was to marry The Man).

On the other hand, I admit I didn’t care much for stories #4 and #5. “Even in the Cannon’s Mouth” felt too disjointed, a feeling made stronger as the story sometimes shifted to present tense. Finally, “On the Twelfth Night” tied the other stories in a way that somewhat made sense… but I have such a hard time with second person POV that trudging through those last pages wasn’t too pleasant (it’s even more jarring when the “you” is actually named, and isn’t “you the reader”—this just doesn’t make sense).

Conclusion: the first three stories were the root of most of my enjoyment here; I wished it had been the same with the others. 3,5 stars.

Yzabel / February 19, 2016

Review: The Masked City

The Masked City by Genevieve Cogman

My rating: [rating=3]

Blurb:

Librarian-spy Irene is working undercover in an alternative London when her assistant Kai goes missing. She discovers he’s been kidnapped by the fae faction and the repercussions could be fatal. Not just for Kai, but for whole worlds.

Kai’s dragon heritage means he has powerful allies, but also powerful enemies in the form of the fae. With this act of aggression, the fae are determined to trigger a war between their people – and the forces of order and chaos themselves.

Irene’s mission to save Kai and avert Armageddon will take her to a dark, alternate Venice where it’s always Carnival. Here Irene will be forced to blackmail, fast talk, and fight. Or face death.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

3 stars. The Library-verse and the main characters are now established, and the plot could therefore fulfil its course without much exposition. (Although the “negative” point here is that I don’t think reading “The masked City” without having read “The Invisible Library” would be a good decision… but then, that’s why it’s called a second volume in a series, after all—exactly what it says on the tin.)

The focus is placed more on Irene herself, as an agent of the Library who has to navigate strange lands without counting on anyone but herself, nor on anyone’s wits but her own. Kai isn’t with her for most of the story, for reasons that are obvious from chapter 1: he’s been kidnapped, and in a reverse Damsel In Distress plot, it’s up to her to save him, with limited help from Vale who, as a human, would likely get mad very quickly in a high chaos level world.

And deliciously trope-y this book is, in more ways than one, both using archetypes and turning them around. The Dark Seductress, the Cunning Spouse/Grey Eminence, the Spy Hero(ine), the Enemies-turned-allies… Irene has to deal with those, and more, as the Fae in this universe are notorious for living vicariously through stories and archetypes, embroiling everybody around in their schemes in order to repeat those very plots. The more powerful the Fae, of course, the more gripping and unavoidable the story.

There’s less of the Library itself this time, and more of the Librarian In Action: this can be good or bad, depending on what wishes to read—I admit I would’ve preferred to see more of the Library and other agents, even though in general I enjoy adventures and spies characters. The Language is a powerful tool when used well, which is shown several times, as Irene can basically bend reality itself, and turn antagonists around by crafting a Story of her own; and yet it doesn’t make her all-powerful, because any circumstances when she cannot speak render her powerless—something she has to constantly keep at the back of her mind, in order to avoid such circumstances.

On the other hand, while there are high stakes and a real danger of war that must be averted, the kidnapping plot wasn’t the strongest one ever. And while keeping Vale as a secondary character was great (I like myself a good old private investigator), not seeing him much was a bit of a letdown. Another thing, perhaps a corollary of the archetype/stories-driven atmosphere, was that it wasn’t always easy to determine whether a particular action or decision was genuine, determined by the “storylines” Irene & al. Were thrown in, or an easy device to have the characters go where the author wanted them to. It both fits and doesn’t, if that makes sense. (And I’m not quite sure what to make of the potential romance subplot. It’s difficult to tell whether Irene is interested in either Kai or Vale in a “genuine” way—romance and love triangles can be pretty good or pretty bad, and can swing so easily from one part of the spectrum to the other…)

The writing felt also heavy-handed at times, laden with adverbs that kept creeping in. To be honest, I mostly read this novel while on the move, and as such I didn’t pay as much attention as I could have to the style itself; however, I suspect that if I noticed this in such conditions, it may be, indeed, rather noticeable in general.

Conclusion: a fun story, with a good deal of action and plenty of nice little tricks for those who enjoy their tropes. Nevertheless, it lacked the spark the Library would have brought it for me (not enough books and book-related heists, I guess).

Yzabel / December 8, 2015

Review: Menagerie

Menagerie by Rachel Vincent

My rating: [rating=2]

Blurb:

When Delilah Marlow visits a famous traveling carnival, Metzger’s Menagerie, she is an ordinary woman in a not-quite-ordinary world. But under the macabre circus black-top, she discovers a fierce, sharp-clawed creature lurking just beneath her human veneer. Captured and put on exhibition, Delilah in her black swan burlesque costume is stripped of her worldly possessions, including her own name, as she’s forced to “perform” in town after town.

But there is breathtaking beauty behind the seamy and grotesque reality of the carnival. Gallagher, her handler, is as kind as he is cryptic and strong. The other “attractions” — mermaids, minotaurs, gryphons and kelpies — are strange, yes, but they share a bond forged by the brutal realities of captivity. And as Delilah struggles for her freedom, and for her fellow menagerie, she’ll discover a strength and a purpose she never knew existed.

Review:

[I received a copy of this novel through NetGalley, in exchange for an honest review.]

An interesting read, for its themes and the issues it raised. What defines “humanity”. How a whole category of beings were enslaved and treated like dirt because they were considered as sub-human and not even worth the attention you’d give a pet. The dichtomy between the handlers, some of whose displayed really crappy features, and the cryptids (with some being savage beasts, but others also being loving parents, like the werewolf Claudio and the cat-shifter Zyanya, much more humane than humans here. There were somewhat decent people in the lot (Alyrose, Atherton)… and yet not everything was in black and white, as these nevertheless didn’t raise above the others: they didn’t want to lose their jobs, they didn’t want to attract unwanted attention from the police, etc. Not the most original approach, and one that became a bit heavy-handed after a while; still, it kept me interested nonetheless.

I liked the depiction of the circus, the state of misery, hunger and weakness the cryptids were left in, with the most “dangerous” ones (sirens, creatures with enchanting powers…) kept sedated. It enhanced how awful their daily life was, although I woud’ve liked to see more world-building in that regard: how came they let themselves be treated in such a way, for instance? Were they killed en masse, threatened with lethal weapons, or captured through more insidious means? Did the humans hit them all at once to ensure they couldn’t strike back? And what exactly was the reaping? A few snippets from “newspaper articles” etc., prefacing the different parts of the novel, brought some insight into the events of the 1980s leading to the cryptids being oppressed; I would’ve appreciated seeing more (or less cryptic snippets), with more details about how exactly this went on.

I found the pacing uneven, too, as events ran much faster in the last chapters—too fast, compared to the rhythm of the novel in general. Even though the supernatural aspects were more exciting, quite a few things happened (for instance, those moments with Delilah’s mother, or with Kevin) and it felt as if they were swept under the carpet quickly after, with little aftermath for the characters. It’s difficult to know if Romilly’s predictions about Eryx were fulfilled here, and we’re done with that arc, or if something else is coming in the next volume. It’s difficult to determine if the events in this book (Adira…) are going to impact the characters, or if this is done as well.

Delilah… I found her annoying most of the time, and while she became better towards the end, I didn’t care much for her. On the one hand, I wanted to root for her because she didn’t let herself be abused without retaliating at least in words; on the other hand, her reactions often bordered on stupid, inviting more abuse. It was tricky, as finding a balance between “giving up” and “biding one’s time until it’s time to strike back” is very difficult, so I can’t fault her for being who she was, but I think the way it was done is what grated on my nerves.

I definitely wasn’t sold on the narrative being in 3rd person, except Delilah’s, in 1st person: because it highlighted what a special snowflake she was, and also because the prose looked weird in places, for instance when she described herself being shocked or in fear: “Terror pooled in my stomach like acid, eating at me from the inside” looks definitely weird in 1st person.

Overall it was an okay novel, but I’m not sure I’m feeling invested enough in the characters to want to read the next book in this series. 2.5 stars.

Yzabel / October 30, 2015

Review: The Prophecy Con

The Prophecy Con by Patrick Weekes

My rating: [rating=5]

Blurb:

Book Two in the Rogues of the Republic series.

Who would have thought a book of naughty poems by elves could mean the difference between war and peace? But if stealing the precious volume will keep the Republic and the Empire from tearing out each other’s throats, rogue soldier Isafesira de Lochenville—“Loch” to friends and foes alike—is willing to do the dishonest honors. With her motley crew of magic-makers, law-breakers, and a talking warhammer, she’ll match wits and weapons with dutiful dwarves, mercenary knights, golems, daemons, an arrogant elf, and a sorcerous princess.

But getting their hands on the prize—while keeping their heads attached to their necks—means Loch and company must battle their way from a booby-trapped museum to a monster-infested library, and from a temple full of furious monks to a speeding train besieged by assassins. And for what? Are a few pages of bawdy verse worth waging war over? Or does something far more sinister lurk between the lines?

Review:

[I received a copy of this novel through NetGalley, in exchange for an honest review.]

I read the first book not long ago, and a lot of what I posted in my review at the time is valid again in here. The heist(s), with several levels of deception, double-crossing the opponent, thwarted plans, having to do with a situation turned for the worst… And with twists that aren’t always planned by all members of the team, ending in somewhat hilarious moments that nicely counterbalance the overall “they’re a bit too ready for absolutely everything” feeling one may get. Because something’s bound to give, to turn sour in a heist, otherwise there wouldn’t be as much interest in reading such adventures—at least not for me.

The characters are mostly the same, with some changes reflecting darker turns of events from the first book. Kail is still his old I-give-a-name-to-everything lockpick and pickpocket, and his skill in wielding “mom jokes” remains the same (also he’s contaminated Icy); however, his brush with mind-bending magic left him a bit more somber, but more decided than ever to fight this. Desidora has returned to her duties, yet is now questioning her role within the team, as she feels she is less useful. (I quite liked the conversations between these two, as their predicaments were somewhat related.) Ululenia and Dairy… well, let’s just say things didn’t exactly go as planned (not to mention that the unicorn had to make a choice whose consequences wouldn’t be so light). Loch is trying to work on the side of a law that doesn’t exactly make things easy for her in that regard. Hessler has broadened his magic, with somewhat dangerous results that however leave room to humorous dialogues: a welcome thing, considering that the tone of the novel is a bit darker and that this time, wounds aren’t only superficial.

We are given a bit more of a view of other parts of the world here: the Empire, the dwarves, the elves, as well as the Ancients themselves. A welcome addition, too. At first sight, it doesn’t stray too far from clichés (Elves had tree-ships and prefer to live far from humans, dwarves are often miners…); however, read just a little longer and the differences become obvious. I especially liked how the dwarves were so polite and orderly, while the elf dignitary was at the same time badass and insufferable (in a funny way). While the rules of magic in this world remain fuzzy, the relationship between magic and elves (through the crustals embedded in the latter) was interesting nonetheless.

This novel may have been slightly less humorous than the first one, because its stakes were higher from the beginning—not just a heist to steal a book and earn tons of money, but preventing a war, and trying not to become the sacrificial lamb in the middle of all this. Oddly or not, I liked it even better for this reason, and for another one: this time, knowing the characters, I could also better anticipate on what their moves might or might not be, and this made it more “logical”, so to speak, when something happened that I would’ve otherwise deemed a deus ex machina. Predictable? In a way. Yet the kind of predictable I like, that I *want* to see happen, and then, when it happens, I strike the air with my fist and I’m all “Yesss!”

4.5 stars. I’ll keep recommending this series, and hope book 3 is on the same level.