Review: The #MonuMeta Social Media Book
The #MonuMeta Social Media Book by Roger Warner
My rating: [rating=3]
Blurb:
Mee Corp is the developer of the world’s number one social network, The Stream. Based at the recently sold-off Natural History Museum, it’s run by bizarre aliens whose seemingly human appearance masks a hideous secret: their sinister mission is to make (fake) people matter. Tara Tamana, The Stream s talented new Head Architect, holds the key to the city’s fate. The trouble is she s got way too much sass to figure it all out – and she’s also gone missing. Who can find her and help her save the day? Enter an ageing janitor, a large marble statue, a small bronze boy and a fairy queen. Their quest is to find the girl and save London from mind control, ham-fisted cloning, and a monstrous arachnid with a voracious appetite…
Review:
[I received a copy of this book through NetGalley.]
This one was a bit of a strange read—I guess I could categorise it as an over-the-top near-future sci-fi cum fairies blend, with an underlying funny criticism of social media, abusing technology, and PR stunts? Even though it took me longer to read than I expected (mostly because I had library books I had to finish in a hurry!), in the end it was a positive read, and I had fun.
The story follows the shenanigans of animated statues, ex-librarians become janitors in a museum converted into offices for a software and social media company, genius programmers sometimes too engrossed in their code for their own goods, spirits of a fairy persuasion, and execs with a shady agenda in the name of their real boss. It has highly amusing moments (the Endless Demo!) as well as scary ones (Tara and her bucket of fake bacon in Tank #6)—yes, those vaguebooking-like descriptions are on purpose, since conveying all the weirdness of that future!London isn’t so easy in just a couple of sentences.
Obviously, the nonsense is on the surface; it does make a lot of sense underneath, provided you set aside all questions about “how can statues be animated” and “why would a person’s skin spontaneously turn blue”, which aren’t so important, in fact. I didn’t need explanations here to willingly suspend my disbelief, which is good. What mattered were the dangers looming over our “heroes”, and these were of a kind that could very well hit home at some point: that is, to which extent our daily immersion into the web and social websites, our obsession with sharing everything and knowing everything about each other online, may end up being abused and affecting us in ways we hadn’t imagined. Behind the humour and the antics of a bunch of misfits sometimes not very well-equipped to understand each other, lies this kind of questioning.
On the downside, sometimes the plot seemed to meander and lose itself, in a way that I can probably blame on plot holes rather than on “it’s meant to be weird.” (I tend to consider that a “nonsensical” story still needs an internal logic of its own to function properly, even if that logic seems complete nonsense on the outside. I hope I’m making sense here.) The villains were also a bit too much of the cartoonish kind, and while it can be fun, I keep thinking they would have remained fun yet more credible if that trait hadn’t been enhanced.
Conclusion: 3 stars—but that’s because over the top tends to be my thing, so if it isn’t yours, maybe you’ll like it less, though.
