fantasy Archives - Page 5 of 12

Yzabel / April 6, 2016

Review: Broken Dolls

My rating: [rating=2]

Blurb:

Ella doesn’t remember what it’s like to be human – after all, she’s lived as a doll for thirty years. She forgets what it’s like to taste, to breathe…to love.

She helps the professor create other dolls, but they don’t seem to hang around for long. His most recent creation is Lisa, a sly goth. Ella doesn’t like Lisa. How could she, when Lisa keeps trying to destroy her?

Ella likes the professor’s granddaughter though, even if she is dying. Gabby is like Ella’s personal bodyguard. It’s too bad the professor wants to turn Gabby into a doll too, depriving her of an education…depriving her of life.

With time running out and mad dolls on the rampage, Ella questions her very existence as she unearths the secrets buried in her past; secrets that will decide whether Gabby will befall the same fate…

Review:

[I received a copy of this book from the publisher, in exchange for an honest review.]

Mixed feelings regarding this novel: while I found the premise intriguing and a bit creepy (dolls who used to be human beings, possibly with a psychotic streak, I mean, come on, think “Chucky”), the explanation behind it all didn’t convince me.

From the beginning, Ella’s life is clearly on the twisted side, with a sort of Pygmalion-and-Galathea streak: she’s living in the attic of a mysterious Professor, who turned her into a doll and seems to love her, but also to keep her locked inside. She cannot go out, she cannot talk to other dolls or people, and all she has—even though she seems content with it at first—is dancing, her bedroom in a chest, and a recorder that she uses to narrate adventures. So when the Professor brings in another doll, Lisa, of course our little heroine is happy… except Lisa quickly starts asking too many questions and behaving strangely, because *she* remembers what it is to be human, and being a doll doesn’t sit with her. At all. No wonder she’s going a bit cray cray here, I think anyone would.

And as Lisa’s “madness” grows, Ella starts questioning more and more things, too, especially when Gabby, the Professor’s granddaughter, comes to spend a few days in the house: Gabby is dying from an incurable illness… and wouldn’t she make a pretty doll, too?

Well, as I said, I liked the story in the beginning; however, when the science part actually was revealed, it just didn’t work. The Professor’s goals were idealistic and positive, yet kind of naïve and unbelievable—I don’t think the achievements he was striving for could be attained just like that. (Although it would be nice if they could.) This was too wishy-washy to my liking. Suspension of disbelief kind of fell and crashed to the floor.

There were a few plot holes, too, that I was hoping would be covered, and… weren’t. What about the epidemics, for instance? A 95% mortality rate, and specifically targetted at O blood type people: that’s quite a lot of potential victims (about 35-40% of the US population is in this group?). It was on the news on TV in the novel, sure, but like an after thought, and it was difficult to believe that people weren’t more in a panic about it.

Also, the whole “she’s a goth so it explains why she’s psychotic (and why she used to cut herself)” was a) uncalled for, b) a stupid cliché. It may have been intended as a joke, but it didn’t feel like it. (Yes, I am totally biased in that regard. There’s so much more to the goth subculture than those images that, in fact, are exactly the ones that hurt, and make people bully those who embrace said subculture. Do not start me on that.)

Conclusion: good ideas in this story, and even though I found it more “OK” than “I really like it”, I may check out other works by this author later. Too bad the second half didn’t follow so much with the whole “creepy dolls” vibe from the first half, as I would’ve liked that more…

Yzabel / March 29, 2016

Review: Hides the Dark Tower

Hides the Dark Tower by Kelly A. Harmon

My rating: [rating=3]

Blurb:

Mysterious and looming, towers and tower-like structures pierce the skies and shadow the lands. Hides the Dark Tower includes over two dozen tales of adventure, danger, magic, and trickery from an international roster of authors. Readers of science fiction, fantasy, horror, grimdark, campfire tales, and more will find a story to haunt their dreams. So step out of the light, and into the world of Hides the Dark Tower—if you dare.

Review:

[I received a copy of this book through Netgalley, in exchange for an honest review.]

This collection of short stories revolve around the theme of “towers”, and more specifically towers of the dark kind: towers of sorcery, alien towers in strange world, sinister lighthouses, towers of the Underworld… There are very few “nice” dwellings here, and a lot of the stories do not carry much hope, or are tinged with a bittersweet side.

I found this a quick and pleasant read in general. While I admit not caring much for the first story (a poem), there was nothing really catastrophic in there. On the other hand, no story felt really above the others as far as I’m concerned. Mostly it’s a matter of a good deal of stories feeling somewhat “unfinished”: too short for me to properly get to care about the characters (“Beneath the Bell Bay Light”, “Core Craving”), with endings that were often too open, as if something was missing (“Giving a Hand”, “Smoke and Sprites”), even though at first they did seem complete. That’s something I’ve struggled with myself, and something I find regularly in other anthologies, and I won’t fault this one specifically. So, all in all, it’s a solid 3 stars, though not more.

The stories I liked best:

“Squire Magic”: Bittersweet indeed, but a nice lesson about magic, and how the most powerful spells aren’t always able to best a cunning mind who knows what to do with “simple” spells.

“The Tower”: a quaint and quiet little town, a man staying close to its roots, and the evil looming abover everyone, in the shape of an old water tower. It had a bit of a Stephen King feeling.

“They Warp the Fabric of the Sky”: Beware what you’re looking for… and do not disregard the power of a smile.

“Kiss of Death”: Somewhat comical and light, yet also a beautiful love story. (And it has a Lich and a Necromancer! Bonus points!)

“Annie the Escaper”: actually, not really a favourite; however, I liked the idea of a species realising in the end it couldn’t live without the other, although not for the most obvious reason.

Special mention for “The Blind Queen’s Daughter” because Arthurian & Lovecraftian mythos together.

Yzabel / March 27, 2016

Review: Steal the Sky

Steal the Sky by Megan E. O’Keefe

My rating: [rating=2]

Blurb:

Detan Honding, a wanted conman of noble birth and ignoble tongue, has found himself in the oasis city of Aransa. He and his trusted companion Tibs may have pulled off one too many cons against the city’s elite and need to make a quick escape. They set their sights on their biggest heist yet – the gorgeous airship of the exiled commodore Thratia.

But in the middle of his scheme, a face changer known as a doppel starts murdering key members of Aransa’s government. The sudden paranoia makes Detan’s plans of stealing Thratia’s ship that much harder. And with this sudden power vacuum, Thratia can solidify her power and wreak havoc against the Empire. But the doppel isn’t working for Thratia and has her own intentions. Did Detan accidentally walk into a revolution and a crusade? He has to be careful – there’s a reason most people think he’s dead. And if his dangerous secret gets revealed, he has a lot more to worry about than a stolen airship.

Review:

[I received a copy of this book through Netgalley, in exchange for an honest review.]

An interesting world with a lot of background remaining to be discovered, and characters that all hide more depth than one would think at first. However, I found the story itself somewhat confusing.

It starts with an offer that our main thief/conman character, Detan Honding, is in no position to refuse, coming from the very captain of the Watch. A strange request: steal the newfangled airship of ex-Commodore Thratia, an exile from the the Valathean empire, infamous for her ruthless methods. Soon enough, though, Detan and Tibal, his friend and associate, realise they may be out of their depth here, and that the players involved aren’t so easy to thwart.

A lot of things revolve around selium, a strange gas found on the Scorched Continent, that can only be manipulated by sel-sensitive people. Privileged in a way, but slaves in many others: they have no other choice than to work in the selium mines (regular people won’t be their friends if their shirk their “duty”…), those who lose their skill are forced into retirement, and those with “deviant” talents are sooner or later captured and experimented upon by the Valathean “whitecoats”. Not such very enthralling prospects. As for criminals in Aransa, the mining city where the story is set, they can choose to die by the axe, or to “walk the Black”, aka letting the scorching sun of the obsidian desert kill them in a matter of minutes (if they’re lucky).

There’s a lot seemingly going on behind the scenes. Valathea, for instance, with its blend of refinement and cruelty (I couldn’t help but envision a mix between Roman and Chinese civilisations, in terms of conquest and clothing, with airships and an elite corps of scientists bent on dissecting people with sel-related abilities). The Scorched had a “Far West/unconquered land” vibe in some ways—perhaps because of the whole desert thing and of how it tried to remain out of Valathea’s influence, but could feel it pressing down closer and closer. Additionally, many characters appear simple at first (Detan is a conman, Ripka the loyal Watch captain, Thratia a ruthless manipulator who won’t hesitate to kill people, the doppel a mysterious killer with a single goal…) yet soon show signs of being more than meet the eye, with agendas and knowledge of their own,

However, while the world felt rich, and provides enough ground to cover more than one book in that regard, the plot was a bit all over the place, as if it couldn’t decide what to focus on. The expected heist (stealing an airship) wasn’t so exciting nor given that much attention, with our conmen being more outclassed than actually able to properly work on it, and with the story veering into murder investigation, and revenge, and intrigue, and a few more things. This felt more confusing than anything else. I guess this is partly a case of “it’s not the book, it’s me”: I like heist stories, but I like them with my burglars/conmen being able to have a marginal success at least. Here, both Detan and Tibs went from failure to failure, with Detan losing his “rogue” charm, and after a while I didn’t really care anymore.

2.5 stars. The setting remains interesting, so I may check the next book if NetGalley or the library has it, because the group at the end has potential for good adventures, complete with an already existing dangerous enemy, and with another potential antagonist looming in the background. We’ll see.

Yzabel / March 17, 2016

Review: The Grace of Kings

The Grace of Kings by Ken Liu

My rating: [rating=3]

Blurb:

Two men rebel together against tyranny—and then become rivals—in this first sweeping book of an epic fantasy series from Ken Liu, recipient of Hugo, Nebula, and World Fantasy awards.

Wily, charming Kuni Garu, a bandit, and stern, fearless Mata Zyndu, the son of a deposed duke, seem like polar opposites. Yet, in the uprising against the emperor, the two quickly become the best of friends after a series of adventures fighting against vast conscripted armies, silk-draped airships, and shapeshifting gods. Once the emperor has been overthrown, however, they each find themselves the leader of separate factions—two sides with very different ideas about how the world should be run and the meaning of justice.

Fans of intrigue, intimate plots, and action will find a new series to embrace in the Dandelion Dynasty.

Review:

[I received a copy of this book through Netgalley, in exchange for an honest review.]

Mixed bag of feelings and opinions regarding this novel: it has the making of a great epic, with battles and politics and court intrigue and betrayals… but more than once, it read more like a history book, which didn’t make the characters really three-dimensional.

This is the story of Mata Zyndu, “the Chrysanthemum”, scion of a noble though destroyed family, a powerful warrior destined to do great things and convinced everything and everyone has their rightful place in the world; and Kuni Garu, “the Dandelion”, a good-to-nothing son turned gangster for want of fidning a goal in life first, but who’s gradually proving himself very resourceful. As Emperor Mapidéré’s reign of terror plunges more and more people into poverty and forced building works, these two men, each for their own reasons, find themselves taking arms in the hopes of making the isles of Dara a peaceful set of kingdoms again… But can thisbe achieved, or will the empowered kings go back to petty squabbling of old?

As a lot of stories go, it is ripe with strife, brothers turning against each other, allies found where nobody ever expected them, faithful families and love interests turned traitors, and… ell, you name it, it probably has it. The pacing was usually fast, covering several weeks or months at times, the novel spanning a few years of fights and rebellion and of trying to build a new world. It never wants for events, for the tide turning suddenly for this or that character, for another character managing to come up with a new deal, and so on.

The setting is reminiscent of feudal Chinese society, with a dash of steampunk (there are rudimentary airships, and later steam technology gets developed). The Emperor is law, everybody’s below him, those who voice out their criticism tend to be silenced forever very quickly. Sons and daughters are expected to uphold the family’s honour, and if they don’t, they often get cast away or at least partly shunned. While I confess not knowing much to Chinese history, customs and mores, the story managed to make me feel its influences, in a good way. I had no trouble imagining the complex sitting and greeting etiquette, or to picture schools with ancient men dispensing the teachings of sages of old (obviously modelled on Confucius or Sun Tzu, but whether this is plagiarism or homage didn’t matter much to me, since I liked the world depicted here).

And even though the world of Dara isn’t perfect, even though the Emperor is a tyrant and his son a naïve, sheltered teenager, there aren’t only bad sides to the “tyranny”: as Mapidéré displaces noble families to prevent them from rallying supporters in their original lands, trade develops (because, simply enough, people sent to other islands long for their home’s cooking and clothing, and so on). There’s a vision gone wrong in all this… but a vision nonetheless.

On the downside, the writing style, while beautiful in some places, often felt dry and too descriptive—too much telling, not enough showing, making the action read as if it was being told by a remote observer. This in turn impeded the characters’ development, as often, too, we’re told of their merits and flaws, of how they evolve… instead of being shown. I still found myself rooting alternatively for Kuni, for Mata, for Gin and a few others; nevertheless, I would’ve liked them even more had their potential complexity really shone through, rather than being recounted. And they really had such potential, considering the nest of opportunities and treasons they went through. So many scenes that could have been between Jia and Risana, for instance, but were told in too few, too short paragraphs.

Also, I must admit I didn’t really care for the part played by the gods. So they shouldn’t interfere directly… but some did it indirectly… but was it really so indirect… but wait, in the end it’s still the mere mortals making history anyway… I sort of get this message, however the way it was handed felt like a series of devices meant to advance the plot, and nothing more.

Conclusion: mostly I liked this story, and may check the second volume later. It had potential for something bigger, though, something grander, especially when the characters were concerned—and in the end, it wasn’t so much.

Yzabel / March 8, 2016

Review: The Shadow Queen

The Shadow Queen by C.J. Redwine

My rating: [rating=2]

Blurb:

Lorelai Diederich, crown princess and fugitive at large, has one mission: kill the wicked queen who took both the Ravenspire throne and the life of her father. To do that, Lorelai needs to use the one weapon she and Queen Irina have in common—magic. She’ll have to be stronger, faster, and more powerful than Irina, the most dangerous sorceress Ravenspire has ever seen.

In the neighboring kingdom of Eldr, when Prince Kol’s father and older brother are killed by an invading army of magic-wielding ogres, the second-born prince is suddenly given the responsibility of saving his kingdom. To do that, Kol needs magic—and the only way to get it is to make a deal with the queen of Ravenspire, promise to become her personal huntsman…and bring her Lorelai’s heart.

But Lorelai is nothing like Kol expected—beautiful, fierce, and unstoppable—and despite dark magic, Lorelai is drawn in by the passionate and troubled king. Fighting to stay one step ahead of the dragon huntsman—who she likes far more than she should—Lorelai does everything in her power to ruin the wicked queen. But Irina isn’t going down without a fight, and her final move may cost the princess the one thing she still has left to lose.

Review:

[I received a copy of this book through Edelweiss, in exchange for an honest review.]

It’s been a while I received it, back when it was still an ARC, so I won’t comment about formatting and the few typos I found. It happens.

I’d deem it a decent “Snow White” retelling, in that it keeps its main themes (evil queen, princess fleeing in the forest, hunter sent to take her heart and coming back with an animal’s heart…) but thankfully veers away from the typical princess-in-distress trope—that one can get boring and tiring when there’s nothing else to the princess than “I’m pretty and in distress”. Lorelai had to learn to fend for herself, growing up in exile and always on the move, while also learning responsibility: towards the kingdom she has to reclaim one day, and towards her little brother Leo, whom she was entrusted to protect by her dying father. One may argue that if reclaiming the throne was so important, she’d have done it sooner; however, she was a child at the time, and waiting until she’s 17 is more logical than lame. In spite of what Gabril tells her at some point, I don’t think you should go fighting when you obviously have no chance of winning: it wouldn’t achieve anything in the end, except making you die before your time and ruining your people’s hopes. So I’m totally OK with that.

(I was less OK with what prompted Lorelai to more action, that is, one of the characters falling under the enemy’s blows. It was a funny character, whom I’d have liked to read more about, and it felt more like a cheap ploy than an appropriate “motivator”. Maybe that’s just me.)

So we have Lorelai, Leo and Gabril, and then Kol, Trugg and Jyn, the Draconi (half-human, half-dragons) trying to save their kingdom. To do so, Kol bargains with Irina, the Evil Queen, and that doesn’t end well for him. Naive and foolish little prince and princess, thinking they can deceive a deceiver. Ah, but something had to go wrong, right?

As expected (and in a way, it’s good, because unsufferable characters who don’t grow up are annoying), Lorelai has to take action, accept to use her magic instead of always hiding, and to wage war upon Irina. Her plans weren’t terribly twisted, but they weren’t the most idiotic ones either, as they mostly made sense: risky, yet calculated, and clearly aimed at weakening the enemy. Lorelai has a strategist’s streak, and she doesn’t attack anything or anywhere just for the sake of attacking.

I liked that Irina was made more of an evil character whose side of the story is never shown: she had her reasons, and we get a glimpses of them. Unfortunately, I had come to expect more in that regard, and in the end it was never truly “explained”—or, rather, her motives were explained on the surface, but I didn’t feel them as tangible, as something she really suffered for. There was jealousy, and her certainty of having been let down by her family, and wanting to reclaim what she saw as her own. There was a dilemma, too, as she had to choose between power and people. However, the latter went too fast, was decided too quickly. It was an important turning point of sorts, and as such, it would’ve deserved more screen time? I mean, if it’s about explaining a villain’s motives, might as well go all the way.

The writing was OK, not exceptional. The characters had their good sides, and were brave, but they don’t really float above many other characters, they didn’t left me with much of an impression. I didn’t care about the romance, which was close to insta-love. In spite of a lot of action, it felt somewhat boring at times. Overall it was alright, but nothing original or eye-opening in the end.

Yzabel / February 24, 2016

Review: It’s A Wonderful Death

It’s a Wonderful Death by Sarah J. Schmitt

My rating: [rating=2]

Blurb:

Seventeen-year-old RJ always gets what she wants. So when her soul is accidentally collected by a distracted Grim Reaper, somebody in the afterlife better figure out a way to send her back from the dead or heads will roll. But in her quest for mortality, she becomes a pawn in a power struggle between an overzealous archangel and Death Himself. The tribunal presents her with two options: she can remain in the lobby, where souls wait to be processed, until her original lifeline expires, or she can replay three moments in her life in an effort to make choices that will result in a future deemed worthy of being saved. It sounds like a no-brainer. She’ll take a walk down memory lane. How hard can changing her future be?

But with each changing moment, RJ’s life begins to unravel, until this self-proclaimed queen bee is a social pariah. She begins to wonder if walking among the living is worth it if she has to spend the next sixty years as an outcast. Too quickly, RJ finds herself back in limbo, her time on Earth once again up for debate.

RJ is a snarky, unapologetic, almost unredeemable, very real girl. Her story is funny and moving, and teens will easily connect with her plight. Prepare to meet the Grim Reaper, who’s cuter than you’d expect; Hawaiian shirt–wearing Death Himself; Saint Peter (who likes to play Cornhole); and Al, the handler for the three-headed hound that guards the gates of Hell. This cast of characters accompanies RJ through her time in the afterlife and will do their best to gently shove her in the right direction.

Review:

[I received a copy of this book through Edelweiss, in exchange for an honest review.]

Cute in some ways, although I really couldn’t get along with the main character, which is my main gripe with this novel: I get that RJ had to start with room to change in terms of personality and actions, since otherwise there wouldn’t have been such a fuss about whether she should be allowed to go back to living… but she was seriously annoying. What she considered witty and snarky comebacks were ridiculous and whiny, and I definitely won’t fault any of the other characters for calling her a spoiled princess. She came off as a brat, which made it very difficult to root for her and to want to see her unfair circumstances changed.

And they were unfair, so at least one could understand why she felt entitled to try and fight that “oh, I accidentally killed you instead of that other person I was meant to reap… Whoops, too bad, let’s move on, welcome to the afterlife, please get in line.” It’s just that after a while, my reactions were to roll my eyes at yet another iteration of RJ blabbing and putting her foot in her mouth when probably anybody and everybody else would have understood *now* was the time to shut up. Maybe it’s just me who can’t stand such characters. Or maybe she was just, well, more annoying than she was meant to be: befitting her personality, but still not something I’d like to read about for 200 pages. It didn’t help that so many people in the afterlife tended to view her as special, as deserving to see her case appealed—I couldn’t see why so many people would side with her. Her success would set a precedent, yet I can’t believe people in general would root for a self-entitled brat without having second thoughts about it. (Granted, some characters were in it for the power struggle and for cashing in favours: this at least felt logical.)

Fortunately, after RJ goes through her “trials”, she does become a more pleasant person to follow—not really because of her actions, in fact, but because her shark was more toned down and felt more “well-placed” than “bratty”.

Another problem, that I don’t know how to describe exactly: the changes she went through seemed drastic and a bit too much on the unbelievable side for me to buy them (from self-centered bully and special snowflake to nice girl who stands up for her friends and does good deeds). However, I think this has much more to do with RJ’s trials, which I felt were too short and handled too quickly. Basically the focus was much more on the “world of the afterlife”, on secondary characters like Cerberus’ handler, on the angel presiding over the tribunal and the antagonistic relationship between him and Death, and this left little room for RJ actually reliving some important moments of her past and figuring out what she had failed to do the first time. Had those been more in the spotlight, had there been more of such moments (or had these three just been longer, with more conundrums for RJ to tackle), it would’ve made her change more convincing. As they were, they ended up an afterthought, a sort of checkpoint, rather than the turning points the blurb made me expect them to be. The desired outcome was so obvious anyway…

Daniel and Madeline were nice characters, too, with Madeline casting a fresh breeze over them all: knowing she was going to die, and nevertheless choosing to live her life on her own terms, in joy and friendship (sorry, the “I’m terminally ill so I’m entitled to be an asshole” attitude doesn’t sit well with me either).

Overall the plot was sweet, though simplistic, with only a couple of twists that I could see coming, to be honest. Like a nicely wrapped gift box whose contents you’ve already guessed. It won’t be more to me than “it’s nice”. I didn’t like the book, I didn’t dislike it, and it’ll likely end up as one of those reads I’ll forget quickly.

Yzabel / February 21, 2016

Review: The Paladin Caper

The Paladin Caper by Patrick Weekes

My rating: [rating=4]

Blurb:

A thief’s good deeds are never done.

Loch and her crew are determined to stop the ancients from returning to reclaim the world they once ruled, but a kidnapped friend throws their plans awry. When a desperate rescue turns into a shocking reunion, the ancients return and seize power. Determined to stop them, Loch and the crew look for a way to close the gate to the ancients’ world, but this time, they find themselves up against an enemy that has insinuated itself into the highest ranks of the Republic. Cruel, cunning, and connected, the ancients target the crew’s families and histories, threatening to tear friendships apart.

If that weren’t bad enough, Loch must deal with her treacherous assassin sister, her turncoat ancient friend, and a daemon who has sworn to hunt her to the ends of the earth. In order to save the Republic and pull off her largest con ever, Loch will need her friends…and maybe her enemies too.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

The tone in this last volume of the trilogy is different: somewhat darker, dealing with a more “end of the world”-oriented plot, following several plot points set in place in the previous books, and bringing a nicely-wrapped conclusion to the series. Perhaps too nicely-wrapped? I liked it in general, but I guess I would’ve appreciated finding more of the first installment’s humour.

Loch’s usual band of misfits gathers again to disrupt the Ancients’ plans, starting with one of their typical heist/cons, in a fashion any reader of this series will recognise. As usual, too, the story goes through a lot of twists and turns: events where our heroes find themselves in dire straits, but had planned for contingencies and switch to Plan B, and so on.

The characters remain well-rounded, resourceful each in their own ways, with their strengths and weaknesses: the ones we know, the ones we see them overcome. Desidora has to deal with her desire to get revenge on the friend who betrayed her, and Ululenia with the transformation she started going through in volume 2. Kail, Loch and Tern get struck where it hurts, as they have to worry for their loved ones. Dairy, definitely not the naïve young man anymore, has to go through his own ordeals, and try to discover himself in the process. Other, secondary characters are brought back into the fray as well. As for the enemies, they are cunning enough, don’t hesitate to resort to villains’ tactics (hostages, etc.), and manage to be both out of this world and curiously human at times, too.

The story circles through these themes both seriously and humorously. Kail and his “your mother” jokes, for instance: what does it say about his loyalty to his own family? Ululenia and her new urges: they get expressed in ways that correspond to her, making her gradually switch from virgin-lover unicorn to a darker, more eoritcally-inclined version of herself (in amusing ways at times, such as her mind-altering alliterations turning into different words, and in much more lethal ones at other times). Tern with her reactions, the way she makes her friends understand what they need to do, not by ordering them around but through psychology—all the while having to stay away from people she still cares about. Naria with her little games and her ambivalence: it’s so hard to tell whether she’s “nice” or a “traitor”, and this makes her more interesting, as it’s never clear-cut. Pyvic and Derenky: the latter wants the former’s job, everybody knows it, and everybody (Derenky included) jokes about it. And other countless little things.

In terms of pacing, much like the characters, we never get to fully rest, and it’s obvious that something is always bound to happen. The breaks they manage here and there are never meant to last, and it makes for a grand finale, with action scenes going parallel to each other, enemies that won’t relent on the means to take our heroes down, and various settings where every person, every small team has a key role to play.

I am undecided as to some of the twists, though: the last third rests on actions that the characters have planned, but that the readers aren’t aware of, and while it’s surprising and befitting Loch & Co’s wits and abilities to improvise, it also brushes upon of a device consisting in denying information to readers—in other words, it made me wonder if there wouldn’t have been a way of letting me, reader, suspect something, without having to use what looked a lot like a deus ex machina. (Not in terms of new events happening: in terms of events that happened in the past, yet are revealed in such a way that they seem to arrive out of nowhere.)

The story’s also lacking a sense of urgency when it comes to people dying. Not everyone gets out of there unscathed, however considering the world-shaking potential consequences, the novel seemed to end just a tad bit too conveniently for some (and the scarred ones felt slightly like an afterthought, as if someone had to get hurt for this to be believable, so, hey, let’s hurt a few people).

The social commentary, finally, is a bit of an oddball: heavy-handed in some ways, yet crafted through the story in a logical manner that highlights and mocks injustices. Depending on one’s mood and sensibilities, this could be a problem. I will confess to paying more attention to the action and characters than to how this commentary was to be taken—sometimes, I guess I just happen to bypass that kind of things.

I’m still giving this novel 4 stars. In spite of my reservations about it, I enjoyed it, and enjoyed seeing all the arcs gathered and solved. The characters are clearly ones I’ll keep in my mind for some time.

Yzabel / February 19, 2016

Review: The Masked City

The Masked City by Genevieve Cogman

My rating: [rating=3]

Blurb:

Librarian-spy Irene is working undercover in an alternative London when her assistant Kai goes missing. She discovers he’s been kidnapped by the fae faction and the repercussions could be fatal. Not just for Kai, but for whole worlds.

Kai’s dragon heritage means he has powerful allies, but also powerful enemies in the form of the fae. With this act of aggression, the fae are determined to trigger a war between their people – and the forces of order and chaos themselves.

Irene’s mission to save Kai and avert Armageddon will take her to a dark, alternate Venice where it’s always Carnival. Here Irene will be forced to blackmail, fast talk, and fight. Or face death.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

3 stars. The Library-verse and the main characters are now established, and the plot could therefore fulfil its course without much exposition. (Although the “negative” point here is that I don’t think reading “The masked City” without having read “The Invisible Library” would be a good decision… but then, that’s why it’s called a second volume in a series, after all—exactly what it says on the tin.)

The focus is placed more on Irene herself, as an agent of the Library who has to navigate strange lands without counting on anyone but herself, nor on anyone’s wits but her own. Kai isn’t with her for most of the story, for reasons that are obvious from chapter 1: he’s been kidnapped, and in a reverse Damsel In Distress plot, it’s up to her to save him, with limited help from Vale who, as a human, would likely get mad very quickly in a high chaos level world.

And deliciously trope-y this book is, in more ways than one, both using archetypes and turning them around. The Dark Seductress, the Cunning Spouse/Grey Eminence, the Spy Hero(ine), the Enemies-turned-allies… Irene has to deal with those, and more, as the Fae in this universe are notorious for living vicariously through stories and archetypes, embroiling everybody around in their schemes in order to repeat those very plots. The more powerful the Fae, of course, the more gripping and unavoidable the story.

There’s less of the Library itself this time, and more of the Librarian In Action: this can be good or bad, depending on what wishes to read—I admit I would’ve preferred to see more of the Library and other agents, even though in general I enjoy adventures and spies characters. The Language is a powerful tool when used well, which is shown several times, as Irene can basically bend reality itself, and turn antagonists around by crafting a Story of her own; and yet it doesn’t make her all-powerful, because any circumstances when she cannot speak render her powerless—something she has to constantly keep at the back of her mind, in order to avoid such circumstances.

On the other hand, while there are high stakes and a real danger of war that must be averted, the kidnapping plot wasn’t the strongest one ever. And while keeping Vale as a secondary character was great (I like myself a good old private investigator), not seeing him much was a bit of a letdown. Another thing, perhaps a corollary of the archetype/stories-driven atmosphere, was that it wasn’t always easy to determine whether a particular action or decision was genuine, determined by the “storylines” Irene & al. Were thrown in, or an easy device to have the characters go where the author wanted them to. It both fits and doesn’t, if that makes sense. (And I’m not quite sure what to make of the potential romance subplot. It’s difficult to tell whether Irene is interested in either Kai or Vale in a “genuine” way—romance and love triangles can be pretty good or pretty bad, and can swing so easily from one part of the spectrum to the other…)

The writing felt also heavy-handed at times, laden with adverbs that kept creeping in. To be honest, I mostly read this novel while on the move, and as such I didn’t pay as much attention as I could have to the style itself; however, I suspect that if I noticed this in such conditions, it may be, indeed, rather noticeable in general.

Conclusion: a fun story, with a good deal of action and plenty of nice little tricks for those who enjoy their tropes. Nevertheless, it lacked the spark the Library would have brought it for me (not enough books and book-related heists, I guess).

Yzabel / February 16, 2016

Review: The Dark Days Club

The Dark Days Club by Alison Goodman

My rating: [rating=4]

Blurb:

London, April 1812. On the eve of eighteen-year-old Lady Helen Wrexhall’s presentation to the queen, one of her family’s housemaids disappears-and Helen is drawn into the shadows of Regency London. There, she meets Lord Carlston, one of the few who can stop the perpetrators: a cabal of demons infiltrating every level of society. Dare she ask for his help, when his reputation is almost as black as his lingering eyes? And will her intelligence and headstrong curiosity wind up leading them into a death trap?

Review:

[I received a copy of this book through Edelweiss, in exchange for an honest review.]

3,5 stars. A bit slow, but I realised I didn’t mind this: mostly it was due to the depiction of Regency Era daily life for a young noblewoman debuting in society, and considering that this was one of the stakes in the narrative, it felt appropriate.

In 1812 London, with London wary about the advance of Napoleon Bonaparte in Europe, Lady Helen Wrexhall is coming of age under the watchful eye of her aunt and uncle, who brought her and her brother up after their parents drowned at sea. While Helen’s life seems perfect in many ways considering the times and her place in society (she has, after all, a title, fame, and money), her family’s history keeps casting a shadow on her reputation: her mother was rumoured to be a traitor to the crown, and because of that “stain”, it is of the utmost importance that she remains a proper lady in all circumstances. And “proper lady” involves many things that she is not, and not so many things that she is—that is, full of wit and energy, and eager to learn (she is skilled in Latin and natural philosophy, among other things… all matters that were tolerated when she was a “girl”, but won’t fit a “grown-up woman”).

The writing style in general was fluid and the descriptions pleasant. A great deal of the narrative deals with the dichotomy in Helen’s life. She tries to conform to what her aunt and uncle expect from her, but with a certain degree of unease: should she shun her mother like her uncle demands her to, publicly denouncing her as a traitor, or keep her head high and remember the loving mother she only for the first eight years of her life? And all the while, she discovers more and more troubling truths about the world she’s always taken for granted. Truths involving a dark and dashing young lord rumoured to have murdered his wife, a group of people with noble and less noble motives, and perhaps also her mother’s activities.

I liked Helen in general: headstrong but not too stupid to live; willing to discover the truth but also frightened by it and trying to understand what she really wanted (and wanted to do);doing what she could to fit in yet frustrated by all the limitations placed upon her both by society and by her family. Her relationship with Darby was strong, a beautiful budding friendship rather than a simple maid-and-lady relationship, with mutual respect and trust.

The supernatural aspect is fairly “easy” and traditional—creatures living hidden amidst humans, feeding upon them, vs. a group of men and women dedicated to fighting them—but all in all, it worked, and it brought enough dark elements and secrets to keep me entertained and interested. Obviously enough, Helen finds herself embroiled into their activities, and torn between her perceived duties as a lady and her perceived duties regarding those truths she uncovered. Trifling matters? Perhaps, but to be expected in relationship to her social position. Balancing supernatural activities in secret when you’re still dependent on a male parent (who also controls all your money and watches you to make sure you’re not going to turn “evil” like your mother)… Well, it’s not so easy, and more is at stake than just being grounded for a few days. Helen’s struggles to come to terms with what *she* wanted to do—she, not her uncle, or her brother, or her aunt, or Carlston, or even her mother—felt true, and highlighted the general struggles of other women of that era: does one have to remain stuck in a role defined by others, or can she hope to decide on her own life?

I got a bit tired of the overall slowness (and some info-dumping) around the middle of the novel, to be honest—although it fortunately picked up in the last part, there were some places where I wished the plot would move faster, or that the action scenes were more intense (Helen wasn’t exactly a fighter in those, and her being a spectator rather than an actor also impeded the narrative’s rhythm). The descriptions and everyday life would likely be good for a reader wanting to read about those, but not so much if one is in another mood.

I also found that other characters weren’t as fleshed out as Helen, and I wish I could have gotten to know them better. In a way, I’m glad that the romance part was far from being a huge subplot, because I would’ve needed to feel more about Carlston for that.

All in all I liked this story and will gladly pick the next volume… although I hope its rhythm will be a bit faster.

Yzabel / February 5, 2016

Review: The SEA Is Ours

The Sea Is Ours: Tales from Steampunk Southeast Asia by Jaymee Goh

My rating: [rating=3]

Blurb:

Steampunk takes on Southeast Asia in this anthology

The stories in this collection merge technological wonder with the everyday. Children upgrade their fighting spiders with armor, and toymakers create punchcard-driven marionettes. Large fish lumber across the skies, while boat people find a new home on the edge of a different dimension. Technology and tradition meld as the people adapt to the changing forces of their world. The Sea Is Ours is an exciting new anthology that features stories infused with the spirits of Southeast Asia’s diverse peoples, legends, and geography.

Summary:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

An interesting change of setting, mixing south-eastern Asia culture and various other aspects to engineering and more “steampunkish” elements. I appreciated this nice change of pace, so different from the typical corset & goggle aesthetics: though I still love the latter, variety is always good, and the whole steam/mechanical technology shouldn’t be restricted to European or American settings.

Descriptions and characters mostly felt real enough, and I had no trouble imagining what their surroundings looked like. Some stories used “foreign” words whose meaning wasn’t too difficult to guess, so it added to the immersion factor while not being overly confusing. A certain dichotomy also permeated this anthology, though in a harmonious way, in that several of the stories mixed technology with traditional or supernatural aspects: the Westerners’ cold, rational technology as opposed to a technology combining magic or spirits to science. As simplistic as the first may seem, it still flowed well enough for me.

What I found lacking in this anthology is something I find both very difficult to achieve as a writer, and lacking in short stories in general: it came with a lot of excellent ideas, character concepts and backgrounds, but tended to leave the reader to dry by cutting off abruptly the narratives. I kept expecting either more of a punchline at the end of stories, or to learn that those had also been developed / were to be developed into novellas or novels later. As a result, I more than once reached the end of a story thinking “am I missing a few pages here?”

Favourite stories:

“On the Consequence of Sound”: though the ending was a bit predictable, I really liked the idea of using music to make items and ships levitate.

“The Unmaking of the Cuadro Amoroso”: exploring various ideas, such as artists that are also scientists (or is it the contrary?), science versus faith, an oppressive government, revenge, and a polyamorous relationship presented in a totally natural way.

“Working women”: a bit too abrupt to my taste in how events unfurled, however I liked its weaving of three women’s stories, colliding through mechanical transformations, how society perceived them, and how they acted to (re)claim their own worth and independence.

Formatting: a few typos here and there, however I read an ARC, so this was probably to be expected. I don’t know about the printed book.