first to read Archives

Yzabel / April 22, 2019

Review: Delta-v

Delta-v by Daniel Suarez
My rating: [usr 2.5]

Blurb:

When itinerant cave diver James Tighe receives an invitation to billionaire Nathan Joyce’s private island, he thinks it must be a mistake. But Tighe’s unique skill set makes him a prime candidate for Joyce’s high-risk venture to mine a near-earth asteroid–with the goal of kick-starting an entire off-world economy. The potential rewards and personal risks are staggering, but the competition is fierce and the stakes couldn’t be higher.

Isolated and pushed beyond their breaking points, Tighe and his fellow twenty-first century adventurers–ex-soldiers, former astronauts, BASE jumpers, and mountain climbers–must rely on each other to survive not only the dangers of a multi-year expedition but the harsh realities of business in space. They’re determined to transform humanity from an Earth-bound species to a space-faring one–or die trying.

Review:

[I received a copy of this book through Penguin’s “First To Read” program, in exchange for an honest review.]

Quite an interesting novel, with parts that definitely made me want to keep reading in spite of my better judgment (read: “maybe it’s time to sleep it’s past midnight and I’m supposed to get up at 5:30 to go to work oh my”). Considering the stakes and the setting, obviously things couldn’t go perfectly, and the characters were bound to run into all sorts of trouble. Although there could have been more trouble than there was, but then, they’d have ended up all dead, because you can’t very well weather ten asteroid showers and the likes without any damage (not a spoiler, I’m just using some generic example here). So all in all, the ratio of suspense vs. things that work vs. things that turn to crap more quickly than you can blink was fairly good.

I also really enjoyed the science and the research behind the space technology presented throughout the novel. I wasn’t always on board (see what I did there) with absolutely everything in terms of medical impact on the astronauts’ bodies—but then, considering what our current astronauts already have to go through just after 6 months on the ISS, going for 100% accuracy may just have led, here too, to a bunch of very dead characters, very quickly. I guess we can use some suspension of disbelief on the grounds of “it’s 2030-ish and the consequences are better known, so they’re better prepared, too”. So, in general, I pretty much liked reading the explanations, how the ship was meant to function.

The geopolitical side was interesting, too. It is clearly grounded in our present, where corporations invest in space travel and research, and some of the investors/CEOs we meet in the story are definitely parallel descendants of people like Musk and Bezos—although in that regard, Nathan Joyce is probably closer to those, in terms of investing and betting everything on a very daring scheme.

The reason I’m not rating “Delta-v” higher is because, like other books of the same type, I found it too ambitious for just one volume. There are two very distinct parts in it: the training and the actual mission, and I kept feeling that each would have warranted a novel of its own. Because of length constraints (I suppose), the author had to go with storytelling shortcuts, which made for a choppy rhythm all along. For instance, one chapter shows what’s happening on the first day of training, and then two chapters later we’re at “a few weeks later”, and so on.

My other problem likely resulted from this “shortening an ambitious story into one book”: I found the characters too one-dimensional, and at the end, I didn’t get to know them well enough to really, fully care about them. Tighe is probably the one we know most about, but not so much the others (we get glimpses about Dave, Isabel and Han, but Nicole, Amy and Adisa remained rather a trio of unknowns, apart from a couple of defining feature such as “he’s a genius with computers and hacking” and “she needs to escape Earth because she can hear the movement of tectonics and it drives her bonkers”). And let’s be honest, in a story like this one, we need to care about the characters; we need to be much more invested about them.

Conclusion: 2.5 to 3 stars. Enjoyable and exciting technology, but too ambitious for just one book.

Yzabel / April 8, 2019

Review: The Department of Sensitive Crimes

The Department of Sensitive Crimes: A Detective Varg novel by Alexander McCall Smith
My rating: [usr 1.5]

Blurb:

The Girl with the Dragon Tattoo introduced us to ‘Scandi noir’. Now, welcome to Alexander McCall Smith’s world of Scandi blanc . . .

Ulf Varg works in Malmo’s Department of Sensitive Crimes. Like all Scandinavian detectives he has his issues. In his case these include his unresolved feelings for his colleague, Anna; his impatience over the seeming incompetence of his irritating colleague Blomquist; and his concerns for the health of his hearing-impaired dog, Marten, the only dog in Sweden (and possibly all Scandinavia) who is able to lip-read (in Swedish).

Along with his colleagues, Ulf is called upon to investigate a bizarre attack on a market trader, the disappearance of a handsome man who may or may not exist, and the affairs of a variety of young female students whose relationships with one another leave a great deal to be desired.

Ulf and his team come to realise that the world is a puzzling place, lycanthropy (were-wolfism) exists and fish might have something to teach us. There is so much to learn if you are a Swedish detective, and in the first book in this new quasi-Scandinavian series, Ulf Varg embarks on these lessons with spirit and good humour.

Review:

[I received a copy of this book through Penguin’s “First To Read” program, in exchange for an honest review.]

I thought this would be the introduction to a series with investigations a little on the strange side, and quirky characters. The cases indeed had a bit of oddity (a man knifed at the back of the knee, a boyfriend who may or may not exist…), but I didn’t enjoy the characters and their interactions much.

I think the breaking point for me (well, not really a point, since it kept going on throughout the whole novel…) was the way their thoughts and conversations were meandering. In a way, they surely did mirror how our thoughts in general go from A to E through convoluted paths and associations of ideas; the problem is that this doesn’t translate very well into written form, unless perhaps you’re called James Joyce, and even then, I wouldn’t bet on it systematically. As a result, the characters took their sweet time getting to the fact, and to be honest, I found that their reflections about their own lives intruded all in the wrong places, such as between two paragraphs pertaining the investigation. The amount of useless dialogue lines kept breaking the flow of the story, and didn’t endear me to said characters.

Another problem was the nature of some of those conversations, taking gratuitous jabs at people: reflections about the size of a policewoman’s buttocks (such a professional conversation, that), or calling a secondary character a midget, or being not even vaguely sexist—even coming from the female investigator, Anna, when she addresses the matter of the young woman in the second “crime”, and declares “Hormones come into it” (to which Varg agrees with a heartfelt “Don’t they always?”). I mean… No? Just no? Was this really necessary? What was it meant to achieve?

All in all, I was disappointed here. I was expecting a sort of quirky, adorkable atmosphere, but it felt at best bland, and at worst somewhat rancid.

Yzabel / January 24, 2019

Review: Breach

Breach by W.L. Goodwater

My rating: [rating=3]

Blurb:

AFTER THE WAR, THE WALL BROUGHT AN UNEASY PEACE.

When Soviet magicians conjured an arcane Wall to blockade occupied Berlin, the world was outraged, but let it stand for the sake of peace. Now after ten years of fighting with spies instead of spells, the CIA has discovered the unthinkable:

THE WALL IS FAILING.

While refugees and soldiers mass along the border, operatives from East and West converge on the most dangerous city in the world to stop the crisis or take advantage of it.

Karen, a young magician with the American Office of Magical Research and Deployment, is sent to investigate the breach in the Wall and see if it can be fixed. Instead she will discover that the truth is elusive in this divided city, and that even magic itself has its own agenda.

THE TRUTH OF THE WALL IS ABOUT TO BE REVEALED.

Review:

[I received a copy of this book through the First to Read program, in exchange for an honest review.]

Set in an alternate 1950s Berlin, “Breach” presents a different version of the Cold War: one where the bomb did help the Allies to win World War II, but against an enemy that had both an army and magic. The Berlin Wall, therefore, is not here merely a material wall: it is also made of magic, cast by a mix of Soviet magicians at the end of the war. And now the Wall is falling, and it’s up to both the CIA and their counterparts in the East to figure out what’s happening, how to rebuild it, and how to prevent a new war. From the USA, young magician Karen O’Neill is sent to help investigate; of course, as she discovers, things aren’t so straightforward; the men in Berlin have just as much trouble to adjust to the idea of a woman doing something else than having a husband and children; and there’s no way of telling who’s a liar, who’s not, and who’s mixing both so well that finding out the truth becomes the most difficult task ever.

The novel has its rough edges and, at times, awkward sentences and point of view switches. Some characters are clearly on the cliché side (like George, the manly-male magician who can’t get over seeing Karen sent to Germany rather than him, or Kirill, who apparently just likes to be cruel and doesn’t do anything else in life?), and not as developed as they could’ve been. And Karen’s way of facing her male peers usually amounts to giving in to the same attitudes as theirs, which makes her look perhaps too much on the defensive, which in turn diminishes her stronger side.

However, in terms of the world presented here and of the story itself, this story was a fairly enthralling read. It had, all in all, what I was looking for when I requested it. Spies and a Cold War backdrop. Magic that from the beginning offers a glimpse of its darker side (Karen and her colleague are desperately trying to find a way to use magic to heal people, because otherwise, magic seems pretty much suited for destruction and killing first and foremost). A female character, too, who has her flaws but refuses to give up and wants to get to the bottom of things. Secrets from the War, resurfacing. Extraction operations and forays into more the enemy side of Berlin. While at first, the magic itself doesn’t look terribly impressing (old, musty spells in Latin, etc.), there comes a moment when more about it is unveiled, and it hints at something definitely worth keeping in check. At all costs. (Not going to spoil, so let’s just say it dealt with a kind of effect that typically fascinates me.)

Unexpectedly, or maybe not, I found myself rooting for Erwin more than for the other characters. He has his own very dark past, but is also honestly redeeming himself, and not by hiding behind other characters—he gets his own hands dirty just as well.

Even though the pacing in the first half was slower, discovering this alternate world was enough to keep my attention here. The second half is more dynamic, although I’m torn about some of it (the finale being both awesome and “too much”, and I really can’t tell where I stand about it). The very ending, in hindsight, wasn’t unexpected; this said, it still got me, so cheers to that.

Conclusion: 3.5 stars. This novel has its faults, but also enough good points to make me interested in picking up the sequel later.

Yzabel / September 24, 2018

She Wants It

She Wants It by Jill Soloway

My rating: [rating=2]

Blurb:

When Jill Soloway’s father came out to her as transgender in his seventies, all of a sudden she had the key she’d always felt was missing–the key to understanding her family, her past, and herself. In this intimate memoir, Jill explores the modern family–the one we inherit and the one we choose–through the lens of finally understanding her father’s long-held secret and the ways in which it has impacted her worldview and changed her life dramatically.

Drawing upon her challenges and successes as a filmmaker, writer, showrunner, and director, She Wants It is by turns nuanced and moving, uplifting and outrageous. Soloway, with her bold voice and incisive viewpoint, writes brilliantly on being a daughter, sister, wife, mother (single then married then divorced), and girlfriend, as she reexamines her own identity within her family and the world at large in light of her father’s brave revelation. As she forges a new path as a queer woman in her fifties, she comes into her power as an artist and has all the awards to prove it. As Transparent takes the world by storm, Jill leads the charge toward toppling the patriarchy and creating a world in which everyone is safe no matter how they identify.

Pulling no punches, Soloway delves into the great loves and losses of her life, ruminates on feminism, and discusses how to inspire women to create art. All the while, she entertains with an outsider’s perspective graced with insider access, writing eloquently on the evolution of the modern family and the revolution that came out of writing about her own.

Review:

[I received a copy of this book through the First To Read program, in exchange for an honest review.]

I had only watched the first season of “Transparent” before, but I guess I knew enough then to recognise the author’s name, and be interested in the book’s premise. As a word of warning, though, if you’re in the same case… uh, the book contains spoilers as to the next seasons. I wasn’t too happy about that, especially since I had been able to avoid them so far. Or maybe it was just unavoidable for starters?

It’s also different from what I had expected, that is to say, more of a memoir, and not exactly “essays” or more structured writing about feminism, being non-binary, questioning, and so on. As such, while it remained interesting, spoilers notwithstanding, it felt kind of disjointed in places, and at the end, I felt like it hadn’t gone in depth into anything.

The last part about Me Too and people coming out about Tambor was also… well, it played straight into the unfortunately usual “she came out about this and now the actor/the show is going to be ruined, we should’ve talked about this among ourselves only and seen where to go from there”. Soloway does acknowledge that it’s wrong, but it still felt like there was much more to say here, and it was brushed over. It’s not on the same level as powerful men paying women they have abused so that they keep silent, but the feeling remains somewhat similar nonetheless, like an afterthought, like something that was mentioned at the end only so that people wouldn’t dwell on it too much. I didn’t like that.