golems Archives - The Y Logs

Yzabel / April 15, 2020

Review: Monstrous Devices

Monstrous Devices by Damien Love
My rating: ★★☆☆☆

Blurb:

When twelve-year-old Alex receives an old tin robot in the post, the note from his grandfather simply reads: ‘This one is special’. But as strange events start occurring around him, it doesn’t take Alex long to suspect that the small toy is more than special; it might also be deadly.

Just as things are getting out of hand, Alex’s grandfather arrives, whisking him away from his otherwise humdrum life and into a world of strange, macabre magic. From Paris to Prague, they flee across snowy Europe in a quest to unravel the riddle of the little robot, and outwit relentless assassins of the human and mechanical kind. How does Alex’s grandfather know them? And can Alex safely harness the robot’s power, or will it fall into the wrong, wicked hands?

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

One of my favourite themes being in here, I still enjoyed the story for that aspect, but I admit that otherwise, I didn’t enjoy this book as much as I expected to.

While it definitely deals with cool concepts (the aloof, badass grandpa; the robots; the mysterious men wanting Alex’s just as mysterious robot; their magic, both awesome and gruesome), plot-wise the story was also completely over the place. In a way, it reminded me precisely of the way I envisioned stories myself when I was a young reader: “Something mysterious! A bully! School woes! Something else happens! Grandpa arrives! Mum is not happy with him! Something else happens! Let’s run away!” And so on. So perhaps this would appeal to a 10-year old audience? I’m not entirely sure either. (To be clear, it’s not the fast pace itself I found problematic—such a pace can be very powerful indeed؅—but the disjointed way in which it was handled.)

“Monstrous Devices” also contains a very specific pet peeve of mine, a.k.a “I’m not telling you anything because for some reason, I think it will protect you, yet I completely fail to see that it actually endangers you more.” I don’t know why this trope is so prevalent. Just talk to your kids, people, they’re not stupid, and if you think it’s OK to take them traipsing all over Europe while pursued by murderous robots, then why not equip them to deal with it better, hm? (And as a result, the reader is none the wiser either. Having a few things left open at the end, for the next volume or two, is cool; having too many is not.)

Conclusion: 2.5/5. Cool themes, and this will probably work for part of the intended audience at least, but not so much for me.

Yzabel / June 15, 2016

Review: Riverkeep

Riverkeep by Martin Stewart

My rating: [rating=2]

Blurb:

The Danék is a wild, treacherous river, and the Fobisher family has tended it for generations—clearing it of ice and weed, making sure boats can get through, and fishing corpses from its bleak depths. Wulliam’s father, the current Riverkeep, is proud of this work. Wull dreads it. And in one week, when he comes of age, he will have to take over.

Then the unthinkable happens. While recovering a drowned man, Wull’s father is pulled under—and when he emerges, he is no longer himself. A dark spirit possesses him, devouring him from the inside. In an instant, Wull is Riverkeep. And he must care for his father, too.

When he hears that a cure for his father lurks in the belly of a great sea-dwelling beast known as the mormorach, he embarks on an epic journey down the river that his family has so long protected—but never explored. Along the way, he faces death in any number of ways, meets people and creatures touched by magic and madness and alchemy, and finds courage he never knew he possessed.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

A coming-of-age adventure in a world that is both threatening and full of wonders, following a boy who embarks on a journey to save his father: after Wulliam witnessed his dad being possessed by a river spirit, he decides to take his only parent to the sea, hunting down a legendary beast whose fluids are rumoured to have many healing properties. And even if it means abandoning his duties as the keeper of the river, Wull feels he doesn’t have a choice: either that, or let his father wither and die.

There were quite a few magical, poetic descriptions and moments in this book, and I never found it hard to picture the characters’ surroundings, or to imagine the mormorach, diving in the dark waters, preying on ships and crews bent on taking it down. Nor was it hard to imagine little Bonn, or Tillinghast’s strange body (bodies?).

However, I was a bit disappointed in the “adventure” itself, for it was rather sluggish in more than one place, and some events and character arcs felt put on a bus after a while. Most of the people Wulliam meets have their quirks and an aura of mystery: from the undertaker to Tillinghast the man who’s not alive, from Mix and her strange tattoos to Remedie cradling her strange baby, from the solitary scientist in the Deadmoor to the silent Mr Bent. The problem is that some of those people were given their own adventure… yet said adventures were never really concluded: only Wull and Tillinghast seem to have an ending of their own (as well as a few other characters, but let’s just say that their ending is a little more, uhm, permanent). As a result, it felt less like an open ending, and more like the author wanted to get to Wulliam’s ending mostly, with his quest being a little… on the side? I may be mistaken, but that’s how I keep on feeling about it now. I still don’t know why Mix doesn’t eat, or what happened to Remedie and Bonn.

Wulliam was also pretty annoying as a character. On the one hand, I could understand his desire to save his Pappa, along with his underlying somewhat selfish reasons (he wants to save him because he loves him, of course, but also because he doesn’t know how to be the Riverkeep in his stead, and wishes for his guidance some more); I could also understand how he’d come to be angry, considering everybody seemed to hitch a ride and not lift a finger to help. On the other hand, well… those characters helped in different ways (Till does pay for the trip, after all, and Mix does have a knack to gather resources unseen), and Wull after a while became more the annoying, tantrum-throwing type than the rightly-annoyed, unfairly-treated one.

Conclusion: ~ 2.5 stars out of 5. I liked the atmosphere, the depiction of the river and of the places travelled in this novel. Nevertheless, the pace was rather uneven, and unless it’s the first book in a series and we’re bound to learn more in a second one, not bringing closure to other characters’ stories made me feel unsatisfied.

Yzabel / June 17, 2015

Review: The Best Science Fiction and Fantasy of the Year, Volume Nine

The Best Science Fiction and Fantasy of the Year, Volume Nine by Jonathan Strahan

My rating: [rating=5]

(I received a copy through NetGalley, in exchange for an honest review.)

4.5 stars. Usually, collections of short stories are hard for me to rate, as they always contain the good, the bad and the ugly, so to speak. This time, I can say this was a different experience. There’s no story in here I didn’t like at all: at worst, I was slightly indifferent, and only to a few of them. This anthology’s definitely worth the read (unless you don’t like horror stories being mixed with SF/F, which is a point of view I can understand).

My favourites:

* Moriabe’s Children: in which a parallel is drawn between deep-sea monsters and all-too-human monsters dwelling on the shore.

* Ten Rules for Being an Intergalactic Smuggler: Even though the world developed here isn’t particularly original, I found this story pretty entertaining and fun to read.

* Tough Times All Over: A romp in a city full of thieves, smugglers, mercenaries and various other shady types, all running after a mysterious parcel that keep eluding them and passing to yet the next person in the chain.

* Cold Wind: Predators and preys from long ago, in a modern city that has forgotten who they once were.

* Interstate Love Song (Murder Ballad No.8): Psychopaths on a road trip, and the way they perceive their journey and the people they meet. Not the easiest story to get into at first, due to its writing style, yet this style then contributed to keeping me me enthralled all the way.

* I Met a Man Who Wasn’t There: In which con-artists and magic collide, told from a somewhat jaded yet mischievous point of view.

* Grand Jeté (The Great Leap): A widower about to lose his daughter too decides to invest into forbidden technology to create what could amount to a golem. However, his own child isn’t dead yet… and accepting the one who’s going to “replace” her isn’t so easy.

* Shay Corsham Worsted: A retired secret services agent tries to prevent an old weapon from becoming a problem… but the secret’s been so well-kept that nobody seems to know what it was about anymore.

* Tawny Petticoats: Another story of con-artists in a fantasy world, where nothing goes as planned and everybody’s trying to outwit the other parties. Fairly enjoyable.

* The Fifth Dragon: A story of love, friendship, choices and loss, as the moon’s being colonised and gravity-related physical issues start getting in the way.

* Four Days of Christmas: Very short but to the point. The story of Santa toys, from their manufacturing to how they get rediscovered much later, their harshness-denouncing journey made creepier due to these being “jolly” toys.

* Covenant: A good twist on the theme of serial killers, repentance and irony of fate.

* Cimmeria: From the Journal of Imaginary Anthropology: A group of academics expand on the theme of “what if Cimmeria was real, and how it would have evolved in our contemporary world.” A story where imagination becomes real, giving birth to a whole nation completely escaping its creators.

* The Scrivener: This story meshes fairy tales with subverted themes of writing and literary criticism.

* Amicae Aeternum: A girl has to leave, and wishes to spend her last night with her best friend, saying goodbye to all the things she’ll never see or have again. Both very nostalgic and full of hope for the future.

In-between:

* The Long Haul from the Annals of Transportation, The Pacific Monthly, May 2009: Marriage dynamics in an alternate world where the Hindenburg disaster never happened, and where airship became a norm in contemporary times.

* The Insects of Love: Mysterious and hinting at memory/time slippage. I would’ve liked it to be a little clearer on this latter part, though.

* Shadow Flock: A heist story, enjoyable but a little wanting in terms of a conclusion.

* Mothers, Lock Up Your Daughters Because They Are Terrifying: Adopted teenagers girl gather and perform black magic in their quest for identity. The apparently ineffective spell gives them what they want… at first.

* Kheldyu: Action, stealthy infiltrators, interesting techological evolutions, and an “ecological” plot.

* Calligo Lane: Fascinating space-bending magic based on origami. However, the plot wasn’t really defined.

* The Truth About Owls: A tale about a young girl exiled from her country, having to adapt to a new life but also unable to fully embrace her own roots.

* Collateral: (Already read in Upgraded) In which an enhanced soldier has to face the consequences of her choices and training, and come to conclusions after sifting through what’s right and what’s wrong.

The ones I liked the least:

* The Vaporization Enthalpy of a Peculiar Pakistani Family: Interesting, especially for the theme it wields, but it wasn’t rooted enough in sci-fi or fantastical elements for me. (Not a bad story.)

* The Devil in America: The mix of slavery and ancient magic could’ve been interesting, but it was so disjointed that it made it hard to follow.

* Someday: I kept thinking “why not” when it came to this society’s depiction of mating and having children, but in the end I couldn’t decide what was actually the point.

Conclusion: A recommended read. A few of the stories lacked a properly defined plot and punchline, but this is something that was much more pronounced in other anthologies than this one.

NB. When I write “punchline”, I don’t mean “the most original one in the world”… just an ending. Leaving things too open-ended in short stories always seems weird to me.

Yzabel / February 24, 2015

Review: Pacific Fire

Pacific Fire by Greg Van Eekhout

My rating: [rating=3]

Summary:

I’m Sam. I’m just this guy.

Okay, yeah, I’m a golem created from the substance of his own magic by the late Hierarch of Southern California. With a lot of work, I might be able to wield magic myself. I kind of doubt it, though. Not like Daniel Blackland can.

Daniel’s the reason the Hierarch’s gone and I’m still alive. He’s also the reason I’ve lived my entire life on the run. Ten years of never, ever going back to Los Angeles. Daniel’s determined to protect me. To teach me.

But it gets old. I’ve got nobody but Daniel. I’ll never do anything normal. Like attend school. Or date a girl.

Now it’s worse. Because things are happening back in LA. Very bad people are building a Pacific firedrake, a kind of ultimate weapon of mass magical destruction. Daniel seemed to think only he could stop them. Now Daniel’s been hurt. I managed to get us to the place run by the Emmas. (Many of them. All named Emma. It’s a long story.) They seem to be healing him, but he isn’t going anyplace soon.

Do I even have a reason for existing, if it isn’t to prevent this firedrake from happening? I’m good at escaping from things. Now I’ve escaped from Daniel and the Emmas, and I’m on my way to LA.

This may be the worst idea I ever had.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

While I still enjoyed reading about some of the characters I had got to know in the first book, California Bones, I was a little less thrilled this time.

I really like the world and magic developed here: dark, treacherous, tricky… Leeching power off dead animals’ bones? Check. Taking it a notch higher and killing other osteomancers to devour their bodies and steal their magic? Check. Dangerous sabotage-type jobs and being pursued bycrime lords’ goons? Check. The triumvirate, their plan to regain the control the Hierarch used to have, the sacrifice it required. The worm in the apple, the intent to sabotage, playing a dangerous game. Yes, I’m never going to get tired of these, I think.

The relationship between Daniel and Sam was touching in many ways. Daniel could’ve killed Sam, done to him what he had done to his predecessor, yet he didn’t: on the contrary, he did his best to raise him, protect him, and help him turn into a decent being, instead of the monster he could’ve become. Sam was a likeable boy, too: with teenage-angsty reactions at times, yet also with the budding maturity to understand what they were, and that he had to go past those. This story is definitely one of coming of age, more than of thwarting the bad guys’ plans. Of coming of age, and of realising what family means: does the blood count more than time spent together, and what exactly, in the end, make people “family”?

What saddened me here is that the novel offered several interesting plots in that regard, but never really got deep enough with them. The reason why Sam was weak at magic was somewhat obvious, in retrospect, yet it would’ve deserved more screentime in terms of relationships. What happened to Sofia was recalled a few times, but since she hadn’t been there for long, it didn’t have the impact it could’ve had. Carson could’ve been more than just a glimpse into another side of Los Angeles, instead of a device to move the plot forward. And there would’ve been so much more to tell about Sam…

I liked the story, I liked seeing the plot unfurl; however, I also kept thinking “I want more, more, more”. Every time I got to see another aspect of this character or of that relationship, it was left dangling after some point. Although those threads may be picked up in the third book, I’m somewhat afraid that not enough was told here (especially considering the cliffhanger we’re left with at the end), and that this lack of depth will come back to haunt the series later.

Partly because of this, the last third of the novel seemed rushed on some points. A couple of bombshells were dropped (Daniel’s past coming back full-force, for instance), and it was difficult to see where they came from. Not uninteresting; just events that would have warranted a few more bricks paving their way. Here, too, I kept wanting more, and wondering if the author had to work with a set amount of words, forced to cram as much as he could before the end.

This said, I still liked the book and its characters well enough to be more than willing to grab the next one once it comes out. If only to find out whether the threads I mentioned previously will be tied.

Yzabel / October 11, 2014

Review: The Red Magician

The Red Magician by Lisa Goldstein

My rating: [rating=3]

Summary:

The Red Magician is the tale of Kicsi, a young girl in a backwoods Eastern European village in the early 1940’s, a hamlet so isolated that the villagers know nothing of the brewing war – have no hint of the future save for ominous dreams. Into this village comes Voros, a redheaded wanderer, a juggler and magician, to disrupt their lives and antagonize the local rabbi…with whom he must fight a cabbalistic duel to which Kicsi is a secret witness. Then the Nazis arrive, and the world changes. Kicsi is first imprisoned, then must journey with Voros back to what remains of her village, for a climactic battle between the old world and the new. The Red Magician is a notable work of Holocaust literature, a distinguished work of fiction, and a marvelously entertaining fantasy – as Philip K. Dick remarked upon its first publication, “nourishment for the mind and the soul.”

Review:

(I got a copy courtesy of OpenRoad Media through NetGalley, in exchange for an honest review.)

An interesting short story, though I must admit it wasn’t exactly what I expected, and I ended up not liking it as much as I hoped.

On the one hand, I could easily feel the magic permeating the atmosphere, the strange aura surrounding Vörös. Moreover, there’s a golem in the middle, and I’m often very, very partial towards golems (everybody has their favourite mythological/magical creature; well, this is mine).

I liked the theme of revenge and misdirected anger woven through the story. Though not original in itself, it hit home, and the book managed to show how sterile and blind revenge may be, yet also how born from genuine feelings: when your fear and grief for your loved ones are so strong, and when you can’t actually strike at the real culprits, what else can you do? Wouldn’t you turn to the next designated villain in your line of sight—even though he’s not a villain, even though he’s not responsible?

On the other hand, I found that the characters in general lacked substance. I didn’t really get to “feel” the presence of Kicsi’s family, for instance, nor of her potential fiancé, and so their fates seemed almost as secondary. I kept wondering why Vörös didn’t fill a more active role: he could probably have done a lot more (alright, at some point he was missing some of his tools… but there might have been a way to retrieve them), and instead kept going away. This didn’t really fit with his claims of having wanted to warn people, to the point where his worry and eagerness actually achieved the contrary.

The Holocaust part, too, felt rushed, and not exploited in a way that could have made the novel really striking. I sensed that more could’ve been done to it, because the author definitely seemed to have a knack to describe both the camps and the life before them in a peaceful community.

Conclusion: a likeable story, with powerful elements that may not have been exploited to their fullest potential.