heist Archives - The Y Logs

Yzabel / March 28, 2019

Review: The Quantum Magician

The Quantum Magician by Derek Künsken

My rating: [rating=4]

Blurb:

Belisarius is a Homo quantus, engineered with impossible insight. But his gift is also a curse—an uncontrollable, even suicidal drive to know, to understand. Genetically flawed, he leaves his people to find a different life, and ends up becoming the galaxy’s greatest con man and thief.

But the jobs are getting too easy and his extraordinary brain is chafing at the neglect. When a client offers him untold wealth to move a squadron of secret warships across an enemy wormhole, Belisarius jumps at it. Now he must embrace his true nature to pull off the job, alongside a crew of extraordinary men and women.

If he succeeds, he could trigger an interstellar war… or the next step in human evolution.

Revierw

[I received a copy of this book through NetGalley, in exchange for an honest review.]

I loved the world built here. It took a bit of work and time to get into it and piece things together, but not so much time, all things considered, and I found the conundrums of the additional human species really fascinating. The Homo Eridanus, engineered to survive in several hundred atmospheres of pressure in hostile oceans, but unable to ever get to the surface unless they want to be crushed to death. The Puppets, twisted slave-race created by the Numen, who thought themselves superior to the others, and made themselves into gods… without really thinking about what this would make their “worshippers” do (a.k.a the Puppets are as fascinating as a train wreck). And the Homo quantus, made to delve into the mysteries of time and space, seeking a state of fugue which is the only one where they can fully observe the universe, but to the cost of their individuality and their health. (Speaking of which, the fugue demands the lack of an observing conscience in order to avoid collapsing the wavefunction; if the Copenhagen interpretation irks you to no ends, you may not like that part.)

And, behind this, a geopolitical system strewn through space thanks to wormholes, with patron and client nations, and a delicate balance between all of those. Many possibilities, only a few of which are explored here.

The story also has the proper elements of a good con/heist: an ambitious goal that most people would call crazy and impossible; a team of misfits and odd people gathered from various places to each play they parts (including, among others, an ex-soldier who loves her explosives, an exiled Puppet, a dying man, a geneticist, and an AI who believes itself the reincarnation of Saint Matthew); and, of course, things that don’t go exactly according to plan, because where would be the fun otherwise?

The characters, in general, are also compelling and well-developed. Belisarius and Cassandra draw an interesting dynamics: she loves the fugue but has trouble staying in it, he was engineered too well and can’t get out of the fugue before it kills his physical brain due to overheating. Gates-15 is a Puppet exiled because he cannot react to Numen pheromones, and so cannot experience the divinity of his captive gods, and who wants nothing more than to go back to his homeworld… with a twist, that is. William has to weigh what he stands to lose against all he could give his daughter instead if the con works. Marie was less developed, but her antics combined with those of Stills, the swearing Eridanian whose people’s credo is to give the finger to the universe who screwed them, were pretty fun to read (yeah, I loved Stills).

There was a downside here for me, though, in that while I loved the hard science incorporated in the foundations of this world, the way it was sometimes explained slowed down the whole caper/heist part. Also, I wouldn’t recommend this book to a reader who’s not keen on hard science fiction in general.

Conclusion: A solid 4 stars, I enjoyed the characters and the world, and I’m interested in any sequel that comes out.

Yzabel / April 5, 2018

Review: Invictus

Invictus by Ryan Graudin

My rating: [rating=3]

Blurb:

Farway Gaius McCarthy was born outside of time. The son of a time traveler from 2354 AD and a gladiator living in ancient Rome, Far’s very existence defies the laws of nature. All he’s ever wanted was to explore history for himself, but after failing his entrance exam into the government program, Far will have to settle for a position on the black market-captaining a time-traveling crew to steal valuables from the past.

During a routine heist on the sinking Titanic, Far meets a mysterious girl named Eliot who always seems to be one step ahead of him. Eliot has secrets-big ones-that will affect Far’s life from beginning to end. Armed with the knowledge that history is not as steady as it seems, she will lead Far and his team on a race through time to set things right before the clock runs out.

Review:

[I received a copy of this book through Netgalley.]

What I liked:

– The beginning. Of course, you can tell immediately where this is going, and that there’s going to be another proposal to offset the bad news, and you can guess what that proposal will be, but it’s OK because it’s why you’re reading the book. Well, why I was reading it, at any rate.

– Some aspects of the world building, with the idea of trained people going back in time to record events, and having to follow specific rules to avoid creating paradoxes. It makes a lot of sense, since the ‘grandfather paradox’ is definitely not the only risk in such a setting: it’s obvious that you wouldn’t want to kill your own grandfather if you hope to be born someday… but it’s much less obvious that even ‘small’ actions like gambling in a casino can have consequences, for instance by preventing the ‘normal’ winner from winning, in turn preventing them from doing things that should normally have happened, and so on. The most noticeable actions aren’t the only ones that can change the world.

– The crew’s dynamics. I have a soft spot for heist stories carried by a crew (ship, spaceship, band of misfits, whatever), and when the latter works well together, it’s even better. In itself¸ this part wasn’t the most exceptional ever, but I could feel the ties uniting them, and that was good.

– Diversity. Priya is obviously of Indian origin, Gram is dark-skinned, and Far also has inherited a darker complexion from his father. It’s not mentioned more than once or twice, but it’s good to see.

– The book was entertaining, I wanted to know how the story would go (good thing I’ve been on sick leave and with time on my hands to rush through it, huh), and in general the action and tension scenes were gripping.

What I didn’t like so much:

– The romance. I’m not particularly keen on romance in general, for starters— in my experience 90% of such subplots, when they happen in stories whose main genre is not romance, are there because it’s what people (or the market, or publishing houses, I’m never really sure) expect. As a result, the romance feels forced, and that’s the feeling I got here. I didn’t particularly care about Imogen having a crush, all the more since it led to some screen time being used up for conversations about boys and should-I-oh-no-I-don’t-dare. As for the romance between Far and Priya, it was announced very suddenly, its beginnings happened off-scene, and I never felt any real chemistry between these two. In a story revolving around an all-for-one type of crew, friendship all the way would’ve worked better for me.

– The lull mid-book, the part where they go to Las Vegas. Partly because of the romance-related conversations, partly because I wanted to shout ‘Seriously, characters, is partying and getting drunk the best you can do right now?’

– Some other aspects of the world building. Yes, I know I partially liked it. However, some elements were there for… no reason? Example: How can Priya be 17-18 and already a full-fledged medic, with mechanic skills to boot? When did she got time to learn all that? Or why do they eat synthetic food, why is ice cream so expensive? I felt the latter points were here to give a ‘science-fictiony’ sheen, but without explanations about why the world came to be like that, I can never fully buy it. (I’m not asking for a treaty about 24th century economics, but at least a couple of lines about the whys would be nice.)

– Part of the plot when it comes to Eliot’s involvement. First, it’d have been good to see a couple of successful heists before she appeared, so that the disruption she created would be even stronger. Second, the true reason for her presence is somewhat complicated, and may have worked better with a little more development. An example of what I felt rushed with that is how easily an antagonist character convinces other antagonist characters to work with him, towards the end, in order to stop her; it happened very quickly, wasn’t very convincing, and anyway, why didn’t he enlist his own after that, to add a strike force he could fully control?
(Side note: I found the names they used very confusing. I could deal with the endings, like FLT6, but the whole strings of numbers in the middle… I kept trying to imagine the conversation with Eliot speaking these numbers, and I’m surprised she didn’t make a mistake every two sentences when using those.)

– The characters, outside of their role as a group. As a crew, I thought they functioned together well; but as individuals, they felt flatter. They have their quirks, sure (Imogen dying her hair, Gram and his games), but quirks don’t make a full-fledged character. I didn’t really like Far, he had too much of the ‘strong ego/insufferable’ vibe without enough of the ‘dashing captain/charisma’ vibe, so to speak. Also, I would’ve liked to see more of Gram, for some reason I liked him best.

Conclusion: Cool concepts, with good action scenes. The book was an entertaining read, although it failed in other parts.

Yzabel / October 21, 2017

Review: Artemis

Artemis by Andy Weir

My rating: [rating=4]

Blurb:

Jazz Bashara is a criminal.

Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you’re not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you’ve got debts to pay and your job as a porter barely covers the rent.

Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of her problems, as she learns that she’s stepped square into a conspiracy for control of Artemis itself—and that now, her only chance at survival lies in a gambit even riskier than the first.

Review:

[I received a copy of this book through NetGalley.]

I loved “The Martian”, so of course I was bound to request this one. To be fair, I didn’t enjoy it as much, but it was still a good, fun read in several ways.

I found the characters in general likeable enough, in definite ‘shades of grey. The ‘heroes’ of this story are seldom all white, and go about their business with good intentions and shady ways. The businessman who moved to the moon to help his ailing daughter, but is a crook on the side. The economist who almost single-handedly set a whole country as the only entry point to the Moon, and won’t shy away from closing eyes on criminal deals as long as they help keeping Artemis afloat. The city’s policeman (Artemis has something like 2,000 inhabitants, minus the tourists, so Rudy does the job) who’s keeping order by breaking a few arms at times if he deems it’ll be a better punishment than prison. And, of course, Jazz Bashara herself, porter by day, smuggler by night, of sorts, running her little operation with no one the wiser.

(Granted, not everyone is a complete a-hole here, Jazz’s father for instance is a law-abiding citizen who doesn’t want anything to do with his daughter’s shady side; on the other hand, Jazz clearly has him to thank for her own ethical side, the one that makes her never renege on a deal, and puts her in the (trustworthy criminal’ category, so to speak.)

The story itself starts in a fairly typical way for heist stories: Jazz needs money, her criminal activities aren’t bringing in as much as she needs, nor quickly enough, so when a dangerous but particularly juicy deal comes her way, she shoves her qualms in her pocket and accepts it. Only it turns out she’s bitten more than she could chew, and finds herself embroiled in an almost conspiracy, forcing her to gather all her wits, resources and allies in order to find a way out. All in all, the kind of story I like to read: maybe not the most original, but with high potential for action, fun, quirky characters, and, well, capers.

There isn’t as much technical detailing in this novel as there was in “The Martian”, so it’s definitely not hard to follow. The whole caper(s) resting on scientific knowledge and using the moon’s gravity and peculiar sides to work within the plan, that was really interesting for me. Maybe the welding-related descriptions were a little too long at times, though; at least, I didn’t care as much about those as I did about other scientific explanations.

I liked the overall diversity in Artemis. This small city has, from A to Z, a multicultural side that I think worked well, and didn’t rest on the usual ‘Western world colonises space’ (Kenya and its space company holds the entry door to the moon, Artemis’s administrator is a Kenyan woman, the policeman is Canadian, Jazz and her father are from Saudi Arabia, many of Jazz’s contacts are Vietnamese or Slavic, etc.).

I wasn’t totally on board with the way Jazz told the story, though. The wit didn’t work as well here as it did in “The Martian”, mostly, I’d say, because there’s too much of a dichotomy between Jazz’s ‘voice’ and her age: sometime in the middle of the story, we learn she’s 26, but from her tone, attitude, expressions and way of being, I would’ve thought her late teens/20, and not older. There -is- an immature side to her character, so in itself it’s not like her voice doesn’t fit at all, yet it didn’t feel ‘right’ either.

Conclusion: 3.5 stars. Disregard the author’s previous best-seller, take this story as it comes, and enjoy the heist parts, the assembling of Jazz’s motley crew, the description of Artemis, and the outings on the Moon in an EVA suit that can spring a leak just any time due to the characters attempting bold moves and daring rescues.

Yzabel / June 26, 2016

Review: Street Magicks

Street Magicks by Paula Guran

My rating: [rating=3]

Blurb:

Streets are more than thoroughfares. Cobblestone or concrete, state of mind or situation streets are catalysts for culture; sources of knowledge and connection, invisible routes to hidden levels of influence. In worlds where magic is real, streets can be full of dangerous shadows or paths to salvation. Wizards walk such streets, monsters lurk in their alleys, demons prowl or strut, doors open to places full of delightful enchantment or seething with sorcery, and truly dead ends abound. This selection of stories some tales may be rediscoveries, others never encountered on your fictional map will take you for a wild ride through many realms of imagination.”

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

In the past, I read a couple of other anthologies edited by Paula Guran, and I remember liking them overall, due to the choice of stories: they may not all have been breathtaking, but they also weren abysmal, and as far as anthologies go, I think I do tend to appreciate that a little more than reading excellency pitched against really bad writing.

The stories here deal mostly with magical happenings and encountering in cities–a theme I especially like. Most are modern fantasy, but more traditional fantasy also has its place here.

“Freewheeling” – 2/5
A young woman tries to help a kid whose very special take on life may be madness… or a real touch of magic? And the question is, will mundane life keep interfering until something tragic happens, or will magic happen instead?
Not my favourite. I could see the ending coming almost from the beginning.

“A Year and a Day in Old Theradane” – 4/5
A band of retired thieves find themselves back in their ¨line of duty¨ to perform the theft of their lives: steal a whole street. Humour, magic, blackmail, backstabbing, an urban setting, and a cast of mostly women (and an automaton) whoŕe not afraid to be who they are. Whatś not to like?

“Caligo Lane” – 3/5
Read in another anthology “The Best Science Fiction and Fantasy of the Year, Volume Nine” so I guess the novelty wasn exactly there. Still, it remains a touching story, of a mage who uses maps to bend space and save people trapped in parts of the world where every other means of escape have failed.

“Socks” – 3/5
A Bordertown story. I don´t know that setting, except through another story in another anthology; however, I still think it´s not such a problem, as mood and theme are easy enough to ¨get¨ even without knowing the whole context. Here, Socks, a young girl, is taken in by a family of strays. Soon after, Perdita joins the crew, Perdita whose mysterious mother taught her many a tale…
Interesting, but I found myself wanting to know more about Socks at the end–it was never clear whereas the whole thing about her feet was merely illness, or a symptom of something else. I kept expecting that something else to happen, and… nothing?

“Painted Birds and Shivered Bones” – 3.5/5
A poetic tale of a man cursed to turn into a bird, going through centuries without respite, until a kind of magic apt to break his curse surfaces in the painting of artist Maeve. A bittersweet tale, perhaps a bit too focused at times on the artist-chic cliche? I may be a little jaded with that one at the moment — it itself, it doesn´t make the story bad, at any rate.

“The Goldfish Pond and Other Stories” – 2/5
Originally read in “Smoke and Mirrors”. This one relates a writer’s experience as he flies to Hollywood, where his novel is to be adapted into a movie, only to see said novel stripped to the bone and reworked every time. A tale of being dispossessed on one’s soul, maybe, and of having to let go. Or perhaps a tale of former Holywood legends fallen back into the mist of times, unremembered by all but the humblest?
Not my favourite Gaiman story, to be honest. It’s a bit… bland compared to some of his other works.

“One-Eyed Jack and the Suicide King” – 2/5
A good beginning, of a struggle between spirits/local gods fighting for their turf. The story was wanting, though, as it feels like it should be expanded into something more. It’s a beginning, indeed, and not a full-fledged plot.

“Street Worm” – 4/5
Rather scary when you come to think of it. A teenage girl runs away from a privileged home, for her parents believe her going on slightly crazy and want to send her to a shrink (probably not for all the good reasons either — a family has standards to uphold within the community…). But is this girl just mad, or does she really see things, things of another kind, worms danglings from buildings like a threat lingering above the city? And the man who tells her sheś magic, is he meaning well, or is he just a creep?
I wanted a bit more at the end, to be honest. Like a lot of stories, this one feels like unfinished business in some parts. Still, a good read.

“A Water Matter” – 2/5
The Duke is dead, may he stay dead! Only a mysterious and potentially malevolent shaman wants the power released upon that death, so the Dancing Mistress, a shapeshifter (…I think?) takes it upon herself to prevent this from happening.
More than with the Bordertown stories, I think I was missing something here—the action is set in a world with its own backstory, and I constantly felt it was part of something bigger, something that deserved more. The actual plot didn’t impact me as it could have, had things been otherwise.

“Last Call” – 3/5
A Harry Dresden short story. On principle, I tend to like those, because I’m fond of the world and character Butcher developed (they’re part of the works I’d quote first if someone asked me for examples of “urban fantasy”). On the other hand, this one is a bit spoilerish if you haven’t read at least the first 8-9 books of the series…

“Bridle” – 1/5
A kelpie story, with a dark fantasy approach that had its poetic moments. Still, it didn’t grab me much.

“The Last Triangle” – 4,5/5
A junkie finds shelter at an old woman’s who happens to realise a dark magic ritual is about to take place. Together, they do everything they can to stop it, as well as the person casting it.
This one had the kind of plot and ending I’d deem as “definite”. You can see it going somewhere, with a beginning, middle and end, and even though the latter is “open” as far as the main character’s future is concerned, it nonetheless brings resolution to the “dark spell” plot.

“Working for the God of the Love of Money” – 2/5
Again, an interesting beginning, but the end was very abrupt (in an expected-yet-not-waited-for way).

“Hello, Moto” – 4/5
Three witches with enchanted wigs let themselves be devoured by their magic… or not? For Rain, taking upon herself once again to mix up magic with technology, wants to stop her “sisters” gone on a rampage of take-never-give in Lagos. One may wonder, though, if using precisely what went wrong the first time can right that wrong… or not.
Original and entertaining. I just regret the ending, again too abrupt, with no true resolution per se. “Leaving things to the reader’s imagination” can only go so far…

“The Spirit of the Thing: A Nightside Story” – 3/5
A detective doing his job, a shady bar with an even shadier owner, and angry water spirit, the ghost of a murdered young woman, and a twist to try and make things right no matter what.

“A Night in Electric Squidland” – 3/5
Paranormal investigators working on a murder case end up in a night club whose practices may not be what they seem.
I liked the atmosphere (the dark and somewhat perverted rituals going on, while the club also offered “nicer” attractions like a stage magician). I didn’t connect much with the characters, though.

“Speechless in Seattle” – 3/5
A.k.a “pay attention to the exact wording of your spells”, which is something a lot of mages should do. 😉
A cute story, with likeable characters. Only, as usual in such cases, the grounds for budding romance were kind of wasted on me.

“Palimpsest” – 2/5
Pretty, I guess, and evoking strange places in a strange city whose elusive map can only be found in some very special places. However, it was rather confusing, without much of a plot to speak of.

“Ash” – 4/5
Laid off from his job with minimum benefits, a man decides to commit a robbery, but one decision made while running away from the security guard has dire consequences.
A story of guilt and revenge, of a dying curse, of the city turning stranger and stranger, darker and darker, until it closes over you and never lets you go.

“In Our Block” – 3/5
Or “two blokes find themselves wondering why the area they’re in is so intriguing”, full of strange little shops and sellers/peddlers of unusual talents, like the typewriter girl. Although it was more a slice-of-life story than one with a real plot, it was enough for me, for once.

Conclusion: 3/5. I kind of expected this, as a lot of stories were of the “I liked” kind but not “great/I loved it”. Still, more good than bad in there. Though not a “to buy” recommendation, maybe a “borrow it” one?

Yzabel / March 27, 2016

Review: Steal the Sky

Steal the Sky by Megan E. O’Keefe

My rating: [rating=2]

Blurb:

Detan Honding, a wanted conman of noble birth and ignoble tongue, has found himself in the oasis city of Aransa. He and his trusted companion Tibs may have pulled off one too many cons against the city’s elite and need to make a quick escape. They set their sights on their biggest heist yet – the gorgeous airship of the exiled commodore Thratia.

But in the middle of his scheme, a face changer known as a doppel starts murdering key members of Aransa’s government. The sudden paranoia makes Detan’s plans of stealing Thratia’s ship that much harder. And with this sudden power vacuum, Thratia can solidify her power and wreak havoc against the Empire. But the doppel isn’t working for Thratia and has her own intentions. Did Detan accidentally walk into a revolution and a crusade? He has to be careful – there’s a reason most people think he’s dead. And if his dangerous secret gets revealed, he has a lot more to worry about than a stolen airship.

Review:

[I received a copy of this book through Netgalley, in exchange for an honest review.]

An interesting world with a lot of background remaining to be discovered, and characters that all hide more depth than one would think at first. However, I found the story itself somewhat confusing.

It starts with an offer that our main thief/conman character, Detan Honding, is in no position to refuse, coming from the very captain of the Watch. A strange request: steal the newfangled airship of ex-Commodore Thratia, an exile from the the Valathean empire, infamous for her ruthless methods. Soon enough, though, Detan and Tibal, his friend and associate, realise they may be out of their depth here, and that the players involved aren’t so easy to thwart.

A lot of things revolve around selium, a strange gas found on the Scorched Continent, that can only be manipulated by sel-sensitive people. Privileged in a way, but slaves in many others: they have no other choice than to work in the selium mines (regular people won’t be their friends if their shirk their “duty”…), those who lose their skill are forced into retirement, and those with “deviant” talents are sooner or later captured and experimented upon by the Valathean “whitecoats”. Not such very enthralling prospects. As for criminals in Aransa, the mining city where the story is set, they can choose to die by the axe, or to “walk the Black”, aka letting the scorching sun of the obsidian desert kill them in a matter of minutes (if they’re lucky).

There’s a lot seemingly going on behind the scenes. Valathea, for instance, with its blend of refinement and cruelty (I couldn’t help but envision a mix between Roman and Chinese civilisations, in terms of conquest and clothing, with airships and an elite corps of scientists bent on dissecting people with sel-related abilities). The Scorched had a “Far West/unconquered land” vibe in some ways—perhaps because of the whole desert thing and of how it tried to remain out of Valathea’s influence, but could feel it pressing down closer and closer. Additionally, many characters appear simple at first (Detan is a conman, Ripka the loyal Watch captain, Thratia a ruthless manipulator who won’t hesitate to kill people, the doppel a mysterious killer with a single goal…) yet soon show signs of being more than meet the eye, with agendas and knowledge of their own,

However, while the world felt rich, and provides enough ground to cover more than one book in that regard, the plot was a bit all over the place, as if it couldn’t decide what to focus on. The expected heist (stealing an airship) wasn’t so exciting nor given that much attention, with our conmen being more outclassed than actually able to properly work on it, and with the story veering into murder investigation, and revenge, and intrigue, and a few more things. This felt more confusing than anything else. I guess this is partly a case of “it’s not the book, it’s me”: I like heist stories, but I like them with my burglars/conmen being able to have a marginal success at least. Here, both Detan and Tibs went from failure to failure, with Detan losing his “rogue” charm, and after a while I didn’t really care anymore.

2.5 stars. The setting remains interesting, so I may check the next book if NetGalley or the library has it, because the group at the end has potential for good adventures, complete with an already existing dangerous enemy, and with another potential antagonist looming in the background. We’ll see.

Yzabel / February 21, 2016

Review: The Paladin Caper

The Paladin Caper by Patrick Weekes

My rating: [rating=4]

Blurb:

A thief’s good deeds are never done.

Loch and her crew are determined to stop the ancients from returning to reclaim the world they once ruled, but a kidnapped friend throws their plans awry. When a desperate rescue turns into a shocking reunion, the ancients return and seize power. Determined to stop them, Loch and the crew look for a way to close the gate to the ancients’ world, but this time, they find themselves up against an enemy that has insinuated itself into the highest ranks of the Republic. Cruel, cunning, and connected, the ancients target the crew’s families and histories, threatening to tear friendships apart.

If that weren’t bad enough, Loch must deal with her treacherous assassin sister, her turncoat ancient friend, and a daemon who has sworn to hunt her to the ends of the earth. In order to save the Republic and pull off her largest con ever, Loch will need her friends…and maybe her enemies too.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

The tone in this last volume of the trilogy is different: somewhat darker, dealing with a more “end of the world”-oriented plot, following several plot points set in place in the previous books, and bringing a nicely-wrapped conclusion to the series. Perhaps too nicely-wrapped? I liked it in general, but I guess I would’ve appreciated finding more of the first installment’s humour.

Loch’s usual band of misfits gathers again to disrupt the Ancients’ plans, starting with one of their typical heist/cons, in a fashion any reader of this series will recognise. As usual, too, the story goes through a lot of twists and turns: events where our heroes find themselves in dire straits, but had planned for contingencies and switch to Plan B, and so on.

The characters remain well-rounded, resourceful each in their own ways, with their strengths and weaknesses: the ones we know, the ones we see them overcome. Desidora has to deal with her desire to get revenge on the friend who betrayed her, and Ululenia with the transformation she started going through in volume 2. Kail, Loch and Tern get struck where it hurts, as they have to worry for their loved ones. Dairy, definitely not the naïve young man anymore, has to go through his own ordeals, and try to discover himself in the process. Other, secondary characters are brought back into the fray as well. As for the enemies, they are cunning enough, don’t hesitate to resort to villains’ tactics (hostages, etc.), and manage to be both out of this world and curiously human at times, too.

The story circles through these themes both seriously and humorously. Kail and his “your mother” jokes, for instance: what does it say about his loyalty to his own family? Ululenia and her new urges: they get expressed in ways that correspond to her, making her gradually switch from virgin-lover unicorn to a darker, more eoritcally-inclined version of herself (in amusing ways at times, such as her mind-altering alliterations turning into different words, and in much more lethal ones at other times). Tern with her reactions, the way she makes her friends understand what they need to do, not by ordering them around but through psychology—all the while having to stay away from people she still cares about. Naria with her little games and her ambivalence: it’s so hard to tell whether she’s “nice” or a “traitor”, and this makes her more interesting, as it’s never clear-cut. Pyvic and Derenky: the latter wants the former’s job, everybody knows it, and everybody (Derenky included) jokes about it. And other countless little things.

In terms of pacing, much like the characters, we never get to fully rest, and it’s obvious that something is always bound to happen. The breaks they manage here and there are never meant to last, and it makes for a grand finale, with action scenes going parallel to each other, enemies that won’t relent on the means to take our heroes down, and various settings where every person, every small team has a key role to play.

I am undecided as to some of the twists, though: the last third rests on actions that the characters have planned, but that the readers aren’t aware of, and while it’s surprising and befitting Loch & Co’s wits and abilities to improvise, it also brushes upon of a device consisting in denying information to readers—in other words, it made me wonder if there wouldn’t have been a way of letting me, reader, suspect something, without having to use what looked a lot like a deus ex machina. (Not in terms of new events happening: in terms of events that happened in the past, yet are revealed in such a way that they seem to arrive out of nowhere.)

The story’s also lacking a sense of urgency when it comes to people dying. Not everyone gets out of there unscathed, however considering the world-shaking potential consequences, the novel seemed to end just a tad bit too conveniently for some (and the scarred ones felt slightly like an afterthought, as if someone had to get hurt for this to be believable, so, hey, let’s hurt a few people).

The social commentary, finally, is a bit of an oddball: heavy-handed in some ways, yet crafted through the story in a logical manner that highlights and mocks injustices. Depending on one’s mood and sensibilities, this could be a problem. I will confess to paying more attention to the action and characters than to how this commentary was to be taken—sometimes, I guess I just happen to bypass that kind of things.

I’m still giving this novel 4 stars. In spite of my reservations about it, I enjoyed it, and enjoyed seeing all the arcs gathered and solved. The characters are clearly ones I’ll keep in my mind for some time.

Yzabel / October 30, 2015

Review: The Prophecy Con

The Prophecy Con by Patrick Weekes

My rating: [rating=5]

Blurb:

Book Two in the Rogues of the Republic series.

Who would have thought a book of naughty poems by elves could mean the difference between war and peace? But if stealing the precious volume will keep the Republic and the Empire from tearing out each other’s throats, rogue soldier Isafesira de Lochenville—“Loch” to friends and foes alike—is willing to do the dishonest honors. With her motley crew of magic-makers, law-breakers, and a talking warhammer, she’ll match wits and weapons with dutiful dwarves, mercenary knights, golems, daemons, an arrogant elf, and a sorcerous princess.

But getting their hands on the prize—while keeping their heads attached to their necks—means Loch and company must battle their way from a booby-trapped museum to a monster-infested library, and from a temple full of furious monks to a speeding train besieged by assassins. And for what? Are a few pages of bawdy verse worth waging war over? Or does something far more sinister lurk between the lines?

Review:

[I received a copy of this novel through NetGalley, in exchange for an honest review.]

I read the first book not long ago, and a lot of what I posted in my review at the time is valid again in here. The heist(s), with several levels of deception, double-crossing the opponent, thwarted plans, having to do with a situation turned for the worst… And with twists that aren’t always planned by all members of the team, ending in somewhat hilarious moments that nicely counterbalance the overall “they’re a bit too ready for absolutely everything” feeling one may get. Because something’s bound to give, to turn sour in a heist, otherwise there wouldn’t be as much interest in reading such adventures—at least not for me.

The characters are mostly the same, with some changes reflecting darker turns of events from the first book. Kail is still his old I-give-a-name-to-everything lockpick and pickpocket, and his skill in wielding “mom jokes” remains the same (also he’s contaminated Icy); however, his brush with mind-bending magic left him a bit more somber, but more decided than ever to fight this. Desidora has returned to her duties, yet is now questioning her role within the team, as she feels she is less useful. (I quite liked the conversations between these two, as their predicaments were somewhat related.) Ululenia and Dairy… well, let’s just say things didn’t exactly go as planned (not to mention that the unicorn had to make a choice whose consequences wouldn’t be so light). Loch is trying to work on the side of a law that doesn’t exactly make things easy for her in that regard. Hessler has broadened his magic, with somewhat dangerous results that however leave room to humorous dialogues: a welcome thing, considering that the tone of the novel is a bit darker and that this time, wounds aren’t only superficial.

We are given a bit more of a view of other parts of the world here: the Empire, the dwarves, the elves, as well as the Ancients themselves. A welcome addition, too. At first sight, it doesn’t stray too far from clichés (Elves had tree-ships and prefer to live far from humans, dwarves are often miners…); however, read just a little longer and the differences become obvious. I especially liked how the dwarves were so polite and orderly, while the elf dignitary was at the same time badass and insufferable (in a funny way). While the rules of magic in this world remain fuzzy, the relationship between magic and elves (through the crustals embedded in the latter) was interesting nonetheless.

This novel may have been slightly less humorous than the first one, because its stakes were higher from the beginning—not just a heist to steal a book and earn tons of money, but preventing a war, and trying not to become the sacrificial lamb in the middle of all this. Oddly or not, I liked it even better for this reason, and for another one: this time, knowing the characters, I could also better anticipate on what their moves might or might not be, and this made it more “logical”, so to speak, when something happened that I would’ve otherwise deemed a deus ex machina. Predictable? In a way. Yet the kind of predictable I like, that I *want* to see happen, and then, when it happens, I strike the air with my fist and I’m all “Yesss!”

4.5 stars. I’ll keep recommending this series, and hope book 3 is on the same level.

Yzabel / October 25, 2015

Review: The Palace Job

The Palace Job by Patrick Weekes

My rating: [rating=4]

Blurb:

Loch is seeking revenge.

It would help if she wasn’t in jail.

The plan: to steal a priceless elven manuscript that once belonged to her family, but now is in the hands of the most powerful man in the Republic. To do so Loch—former soldier, former prisoner, current fugitive—must assemble a crack team of magical misfits that includes a cynical illusionist, a shapeshifting unicorn, a repentant death priestess, a talking magical warhammer, and a lad with seemingly no skills to help her break into the floating fortress of Heaven’s Spire and the vault that holds her family’s treasure—all while eluding the unrelenting pursuit of Justicar Pyvic, whose only mission is to see the law upheld.

What could possibly go wrong?

Review:

[I received a copy of this novel through NetGalley, in exchange for an honest review.]

I have a soft spot for heist novels. Give me thieves, rogues, criminal jobs demanding planning, enemies getting in the way, and odds are I’ll be happy—all the more when most if the action takes place in a city, and not travelling (I have trouble with the latter). I got this here, and perhaps even more than I bargained for, as it’s not only about one job in the end: not only does each party member have his or her own little heist part first, but it’s also about a bigger con, and quite a few people here have the potential to be both a criminal and a life-saver. In general, anyway, the characters were enjoyable.

Loch, whose motives are of theft and revenge, but who’ll stay loyal to her friends to the end. The death priestess, who didn’t want the job for starters, yet has to contend with what she was given. The magician, who could very well scamper away but is growing fond of the kid. The unicorn who will not abandon said kid, even though she’d probably be better off whisking him away too. The justicar, in a typical “investigator who may or may not see the light” fashion that I still found nice to read about no matter what. The orphaned girl caught unti playing politics because her adoptive father doesn’t leave her a choice, yet sooner or later will have to revise her own position, too. The safe-cracker with apparently bottomless pockets of supplies, vials and enchanted crossbolts, who could’ve had another life, only it would’ve been one by her own choice.

There’s humour woven into the batch, even though the straits are often dire and the truth unpleasant. Loch has a comeback for a lot of situations. The flirtation bits were fun to read. The death priestess comes from an unexpected angle, to say the least (starting with her introduction scene). Kail and his “your mom” insults that never fail to work: hard to believe, but still hilarious. Dairy regularly tripping over his own feet (manner of speaking) and causing catastrophes that are fun yet wield interesting results. Ululenia the unicorn and her virgins, also her alliteration-rigged mind magic. Puppet shows to keep people informed, allowing the “journalists” to tell probably more than they would be allowed to otherwise.

There are a lot of twists and turns in this novel, too, which is longer and more complex than I expected. Some may appear as deus ex machina, as the characters seem to plan for a lot of contingencies without the reader being warned. Sometimes it worked, at others I thought “too easy”. However, thinking back on it, it’s obvious that Loch et al. aren’t naive, and after a while I started suspecting when such twists may occur, and imagining “surely they won’t fall for that,” or “I smell trap, but I’m positive that character will see through it no matter what, in a way or other, because by now they know each other too well.”

Let’s not forget the political commentary, which is maybe where I would’ve liked to see more, as the “racial interactions” were a bit simplistic (the “whites”, the Imperials who’re basically “Asians”, and the Urujar as “the blacks”). Probably there weren’t enough pages to tackle absolutely everything here, but since it *was* part of the political side of the plot (Silestin adopted Naria and paraded her as a means of showing his intentions towards “racial equality”), as well as of the heist itself (the acrobat/contortionist/martial artist had to be an Imperial with a name sounding like a translation from kanji), I think it should’ve been approached a little differently.

These qualms set apart, I really enjoyed this book, and am glad I have the next one on my reader as well.

Yzabel / June 17, 2015

Review: The Best Science Fiction and Fantasy of the Year, Volume Nine

The Best Science Fiction and Fantasy of the Year, Volume Nine by Jonathan Strahan

My rating: [rating=5]

(I received a copy through NetGalley, in exchange for an honest review.)

4.5 stars. Usually, collections of short stories are hard for me to rate, as they always contain the good, the bad and the ugly, so to speak. This time, I can say this was a different experience. There’s no story in here I didn’t like at all: at worst, I was slightly indifferent, and only to a few of them. This anthology’s definitely worth the read (unless you don’t like horror stories being mixed with SF/F, which is a point of view I can understand).

My favourites:

* Moriabe’s Children: in which a parallel is drawn between deep-sea monsters and all-too-human monsters dwelling on the shore.

* Ten Rules for Being an Intergalactic Smuggler: Even though the world developed here isn’t particularly original, I found this story pretty entertaining and fun to read.

* Tough Times All Over: A romp in a city full of thieves, smugglers, mercenaries and various other shady types, all running after a mysterious parcel that keep eluding them and passing to yet the next person in the chain.

* Cold Wind: Predators and preys from long ago, in a modern city that has forgotten who they once were.

* Interstate Love Song (Murder Ballad No.8): Psychopaths on a road trip, and the way they perceive their journey and the people they meet. Not the easiest story to get into at first, due to its writing style, yet this style then contributed to keeping me me enthralled all the way.

* I Met a Man Who Wasn’t There: In which con-artists and magic collide, told from a somewhat jaded yet mischievous point of view.

* Grand Jeté (The Great Leap): A widower about to lose his daughter too decides to invest into forbidden technology to create what could amount to a golem. However, his own child isn’t dead yet… and accepting the one who’s going to “replace” her isn’t so easy.

* Shay Corsham Worsted: A retired secret services agent tries to prevent an old weapon from becoming a problem… but the secret’s been so well-kept that nobody seems to know what it was about anymore.

* Tawny Petticoats: Another story of con-artists in a fantasy world, where nothing goes as planned and everybody’s trying to outwit the other parties. Fairly enjoyable.

* The Fifth Dragon: A story of love, friendship, choices and loss, as the moon’s being colonised and gravity-related physical issues start getting in the way.

* Four Days of Christmas: Very short but to the point. The story of Santa toys, from their manufacturing to how they get rediscovered much later, their harshness-denouncing journey made creepier due to these being “jolly” toys.

* Covenant: A good twist on the theme of serial killers, repentance and irony of fate.

* Cimmeria: From the Journal of Imaginary Anthropology: A group of academics expand on the theme of “what if Cimmeria was real, and how it would have evolved in our contemporary world.” A story where imagination becomes real, giving birth to a whole nation completely escaping its creators.

* The Scrivener: This story meshes fairy tales with subverted themes of writing and literary criticism.

* Amicae Aeternum: A girl has to leave, and wishes to spend her last night with her best friend, saying goodbye to all the things she’ll never see or have again. Both very nostalgic and full of hope for the future.

In-between:

* The Long Haul from the Annals of Transportation, The Pacific Monthly, May 2009: Marriage dynamics in an alternate world where the Hindenburg disaster never happened, and where airship became a norm in contemporary times.

* The Insects of Love: Mysterious and hinting at memory/time slippage. I would’ve liked it to be a little clearer on this latter part, though.

* Shadow Flock: A heist story, enjoyable but a little wanting in terms of a conclusion.

* Mothers, Lock Up Your Daughters Because They Are Terrifying: Adopted teenagers girl gather and perform black magic in their quest for identity. The apparently ineffective spell gives them what they want… at first.

* Kheldyu: Action, stealthy infiltrators, interesting techological evolutions, and an “ecological” plot.

* Calligo Lane: Fascinating space-bending magic based on origami. However, the plot wasn’t really defined.

* The Truth About Owls: A tale about a young girl exiled from her country, having to adapt to a new life but also unable to fully embrace her own roots.

* Collateral: (Already read in Upgraded) In which an enhanced soldier has to face the consequences of her choices and training, and come to conclusions after sifting through what’s right and what’s wrong.

The ones I liked the least:

* The Vaporization Enthalpy of a Peculiar Pakistani Family: Interesting, especially for the theme it wields, but it wasn’t rooted enough in sci-fi or fantastical elements for me. (Not a bad story.)

* The Devil in America: The mix of slavery and ancient magic could’ve been interesting, but it was so disjointed that it made it hard to follow.

* Someday: I kept thinking “why not” when it came to this society’s depiction of mating and having children, but in the end I couldn’t decide what was actually the point.

Conclusion: A recommended read. A few of the stories lacked a properly defined plot and punchline, but this is something that was much more pronounced in other anthologies than this one.

NB. When I write “punchline”, I don’t mean “the most original one in the world”… just an ending. Leaving things too open-ended in short stories always seems weird to me.

Yzabel / May 31, 2014

Review: California Bones

California Bones by Greg Van Eekhout

My rating: [rating=4]

Summary:

When Daniel Blackland was six, he ingested his first bone fragment, a bit of kraken spine plucked out of the sand during a visit with his demanding, brilliant, and powerful magician father, Sebastian.

When Daniel was twelve, he watched Sebastian die at the hands of the Hierarch of Southern California, devoured for the heightened magic layered deep within his bones.

Now, years later, Daniel is a petty thief with a forged identity. Hiding amid the crowds in Los Angeles—the capital of the Kingdom of Southern California—Daniel is trying to go straight. But his crime-boss uncle has a heist he wants Daniel to perform: break into the Hierarch’s storehouse of magical artifacts and retrieve Sebastian’s sword, an object of untold power.

For this dangerous mission, Daniel will need a team he can rely on, so he brings in his closest friends from his years in the criminal world. There’s Moth, who can take a bullet and heal in mere minutes. Jo Alverado, illusionist. The multitalented Cassandra, Daniel’s ex. And, new to them all, the enigmatic, knowledgeable Emma, with her British accent and her own grudge against the powers-that-be. The stakes are high, and the stage is set for a showdown that might just break the magic that protects a long-corrupt regime.

Review:

(I got an ARC through NetGalley, in exchange for an honest review.)

3.5/4 stars, I can’t exactly decide, but let’s say 4, because I really liked the world depicted in this book.

Somewhere at the end of the 19th century, or in the early 20th century, California cut ties with the rest of the USA. North and South are now separate “kingdoms”, the southern one being giverned for a century by the mysterious Hierarch and his six closest associates. In itself, the back story behind this isn’t extremely developed, but for once, it didn’t matter for me, because the atmosphere permeating fascinated me, and in the end, I found this more important. (I tend to forgive such aspects in fantasy more than I do in dystopian stories, probably because of the magic factor: if there’s magic and supernatural beings, the world isn’t totally our own, and there’s more leeway for alternate history and various changes.)

I must say I loved the magic developed here: consuming bones from a creature allows a sorcerer (called osteomancer) to temporarily gain characteristics from said creature. The more is consumed, the stronger the magic, and some, like the main character, are so permeated with essence from such beings that they can call upon them at will, or almost. There’s something both gross and fascinating in this, similar to what gets my interest in stories where necromancy is concerned. Consuming bones is a large paved way leading straight to cannibalism: why wait until the creature is dead, after all? And, of course, why only consume animals? Readers who don’t like such themes will likely not feel at ease with what happens in this novel. I, well, I kept reading, wanting to know more about how this worked, about how far some people were ready to go.

The setting, the city, felt like a mix of strange glamour and disgusting practices, a combination that usually works for me. People living under delusions fuelled by the glamour magic of an old sorcerer named Disney, whose amusement parks keep visitors half-drugged with false beauty, and are one of society’s backbones. Lively markets full of conmen and thiefs, having to eke a living under the nose of the wealthy ones working for the “government”. Black market, osteomancy being both a tool of power and one that will get you hunted, because you never know when someone more powerful decides it’s time to consume more… substance. Though the descriptions weren’t very long, they were of a kind that made me able to easily picture the streets, the canals, all the places the characters went through, and to me, this world was a vivid one.

The heist itself is of the classic kind, so I’d say it depends on what a reader is looking for here. If one is familiar with such stories and has read a lot, it may not be surprising, and may even appear as predictable. However, if this is the formula one is looking for, for the sheer pleasure of seeing the heist being prepared and carried on, or if one hasn’t read/seen too many stories of that kind, it could be a very different experience.

I really liked this novel, but two caveats, still. First, while it was permeated with that morbid fascination born from osteomancy, I feel it could have been more developed when it came to some aspects. Quite a few times, I realised I wanted to know more, more, more. Some things I could infer, some others I never got an answer to. Second, the story rests on atmosphere, world-builging, and on the heist itself; in comparison, the characters’ motives weren’t always clear, and their personas sometimes seemed simplistic. Again, it probably depends on what one is looking for. I was looking for a heist and a strange kind of magic, not for very deep exploration of every single human psyche involved, but if I had been, I guess I would have liked the novel less than I did.

This is a rich world, in any case, and one that deserves being written about some more. If there’s to be a sequel, I’d definitely pick it.

(Note: there were a few typos here and there. Since this is an ARC and not a published copy, though, those will hopefully have been corrected by the time it hits the shelves.)