Yzabel / April 23, 2019

Review: Space 2.0

Space 2.0: How Private Spaceflight, a Resurgent NASA, and International Partners are Creating a New Space AgeSpace 2.0: How Private Spaceflight, a Resurgent NASA, and International Partners are Creating a New Space Age by Rod Pyle
My rating: [usr 4.5]

Blurb:

We’re on the cusp of new era in the great adventure of space exploration.

More than a half-century ago, humanity first hurled objects into space, and almost 50 years ago, astronauts first walked on the moon. Since then, we have explored Earth’s orbit with shuttles, capsules, and space stations; sent robots to Mars, Venus, Mercury, Jupiter, Saturn, and Uranus; sampled a comet; sent telescopes into orbit; and charted most of our own planet.

What does the future hold?

In Space 2.0, space historian Rod Pyle, in collaboration with the National Space Society, will give you an inside look at the next few decades of spaceflight and long-term plans for exploration, utilization, and settlement.

No longer the exclusive domain of government entities such as NASA and other national agencies, space exploration is rapidly becoming privatized, with entrepreneurial startups building huge rocket boosters, satellites, rocket engines, asteroid probes, prospecting craft, and even commercial lunar cargo landers to open this new frontier. Research into ever more sophisticated propulsion and life support systems will soon enable the journey to Mars and destinations deeper in our solar system. As these technologies continue to move forward, there are virtually no limits to human spaceflight and robotic exploration.

While the world has waited since the Apollo lunar program for the next “giant leap,” these critical innovations, most of which are within our grasp with today’s technology, will change the way we live, both in space and on Earth. A new space age—and with it, a new age of peace and prosperity on Earth, and settlement beyond our planet—can be ours.

Speaking with key leaders of the latest space programs and innovations, Pyle shares the excitement and promise of this new era of exploration and economic development. From NASA and the Russian space agency Roscosmos, to emerging leaders in the private sector such as SpaceX, Blue Origin, Moon Express, Virgin Galactic, and many others, Space 2.0 examines the new partnerships that are revolutionizing spaceflight and changing the way we reach for the stars.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

As a NetGalley ARC, I got a digital copy, but getting a printed one is very, very tempting, since the book contains plenty of beautiful pictures: from archives, from “current” events (taken during SpaceX launches, for instance), and from art depicting projects as of yet unrealised, but that look definitely exciting.

This book takes us on a journey from the early days of space-faring into current projects, as well as what could very well be in store for the future. The space conquest started strongly during the Cold War, but it is true that after a while, those efforts kind of dwindled compared to what they could have been, what a lot of people no doubt expected them to be. I remember when the shuttle was decommissioned, and that was heartbreaking in its own way. Now, as the space industry is not relying only on public agencies but also on investors from the private sector—while I’m not a huge fan of Musk and Bezos, let’s be honest, we need people like them to carry on with the effort—may we hope that it’s not going to stop here?

“Space 2.0” is a very pleasant read, both in an entertaining and in an informative manner, and doesn’t restrict itself to covering NASA: it also presents recent and currents efforts from other agencies, whether in Europe with the ESA or in Asia with the growing importance of China and India. And while it doesn’t shy away from all the hurdles in conquering space, the past as well as the future ones, it provides plenty of technical details, and a clearly hopeful vision (complete with contacts and organisations to get involved as individuals in space-related endeavours in general).

Yes, I really want to get the printed version now. If I have one critique, it’s that I wouldn’t have minded if the book has been a little longer, with even more pictures and details!

Yzabel / December 21, 2018

Review: The Quantum Labyrinth

The Quantum Labyrinth: How Richard Feynman and John Wheeler Revolutionized Time and Reality (The Theoretical Minimum)The Quantum Labyrinth: How Richard Feynman and John Wheeler Revolutionized Time and Reality by Paul Halpern

My rating: [rating=5]

Blurb:

The story of the unlikely friendship between the two physicists who fundamentally recast the notion of time and history
 
In 1939, Richard Feynman, a brilliant graduate of MIT, arrived in John Wheeler’s Princeton office to report for duty as his teaching assistant. A lifelong friendship and enormously productive collaboration was born, despite sharp differences in personality. The soft-spoken Wheeler, though conservative in appearance, was a raging nonconformist full of wild ideas about the universe. The boisterous Feynman was a cautious physicist who believed only what could be tested. Yet they were complementary spirits. Their collaboration led to a complete rethinking of the nature of time and reality. It enabled Feynman to show how quantum reality is a combination of alternative, contradictory possibilities, and inspired Wheeler to develop his landmark concept of wormholes, portals to the future and past. Together, Feynman and Wheeler made sure that quantum physics would never be the same again.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

This is somewhat a strange book, hovering between a biography and physics book, through the lives of Richard Feynman and John Wheeler, and it seems to me it has both the good sides and shortcomings of both. Shortcomings, as in, it can’t go really in depth in the lives of the two scientists, and at the same time, the physics aspect is sometimes too complex, and sometimes too simple, which makes for an unbalanced read. But good sides, too, for linking the characters and their work, and giving an insight into said work, and overall making me want to read more about, well, everything in there. Probably in favour of Wheeler, since I already know quite a few things about Feynman (although I don’t seem to tire of him anyway).

I wouldn’t recommend it as a complete introduction to quantum and particle physics, though, since some of its contents are just too painful to follow without some basic knowledge of the topic.

I do recommend it for a global coverage of what Feynman and Wheeler worked on in their lifetime, to get pointers about specific topics worth researching more in depth later.

Style-wise, the book reads well enough in general, but more than once, some analogies were weird and fell flat for me.

Yzabel / October 8, 2018

Review: Sleepyhead

Sleepyhead: Narcolepsy, Neuroscience and the Search for a Good NightSleepyhead: Narcolepsy, Neuroscience and the Search for a Good Night by Henry Nicholls

My rating: [rating=4]

Blurb:

When Henry Nicholls was twenty-one, he was diagnosed with narcolepsy: a medical disorder causing him to fall asleep with no warning. For the healthy but overworked majority, this might sound like an enviable condition, but for Henry, the inability to stay awake is profoundly disabling, especially as it is accompanied by mysterious collapses called cataplexy, poor night-time sleep, hallucinations and sleep paralysis.

A writer and biologist, Nicholls explores the science of disordered sleep, discovering that around half of us will experience some kind of sleep dysfunction in our lives. From a CBT course to tackle insomnia to a colony of narcoleptic Dobermans, his journey takes him through the half-lit world of sleep to genuine revelations about his own life and health.

Told with humour and intelligence, Sleepyhead uses personal reflections, interviews with those with sleep disorders and the people who study them, anecdotes from medical history and insights from art and literature to change the way we understand our sleeping hours.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

There’s a wealth of information in this book, sometimes in the text, and sometimes through the references it offers—I’ve picked in those a couple of books I’ll need to read at some point.

“Sleepyhead” is probably more interesting if one is already suffering from sleep-related troubles, maybe not as bad as narcolepsy, but even temporary troubles, such as acute insomnia caused by stress. It goes through a certain amount of factors that trigger narcolepsy and other “X-somnias”, providing details about how misdiagnosed those used to be historically, and helping understand what they entail. For instance, I always thought that narcolepsy was about people falling asleep at any time of the day, but it had never occurred to me that their sleep at night was highly disturbed, and not the peaceful slumber one would imagine from that very basic description. I’m glad I know more about it now.

The book was also interesting for its insights about sleep in general, though the focus remains on the dysfunctional parts: it seems that over the centuries, lots of superstitions (like “incubi”) were in fact descriptions of parasomnia-induced symptoms, such as night terrors. I also didn’t know about the two-time sleep people seemed to have had before artificial lights: sleeping early for a few hours, then being awake for 1-2 hours in the dead of night, then sleeping again for a few more hours.

While note a bona fide scientific book, “Sleepyhead” is useful no matter what: for the journey it describes (Henry Nicholls went to meet and interview many people while researching), and for the information it provides. It could be beneficial for people who suffer from such troubles, sleep apnea for instance, if only to alert them in a “hey, that sounds exactly what -I- am going through!” way.

Yzabel / July 30, 2018

Review: 21 Lessons for the 21st Century

21 Lessons for the 21st Century21 Lessons for the 21st Century by Yuval Noah Harari

My rating: [rating=3]

Blurb:

Sapiens showed us where we came from. Homo Deus looked to the future. 21 Lessons for the 21st Century explores the present. In this new book, Harari helps us to grapple with a world that is increasingly hard to comprehend. How can we protect ourselves from nuclear war, ecological cataclysms and technological disruptions? What can we do about the epidemic of fake news? Which civilization dominates the world – the West, China, Islam? What can we do about terrorism?

With his trademark clarity and vision, Harari takes us on a thrilling journey into today’s most urgent issues as well as turning to more individual concerns. The golden thread running through this exhilarating new book is the challenge of maintaining our focus and attention in the face of constant and destabilising change. Ultimately what we and our children will need is mental stability, compassion, resilience and reason. This is a crucial part of our ongoing education in the 21st Century.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

I read Harari’s two other books (“Sapiens” and “Homo Deus”), and quite liked them, so when this one was available, I couldn’t help but request it. It did turn out to be an interesting read as well, dealing with current problems that we just can’t ignore: global warming, terrorism, the rise of harmful ideologies, etc. It’s definitely not seen through rose-tinted glasses, and it’s a good thing, for it’s time people in general wake up and—to paraphrase one of the many things I tend to agree with here—stop voting with their feet. (Between the USA and Brexit Country, let’s be honest: obviously too many of us don’t use their brains when they vote.)

I especially liked the part about the narratives humans in general tend to construct (nationalism and religions, for instance, being built on such narratives)—possibly because it’s a kind of point of view I’ve been holding myself as well, and because (as usual, it seems), the “narratives of sacrifice” hit regular people the most. Another favourite of mine is the part played by algorithms and “Big Data”, for in itself, I find this kind of evolution both fascinating and scary: in the future, will we really let algorithms decide most aspects of our lives, and isn’t it already happening? (But then, aren’t we also constructs whose functioning is based on biological algorithms anyway? Hmm. So many questions.)

I don’t necessarily agree with everything in this book, and to be fair, there was too much matter to cram everything in one volume, so some of it felt a little hurried and too superficial. I’ll nevertheless recommend it as an introduction to the topics it deals with, because it’s a good eye-opener, and it invites to a lot of introspection, questioning and thinking, which is not a bad thing.

Yzabel / April 3, 2018

Review: [Preview of] Why I’m No Longer Talking to White People About Race

Why I’m No Longer Talking to White People About RaceWhy I’m No Longer Talking to White People About Race by Reni Eddo-Lodge

Blurb:

In 2014, award-winning journalist Reni Eddo-Lodge wrote about her frustration with the way that discussions of race and racism in Britain were being led by those who weren’t affected by it. She posted a piece on her blog, entitled: ‘Why I’m No Longer Talking to White People About Race’.

Her words hit a nerve. The post went viral and comments flooded in from others desperate to speak up about their own experiences. Galvanised by this clear hunger for open discussion, she decided to dig into the source of these feelings.

Exploring issues from eradicated black history to the political purpose of white dominance, whitewashed feminism to the inextricable link between class and race, Reni Eddo-Lodge offers a timely and essential new framework for how to see, acknowledge and counter racism. It is a searing, illuminating, absolutely necessary exploration of what it is to be a person of colour in Britain today.

Review:

[I received a preview of this book through Netgalley. For this reason, I’m not going to rate this book, considering only the preface and first chapter were contained in the preview, and my review is going to be just about that as well. I’ll have to pick up the complete book at some point later.]

This said, I must admit I wouldn’t have requested it if I had noticed sooner it was a preview: I much prefer reading & reviewing full books. Oh, well.

I get the voluntarily provoking title, which is loaded in itself, but I guess that’s a good way of testing oneself and see if we want to read further. Examples given in the first chapter didn’t surprise me either, much unfortunately.

Obviously, being ‘white’, I can’t relate directly, however, for some of the examples, well, just replace ‘white’ and ‘black’ by ‘men’ and ‘women’, and you get pretty much a similar effect. (Yes, I know, ‘not all men…’, just like ‘not all whites…’, but as usual with that kind argument: it’s not the point.) I’m thinking here of the preface more specifically: “You can see their eyes shut down and harden. It’s like treacle is poured into their ears, blocking up their ear canals. It’s like they can no longer hear us.” Or “They’ve never had to think about what it means, in power terms, to be white, so any time they’re vaguely reminded of this fact, they interpret it as an affront. Their eyes glaze over in boredom or widen in indignation. Their mouths start twitching as they get defensive. Their throats open up as they try to interrupt, itching to talk over you but not really listen, because they need to let you know that you’ve got it wrong.” In other words, I can’t fully relate, but pushing myself to imagine what it must be like isn’t a big stretch; I got into similar conversations with patronising people who thought they were right because they had a penis instead of a vagina (hint: they weren’t).

Anyway.

Now, where I believe I can’t judge without having read it all, is because, for the moment, I can’t exactly tell in which direction the book is going. Is the title misleading, and the author does actually want dialogue? Or is it exactly what it says on the tin, and veering into ‘reverse racism’? (Note that as far as I’m concerned, racism is universal and goes every way and from any colour to anywards any colour, and it sucks, and I wish the human species as a whole would finally grow up, but then I suppose I’d also like to get a sports car and a penthouse in the City for my birthday, and it just won’t happen.)

So, yep… To be read fully later.

Yzabel / March 28, 2018

Review: Globe

Globe: Life in Shakespeare's LondonGlobe: Life in Shakespeare’s London by Catharine Arnold

My rating: [rating=3]

Blurb:

The life of William Shakespeare, Britain’s greatest dramatist, was inextricably linked with the history of London. Together, the great writer and the great city came of age and confronted triumph and tragedy. Triumph came when Shakespeare’s company, the Chamberlain’s Men, opened the Globe playhouse on Bankside in 1599, under the patronage of Queen Elizabeth I. Tragedy touched the lives of many of his contemporaries, from fellow playwright Christopher Marlowe to the disgraced Earl of Essex, while London struggled against the ever-present threat of riots, rebellions and outbreaks of plague.

Globe takes its readers on a tour of London through Shakespeare’s life and work, as, in fascinating detail, Catharine Arnold tells how acting came of age. We learn about James Burbage, founder of the original Theatre in Shoreditch, who carried timbers across the Thames to build the Globe among the bear-gardens and brothels of Bankside, and of the terrible night in 1613 when the theatre caught fire during a performance of King Henry VIII. Rebuilt, the Globe continued to stand as a monument to Shakespeare’s genius until 1642 when it was destroyed on the orders of Oliver Cromwell. And finally we learn how 300 years later, Shakespeare’s Globe opened once more upon the Bankside, to great acclaim, rising like a phoenix from the flames Arnold creates a vivid portrait of Shakespeare and his London from the bard’s own plays and contemporary sources, combining a novelist’s eye for detail with a historian’s grasp of his unique contribution to the development of the English theatre. This is a portrait of Shakespeare, London, the man and the myth.

Review:

[I received a copy of this book through Netgalley.]

I love going to the Globe, although I can’t afford it very often (but I still try to enjoy at least a couple of plays a year, which is the least I can do considering I almost live on its doorstep by London standards ;)). My knowledge about how it came to be was a bit fragmented, so I was glad to be able to read this book.

Throughout it, you can feel the author’s passion for her subject—the device of fictionalising Shakespeare’s first visit to London isn’t what I’d expect from academic research, and I’m not sure it’s pareticularly welcome, but on the other hand, it’s definitely a window on that passion I mentioned, and is entertaining no matter what. It’s also a window on London at the end of the 16th and the early 17th centuries, and I admit I wish this window would’ve been larger, because I couldn’t get enough details on what the city must’ve looked and felt like at that time, all the more now that I can fully compare it to nowadays London (Shoreditch for Burbage’s original Theatre, Bankside for the Globe, the Rose and Blackfriars’ locations, and so on).

I appreciated that the book chronicled the building of the modern Globe, which I believe is as much part of that theatre’s history as the original one, for starters because it’s on its way to last just as long and possibly more, considering the length of its current lease. I learnt about quite a few interesting facts in both cases, from the controversy around Sam Wanamaker’s project (an American trying to resurrect the Globe! So shocking!) to how the original Globe came to be, built from the timbers of the Theatre that Burbage & Co happily scavenged to keep their dream going.

The book also sheds light on the political and social climate at the time, an interesting part since Shakespeare’s plays were often in accordance with current events for his public to better relate. On the other hand, I believe I spotted some factual mistakes that may have been corrected through more careful editing (but I’m not a specialist, so, well, for what it’s worth…).

Conclusion: A good introduction that paves the way for more reading, although not going in-depth.

Yzabel / March 11, 2018

Review: Break Out

Break Out: How the Apple II Launched the PC Gaming RevolutionBreak Out: How the Apple II Launched the PC Gaming Revolution by David L. Craddock

My rating: [rating=5]

Blurb:

Around the world, millions of people hijack cars in Grand Theft Auto, role play fantastical heroes in World of WarCraft, and crush candy on phones as small as wallets yet nearly as powerful as desktop computers. But long before video games became a multi-billion-dollar industry, two hackers invented the Apple II, a PC that contained less memory than the average Microsoft Word document and bowled over consumers by displaying four colors at once. Some users tapped its resources to design productivity software. Others devised some of the most influential games of all time. From the perils along the Oregon Trail and the exploits of Carmen Sandiego to the shadowy dungeons of Wizardry and Prince of Persia’s trap-filled labyrinth, Break Out recounts the making of some of the Apple II’s most iconic games, illustrates how they informed the games we play today, and tells the stories of the pioneers who made them.

Review:

[I received a copy of this book through Netgalley.]

I never owned an Apple II, but my family did have a Commodore 64 when I was a kid, and I do have a soft spot for the history and evolution of computing (and computers) in general, and I was glad to read this book, for it reminded me of a lot of things. The Apple II, after all, was part of that series of personal computers on which a lot of developers cut their teeth, at a time when one still needed to dive into programming, at least a little, if one wanted to fully exploit their machine. (I’ve forgotten most of it now, and was never really good at it anyway since I was 7 and couldn’t understand English at the time… but I also tried my hand at BASIC to code a few simple games, thanks to a library book that may or may not have been David Ahl’s “101 BASIC Computer Games”, I can’t remember anymore now.)

In other words, due to a lot of these developers coding not only for the Apple II, and/or to their games being ported to other machines, C64 included, I was familiar with a lot of the games and software mentioned in Craddock’s book. Even though, 1980s and personal computer culture of the time oblige, most of what we owned was most likely pirated, as we happily copied games from each others to cassettes and 5 ¼ floppy disks on which we punched a second hole (instant double capacity! Just add water!).

A-hem. I guess the geek in me is just happy and excited at this trip down memory lane. And at discovering the genesis behind those early games which I also played, sometimes without even knowing what they were about. (So yes, I did save POWs with “Choplifter!”, and I haunted the supermarket’s PC aisle in 1992 or so in the hopes of playing “Prince of Persia”. And I had tons of fun with Brøderbund’s “The Print Shop”, which I was still using in the mid-90s to make some silly fanzine of mine. And even though that game wasn’t mentioned in the book, I was remembered of “Shadowfax”, which I played on C64, and some 30 years later, I’m finally aware that I was actually playing Gandalf dodging & shooting Nazgûls. One is never too old to learn!)

This book may be worth more to people who owned and Apple II and/or played the games it describes, but even for those who never owned that computer and games, I think it holds value anyway as a work retracing a period of history that is still close enough, and shaped the world of personal computing as we know it today. It’s also worth it, I believe, for anyone who’s interested in discovering how games (but not only) were developed at the time, using methods and planning that probably wouldn’t work anymore. All things considered, without those developers learning the ropes by copying existing games before ‘graduating’ to their own, so to speak, something that wouldn’t be possible anymore either now owing to said software’s complexity, maybe the software industry of today would be very different. And, last but not least, quite a few of our most popular post-2000 games owe a lot, in terms of gaming design, to the ones originally developed for the Apple II.

My main criticism about “Break Out” would be the quality of the pictures included on its pages. However, I got a PDF ARC to review, not a printed version, and I assumed from the beginning that compression was at fault here, and that the printed book won’t exhibit this fault. So it’s not real criticism.

Conclusion: If you’re interested in the history of computers and/or games; in reliving a period you knew as a gamer child or teenager; and/or in seeing, through examples and interviews, how developing went at that time: get this book.

Yzabel / November 8, 2017

Review: The Voynich Manuscript

The Voynich Manuscript: The Complete Edition of the World's Most Mysterious and Esoteric CodexThe Voynich Manuscript: The Complete Edition of the World’s Most Mysterious and Esoteric Codex by Stephen Skinner

My rating: [rating=4]

Blurb:

The Voynich Manuscript is an extensively illustrated codex featuring cosmological and astrological diagrams interwoven with detailed herbal illustration, relating both to the magical and alchemic view of the universe. It is written in a strangely beautiful cryptographic script.

Review:

[I received a copy of this book through NetGalley.]

I discovered the Voynich Manuscript sometime last year, and since then have been intrigued by it, both its text and illustrations.

Most of the book is devoted to scans and photos of the manuscript’s pages. In that regard, while I got a PDF copy here, but I definitely recommend a paper one to fully appreciate those since the illustrations in the PDF were a little blurry, perhaps because it was an ARC and not the final, sold version (I’d get such a copy myself if I had enough space to keep physical books). A paper copy also lends itself more easily to going back and forth between photos and the introduction & commentary, at the beginning of the book, and I think being able to do that is a must-have here. Finally, for want of deciphering the Voynich, being able to admire and contemplate its content is part of the pleasure, after all—so, paper all the way. (I do hope it’s printed on some nifty glossy paper with a very nice smell; yes, I sniff books, I’m liable not to buy one if it literally stinks.)

Speaking of the introduction, I found it really interesting, regarding the manuscript’s history but also the many interpretations, and descriptions of specific illustrations and why exactly they’re puzzling (such as the one with women bathing in an intestine-like shape—I learnt something new about what that may represent, and further than that, if it’s the right interpretation, what it reveals about the manuscript’s author).

The manuscript itself… Fascinating ‘gibberish’, I wish I had more abilities in deciphering, for I would fail for sure, but at least I might have more of an insight about where to possibly start? It doesn’t seem based on a European language, at least not an alphabetic one, and is thought to rely on a syllabic system. Was it an entirely created language?

I do hope someone will one day fully decrypt it. Preferably while I’m still alive to see it.

Conclusion: 4 stars (well, 3 for an ebook version because you can’t leaf through as easily, but I’m nitpicking).

Yzabel / August 9, 2017

Review: From Holmes to Sherlock

From Holmes to Sherlock: The Story of the Men and Women Who Created an IconFrom Holmes to Sherlock: The Story of the Men and Women Who Created an Icon by Mattias Boström

My rating: [rating=5]

Blurb:

Everyone knows Sherlock Holmes. Sir Arthur Conan Doyle created a unique literary character who has remained popular for over a century and is appreciated more than ever today. But what made this fictional character, dreamed up by a small-town English doctor in the 1880s, into such a lasting success, despite the author’s own attempt to escape his invention?

In From Holmes to Sherlock, Swedish author and Sherlock Holmes expert Mattias Boström recreates the full story behind the legend for the first time. From a young Arthur Conan Doyle sitting in a Scottish lecture hall taking notes on his medical professor’s powers of observation to the pair of modern-day fans who brainstormed the idea behind the TV sensation Sherlock, from the publishing world’s first literary agent to the Georgian princess who showed up at the Conan Doyle estate and altered a legacy, the narrative follows the men and women who have created and perpetuated the myth. It includes tales of unexpected fortune, accidental romance, and inheritances gone awry, and tells of the actors, writers, readers, and other players who have transformed Sherlock Holmes from the gentleman amateur of the Victorian era to the odd genius of today. Told in fast-paced, novelistic prose, From Holmes to Sherlock is a singular celebration of the most famous detective in the world—a must-read for newcomers and experts alike.

Review:

[I received a copy of this book through NetGalley.]

This was a thoroughly enjoyable read, more than I thought it would be—the matter of course I was definitely interested in, but the way the author gathered and presented his material gave the whole book a ‘storytelling’ side that kept me wanting to read, and read, and read. Much like Conan Doyle’s Sherlock Holmes stories. A biography-slash-history book that is in itself a big story.

I won’t deny that some chapters towards the middle (the period between Conan Doyle’s death and the modern adaptations after the 1970s-80s) weren’t the most interesting for me, but even those didn’t detract from the book as a whole. It takes us through the genesis of the original Holmes & Watson stories, how they came to be, how their author perceived them, the conundrum of seeing them more successful than his ‘most serious’ works and of wanting to kill Holmes… How they gradually escaped his and his family’s grasp, in spite of efforts to keep a hand on them, because what Doyle gave birth to was bigger than him, bigger than just a handful of people, and wanted out, plain and simple.

I’ve read all the original stories (will read them again), yet I admit I’m lagging behind when it comes to movies. Well, now I know exactly what to catch up on, what to look for, and what kind of tone these adaptations’ would be—the movies with Basil Rathbone won’t be the same than the BBC Sherlock series, nor is their Holmes the one from the 1980s series with Jeremy Brett. I’d need half a lifetime to catch up on all this (and I’d want to catch up several times, for sure), but now at least I have a clearer view of ‘the bigger picture’.

Arthur Conan Doyle gave life to Holmes and took it away, but the Great Detective just won’t stay dead, will he? It’s all the readers and actors and directors and other authors that gave him a much, much longer life than expected.

Conclusion: Highly recommended!

Yzabel / July 30, 2017

Review: The Comic Book Story of Video Games

The Comic Book Story of Video Games: The Incredible History of the Electronic Gaming RevolutionThe Comic Book Story of Video Games: The Incredible History of the Electronic Gaming Revolution by Jonathan Hennessey

My rating: [rating=3]

Blurb:

A complete, illustrated history of video games–highlighting the machines, games, and people who have made gaming a worldwide, billion dollar industry/artform–told in a graphic novel format.
Author Jonathan Hennessey and illustrator Jack McGowan present the first full-color, chronological origin story for this hugely successful, omnipresent artform and business. Hennessey provides readers with everything they need to know about video games–from their early beginnings during World War II to the emergence of arcade games in the 1970s to the rise of Nintendo to today’s app-based games like Angry Birds and Pokemon Go. Hennessey and McGowan also analyze the evolution of gaming as an artform and its impact on society. Each chapter features spotlights on major players in the development of games and gaming that contains everything that gamers and non-gamers alike need to understand and appreciate this incredible phenomenon.

Review:

[I received a copy of this book through NetGalley.]

Fairly interesting, although to be honest, in spite of the early chapters being educative in their own ways, I would’ve preferred to see the focus more on the actual video games (and industry) themselves, rather than also on the electricity/industrial revolution parts. The art style, too, was not always consistent, and sometimes too stiff.

On the other hand, I appreciated the inclusion of actual video games characters in panels, as watchers or part of the ‘narrative’; just trying to remember or find out who they were, was in itself another, different dive into history. (Well, maybe it wouldn’t work that well on someone who knows less about such games, but for me, it worked.)

I also liked how the book included some of the backstage workings behind the whole video games industry; they were plenty of things I didn’t know, for instance Sony and its Playstation, I had no idea there had been a deal in the plans with Nintendo for CD games, and that it completely fell through. (I’m not feeling younger, though. Being reminded that this PSX I got in 1998—and I made it a point to get a US model, too, since the European one didn’t run the games I wanted—was even a few years older than that… well…)

Conclusion: An informative and colourful read. I do wish it had spent just a little less time on the really early years, where ‘games’ per se weren’t so much concerned (to be fair, I already know a lot about computer history in general).