horror Archives - The Y Logs

Yzabel / September 15, 2020

Review: The Other People

The Other People by C.J. Tudor
My rating: ★★★★☆

Blurb:

She sleeps, a pale girl in a white room . . .

Three years ago, Gabe saw his daughter taken. In the back of a rusty old car, covered in bumper stickers. He was driving behind the car. He watched her disappear. But no one believes him. Most people believe that his daughter, and wife, are dead. For a while, people believed that Gabe was responsible.

Three years later and Gabe cannot give up hope. Even though he has given up everything else. His home, his job, his old life. He spends his days and nights travelling up and down the motorway, sleeping in his camper van in service stations, searching for the car that took her. Searching for his daughter.

Katie spends a lot of her life in service stations, working as a waitress. She often sees Gabriel, or ‘the thin man’ as she has nicknamed him. She knows his story. She feels for him, because Katie understands what it’s like to lose a loved one. Nine years ago, her father was murdered. It broke her family apart. She hasn’t seen her oldest sister since the day of the funeral; the day she did something terrible.

Fran and her daughter, Alice, put in a lot of miles on the motorway. Not searching. But running. Trying to keep one step ahead of the people that want to hurt them. Because Fran knows the truth. She knows what really happened to Gabe’s daughter. She knows who is responsible. And she knows that if they ever find them, they’re dead.

Review:

[I received a copy through NetGalley and Pigeonhole, in exchange for an honest review.]

The time I needed to read this book doesn’t correspond to how enjoyable it was—I would normally have read it faster, only I made the mistake of starting it during a period where what I really wanted to read was non fiction. So, even though it took me one month to finish, I actually liked it (more than other novels by the same author, in fact).

The story’s premise rests on something a parent’s worst nightmare (or so I assume): seeing their child abducted or killed. One fateful evening, Gabe came back from work only to see his only daughter riding in a stranger’s car, then find out his wife and daughter were savagely murdered… but wasn’t the little girl in a car on the motorway? Since that day, Gabe has been travelling the roads in the hopes of finding information about his missing daughter—a daughter that everyone else sees as dead—aided only by a mysterious man who calls himself “the Samaritan”.

The novel has us follow different characters: Gabe himself, of course, but also Fran and Alice, a woman and her daughter who may or may not have strange powers, and Katie, who works as a waitress in a restaurant off the motorway. While their trajectories appear independent at first, they gradually start to tangle and make sense, for all of them are, in fact, involved in what is unfurling here. This goes on at a pace that I found just right for me—not too quick, not too slow, with just enough information to make me imagine what was going on, without allowing me to guess the ending.

Overall, the story here is dark and creepy, often raising so many questions that one can’t help but wonder if all of them will get answers. And they don’t always—at the end of the novel, there were still a couple of things I couldn’t explain, even though overall there was an explanation to most of the ploy. This was partly annoying (I’m thinking of the ‘supernatural’ aspect here, to be more specific), but I found it didn’t detract from my enjoyment, or not as much as I thought it would, so that still makes it 3.5 stars for me.

Yzabel / June 13, 2020

Review: Devolution

Devolution by Max Brooks
My rating: ★★★☆☆

Blurb:

As the ash and chaos from Mount Rainier’s eruption swirled and finally settled, the story of the Greenloop massacre has passed unnoticed, unexamined… until now. But the journals of resident Kate Holland, recovered from the town’s bloody wreckage, capture a tale too harrowing – and too earth-shattering in its implications – to be forgotten.

In these pages, Max Brooks brings Kate’s extraordinary account to light for the first time, faithfully reproducing her words alongside his own extensive investigations into the massacre and the beasts behind it, once thought legendary but now known to be terrifyingly real.

Kate’s is a tale of unexpected strength and resilience, of humanity’s defiance in the face of a terrible predator’s gaze, and inevitably, of savagery and death.

Yet it is also far more than that.

Because if what Kate Holland saw in those days is real, then we must accept the impossible. We must accept that the creature known as Bigfoot walks among us – and that it is a beast of terrible strength and ferocity.

Review:

[I received a copy through NetGalley and Pigeonhole, in exchange for an honest review.]

Maybe not the best book to read considering the circumstances at the time (and still now), but I guess I can be a glutton for punishment sometimes, and I had liked “World War Z” a few years ago. I liked it for its “cabin fever” atmosphere (a few people completely isolated from the external world, having to survive while contending with themselves and each other), but not as much as I expected.

While the format itself—interviews, excerpts from a journal…—worked well enough for me in general, I found the pacing a little off at times (for instance, I’d expect more action, but get an article instead, which slowed down the narrative). The limits of the journal entries format is reached regularly when it comes to, well, action scenes (would someone really write it down like this in their personal journal?). I was also on the fence regarding another thing that I found interesting, that is, the breaking down of the small Greenloop community: I couldn’t decide if this, or the Bigfoot part, was the more interesting, and I felt that, in a way, the novel would’ve been more powerful if focused on one of the other, but not having both share the screen time, so to speak. Maybe that’s just me, though—and, let’s be honest, at first I had also picked this novel for the Bigfoot part anyway.

I did like the ending. It is a very open one, with several hypotheses as to what happened to the characters in the end, and it may make it or break it for a lot of people… but I liked having such an opening, allowing me to pick an ending, or none.

Conclusion: 3 stars. It was entertaining, but not amazing.

Yzabel / May 22, 2019

Review: The Dark Net

The Dark Net by Benjamin Percy
My rating: [usr 2]

(To be fair, I actually got a review copy through Edelweiss, but didn’t get to the book at the time due to… probably too many other books to read. Story of my life.)

It’s a decent novel. It didn’t exactly deal with what the blurbs mentions. From the latter, you’d think it’s a techno-thriller involving the Deep Web, groups like Anonymous, the Silk Road, and so on. But the ‘Net, while playing a part, is not as much involved as more traditional urban fantasy/horror elements: ‘the Light’ vs. ‘the Dark’, an immortal who prolongs her body’s current life through blood transfusions, an ex-child evangelist now running a shelter by day and hunting monsters by night, demons…

I did like the way the Deep Net was involved: as a new turf for a war between Light and Dark, with means of action relying on people’s obsession with their smartphones, GPS, and connected technology in general. That was a good plot point. I also liked Hannah’s ‘Mirage’ apparatus, in the first chapter of the book, where it is hinted that thanks to it, she’s now able to see more than meet the eye.

The story is packed with action, the characters don’t really get a chance to rest, and even when they think they do, well, Evil never sleeps, right? As a result, though, it was also difficult to care much about them—so when there were dead people, I barely noticed them.

The more traditional horror/UF elements were also a slight let-down. As much as I like these in general, here, I felt that the technological angle took the back burner at times (one of the characters is actually a technophobe). Perhaps I resented the blurb misleading me more than I thought, too? I would’ve been more interested in a truly cyberpunk-cum-supernatural angle, rather than the contrary.

Yzabel / May 18, 2019

Review: Walking to Aldebaran

Walking to Aldebaran by Adrian Tchaikovsky
My rating: [usr 4.5]

Blurb:

I’M LOST. I’M SCARED. AND THERE’S SOMETHING HORRIBLE IN HERE.

My name is Gary Rendell. I’m an astronaut. When they asked me as a kid what I wanted to be when I grew up, I said, “astronaut, please!” I dreamed astronaut, I worked astronaut, I studied astronaut. I got lucky; when a probe exploring the Oort Cloud found a strange alien rock and an international team of scientists was put together to go and look at it, I made the draw.

I got even luckier. When disaster hit and our team was split up, scattered through the endless cold tunnels, I somehow survived.

Now I’m lost, and alone, and scared, and there’s something horrible in here.

Lucky me.

Lucky, lucky, lucky.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

A short book (more novella than novel) about exploration, the unknown, first contact(s), and horrors lurking in the darkness.

The narrator, Gary Rendell, is an astronaut who got separated from his crew while exploring an odd artefact/construct he has nicknamed “the Crypts”, at the edge of the solar system, and suspected to be a gate to other parts of the galaxy. Gary’s narrative is disturbingly humorous, which in itself was not surprising to me, as a “buffer against madness” attempt at coping. Because the Crypts will eat you alive if you’re not careful, walking from one “biome” to the other, every time wondering if the air will be breathable, or if his body will be able to tolerate a new gravity, or if some other wanderer will decide to make him their dinner. And Gary is definitely not alone in there.

The story is told in chapters alternating present and past: Rendell’s roaming in the Crypts and what led him and the exploration team there. Both worked well for me, and were never too hard to follow or confusing. The science/technology part is not really explored here—it’s assumed that in the not-too-distant future, when the artefact was discovered, humanity is space-savvy enough to send a crew in semi-suspended animation past Neptune. And in itself, the “how” is not the point here, just the method by which the actual point is reached.

There are disturbing little hints here and there, that you don’t necessarily pay attention to at first. Rendell has been in there for days or weeks or months, and somehow you want him to find the exit, while knowing all too well it probably won’t happen, or not like a breeze. There are the names, too: the Frog God, Aldebaran? Brush up on your Lovecraft and you’ll see what I mean. There is a twist as well, and the aforementioned hints may or may not be enough to sense it coming, but once it’s here, you can’t unsee them, so to speak.

I’m just not too happy at the last chapter: I felt something was missing—that perhaps Gary should’ve gotten slightly less screen time here, so that we could also see what happened from the other party’s point of view? I’m not sure exactly, only that it didn’t thrill me as much as the rest of the book.

This said, I definitely recommend this novella.

Bonus: A fairly good soundtrack for this novella would be The Little Cloud Who Wouldn’t And The Rainbow Who Couldn’t… Lyrics included.

Yzabel / February 18, 2019

Review: The Mouth of the Dark

The Mouth of the Dark by Tim Waggoner

My rating: [rating=3]

Blurb:

Jayce’s twenty-year-old daughter Emory is missing, lost in a dark, dangerous realm called Shadow that exists alongside our own reality. An enigmatic woman named Nicola guides Jayce through this bizarre world, and together they search for Emory, facing deadly dog-eaters, crazed killers, homicidal sex toys, and – worst of all – a monstrous being known as the Harvest Man. But no matter what Shadow throws at him, Jayce won’t stop. He’ll do whatever it takes to find his daughter, even if it means becoming a worse monster than the things that are trying to stop him.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

I enjoyed the story of this father in search of his missing daughter, when everyone else is brushing this off as ‘she’s an adult, she must’ve gone with a boyfriend, she’ll surface again later’. In itself, it’s a sad illustration of how people can sometimes be very callous and not pay attention to others, including Jayce himself, who acknowledged that he hadn’t been very close to Emory and wants to find her in part because he’s feeling guilty about neglecting her.

The world of Shadow was also fascinating, in a (gruesome) way: a catalogue of all that can go twisted in people, but given a sort of physical shape. This made for a weird read, with gory and sexual depictions at times, the latter diving at times into the very disturbing—for instance, when Jayce finds a sex toy in Emory’s bedroom, or that specific flashback when he goes home and finds her in the basement: the whole sexual angle intruding in a father/child relationship cranked up the creepy factor fairly high here, and I can’t say I’m comfortable with that. This ties well into the horror part, though, but let’s just say one has better steel themselves against it. For me, it was disturbing (= sex conflated with parent/child) rather than horrific (= it didn’t scare me).

From a storytelling point of view, I had trouble with the timeline: the whole plot unfolds over less than two days (if you except the flashbacks), and I felt that this was too short for Jayce to go from ‘don’t know jack to Shadow’ to ‘oh one more disturbing thing… m’kay, let’s go on’. I also guessed pretty early what the big twist would be, so I wasn’t surprised at all when that was confirmed.

All in all, what I enjoyed most here was the world of Shadow itself, in all its bizarre glory.

Conclusion: 3 stars

Yzabel / February 2, 2019

Review: The Monsters We Deserve

The Monsters We Deserve by Marcus Sedgwick

My rating: [rating=2]

Blurb:

‘Do monsters always stay in the book where they were born? Are they content to live out their lives on paper, and never step foot into the real world?’

The Villa Diodati, on the shore of Lake Geneva, 1816: the Year without Summer. As Byron, Polidori, and Mr and Mrs Shelley shelter from the unexpected weather, old ghost stories are read and new ghost stories imagined. Born by the twin brains of the Shelleys is Frankenstein, one of the most influential tales of horror of all time.

In a remote mountain house, high in the French Alps, an author broods on Shelley’s creation. Reality and perception merge, fuelled by poisoned thoughts. Humankind makes monsters; but who really creates who? This is a book about reason, the imagination, and the creative act of reading and writing. Marcus Sedgwick’s ghostly, menacing novel celebrates the legacy of Mary Shelley’s literary debut in its bicentenary year.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

This book is somewhat of an oddball: part essay, part horror story, part reflection about the writer’s craft and what bringing a story into the world involves.

The book the author-protagonist talks about is Mary Shelley’s “Frankenstein”, but it’s also his own, his best-seller book, and the one about which he harbours the most doubts. It’s about disliking a story so much that you can’t help think about it; about the meaning of one’s writing, and how it completely escapes us from the moment it’s out in the world; about searching one’s soul and having to come to terms with our truths. Not an easy read, though it’s fairly short, and I admit I wasn’t entirely sold on it at first, but then it grew on me.

It’s also about monsters, of course, but not necessarily the kind we think at first.

Not my favourite book by Marcus Sedgwick, though, as parts of it are rather confusing and left me with a somewhat “off” feeling that I couldn’t place. Not to mention that if you’ve studied “Frankenstein” at least a little, most of the reflections outlined in it, as well as the “big reveal”, are kind of… super obvious?

2.5 stars. Interesting as a curiosity, I’d say.

Yzabel / April 24, 2018

Review: Norman, The Doll That Needed to Be Locked Away

Norman: The Doll That Needed to Be Locked Away by Stephen Lancaster

My rating: [rating=2]

Blurb:

When paranormal investigator Stephen Lancaster brought home an old doll from an antique shop, he had no idea what bizarre and terrifying things were about to occur. From Day One, Norman the doll raised Hell. He caused sudden infestations of rats and spiders. He frightened dogs and put children in trances. He even moved on his own in video surveillance footage. And that was just the beginning.

Norman takes you on a thrilling journey into Stephen’s life with a doll that has held the spirit of an unborn child for over fifty years. A haunted doll that still lives in Stephen’s house, locked away in his own room to keep him from once again endangering the house and Stephen’s family.

Review:

[I received a copy of this book through NetGalley. ]

I’m not sure how to rate this book. When I requested it, I thought it was a horror novel, but then upon looking closer, it was in fact a recounting of actual facts? Problem being that, while I am interested in paranormal phenomenons in a vague, general way, I’m not what you could call a ‘believer’—I’ll read about it, and watch shows etc., but I’m going to be detached from it. And while I’ll appreciate those things for the storyteller factor, for the ideas they give me for stories or pen & paper RPG games, I actually have trouble with suspension of disbelief when they’re -not- novels (yes, strangely as it sounds, I may ‘believe’ in this slightly more if it’s fiction… go figure).

So, do keep that in mind when it comes to my review: I probably wasn’t the right audience for it, at least not at this moment in my life.

I kept wondering why the family had the doll in their bedroom, of all places. I’ve always found dolls creepy AF (whether the ragdoll type or those uncanny-valley ‘looks like a real baby’ dolls), so even for the sake of research, I wouldn’t see myself keeping one in anything else than a closet or the basement. More puzzling is why they’d do that in a house where a teenager lives, where the grandchildren regularly come to visit, and where pets dwell, too. Choosing to endanger yourself for the sake of studying some phenomenon is fine and all, I mean it’s your choice, but bringing your kid and pets into it is… I don’t know, kind of irresponsible. I never got the feeling that Hannah agreed to it, or was thrilled with the idea. And when you see what happened to the cat, well…

The other big problem I had with this book was the amount of errors. Since I got an advanced reader copy, I know (I hope) these may have been corrected in the final, printed version, but in the meantime, they threw me out of the narrative.

This said, even though I’m ever the sceptic, the photos and video captures throughout the book were interesting to have a look at. This is typically the kind of stuff I have to see for myself in order to ‘believe’, of course, so the whole ‘we’re not releasing them because it’s our private home’ won’t convince me. Still, it remained interesting to see.

Conclusion: 2.5 stars.

Yzabel / April 21, 2018

Review: Zombie Abbey

Zombie Abbey by Lauren Baratz-Logsted

My rating: [rating=3]

Blurb:

And the three teenage Clarke sisters thought what they’d wear to dinner was their biggest problem…

Lady Kate, the entitled eldest.
Lady Grace, lost in the middle and wishing she were braver.
Lady Lizzy, so endlessly sunny, it’s easy to underestimate her.

Then there’s Will Harvey, the proud, to-die-for—and possibly die with!—stable boy; Daniel Murray, the resourceful second footman with a secret; Raymond Allen, the unfortunate-looking young duke; and Fanny Rogers, the unsinkable kitchen maid.

Upstairs! Downstairs! Toss in some farmers and villagers!

None of them ever expected to work together for any reason.

But none of them had ever seen anything like this.

Review:

[I received a copy of this book through Netgalley. ]

A story with Austen undertones… and zombies. (I’ve seen it compared to ‘Pride and Prejudice and Zombies’, but not having read that one, I honestly can’t tell.)
At Porthampton Abbey, a couple of years after World War I, the Clarke family has to contend with the problem of the entail, just like in ‘Pride and Prejudice’—meaning that if one of the daughters (preferably the elder, Kate) doesn’t marry very soon and has a male heir, their family will lose their estate after the death of Earl Clarke. Which is why the latter has invited a couple of potential suitors to stay for the weekend, including an older businessman from London, a duke, and a recently discovered cousin who’s very likely to inherit anyway, considering he’s the only male heir (but here’s to hope he’ll marry Kate, and all will be well in the world). And the story would go its posh, merry way, if not for the strange death of a villager, found half-devoured… A villager whom his widow has to kill a second time with a bullet to the head.

The beginning of this story definitely has its appeal: the Clarkes display a comical mix of common sense (Kate when it comes to hunting, for instance) and quirky, whimsical inability to grasp that other people are not only their servants, they’re, well, human beings with their own lives, too. This was a conflict in itself in the book, with the ‘Upstairs’ people having to realise that they have to pay more attention to the ‘Downstairs’ people. The build-up to the part where zombies actually make an appearance was a little slow, but in itself, it didn’t bother me, because discovering the characters (and rolling my eyes while trying to guess who’d kick the bucket) was quite fun. Granted, some of the characters weren’t very likeable; the earl felt too silly, Kate too insensitive… but on the other hand, I liked where Lizzy and Grace started and how they progressed—Lizzy as the girl whom everyone thinks stupid, yet who turns out to be level-headed when things become dangerous, and Grace being likely the most humane person in her family. The suitors, too, looked rather bland at first, however a couple of them started developing more of a (pleasant) personality. And I quite liked Fanny as well, the quiet-at-first but assertive maid who refuses to let ‘propriety’ walk all over charity.

After a while, though, the style became a little repetitive. The way the various characters’ point of views were introduced at the beginning of each chapter or sub-chapter, for some reason, tended to grate on my nerves, I’m not exactly sure why; and while I don’t have issues with casts of more than 2-3 POV characters, here the focus regularly went back to some action already shown in a previous chapter, but this time from another character’s point of view, which felts redundant.

I also thought that while there -were- zombies, I’d have liked seeing a little more of them. There was tension, but I never felt the story was really scary (for me and for the characters both), and the moments when a character got hurt was usually due to their being too stupid to live and doing something that no one in their sane mind should’ve done anyway.

Finally, I’m not satisfied with the ending: I don’t know it there’ll be a sequel or not, but if it’s meant to be a standalone, then it leaves way too many things open.

Conclusion: 2.5 /3 stars. I’m curious about how the situation at Porthampton Abbey will unfold, and if there were a sequel, that’d be good, because it’d mean the characters could finish growing, too.

Yzabel / April 4, 2018

Review: The Sacrifice Box

The Sacrifice Box by Martin Stewart

My rating: [rating=2]

Blurb:

An atmospheric, chilling page turner from rising star Martin Stewart, reminiscent of Stand by Me and Stranger Things.

Sep, Arkle, Mack, Lamb and Hadley: five friends thrown together one hot, sultry summer. When they discover an ancient stone box hidden in the forest, they decide to each make a sacrifice: something special to them, committed to the box for ever. And they make a pact: they will never return to the box at night; they’ll never visit it alone; and they’ll never take back their offerings.

Four years later, a series of strange and terrifying events take place. Someone broke the rules, and now everyone has to pay.

But how much are they willing to sacrifice?

Review:

[I received a copy of this book through Netgalley.]

The blurb for this book immediately reminded me of some of the horror books I’d read in the early 90s—mostly Stephen King paperbacks my mother gave me, so this ‘80s + horror + kids’ combination is one I’ve known in quite a while, even though I haven’t read such books in at least a decade or more. I suppose watching Stranger Things also put me back in the mood for those, and so here I was, getting into ‘The Sacrifice Box’.

As far as horror stories go, a lot of the usual ingredients are here. Strange happenings. Kids who find they have to gather to stop something evil from happening (and they can’t tell their parents, because they’d just sound crazy). School life with its teachers, sports kids, and bullies and picking on a couple of the main characters, but all things considered, those pale compared to the real threat. A mysterious item with mysterious rules to follow, rules that get, of course, broken—madness ensues. Dead animals coming back to life to attack people. Noises at night. A tiny town on an isolated island. The Halley comet looming over it all, like a bad omen.

All in all, I liked the setting itself, although at times it ‘tried a little too hard’, so to speak. However, where the book lacked a lot was the characters. The main point of view is Sep’s, interspersed with chapters viewed through the eyes of a couple of minor characters, like Mario, the vet doubling as chippy owner, in whose restaurant Sep works; or Thom and Aileen, two older people who also opened the box and made sacrifices back in 1941 when the war was raging (the story’s set in the UK, by the way—it’s not always very clear, as the atmosphere feels very ‘US-like’). The problem is that, as far as the other four kids are concerned, I didn’t get more than superficial impressions about them. For instance, Lamb is the hockey player, lives on a farm with her father, and lost her mother when she was a kid, yet apart from that and from her anger at whoever broke the rules of the box, I never really ‘saw’ her, who she was, how she really felt, her fears, and so on; and in such a horror-driven story, with such a concept of a box into which a band of children placed items loaded with both good and bad emotions, childhood fears, hopes and feelings would’ve been a necessary element to play on for all the characters, not just one.

I also didn’t see the point to the bully. At first, I expected him to play more of a part—perhaps the kind of character who ends up completely crazy, starts muttering about having to ‘kill the evil’, grabs a rifle, becomes an impediment to the kids’ efforts to restore the order (it’s a bit cliché, but it’d have its place in such a plot). And then… It just petered out. In the same way, I would’ve appreciated more of a conclusion regarding the events and the box itself: the epilogue doesn’t shed light on all the things that should’ve followed (how did the parents react, what about all the dead people, how were events explained officially, etc.). Here, too, some plot ends were left dangling.

Conclusion: A fast read, and rather entertaining in a superficial way; but the novel kept feeling like an attempt to surf on the “Stranger Things” wave, and didn’t live up to the kind of books/stories it tried to be an homage to.

Yzabel / April 3, 2018

Review: After the End of the World

After the End of the World by Jonathan L. Howard

My rating: [rating=4]

Blurb:

The Unfolded World is a bitter and unfriendly place for Daniel Carter and Emily Lovecraft. In this world, the Cold War never happened because the Soviet Union ceased to exist in 1941. In this world the Nazi Großdeutschland is the premier superpower, and is not merely tolerated but indulged because, in this world, the Holocaust happened behind the ruins of the Iron Curtain and consumed only Bolsheviks, Communists, and others the West was glad to see gone. In this world, there are monsters, and not all of them are human.

But even in the Unfolded World, there are still bills to pay and jobs to do. Carter finds himself working for the German secret security service to uncover the truth behind a major scientific joint project that is going suspiciously well. The trail takes Lovecraft and him to a distant, abandoned island, and a conspiracy that threatens everything. To fight it, Lovecraft must walk a perilously narrow path between forbidden knowledge and soul-destroying insanity.

Fortunately, she also has a shotgun.

Review:

[I received a copy of this book through Netgalley.]

This novel picks up where the previous one left (if you haven’t read it yet, stop here), or roughly, after Emily Lovecraft and Daniel Carter, alogn with Detective Harrelson, have been stranded in the Unfolded world for a few months, slowly adjusting to their lives in Arkham-instead-of-Providence.

And it’s not easy, because even though the Unfolded world is fairly similar when it comes to daily life (and better, in some ways, as in when Emily realises she own a nice house here instead of renting a flat), in many other ways, it is tremendously different. For starters, World War II ended much sooner, when the Third Reich dropped an A-bomb on Moscow in 1941, obliterating its whole leadership; and the Reich is now one of the world’s superwpoers, having been accepted because, well, the Holocaust didn’t concerned Jews but Communists, and for some reason this was much more acceptable to the West who turned a blind eye and ha-hemmed in a corner while it happened. Which infuriates Dan and Emily just as much, a different kind of evil still being evil after all; also, the Nazis are welcome in the USA and racism much more prevalent, so the Unfolded world isn’t so peachy for Emily herself.

(On a side note, I wish we had seen more of that. I don’t enjoy racist slurs in the least, but in terms of ‘show, don’t tell’, it never felt like Emily was really ostracised, apart from a couple of instances when some Gestapo guy said ‘who’s that black down there’ or something to that extent. In turn, the ‘lessons in political correctness’ given at times didn’t have the impact they could’ve had.)

The world is definitely not right by our heroes’ standards, who want nothing more than bring back its Folded version, but have no clues where to start… until Emily finds out she has the Necronomicon in her safe, Henry Weston is at his shenanigans again, and Daniel gets hired to spy on a joint German-US project in Miskatonic University. Weird stuff ensues, veering into spy-thriller-weird more than HPL-weird at first, but no worries, the latter is never too far behind.

Although I was hesitant at first about the spy thriller part, probably because of its apparent simplistic aspects (US vs Communists or US vs Nazis, it’s kind of the same… also Nazis make easy enemies: Instant Evil! Just add water!), the way it was handled was all in all interesting, in part because, let’s be honest, it makes for contrived enemies… but it also makes for entertaining scenarii. In fact, it reminded me of the Call of Cthulhu/Adventure! Crossover RPG I had played a few years ago, as well as of Indiana Jones movies, and I soon found my bearings again in that kind of plot and setting. We get typical but useful ingredients: scientists working on a secret project infiltrated left and right by Gestapo, Abwehr and probably a few others (Daniel even manages to throw the CIA in all that, and it blends in perfectly); research influenced by esoterism; evil cultists who’re all the more evil because they treat sacrifice as if it was a mere bureaucratic matter; a secret research facility on a remote island in the Pacific Ocean; not exactly human beings; and this mix works fairly well here.

Another thing I liked was that the focus shifted slightly in this book from Dan to Emily. We already know by now of Dan’s ancestor and the abilities he’s inherited, and there was a solid risk of Emily remaining more of a sidekick (a badass one, but a sidekick nonetheless) when it came to the weird/non-Euclidian parts. Well, let’s just say that reading can indeed empower people. (I bet you can already tell where this is going.)

Conclusion: 4 stars, it was an enjoyable read in spite of the few peeves I had about it, and I breezed through it, and now I want the next instalment.