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Yzabel / September 27, 2013

Review: Shakespeare v. Lovecraft

Shakespeare vs. Lovecraft: A Horror Comedy Mash-Up featuring Shakespeare’s Characters and Lovecraft’s Creatures by D.R. O’Brien

My rating: [rating=2]

Summary:

“We are such stuff as dreams are made on; and our little life is rounded with a sleep.” — William Shakespeare

“In his house at R’lyeh dead Cthulhu waits dreaming.” —Howard Phillips Lovecraft.

In the same putrid vein as Pride and Prejudice and Zombies, Shakespeare v. Lovecraft slithers hideously onto the literary mash-up scene, whispering of cosmic horrors and eldritch tales whilst espousing sweet soliloquys and profoundly contemplating mankind’s place in the universe.

Prospero, driven dangerously insane by prolonged exposure to the dread Necronomicon, makes a terrible pact with the titanic alien beast known only as Cthulhu. Now only his enchantress daughter Miranda and a handful of history’s greatest heroes are all that stand between humanity and blasphemous eternal subjugation.

It’s a bloodbath of Shakespearean proportions as Cthulhu and his eldritch companions come at our protagonists from all manner of strange geometric angles in a hideous and savage battle for supremacy.

This horror-comedy novella of 36,000 words will seize you in its clammy grip and not release you until you have gone positively mad with delight! Witness all this and more:

Histrionic Heroes vs. Tentacled Terrors!!! Endless Soliloquys vs. Unnatural Silences!!!
Romeo vs. Mi-Go!!! England’s Royal Beasts vs. A Shoggoth!!!
The Author vs. Iambic Pentameter!!!

Review:

(I received an e-copy of this book through NetGalley, in exchange for an honest review.)

2.5 stars. I liked some parts better than others.

Overall, this book was a quick and nice read that made me smile, although I can’t say it made me actually laugh.

I appreciated the numerous winks to and quotes to Shakespeare, of course. The latter may be both a strength and a weakness: just knowing a couple of lines from the Bard isn’t enough to get them, since they cross-reference several plays (The Tempest first, but also Macbeth, Hamlet, King Lear, Henry V, Henry IV, A Midsummer’s Night Dream… and others). If one knows these works well enough, the inserts are likely to look awesome (personnally, I loved Henry V’s “Gods, stand up for mankind!”, alluding to Edmund’s soliloquy in King Lear); otherwise, they may fall flat. The same goes with Lovecraft—and I’m positive I missed a few things regarding those parts, since I haven’t read his works in the past eight years or so. I suppose that such mash-ups don’t appeal to people who don’t like the original novels they’re inspired from, so it’s not that much of a problem; but it could be for readers who know only a little.

The writing style attempts at emulating both Shakespeare’s and HPL’s. In my opinion, sometimes it manages, and sometimes it fails, making reading somewhat fastidious; I’m thinking about the heavy use of adverbs stacked almost one upon the other, among other things, which made a lot of sentences and paragraphs look weird. This is somewhat paradoxical, considering how short the book is (86 pages or so).

Also, the narrative itself regularly seemed more of a pretext than a real story. Again, this may not be the aim of a mash-up (I admit I haven’t read a lot of those, so perhaps I’m just a poor judge), but I still expected events to be stringed in a more streamlined way. As it is, I couldn’t care about the characters like I would have for Shakespeare’s, nor did I get the feeling of human life easily discarded as I would in Lovecraft’s works.

All in all, it wasn’t a bad read, though. Only I was expecting more, and therefore ended up disappointed.

Yzabel / March 22, 2013

Review: Something Strange and Deadly

Something Strange and Deadly by Susan Dennard

My rating: [rating=3]

Summary:

There’s something strange and deadly loose in Philadelphia…

Eleanor Fitt has a lot to worry about.
Her brother has gone missing, her family has fallen on hard times, and her mother is determined to marry her off to any rich young man who walks by. But this is nothing compared to what she’s just read in the newspaper:
The Dead are rising in Philadelphia.
And then, in a frightening attack, a zombie delivers a letter to Eleanor… from her brother.

Review:

Balancing between 3 and 4 stars here.

I found the book fast-paced enough to my liking, as well as convincing in terms of mores: Elanor’s mother is concerned about keeping up appearances, about her daughter snagging off a rich husband to save the family from ruin… all things that fit, in my opinion, with matters related to societies with a strong bent on social classes. The book reads fast, too, and I regularly wanted to pick it up again. Not to mention that necromancy is one of those kinds of magic that I always enjoy reading about.

On the other hand, and while I consider myself a pretty clueless reader whose disbelief is easily suspended, I found that too many things were predictable early in the story. Well-tied together, granted, but predictable, to the point that sometimes I just wanted to tell the character what an idiot she was for not understanding the clues left everywhere. Also, this book falls in my own personal catgegory of “how is it steampunk?”. Steampunk is easy to render in illustrations, but not so much in words, and slapping off a few contraptions, goggles and some engine in an exhibition isn’t enough for me to justify the label. This may be merely a personal pet peeve, but I still believe that too many authors, publishers and readers don’t understand what exactly lies behind “steampunk”. It’s much more complex than that.

However, I’ll probably still pick the next installment. Eleanor as a character wasn’t of the wimpy kind, showed willpower and abilities to think and act for herself, and to uphold her decisions, no matter the outcome. The ending left me wanting to know what’s going to happen next.

Yzabel / March 19, 2013

Review: Dearly, Departed

Dearly, Departed: A Zombie Novel by Lia Habel

My rating: [rating=3]

Summary:

CAN A PROPER YOUNG VICTORIAN LADY FIND TRUE LOVE IN THE ARMS OF A DASHING ZOMBIE?

The year is 2195. The place is New Victoria—a high-tech nation modeled on the mores of an antique era. Sixteen-year-old Nora Dearly is far more interested in her country’s political unrest than in silly debutante balls. But the death of her beloved parents leaves Nora at the mercy of a social-climbing aunt who plans to marry off her niece for money. To Nora, no fate could be more horrible—until she’s nearly kidnapped by an army of walking corpses. Now she’s suddenly gunning down ravenous zombies alongside mysterious black-clad commandos and confronting a fatal virus that raises the dead. Then Nora meets Bram Griswold, a young soldier who is brave, handsome, noble . . . and thoroughly deceased. But like the rest of his special undead unit, Bram has been enabled by luck and modern science to hold on to his mind, his manners, and his body parts. And when his bond of trust with Nora turns to tenderness, there’s no turning back. Eventually, they know, the disease will win, separating the star-crossed lovers forever. But until then, beating or not, their hearts will have what they desire.

Review:

This is one of those books I’m having a hard time rating.

On the plus side:
– Zombies. A couple of years ago, I wasn’t really interested in those, but other stories I read since then made this theme more interesting. Here, I liked that some of them were given a chance, and were able to prove that they could still remain “humane” in many ways (sometimes even more than some of the living).
– Girls take matters into hands. Not always from the beginning, but they quickly learn to. Nora could’ve been much more of a crybaby, given her circumstances, yet she didn’t let herself sink. Pamela, too, grew to be more likeable. And Chas. How I loved spunky, mouth-running Chas.
– World-building. Granted, if we dig deeper into it, its bases are probably flawed, but no more than those of a lot of other dystopian/sci-fi stories. I’d say they’re more believale than in, say, the Hunger Games, because the rest of the world is at least mentioned.
– There’s an airship. ‘Nuff said. A certain scene involving it and a church holds a special value to me, due to personal reasons.
– Quirky and crazy engineers, whose names I quite liked, by the way.
– Neo-victorian society, with reasons for customs to revert to those of what was perceived as a “Golden Age”—and said customs indeed correspond the Victorian ones (courtship, dress code, and a lot of tiny details too).
– There’s a parasol involved in killing a zombie.
– Actually, parasols come with different lights to indicate the status of a lady: married, unmarried… and those who prefer women to men, too. Now that’s one of those tiny little ideas I like.

On the minus side:
– Once again, the “steampunk” label is applied to a world that in my opinion is not so much steampunk in the end. Sure, they use coal, but reconciliating this with more modern technology (the local equivalent of iPads, holograms, data chips…) was a little hard. Too often I feel that books get labelled as “steampunk” because it’s a fad, and this is getting annoying.
– The villains felt too cartoonesque at times.
– Some of the point of views weren’t so useful. I don’t mind juggling five POVs—I can juggle 20 if they’re properly written. But at least two of them weren’t justified. I’m not sure about the third one, since it also gives us on what’s happening meanwhile, in the city. Also, at some point the POVs tended to become hard to distinguish from each other. I’d be reading Pamela’s, and then suddenly I wouldn’t know anymore whose “voice” it was, if it was Pam’s or Nora’s.
– Not enough of New London to my taste.

Probably a 3.5 stars on my scale, but I’m not sure I should up it to 4. So 3 it’ll be for the time being. I will probably pick up the next volume, though.

Yzabel / December 27, 2012

Review: Let The Right One In

Let the Right One in by John Ajvide Lindqvist

My rating: [rating=3]

Summary:

Twelve-year-old Oskar is an outsider; bullied at school, dreaming about his absentee father, bored with life on a dreary housing estate. One evening he meets the mysterious Eli. As a romance blossoms between them, Oskar discovers Eli’s dark secret – she is a 200-year-old vampire, forever frozen in childhood, and condemned to live on a diet of fresh blood.

Review:

I’ve thought some more about how to review this book, and I somehow feel that I should give it more stars, but I’m still unsure. Because it falls in that category of novels that leaves me “I liked it a lot, but…” (and though the ‘buts’ aren’t so easy to explain, they still remain).

In terms of how I like my vampires, “Let the Right One In” stands on the right side of the fence: there’s blood, there’s horror, and creatures who’re not sappy and not part of humanity anymore. Definitely a horror story, yes. I think that what lessened my appreciation of it was the pace (I’d have liked it a little faster); some of the secondary characters (I couldn’t connect with Lacke, Virginia and a few others); and how bleak everything was (but the latter part probably has more to do with my mood these days, so don’t take it as close to objective at all). I’d have been content enough if the story had revolved around Oskar, Eli and Håkan only. Also, there were a few moments that made me wonder how they hadn’t been found out yet, given their blunders in terms of feeding; I’d have assumed that any vampire as old as Eli would have learnt to plan better. (Well, I guess you can tell I did play “Vampire: the Masquerade”, and consider practical aspects first, huh?)

Special mention to Håkan, by the way, because creepy guy is so creepy. Kind of like a train wreck: it’s so horrible, but there’s some dark part inside you that keep you watching all the same. And somewhat liking it, too. Yes, it’s deeply disturbing, I know.

Yzabel / September 25, 2012

Review: Revamp

Revamp by Beck Sherman

My rating: [rating=4]

Summary:

FOR THREE DAYS, IT WAS DARK.

News reporters scrambled. This was the biggest story to come along in weeks.

They called it a blackout.

The last one was in New York City in 2003, but this one was different, special, because the grids in six major cities across the country had been fried, kaput, see-you-next-Sunday. Everyone with some jurisdiction blamed each other, and when there was no one left to blame, terrorism rode in on its gallant steed.

It was the media’s fault. They were so busy stuffing fanatical Muslims with a penchant for Allah and decapitations down the American citizen’s throat, that they never saw it coming. I guess I shouldn’t be too hard on them.

They were partially right.

It was terror after all, but a whole new kind. And when the lights came back on, things had changed.

The dark had brought us visitors.

Review:

(Book provided through Read It & Reap in the Shut Up & Read group, in exchange for an honest review.)

I found this book fairly enjoyable; I dont have a lot of time to read non-academic books these weeks, but if I had, I’d probably have read it in two or three sittings only (it’s a long novel).

The pace was fast enough, the events unfolding in a way that made me want what would happen next. Emma’s reactions regarding the existence of vampires seemed logical enough to me: she didn’t accept it too easily, trying to find more realistic explanations, but she also wasn’t too retentive about it, confronting the ‘revelation’ to her own experiences in order to check if this could be true or not.

There were highly tense scenes, made easy to picture oneself thanks to vivid descriptions. That’s usually the kind of thing I expect from my vampire novels—to show the gruesome nature of the beasts underneath, even though they still seem human on the surface. And yet, the book also tackles an interesting aspect of the duality of such creatures, for throughout the story and at the end, they were, all in all, still close enough to humanity to reproduce exactly the same old schemas (shortages, class divisions, the ‘rich’ hoarding all the good blood while the ‘poor’ had to stick to the vampiric equivalent of junk food…). I liked that the author decided to explore such aspects, because from the start, I thought that such a takeover by vampires couldn’t go smoothly, and that the mighty bloodsuckers were sooner or later run into the conundrum of “now that we’ve gotten rid of the humans… what do we eat?” In fact, I’d have been disappointed if it hadn’t happened.

I liked the flashbacks used to explain what had happened to some of the characters. I usually have no problems following those, and they were probably a better method to involve us readers than simply have said characters tell them in a dialogue or long-winded first-person explanation. And I liked that Emma’s ‘romance’ with Cooper was only a budding one, a few potential hooks here and there: it leaves room for more, while still being believable.

I have a couple of gripes with the story, though. First, I’d have liked to read more about the blackouts themselves: they seemed mysterious enough in the cover blurb, but reading about them after the events was a bit anticlimatic (considering the blurb, that is). Also, I’ve wondered a lot about Emma’s reaction regarding her family: she’d sometimes think about the boyfriend she had left on campus… but what about her mother who probably lived a few miles only from where her daughter now had to live? Why didn’t Emma try to discover what had happened to her mother—or, at least, why not show her thinking about it a little more often (even if only to conclude “she’s a vampire or dead, and I shouldn’t think about it anymore”). And I’m really not sure either about the last vampire the hunters off at the end: sure, it tied with something mentioned at the beginning of the novel, but… I don’t know, it just came as kind of “what the hell?…” to me.

But no matter those, I liked the story. I don’t know if there’s a second installment in the making. I think this one works well as a standalone, as the main issues are solved at the end; at the same time, there are still enough elements left to development for a second book to be welcome too. If there’s going to be one, I’ll definitely be interested in reading it.

Yzabel / September 9, 2012

Review: City Of Pillars

City of Pillars by Dominic Peloso

My rating: [rating=2]

Summary:

Men in Black… An Ancient Manuscript… A City that Isn’t Supposed to Exist…

No matter how paranoid you are, you’re not paranoid enough!

An innocent man accidentally comes into possession of an ancient text. Soon he is being chased to the ends of the earth, pursued by shadowy forces who seem intent on getting the book back and eliminating all evidence of it. As he attempts to stay alive and translate the mysterious document he uncovers horrific and ominous details of an ancient, worldwide conspiracy. But the question is, can he find the answers he seeks before he loses everything?

City of Pillars charts one man’s journey into madness, past the narrow confines of Western notions of reason and scientific reality. As he decodes more and more of the secrets of the City of Pillars, he is pushed farther and farther outside the bounds of traditional society and is forced to discard his morality piece by piece to stay alive. He is forced to answer the question:

How far am I willing to go to uncover the truth?

Review:

(I got this book a few months ago through Goodreads’s giveaway/first reads program.)

I hesitated a lot about which mark to give it. I’d probably put it at 2.5/5; for want of half-stars to give here, I’ll leave it at 2 for now. It wasn’t an unpleasant read, it has its good sides, but I think that having had to read it in little chunks wasn’t a good choice; it’s the kind of story that would probably be better enjoyed in one or two sittings only.

Being an old reader of Lovecraft and similar tales, of course a plot about men in black, a mysterious city, and a mysterious manuscript leading to it was bound to catch my interest. It alludes to the lost city of Irem mentioned in the Quran, as well as to HPL’s “The Nameless City” (which was inspired by that very Irem too). The story revolves around Mitchell Sinclair, a money-hungry American lawyer whose life is turned upside down when he is accidentally handed out an old manuscript. The events set in motion by this mistake force him to take action and to overhaul his life, in search for the truth hidden behind those pages written in several languages, some of which are clearly dead tongues only spoken by a chosen few. In his quest, Mitchell travels to several places around the world, experiences dire circumstances, discovers his own ruthless ability for survival, and has to reevaluate his relationship to his own humanity.

Basically, the plot itself was interesting, especially the part where Mitch gets chased by the mysterious men in black; but in some parts, the narrative becomes a little slow. Also, the paratactic style used most of the time, along with a few shifts to present tense whose interest I didn’t really see, tended to grate on my nerves after a while: although it worked well for action scenes, it was annoying for the more descriptive ones, making them dry. I also felt frustrated at the whole mystery, that I’d have liked to see unveiled some more.

Bonus points, though, for chapter titles matching the Sefirot. I always enjoy my little dose of esoteric allusion outside of the direct text.

Yzabel / August 2, 2012

Review: Dreams Of Darkness

Dreams of Darkness by Barry James

My rating: [rating=2]

Summary:

Jordan Hanson was having a bad day. His girlfriend was acting distant, his cat had run off, his car was leaking oil, there was something screwy with the electrical system in his new house, and to top it all off he got caught in a storm. By the end of the day, though, Jordan would have given anything to get his old life back. Or any life at all, for that matter. Even an undead existence in which he was not about to be used as a tool to end the world would have been better than nothing….

Review:

I had a hard time deciding on what to write in this review. I’ve been editing my stars from 3 to 2, from 2 to 3… I really have no idea. It’s not a bad book. It contains a lot of things that I liked, yet at the same time, it still didn’t cut it for me in the end. I would’ve given it a 2.5/5, but for want of such flexibility in the marks here, I will leave it at 2. Although what “didn’t cut it for me” is way more subjective than through any fault of the novel itself, I feel it also plays a part in one’s enjoyment of a book, and as such, I can’t really leave it out of my review.

There’s quite an amount of pros in favour of “Dreams of Darkness”. The author created a believable mythos for his world, one that is detailed and well-explained, and that flows together believably. The descriptions are very vivid, making it extremely easy to picture what’s happening; same goes for the action scenes. In fact, I’m positive this novel would make a great movie or mini-TV series. It is quite a ‘visual’ story—and a graphic one, too, in its depiction of the horrors that are the demons, their actions, and the people that command them! (This is not a negative point, by the way. I thought it was clear from the start that there would be gory aspects to it, and they didn’t shock me; on the contrary, given the themes tackled in it, they were logical and expected.) The story deals with interesting questions, namely Jordan’s humanity (can he remain sane and human enough, in spite of what he is?), whether one’s nature will necessarily determine one’s destiny, or the influence of power on one’s psyche. Also, the plot is complex, yet not confusing, and the characters appropriate to its development.

So why did I write that the book didn’t do it for me in the end? That’s the tricky part: I still have no precise idea why. I think it had to do with the writing, that I felt was a little ‘dry’, but not in terms of description of details—it was more a feeling than anything else. My rational mind was satisfied, but not my emotional one, if I may say so. I couldn’t really root for the characters, for instance, as if there was a very thin, invisible wall between them and me. It took me too much time to finish this book, too, when I actually had plenty of time to do so; I kept on putting it down, thinking it wasn’t for me; the parts between the action scenes dragged a little, too (the background information regularly given by some of the characters sometimes felt too much like info-dumping, which didn’t help). However, at the same time, I kept going back to it, because, let’s be honest, I still wanted to know how the story would go on. The last quarter or so of the book got me in for good; unfortunately, this came too late in my reading.