Yzabel / July 19, 2012

Review: Mockingjay

Mockingjay (The Hunger Games, #3)Mockingjay by Suzanne Collins

My rating: [rating=3]

This is another book I’m not sure how to rate. I’ve given it three stars, as an average mark, but it’d be probably closer to 2.5, if I wanted to be really judgmental (which I’m not going to be, because I still went on reading it quickly, a usual sign that all in all, the story hooked me).

I really, really liked its setting, the backdrop of war depicted in it, with all its ambiguities and varying moral mileage. Maybe those are themes a harsh for a YA novel, but they still gave me the full feeling of a dystopian world here. The Capitol’s depiction as “the side on which the bad guys are on” was clearly tempered by the fact that the rebels’ thought processes aren’t so pure either. Overruling a tyrannical government? Sure, but such a feat won’t come without sacrifices, nor without having to think like your enemies to anticipate their actions… and the fine line between ‘thinking like’ and ‘acting like’ is a fragile one, rather easy to cross. Some characters did cross it—some who appeared above that at first, too. Others remained true to themselves, yet never got out of it unscarred either. The overall atmosphere was quite a desperate one, with its gruesome lot of realistic and no-nonsense situations, diverging opinions, tension-inducing plans, and intensity. Perhaps a little too much sometimes.

There’s also a couple of characters (not always the main ones) whose evolution I liked seeing. Peeta seemed to grow a backbone at last, be more fierce, and show himself as someone who could be dangerous on his own, not only a human shield for Katniss. It came with a price, of course, yet it was interesting to see him go through what befell him—in spite of his (believable) pleas for death, in the end, he was the true survivor. Same goes in my opinion for Johanna (ah, snarky, unpleasant Johanna—I don’t even know how I came to like her, but I do) and Finnick, for coming in the open about what was really going on between the scenes. Finnkic, who got me quite scared at some point, alright, since his path was mirroring Katniss’s so much.

And that’s the part where the author lost me: Katniss’s evolution. She used to be so strong, so active, such a decision-maker. In “Mockingjay”, she’s a mere hull of herself, wallowing in self-pitying, shutting down to the rest of the world, uncaring about what’s going to happen. Alright, she went through many hardships, and those would be painful to anyone, especially a 17-to-18-year-old girl, but… but did we really need to read about this for 300 pages? So she was more of a pawn, a symbol than anything else—but couldn’t she take it into her hands again, and shape the tide actively? Instead, it took quite some time before she accepted to become the Mockinjay, and once she embraced that state, it didn’t last for long: I felt that it was really all for show, that she didn’t really care inside, and if she didn’t, well, why should I? I can’t even blame it on president Snow attempting to break her through Peeta; it looked like she was actively breaking herself, too. The other problem with her, too, was that she remained confined to the background or the sides of the war (the “getting knocked down and waking up in the hospital” moments quickly started to grate on my nerves). I wanted to see her IN the main action! Not telling me about it after seeing it on the news or hearing it from other characters or whatever. This changed in the second half with the Capitol mission, yet even then, she got to see the final battle from the background (and was once again knocked out, thus being shut out of this battle… and I the reader was deprived of another important scene).

And Gale. What the hell, Gale? Did Collins so wanted to put you out of the picture that she had to make you so annoying in this book? Why not killing you off, then? It would’ve been more useful. Poor Gale. I liked him in the previous novels, liked what a stronghold he could be for Katniss to go back to. However, I was under the impression that they shunned each other too much here, that they weren’t even trying… and that the final choice in the love triangle was made from the start. There’s no point in building a triangle then, right?

Finally, I didn’t know how to stand regarding the bleak feeling pervading the book. On the one hand, it greatly contributed to carrying across the author’s message about the futility of wars, and how humans do repeat the errors of the past. On the other hand, was it really necessary to enforce it through the rushed death of certain characters? People die, well, fine, I get it. But killing off Finnick and Primrose in such ways was just meaningless for the first, and way too fast for the other (not to mention that it would have had more impact on us readers too if we had got to know and see her more before that…).

To conclude: excellent setting and narrative conclusion to this trilogy, but poor execution (no pun intended) regarding a few of the characters, including, unfortunately, some of the really major ones.

Yzabel / July 18, 2012

Review: Catching Fire

Catching Fire (The Hunger Games, #2)Catching Fire by Suzanne Collins

My rating: [rating=4]

Before I started reading the Hunger Games trilogy, a lot of people warned me about the second and third books not being on par with the first one. However, now that I’m done with “Catching Fire”, I feel it’s not really the case for me. This novel was different, and didn’t deal with exactly what one might have expected at first, but in the end, I found it just as enjoyable as the first one.

I appreciated the issues it tackled: the soured homecoming; how nothing could ever be the same again in spite of victory; how victory itself proved to be a form of defeat, as if whatever the Hunger Games’ issues, nothing good could ever be got out of them—something we readers were already aware of, and that was imprinted even more severely on the characters here. For me, this second volume was full of a constant underlying tension slowly spiralling up towards a final intense momentum.

I don’t think the 75th Hunger Games came too late in the book (although I would have appreciated to see a little more of Katniss’s and Peeta’s reaction about the Quarter Quell announcement), because I’m not sure I would’ve enjoyed a story that would have been ‘only’ about such games again. The first half was much useful in distillating the right atmosphere of fear, doubts and ill omens about what would happen; while the revelations at the end, about what was really going on and who was involved, provided a note of hope… yet one that could easily be turned into despair again. I felt that “Catching Fire” was continuously poising on a very narrow line here, just like a rope-walker would do: between hope and its loss; between spreading fire and how it could just as well end up in cold, useless embers; between courage and fear; threats and responding to them; potential friends and potential enemies, and the uncertainty about who was what. I think this greatly contributed, in my eyes, to the intensity of this second part of the trilogy.

But—there is a but—I wasn’t too thrilled about the love triangle aspect here. Perhaps because the two boys appear to be a little too similar? I was annoyed at Katniss’s inability to choose, to realize who she really loves, but really, choosing in such circumstances is just so hard. It would probably have been more interesting if Gale and Peeta had been more contrasted characters.

Yzabel / July 16, 2012

Review: The Hunger Games

The Hunger Games (The Hunger Games, #1)The Hunger Games by Suzanne Collins

My rating: [rating=4]

I’ve had the Kindle version of “The Hunger Games” sitting on my reader for a few weeks, and now that I finally got to read it, I’m wondering: why didn’t I do that sooner? The only reason I didn’t read this book in two days instead of one is probably that I’m staying at friends’ for part of my holidays; had I been left to my own devices, it probably wouldn’t have lasted that long. One thing I can’t deny it is that it’s definitely a page-turner.

The world in which the novel is set seems consistent. We don’t get to know everything about it, but life in Ditrict 12 was described with enough accuracy for me to feel what it must be like; same with the actual setting of the Hunger Games themselves, and the events that unfolded during them, each tribute having to survive not only the others, but also the natural environment—well, ‘natural’ inasmuch as it was crafted by the government, that is. As usual in dystopian novels, I want to know more about what led to such a government, and what happened to the rest of the world, and we’re not given information about that; however, I was still under the impression that this information was lying somewhere behind the scenes, and that the author had actually thought about it. I’m eager to see if books 2 and 3 will confirm this. (I don’t want a whole history book; just the feeling that the world is well-built, even if 90% of that building work is never actually used in the course of the story.)

I didn’t find the characters extremeely developed, but they were enough to make me believe in their presence, and enough to play the part I wanted to see them play. Mostly they showed themselves as sharp and resourceful, and even some that seemed like goners from the start proved that they were able to put on a fight of their own, in their own ways. Although I’m not sure yet about where the whole romance aspect is going to head, I liked how slanted it was: not insta-love, and with the underlying suspicion that it was all an act. (I bet it isn’t, not really, but Katniss seemed to be confused enough about it for me to wonder if she fell in love for real, yet believed she was only acting her part? Or did she act all along? Could such intensity be faked? The fact that she doesn’t get Peeta’s feelings until the end also adds to this twisted side of the romance. Besides, let’s not forget that in such situations of survival, sometimes instincts make people act differently than they would have in normal circumstances, and I think that this could be important here, too.)

The story itelf isn’t the most original per se; the concept of man-hunting isn’t new in writing, and it’s been seen more than once already. That said, even though it’s nothing new, and I suspected where it was going from an early time on, I still liked it, just as I liked the slight twist at the end of the Games. There are times when expecting something and seeing it happen just fills me with thrill; it was the case here. The characters also remain immersed into the action, without spending much useless time on wallowing in guilt, nor giving in to remorse at just the wrong moment. This isn’t always easy to pull. However, one thing I thought was missing, was some real confrontation between Katniss and someone she actually cared about. It seemed to me that conveniently enough, the painful choice of having to face one of her ‘allies’ was always removed from her. For instance, sooner or later she would have had to kill Rue, but she never had to make that choice. The same goes with the wasps or the berries: the direct act of killing was tempered by the ‘natural’ buffer put between killer and victims. Even the poisoning act was, somehow, a way of avoiding a direct kill. I know this is a YA novel, but it would have been even more powerful if once, just once, such a choice had had to be made, and things hadn’t been made ‘easier’ for Katniss in that regard.