Yzabel / July 27, 2017
Review: The Serial Killer’s Daughter
The Serial Killer’s Daughter by Lesley Welsh
My rating: [rating=1]
Blurb:
Charmer, liar, father… Killer.
Suzanne’s life changes forever the day she receives a visit from Rose Anderson, the woman who has been living with her estranged father, Don.
Don is dead, but Rose wants Suzanne to have his possessions – including a series of intimate diaries and a mysterious collection of photographs of women.
To Suzanne’s shock, one of the photos is of her friend Sophie, who died ten years ago in an unexplained and devastating fire.
But Don only met Sophie once, on an unsettling visit he paid Suzanne just days before Sophie’s death… So why did he have a picture of her?
Unable to let Sophie’s memory alone, Suzanne begins to dig into her father’s life. What horrors is she about to unearth in his journals? And who is it that’s out there, watching her every move?
Review:
Reading about Don’s twisted point of view and convictions about himself, others and the world about him, was fairly interesting. This kind of characters always feels like a train wreck to me: you know it’s going to be horrible, yet you keep on reading nonetheless, to see if the monster is truly so abject or if there’s anything else. I definitely won’t empathise with the guy (no kidding), but… yes, I find that interesting.
My major problem with this story, though, was the style itself, of a definite ‘tell-doesn’t-show’ kind, which kept throwing me out of the narrative at almost every page. In turn, I couldn’t empathise with the characters (whether ‘victims’, ‘criminal’ or ‘investigators’); this would have gone much better if their actions, their feelings, and whatever went through their heads, had been shown dynamically. However, I constantly felt that I was being given a recap, a textbook, telling me about them (I guess the flashbacks, or rather, where they were placed, contributed to that).
This diminished the tension created by the horrors described in Don’s notebooks and the investigation Suzanne embarked on, and didn’t contribute in making me warm up to ambiguous characters either, like ‘he’ (the man who follows Rose and Suzanne), for instance. So in general, I didn’t really care about them. I suppose I also expected something a little different, regarding the notebooks and the way Suzanne discovered the truth about her father—possibly something more psychological, and less along the lines the story followed in its second half.
Conclusion: 1.5 stars. Good basic idea, but I didn’t care much about the execution.