London Archives - The Y Logs

Yzabel / November 19, 2019

Review: 17 Church Row

17 Church Row by James Carol
My rating: ★★☆☆☆

Blurb:

Three years ago, Ethan and Nikki Rhodes suffered a devastating loss. Their four-year-old daughter Grace was tragically killed when she ran from their garden into the path of a car. Ethan, a radio personality, escapes into work, while Nikki quits her job to care for their remaining child, Grace’s twin sister, Bella, who hasn’t spoken since that night.

Trying to give the family a fresh start, Ethan moves them to a revolutionary house designed by the world-famous architect, Catriona Fisher. For the Rhodes’, this is a life-changing move because a key feature of the house is the state of the art security system that allows them to be completely safe from the outside world within their own home.

But what if what they fear most is actually inside the house? What if 17 Church Row isn’t the safe haven that they think it is?

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

A pretty interesting premise here: after the death of one of their twin daughters, Nikki and Ethan Rhodes decide to acquire a new revolutionary house, entirely automated and equipped with a virtual assistant named Alice. All this hoping for a new start, for a place where they won’t see memories of their dead daughter everywhere, and for their remaining child, Bella, to finally speak again.

The house itself, I admit, was both super exciting and a dreadful prospect for me. Exciting, because of all the technological gizmos and automation—a house that anticipates your needs, doesn’t that sound great? And at the same time, it -is- also scary, because if anything goes wrong, if the power goes down, well, you’re trapped in there, aren’t you? Which is—no surprise here—what kind of starts to happen, with a few glitches here and there that worry the Rhodes, just as much as they worry the architect of the house, though not for the same reasons.

The first part of the book was less interesting, to be honest, and I think that’s because it took its sweet time to establish the life of the Rhodes, the ‘slice of life’ moments needed for the reader to see how things are going inside the new house. In itself, that was indeed necessary, since how would we care about what happens next if things hadn’t been desperately “normal” before to offer some contrast? Yet at the same time, I didn’t really connect with the Rhodes, perhaps because their life in general, especially Nikki’s, was pretty much so sheltered that the rest of the world might have not existed at all. Wealthy family (they could afford a Tesla and buy 17 Church Row just like that—in London, so I guess they had an oil well stashed under their garden at some point or something?), with Ethan always out working and Nikki alone at home with her child. Bella doesn’t speak, and we don’t really get to know her, apart from her drawing and speaking through her tablet. There were only a few external elements, such as Sofia the cleaner. And while that highlighted Nikki’s isolation when it comes to what happens next, that still made for a sort of bland universe with which the characters could only interact in a bland way, too.

The second part was more interesting, yet also drawn-out and perhaps trying to enforce the point a little too much. Some parts of it were definitely in line with current possibilities and fears related to AI, and some others had moustache-twirling villain vibes that were quite odd here. The ending, too, felt rushed and unsatisfying.

Style-wise, one thing I found really jarring was the cuts between paragraphs. We’d have a paragraph about, say, Nikki thinking of her dead child, and then suddenly the last sentence of the paragraph was “She got up and went to make coffee.” (where I would definitely expect this to be the start of a new paragraph). I don’t know if it’s just me, but it happened regularly throughout the novel, and it felt strange.

Conclusion: Interesting ideas around the theme of artificial intelligence, but it was difficult to connect with (and care about) the characters.

Yzabel / May 15, 2019

Review: Outdoor London

Outdoor London: Green spaces and escapes in and around the capital by Eleanor Ross
My rating: [usr 4]

Blurb:

London is a patchwork of wild spaces, open water, parklands and adventure playgrounds. With so much green space, this is the ideal guide to get exploring. Whether a local or a visitor looking to see the wilder side of the big city, Outdoor London covers the full spectrum of outdoor opportunities. If you’re looking for water to paddle in or on, paths to amble down slowly or careen down on mountain bikes, wide open spaces for music festivals or simply to find an empty pasture, you’ll find something for everyone in this easily portable London guide.

Review:

[I received a copy of this book through NetGalley.]

Technically speaking, I could only review a PDF copy, not a physical one, so I can’t comment on the quality of the paper and of the printed colours; but the photos in the digital copy were, at any rate, vibrant and gorgeous.

This book presents quite a few parks, gardens, walks and cycling paths throughout Greater London, ranging from cozy gardens to cemeteries and preserved areas—we all have that idea of “the big city” as made of concrete only, but London is actually a pretty green city, or at least one with many more green places than one would suspect. Along short texts and beautiful pictures, the author also takes care of giving addresses, opening days/hours, and the closest Tube lines, to make it easier to find these locations and book entrance when this is necessary.

While visiting more than a couple will be difficult for someone who’s in the capital for only a few days, if you’re a local, or go to London more regularly than just every few years or so, “Outdoor London” will definitely give you plenty of ideas for both summer and out of season outings. (I was particularly happy to find about several smaller gardens in the City, since this is a very accessible area for me, and now I have no excuses whatsoever not to go visit these places more often.)

If anything, maybe I would’ve liked to see more details about each park or trail—a few more anecdotes, perhaps? But that doesn’t detract from the book as a whole.

Yzabel / January 17, 2019

Review: Fawkes

Fawkes by Nadine Brandes

My rating: [rating=3]

Blurb:

Thomas Fawkes is turning to stone, and the only cure to the Stone Plague is to join his father’s plot to assassinate the king of England.

Silent wars leave the most carnage. The wars that are never declared, but are carried out in dark alleys with masks and hidden knives. Wars where color power alters the natural rhythm of 17th century London. And when the king calls for peace, no one listens until he finally calls for death.

But what if death finds him first?

Keepers think the Igniters caused the plague. Igniters think the Keepers did it. But all Thomas knows is that the Stone Plague infecting his eye is spreading. And if he doesn’t do something soon, he’ll be a lifeless statue. So when his Keeper father, Guy Fawkes, invites him to join the Gunpowder Plot—claiming it will put an end to the plague—Thomas is in.

The plan: use 36 barrels of gunpowder to blow up the Igniter King.

The problem: Doing so will destroy the family of the girl Thomas loves. But backing out of the plot will send his father and the other plotters to the gallows. To save one, Thomas will lose the other.

No matter Thomas’s choice, one thing is clear: once the decision is made and the color masks have been put on, there’s no turning back.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

Gorgeous cover (I admit the cover + the title are what drew me to the book in the first place), and also an interesting take on historical events by showing them under the colours (see what I did there) of magic rather than religion. In this alternate early 17th-century world, people are able to bond with a specific colour, and exert control over items of this colour through the wearing of a mask. The conflict arises from how people view the use of colours: Keepers (the ‘Protestants’) believe that a person should only master one colour and not give in to the ‘White Light’ that governs them all, lest greed devours them and twists their powers to nefarious ends; while Igniters (the ‘Catholics’) believe that listening to the White Light, and controlling more than one colour, is the way to go. Both factions are in conflict not only because of these views, but because of a plague that turns people to stone, with each camp blaming the other for the advent of this mysterious illness.

Enters our protagonist and point of view character, Thomas Fawkes, son of the (now) infamous Guy Fawkes, who’s been struck by this very Stone Plague and can’t wait until he gets a mask of his own, learns to master a colour, and hopefully manages to heal himself, or at least make sure the plague will stay dormant in him and never spread further than his eye. Of course, things don’t go as planned, and as he finds himself reunited with his father, the latter offers him a place in a plot meant to blow up the King and Parliament (as in, literally blow up, re: Guy Fawkes, Bonfire Night, and all that).

So. Very, very interesting premise, and I really loved reading about the London that is the backdrop in this novel—not least because I actually go very often in the areas depicted here, and I enjoy retracing in my mind the characters’ steps in streets that I know well enough. Little winks are found here and there, too, such as Emma’s favourite bakery on Pudding Lane, or a stroll to the Globe. It may not seem much, but it always makes me smile.

The story was a slow development, more focused on the characters than on a quick unfolding of the plot. I don’t know if the latter is a strong or a weak point, because I feel it hinges on the reader’s knowledge of the actual Gunpowder Plot: if you know about it, then I think what matters more is not its outcome, but the journey to it, so to speak. If you don’t know it, though, the novel may in turn feel weak in that regard, by not covering it enough. I didn’t mind this slow development, since it allowed for room for the side plot with Emma and the Baron’s household, and I liked Emma well enough. I still can’t decide whether her secret felt genuine or somewhat contrived, but in the end, it didn’t matter so much, because she was a kickass person, with goals of her own, and actually more interesting than Thomas.

As a side note: yes, there is romance here. Fortunately, no gratuitous kiss and sex scenes that don’t bring anything to the story and only waste pages. In spite of the blurb that mentions how Thomas will have to choose between the plot and his love (= usually, a sure recipe for catastrophe in YA, with characters basically forgetting the meaning of things like “priorities” or “sense of responsibility”), it is more subtle than that. Thomas at least also starts considering other people being involved, such as, well, the three hundred Members of Parliament meant to go up in flames along with the King. Casualties, and all that…

Bonus points for White Light, who we don’t see much of, but was overall engaging and somewhat funny in a quirky way. I just liked its interventions, period.

Where I had more trouble with the story was Thomas himself, who was mostly whiny and obsessed with getting his mask. All the time. You’d get to wonder why his father trusted him and invited him to be part of the plot in the first place. Often enough, he came as self-centered and constantly wavering in his beliefs. While I can totally understand that the prospect of his plague suddenly spreading left him in a state of constant, nagging fear, and therefore prone to focus on this more than on other people’s interests, the way he hesitated between which way to pursue (stay faithful to the plot, or listen to the White Light, or shouldn’t he listen to his father, but then are his father’s beliefs really his own as well, etc.) was a bit tedious to go through. Good thing Emma was here to set his sight straights, and by this, I don’t mean showing him the light (OK, OK, I should stop with the puns now), but making him aware that her circumstances are more complicated than he thinks, in his own ‘privileged’ way, even though his being plagued does contribute to a common understanding of being immediately rejected because of what one looks like.

Also, let’s be honest, Guy wasn’t exactly Father of the Year either, and the story didn’t focus much on developing his ties with Thomas. They were united through the plot, but that was pretty much all, when this could’ve been a wonderful opportunity to reunite them differently, in deeper ways, too. There just wasn’t enough about him, about his personality, and in turn, this lessened the impact of Thomas’ decisions when it came to him.

Another issue for me was the magic system. I got the broad lines, and the reason for the Keepers/Igniters divide, but apart from that, we weren’t shown how exactly this magic works. It is, I’m sure, more subtle than simply voicing an order to a specific colour, and there seems to be a whole undercurrent of rules to it, that aren’t really explained. For instance, why can the masks only be carved by the biological father or mother of a person, and not by an adoptive parent (or even by anyone else)?

Mention in passing as well to language: sometimes, it veered into too modern territory (I mean 20/21st-century modern English specifically, not ‘but Shakespeare’s English was technically Modern English, too’ ;)). I think it was especially prevalent in Thomas’ discussions with White Light, and I found this jarring.

Conclusion: 3 stars, as I still liked the story overall, as well as the world depicted in it, despite the questions I still have about it. I was hoping for a stronger story, though.

Yzabel / December 30, 2018

Review: Carnivore

Carnivore by Jonathan Lyon

My rating: [rating=5]

Blurb:

Meet Leander: lover, fighter, liar.

He learnt a long time ago that nothing is as intoxicating as blood. But whether it’s his or someone else’s doesn’t matter any more. There’s a mysterious pain in every muscle of his body – and it’s got so bad that he’ll do anything to escape it.

Up to now, it’s been his secret. But it’s hard to remain invisible when you leave a trail of destruction everywhere you go. So, when he comes to the attention of one of London’s most infamous criminals, Leander decides to put his appetite for violence to the ultimate test.

Let the villain win.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

A dark thriller set in modern London, following Leander, a young man (20ish I’d say) who’s been living for years with a chronic illness that causes him constant pain, and isn’t properly recognised nor treatable. Tired of useless diagnostics and trips to the hospital, Leander has decided to give the finger to all this, and embarked on a life of drugs, sex, and mixing with more or less unsavoury characters who fuel his descent, and whose addiction he fuels in turn through constant games of sadistic/masochistic manipulation.

To be honest, I’m not sure where exactly this story sits on my spectrum. The first chapters felt rather disjointed and meandering (which in itself matched the narrator’s mental state, I’d say, since he’s pretty much doped on something or other almost all the time), and while there is a plot, it took some time to emerge and be recognisable as such. I guess it was somewhat lessened by the shock factor, and the many scenes of violence and rape (one may argue that Leander was somehow consenting, since at least some of them were the result of some of his manipulations, but that’s a very slippery slope here, so I prefer to call that rape). It felt like the characters as well as the underlying message had more potential than that, and perhaps weren’t given all the limelight and development they would’ve deserved, instead of being shadowed by the grit element.

On the other hand, said message—chronic illness, the way many of those ailments are still relatively unknown and not treated, not to mention considered with disdain by many people—was still a powerful one, carried by a poetic writing full of strange but curiously endearing metaphors. While I do not suffer from such an illness myself, I know a few people who do, and who keep struggling day after day not only to live with their symptoms, but also to make other people understand that, no, they’re not “faking it”, that it’s not merely a matter of “think positive, go out more and make more efforts”, and that because you can’t necessarily see their symptoms easily doesn’t mean they’re not there and causing constant pain.

As a result, in spite of Leander’s twisted games and of the way he treats most people, it was surprisingly easy to root for him nonetheless, because deep inside, he’s more broken than breaking, and all in all, most of his actions are the only way he’s found to bear his pain. In the end, it’s hard to know what is true and what is lies about him, whether’s he’s completely bound for a path of self-destruction or can still find a better life—his schemes sure don’t make the way easy for him.

I’m not giving the story more than 3 stars because I found it hard to really care about the characters: we get to be in Leander’s mind, but considering how much he also lies to himself, it’s difficult to really get to know him; and the rest of the cast is mostly seen as either prey or predator, as people he can use and harm or who can use and harm him. The few decent people he meets don’t necessarily last long in the movie of his life, and the ones who do have the potential of helping him destroy himself rather than bring him some healing.

Conclusion: An interesting theme, and if you want grit and rotten human beings, you’ll get that for sure, but I feel that the latter may have been just a little too much, and didn’t give the characters enough room to breathe.

Yzabel / December 23, 2017

Review: The Last Dog on Earth

The Last Dog on Earth by Adrian J. Walker

My rating: [rating=2]

Blurb:

Every dog has its day…

And for Lineker, a happy go lucky mongrel from Peckham, the day the world ends is his: finally a chance to prove to his owner just how loyal he can be.

Reg, an agoraphobic writer with an obsession for nineties football, plans to wait out the impending doom in his second floor flat, hiding himself away from the riots outside.

But when an abandoned orphan shows up in the stairwell of their building, Reg and Lineker must brave the outside in order to save not only the child, but themselves…

Review:

[I received a copy of this book through NetGalley.]

Hmm, bit of a tough one, I don’t really know why it took me so long to finish it, because it’s not a particularly long book?

The topics are both hopeful (a man who embarks on a journey with his dog, to help a child he doesn’t want anything to do with at first, with their relationship developing along the way) and bleak (a maybe not so unbelievable future, unfortunately, considering the current state of affairs in the world, with political parties rising to power and starting to test people to see if they’re ‘of the right type’, rounding up people and putting them in camps ensue…). Probably not the kind of thing I’ve wanted to read recently, which may explain in part the lull I was in regarding this novel, but the latter theme is interesting nonetheless!

So. Great moments throughout the book. Having both Reg’s and Linekeer’s narratives side to side. The dog’s musings about life, what it means to be a dog, how he perceives the world (the smell of fear or grief of happiness, etc.), how he sees us humans and is both awed yet unable to comprehend us. The dire landscape of London, or rather what’s left of it, after a series of attacks coupled with the raise to power of the ‘Purple’ political party. Reg’s progress, from agoraphobic to forced out of his cocoon to actually choosing to stay out, and why he retreated so from the world.

However, I still never really connected with the characters in general. At times they’d have reactions that made me pause and wonder how they had survived so long in such a city, because let’s be honest, ‘fight or flight’ is OK, but ‘stay where I am, paralysed with fear, while bullets fly around me’ is not exactly conducive to long-term survival. I also wished we had had more of the bigger picture, instead of snippets about what happened to the world/London. (I know that wasn’t the focus, the point was the characters and their developing relationships, but it still bothered me.)

Although I do tend to agree with Lineker regarding how people who acknowledge how shitty they are, are the ones who may become the kindest, whereas the monsters keep thinking of themselves as being better, and never question themselves. It… makes sense.

Conclusion: As mentioned, possibly it wasn’t the right moment for me to read this book. I didn’t really enjoy it in spite of finding good, interesting points in it. But I don’t even really know why. I’d say, clearly a matter of ‘in the eye of the beholder’ here, rather than plenty of faults on the novel’s part.

Yzabel / September 27, 2016

Review: The Screaming Staircase

The Screaming Staircase by Jonathan Stroud

My rating: [rating=2]

Blurb:

When the dead come back to haunt the living, Lockwood & Co. step in . . .

For more than fifty years, the country has been affected by a horrifying epidemic of ghosts. A number of Psychic Investigations Agencies have sprung up to destroy the dangerous apparitions.

Lucy Carlyle, a talented young agent, arrives in London hoping for a notable career. Instead she finds herself joining the smallest, most ramshackle agency in the city, run by the charismatic Anthony Lockwood. When one of their cases goes horribly wrong, Lockwood & Co. have one last chance of redemption. Unfortunately this involves spending the night in one of the most haunted houses in England, and trying to escape alive.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

An entertaining book, even though it didn’t blow my mind as I would’ve expected from the author of the “Bartimaeus” series.

In a United Kingdom where the dead tend to come back fairly often as ghosts—whose touch is lethal to the living—agencies have sprung up. Gathering all kinds of young people with the ability to see or hear spectres, under the supervision of adults, these groups patrol cities at nights and investigate various hauntings, in order to send ghosts back to the grave. Lockwood & Co. is one of such agencies. And so, when young agent Lucy Carlyle finds herself looking for employment in London, she applies for a job there… an unusual one even for her line of work, since Lockwood’s doesn’t have any supervisor, and his two other youth are a little on the reckless side. Well, especially Lockwood himself.

This trio of characters follows a typical dynamic (2 boys, 1 girl), with banter and sometimes tense relationships. Lockwood tends to act before thinking, and appears as too easy-go-lucky at times; George is the librarian, the one who remembers they should do their research before investigating; and Lucy, the only one of the three with the ability to hear ghosts and potentially communicate with them, is somewhere in between: more thoughtful at first, yet possessed with instincts that sometimes cause her to make strange decisions. All in all, this dynamic highlighted potential flaws in the team (Lucy didn’t tell them immediately why she went to London, Lockwood doesn’t talk of his family or why there are no adults supervising his agency…) as well as room for growth (learning to trust each other, among other things).

The descriptions of ghosts, places and hauntings are vivid enough, and it’s very easy to picture every happening. They convey an idea of a darker London, whose mists may not only be mere pollution or weather-related, but also announce the coming of ghosts. The story as a whole, a bit like in the Bartimaeus series, has a semi-Victorian feeling: the time is now, yet readers may find themselves forgetting this since the era itself isn’t so important (and the use of rapiers and iron filings could go well in a historical setting). This may or may not be a problem; personally, I quite liked it. The atmosphere throughout the novel, though, wasn’t exactly horrific for me; I’m not sure if I could consider it the right amount of “scary” for a ghost story presented as such.

On the downside:

– The plot felt too disjointed when it came to its two main parts. I’m not sure why exactly, nor what could have made it better, but I got this feeling that the cause-and-effect relationships were forced together, instead of one appearing as logically following the other.
– I could have done without the fat-shaming (towards George). I don’t know if this was supposed to make Lockwood (tall and thin) look better, or Lucy appear superior, but it achieved neither. I really don’t see any point to that.
– I mentioned the characters’ dynamics and room for growth, however by the end of the book I thought this was lacking a bit, and the team didn’t feel like a team as much as I had expected after all the “surviving together” (the fire, the burglary, the Red Room…). The relationship between Lucy, George and Lockwood remained a wee bit… flat?

Conclusion: 2.5 stars. I enjoyed it on the surface, as light reading, but I’m not particularly eager to pick up the second book either.

Yzabel / September 12, 2016

Review: Smoke

Smoke by Dan Vyleta

My rating: [rating=1]

Blurb:

England. A century ago, give or take a few years.

An England where people who are wicked in thought or deed are marked by the Smoke that pours forth from their bodies, a sign of their fallen state. The aristocracy do not smoke, proof of their virtue and right to rule, while the lower classes are drenched in sin and soot. An England utterly strange and utterly real.

An elite boarding school where the sons of the wealthy are groomed to take power as their birthright. Teachers with mysterious ties to warring political factions at the highest levels of government. Three young people who learn everything they’ve been taught is a lie – knowledge that could cost them their lives. A grand estate where secrets lurk in attic rooms and hidden laboratories. A love triangle. A desperate chase. Revolutionaries and secret police. Religious fanatics and coldhearted scientists. Murder. A London filled with danger and wonder. A tortured relationship between a mother and a daughter, and a mother and a son. Unexpected villains and unexpected heroes. Cool reason versus passion. Rich versus poor. Right versus wrong, though which is which isn’t clear.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

I really liked the premise: sin and violent emotions taking on shape and scent, through a strange smoke people let escape in spite of themselves, in an alternate Victorian setting where, much like in real Victorian England, the “lower classes” are considered as sinful, while the “upper classes” are supposed to be their betters—and what’s best here than -not- displaying the dreadful Smoke, right? However, ultimately I couldn’t care about the story at all, nor about the characters. I partly blame this on the rhythm, and partly on the choice of narrative tense and voices.

The first chapters, albeit a little slow, had the kind of atmosphere I hoped the whole novel would carry throughout, involving a private boarding school, creepy students, and masters entrenched within their stinky moral rectitude. Lovely, isn’t it? There is so much one can do with such a setting (can you tell I like boarding school settings?). There was so much promise to the strained relationship between Julius, the apparently perfect, almost angelic student who submits others to his own rule on top of the teachers’, a monster in elegant disguise, and Thomas, a murderer’s son, openly convinced that he’s a monster and will end up like his father.

Alas, after that, or more specifically about the part where the boys go visit London, things went downhill.

I can definitely say the narrative style didn’t convince me: a blend of a first and third person, but also of present and past tense. Unfortunately, first POV present is difficult to properly achieve, and third POV present is even more difficult… and it just didn’t work here, bringing a constant jarring note to the story. I spent more time being bothered about the tense shifts and sometimes confusing points of view, than really paying attention to what I was reading. Not to mention that some of those narrators weren’t so useful, being brought in for one scene, then never again—in other words, I never got to get a feeling for these characters, not enough to care about what happened to them. This extended to the actual main characters, who could have had an interesting dynamics as a twisted love triangle, united in sin and darkness as they were uncovering a plot that may or may not destroy England as they knew it.

Another really bothering thing was how the Smoke was everywhere, permeating every stratum of society, at the heart of the mystery… yet in the end, there was no clue as to -why- exactly it existed, what brought it out of humans. Something supernatural? Something physiological? Nada. And since there’s no indication whatsoever that there’ll be a second volume, for now it looks like we’ll never know. (Also, because the origins of Smoke, its nature, are involved in the plot our three “heroes” unveil, the absence of revelation and information is all the more annoying.)

It took me weeks to finish this novel, and to be honest, had I not felt like I owned a review for NetGalley, I’d have DNFed it.

Yzabel / May 27, 2016

Review: Fluence

Fluence: A Contemporary Dystopian Novel by Stephen Oram

My rating: [rating=4]

Blurb:

Amber is young and ambitious. Martin is burnt out by years of struggling. She cheats to get what she wants while he barely clings on to what he has.
It’s the week before the annual Pay Day when strata positions are decided by the controlling corporations. The social media feed is frenetic with people trying to boost their influence rating while those above the strata and those who’ve opted out pursue their own manipulative goals.
Set in a dystopian London, ‘Fluence’ is a story of aspiration and desperation and of power seen and unseen. It’s a story of control and consequence. It’s the story of the extremes to which Amber and Martin are prepared to go in these last ten thousand minutes before Pay Day.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

This was quite a gripping, intriguing and also worrying dystopian story. Set in a not so future London, where the government has failed and corporations have taken over, it deals with a lot of themes that seem potentially “silly” at first, yet quickly make you wonder more and more about whether this is possible or not… whether we might be close to that already, or not.

Society in “Fluence” is divided into stratae: at the top, the Reds, kind of a nobility that takes care of its own; at the bottom, the violets, and even lower the whites (people who’ve opted out of the system for various reasons: disability, being overstressed because of the system, and so on). Both main characters, Amber and Martin, work for a branch meant to deal with requests by various people to become “white”, and the approach taken here is rather chilling, casting a crude light on various questions—money and budget cuts remain, unsurprisingly, weighing factors.

Originally a Violet, Amber managed to climb her way to Yellow a first time, but had to drop back to Green after her first (Orange) husband died. Obsessed by the idea of going back to yellow status, she spends her day acting a role, going out to parties and events she chooses depending on how many “points” they’ll earn her, and updating her personal feed so that people will vote for her—basically Facebook-like social networking pushed to the extreme, and let’s be honest: isn’t that a bit the case already for us today? Couldn’t we easily veer towards a similar system at some point?

Meanwhile, Martin is her polar opposite: older, tired of struggling to keep his place at Green level, but feeling forced to it because he wants his family to be happy. His own issues include his growing difficulty to perform well in his job, understanding the points/Fluence game, and his son, not legally adult yet, who’s living on the fringe of society and doing shady deals with shady people.

While a bit rough in places, this story was highly entertaining, with more than just one twist that at some point seriously makes you start questioning what you’re reading: who’s manipulating who, who’s betraying who, who’s threatening this or that character, who’s a real friend or only acting the part to earh yet more points… All this is both somewhat grotesque (the bulimia shows, the obscene parties…) and frighteningly believable (our obsession with ranking, performing well, being under constant scrutiny…). And even though the plot could’ve been a bit tighter and better defined, in the end it didn’t matter that much to me, as I still enjoyed the various scenes and situations the characters went through.

3.5 to 4 stars.

Yzabel / February 11, 2016

Review: Havelock (full novel)

Havelock by Jane D. Everly

My rating: [rating=4]

Blurb:

Eliana Havelock is a female with no past, whose determination to bring down a Karachi arms dealer catches the attention of the British Secret Intelligence Service.

MI-6 is currently fractured due to political upheaval with many of its covert programs dissolved or disbanded. When Eliana presents the opportunity to divert an international arms disaster, the head of MI-6 partners her with one of it’s best and brightest, the enigmatic, Connor Blackwell.

But in a world of secrets and hidden agendas, who can Eliana trust?

And what, or who, is Eliana really after?

NOTE: This title includes all four serialized installments of Havelock.

Review:

[I received a copy of this book from the publisher, in exchange for an honest review.]

I started reading this novel as a serial last year, and now that the full novel is available, well, here’s the full review.

The style is a little surprising, in that it mixes parts from Eliana’s point of view (1st person, present tense), and parts seen through other characters (3rd person, past tense). I’m not sure what the intent was—more and more novels do that, so I’m actually never really sure—but it didn’t bother me the way it did in other stories. It lent a certain immediacy to Eliana’s scenes, and since they were of the action-packed kind, it fitted. I liked her humorous way of describing situations, too (that scene with the psychatrist? Totally something *I* would have one of my RPG characters do), and how she played her assets while totally embracing who she was. With an agenda of her own, she nevertheless lends her skills to MI6 in a loyal way.

There’s a lot of mystery surrounding the characters in the beginning. Nothing’s revealed about Eliana, but she clearly demonstrates resourcefulness and abilities to fight and get out of dire straits. More is to be learnt later, cast in the shadow of her origins, and if you read between the lines, those origins are easy to translate into another name, another myth.

Other characters are also close to tropes clearly reminiscent of typical spy narratives, yet a lot of things here work in a reversed way. The dashing spy/action type is a woman. The big boss is also a woman (and got there through years of service in which she played an active role, even getting severaly wounded, not because she was a paper-pusher). The potential mark-to-be-seduced is a guy. The villain is… villainish, yet his ruthlessness and his plan make him enjoyable. We have plants, betrayals, red tape bearing down on the good guys, and if you like spy novels, this book provides a lot of nods to the genre, while playing the tropes close to our 21st century world and problematics (terrorism rather than cold war, etc.).

The story’s plot looked promising, and overall it remained enjoyable. The chase goes on for quite a few chapters, with some action scenes described in an enjoyable way. The villain and his sidekick are one step ahead, while the “heroes” are also skilled enough to try and keep up no matter what.

I was a bit less satisfied with the latest chapters, mostly because some events fseemed to unfold a bit too fast: I wouldn’t have minded a few more scenes, a few more occasions to see our heroes in action. I rooted for the “good guys”, I wanted to see them win, but I also felt like the mastermind’s plan would have deserved more attention—that Eliana would have met a couple more reversals, sort of, as the enemy had a definitely strong scheme, and I didn’t want to see them beaten too quickly either. Still, I enjoyed the story as a whole, so it’s a 3.5 to 4 stars for me.

Conclusion: A bit stereotypical, but of the kind that was fairly entertaining.

Yzabel / January 9, 2016

Review: Down Station

Down Station by Simon Morden

My rating: [rating=4]

Blurb:

A small group of commuters and tube workers witness a fiery apocalypse overtaking London. They make their escape through a service tunnel. Reaching a door they step through…and find themselves on a wild shore backed by cliffs and rolling grassland. The way back is blocked. Making their way inland they meet a man dressed in a wolf’s cloak and with wolves by his side. He speaks English and has heard of a place called London – other people have arrived here down the ages – all escaping from a London that is burning. None of them have returned. Except one – who travels between the two worlds at will. The group begin a quest to find this one survivor; the one who holds the key to their return and to the safety of London.

And as they travel this world, meeting mythical and legendary creatures,split between North and South by a mighty river and bordered by The White City and The Crystal Palace they realise they are in a world defined by all the London’s there have ever been.

Reminiscent of Michael Moorcock and Julian May this is a grand and sweeping science fantasy built on the ideas, the legends, the memories of every London there has ever been.

Review:

[I received a copy of this novel through NetGalley, in exchange for an honest review.]

A group of survivors from different areas of the city find themselves running in the Underground tunnels at night as a mysterious, overwhelming fire rages through London. When a portal opening on a mysterious sea opens, they quickly jump through it, knowing it’s the only salvation they’re going to find—that, or a painful death. Stranded in this new world, without anything to help them save for their clothes and whatever they had with them when they ran from the fire (that is to say, very little), these seven people from various backgrounds have to learn to work together and cooperate. And it sure as hell isn’t easy, especially when they start getting to know each other more.

This is how “Down Station” begins, narrated through the eyes of two characters: Mary and Dalip. Overall, the story was a little “slow” at times, but never enough as to make me skim: these slower moments allowed the author to explore the mind and growth of the main characters. Although it’s a bit too bad that the secondary ones weren’t given so much care (Stanislav was OK, but the cousins didn’t seem to do much, for instance), the various stages of self-discovery Mary and Dalip went through were really interesting to read.

Mary: orphan, foul mouth, prone to burst of angers, got in trouble with the law, was placed on probation… Basically a young woman without many means, who tends to run her mouth faster than she thinks, caught in a vicious circle: the more others see her as trash, the more she conforms to that image people have of her. Landing in the strange world of Down puts her face to face with something she hadn’t expected: freedom. The freedom to go wherever she wants, to be whoever she wants to be. And that freedom is frightening, just as it might lead her to losing herself… or not?

Dalip: engineering student from a Sikh family, loyal and honest to the point of endangering himself, always wanting to do good even though sometimes “good” could very well turn and bite him (and others) back… A noble and honorable character, who nevertheless used to live under his family’s thumb and never seemed to have an opportunity to discover who he could really be. As cruel as Down was, that world transformed him, made him become another, stronger man, while presenting him with challenges that might very well break his honest streak and turn him into a monster. The path to his freedom is not Mary’s, not his family’s, not Stanislav’s: it is his, and only his.

There is magic and mystery in that world, and rules both fairly different and fairly similar to those of ours (those who have the one sought-after currency are the ones who manage to gain power, yet the most powerful potentials aren’t necessarily those you’d expect at first). There is lies and treachery, hiding half-truths and precious information. The allies in this story were shifty, and the antagonists cruel—but as Mary so aptly summed it up, although they had no excuses, they had reasons to do what they did. Were they valid? Who knows? Perhaps Bell’s plan could have worked. And perhaps she was just crazy, and Down would never let anyone go no matter their efforts.

I wasn’t so satisfied with the ending, unfortunately, as it left quite a few doors open (is London still here, could anyone go through a portal the other way, what happened to a certain character…) without feeling like there’s going to be a sequel. However, I could be mistaken about that—I really hope there’s going to be one, addressing those points, as they’re for me a case of “you said too much or not enough” for me. (Also, the blurb currently on Goodreads is a bit misleading, as if it was the blurb for a series rather than just one book?) No matter what, I definitely enjoyed the story and the way the main characters turned out, how they gained their freedom and what they made of it.

Conclusion: Interesting concept and character development, although I found the ending a bit abrupt.