mystery Archives - The Y Logs

Yzabel / September 15, 2020

Review: The Other People

The Other People by C.J. Tudor
My rating: ★★★★☆

Blurb:

She sleeps, a pale girl in a white room . . .

Three years ago, Gabe saw his daughter taken. In the back of a rusty old car, covered in bumper stickers. He was driving behind the car. He watched her disappear. But no one believes him. Most people believe that his daughter, and wife, are dead. For a while, people believed that Gabe was responsible.

Three years later and Gabe cannot give up hope. Even though he has given up everything else. His home, his job, his old life. He spends his days and nights travelling up and down the motorway, sleeping in his camper van in service stations, searching for the car that took her. Searching for his daughter.

Katie spends a lot of her life in service stations, working as a waitress. She often sees Gabriel, or ‘the thin man’ as she has nicknamed him. She knows his story. She feels for him, because Katie understands what it’s like to lose a loved one. Nine years ago, her father was murdered. It broke her family apart. She hasn’t seen her oldest sister since the day of the funeral; the day she did something terrible.

Fran and her daughter, Alice, put in a lot of miles on the motorway. Not searching. But running. Trying to keep one step ahead of the people that want to hurt them. Because Fran knows the truth. She knows what really happened to Gabe’s daughter. She knows who is responsible. And she knows that if they ever find them, they’re dead.

Review:

[I received a copy through NetGalley and Pigeonhole, in exchange for an honest review.]

The time I needed to read this book doesn’t correspond to how enjoyable it was—I would normally have read it faster, only I made the mistake of starting it during a period where what I really wanted to read was non fiction. So, even though it took me one month to finish, I actually liked it (more than other novels by the same author, in fact).

The story’s premise rests on something a parent’s worst nightmare (or so I assume): seeing their child abducted or killed. One fateful evening, Gabe came back from work only to see his only daughter riding in a stranger’s car, then find out his wife and daughter were savagely murdered… but wasn’t the little girl in a car on the motorway? Since that day, Gabe has been travelling the roads in the hopes of finding information about his missing daughter—a daughter that everyone else sees as dead—aided only by a mysterious man who calls himself “the Samaritan”.

The novel has us follow different characters: Gabe himself, of course, but also Fran and Alice, a woman and her daughter who may or may not have strange powers, and Katie, who works as a waitress in a restaurant off the motorway. While their trajectories appear independent at first, they gradually start to tangle and make sense, for all of them are, in fact, involved in what is unfurling here. This goes on at a pace that I found just right for me—not too quick, not too slow, with just enough information to make me imagine what was going on, without allowing me to guess the ending.

Overall, the story here is dark and creepy, often raising so many questions that one can’t help but wonder if all of them will get answers. And they don’t always—at the end of the novel, there were still a couple of things I couldn’t explain, even though overall there was an explanation to most of the ploy. This was partly annoying (I’m thinking of the ‘supernatural’ aspect here, to be more specific), but I found it didn’t detract from my enjoyment, or not as much as I thought it would, so that still makes it 3.5 stars for me.

Yzabel / June 13, 2020

Review: Devolution

Devolution by Max Brooks
My rating: ★★★☆☆

Blurb:

As the ash and chaos from Mount Rainier’s eruption swirled and finally settled, the story of the Greenloop massacre has passed unnoticed, unexamined… until now. But the journals of resident Kate Holland, recovered from the town’s bloody wreckage, capture a tale too harrowing – and too earth-shattering in its implications – to be forgotten.

In these pages, Max Brooks brings Kate’s extraordinary account to light for the first time, faithfully reproducing her words alongside his own extensive investigations into the massacre and the beasts behind it, once thought legendary but now known to be terrifyingly real.

Kate’s is a tale of unexpected strength and resilience, of humanity’s defiance in the face of a terrible predator’s gaze, and inevitably, of savagery and death.

Yet it is also far more than that.

Because if what Kate Holland saw in those days is real, then we must accept the impossible. We must accept that the creature known as Bigfoot walks among us – and that it is a beast of terrible strength and ferocity.

Review:

[I received a copy through NetGalley and Pigeonhole, in exchange for an honest review.]

Maybe not the best book to read considering the circumstances at the time (and still now), but I guess I can be a glutton for punishment sometimes, and I had liked “World War Z” a few years ago. I liked it for its “cabin fever” atmosphere (a few people completely isolated from the external world, having to survive while contending with themselves and each other), but not as much as I expected.

While the format itself—interviews, excerpts from a journal…—worked well enough for me in general, I found the pacing a little off at times (for instance, I’d expect more action, but get an article instead, which slowed down the narrative). The limits of the journal entries format is reached regularly when it comes to, well, action scenes (would someone really write it down like this in their personal journal?). I was also on the fence regarding another thing that I found interesting, that is, the breaking down of the small Greenloop community: I couldn’t decide if this, or the Bigfoot part, was the more interesting, and I felt that, in a way, the novel would’ve been more powerful if focused on one of the other, but not having both share the screen time, so to speak. Maybe that’s just me, though—and, let’s be honest, at first I had also picked this novel for the Bigfoot part anyway.

I did like the ending. It is a very open one, with several hypotheses as to what happened to the characters in the end, and it may make it or break it for a lot of people… but I liked having such an opening, allowing me to pick an ending, or none.

Conclusion: 3 stars. It was entertaining, but not amazing.

Yzabel / April 29, 2020

Review: The Holdout

The Holdout by Graham Moore
My rating: ★★★★☆

Blurb:

One jury member changed the verdict. What if she was wrong?

It was the most sensational case of the decade.

Fifteen-year-old Jessica Silver, heiress to a billion-dollar fortune, vanishes on her way home from school. Her teacher, Bobby Nock, is the prime suspect. It’s an open and shut case for the prosecution, and a quick conviction seems all but guaranteed.

Until Maya Seale, a young woman on the jury, persuades the rest of the jurors to vote not guilty: a controversial decision that will change all of their lives forever.

Ten years later, one of the jurors is found dead, and Maya is the prime suspect.

The real killer could be any of the other ten jurors. Is Maya being forced to pay the price for her decision all those years ago?

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

A mystery where the “detective” is not actually with the police, but a lawyer. Ten years before the beginning of the novel, Maya Seal was drafted as juror in a high-visibility abduction-possible-murder case where a guilty verdict seemed the obvious result… only Maya wasn’t convinced, and managed to bring the whole jury to vote not guilty.

I really enjoyed this novel. As the prime suspect in the murder, and after the controversy that followed the trial from 10 years ago, Maya is well aware that no one is going to cut her some slack—on the contrary!—and that if she doesn’t do something, she may very well be found guilty. And so, she embarks on her own investigation, trying to root out the truth from her former fellow jurors as well as from the previous trial’s defendant. And all along, things are never truly certain, for there are in fact two mysteries, not just one. Was that man actually guilty, or not? And, of course, who’s the culprit in the recent murder?

It’s difficult to write much about this novel, for fear of accidental spoilers, but I can at least say that overall, I liked the characters (they all had their good sides and their darker little secrets), and I found the pacing appropriate.

One thing that I deeply regretted, though: one of the chapters completely spoils the endings to several Agatha Christie novels. Yes, I know, I know, by now the whole world is supposed to have read them, but I guarantee this is not the case (so now, I need to wait a few more years until I forget the spoilers to read those Christie stories…). I don’t know why authors do that, but please don’t. Seriously, don’t. I’d have made it a 4* book, but this kind of stunt makes me feel obligated to dock a half star just on principle.

Conclusion: 3.5 stars.

Yzabel / January 22, 2020

Review: The Vanished Bride

The Vanished Bride by Bella Ellis
My rating: ★★★☆☆

Blurb:

The year is 1845, and Emily, Charlotte and Anne Bronte are sat around the dining room table, laughing merrily as the rain of their Yorkshire summer falls outside. When their brother, Branwell, returns from The Bull Inn, he brings with him the most shocking revelation: that Elizabeth Chester, wife of Robert Chester and mistress of Chester Grange has gone missing – but the bloody scene found in her bedroom suggests she may have been murdered.

The governess at Chester Grange is Matilda French, a close friend of Charlotte’s, who resolves to pay her a visit the following day. At Chester Grange, the sisters make the acquaintance of Robert, a rumoured cruel man, who is suspected of having driven his first wife to suicide. Determined that he should be brought to justice, the sisters throw themselves into solving the case.

As everyone knows, solving a murder requires sense, morals and a very good imagination – qualities which these sisters have more than enough of…

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

I don’t read much cosy mysteries in general, so this was bit of a change of pace for me. Overall, I found it an entertaining read, although it didn’t exactly suck me in like I would’ve hoped. I’m not not entirely sure what, since the style was good, and easily shows that the author is very enthusiastic about the Brontë sisters and their lives (from what I know of them, their background was spot on).

Some of the attitudes/conversations were a little too ‘modern’ in terms of feminist ideas to fully emulate a 19th-century style, but I didn’t find this too jarring, and I enjoyed seeing how the sisters navigated the mystery while having to make the outside world believe they were simple, meek, “angel of the home” parson’s daughters, so as not to attract unwanted attention (and, in turn, be confined or labelled “undignified”).

I did have my ideas about what had really transpired when it came to the murder. That said, they remained hypotheses until well into the story, since the clues were unveiled gradually enough for this to happen. And some of the details were clearly not what would’ve come to mind first. The story also has a few easter eggs that one may or may not find over the top (the “wife in the attic” motif, for instance); personally, I tend to like cameos in general, and having read the Brontë sisters’ novels, I liked seeing those here.

Possibly what didn’t win me over were the sisters’ personalities. I found it a little difficult to tell who was who (without having to refer to the names at the beginning of each chapter). It was strange, for they all had very defining traits (Charlotte as the romantic one, Emily as the “wild” one, and so on), and yet I found it difficult to really tell at the same time.

Conclusion: 3 stars

Yzabel / December 5, 2019

Review: Hold Your Tongue

Hold Your Tongue by Deborah Masson
My rating: ★★★☆☆

Blurb:

A brutal murder.
A young woman’s body is discovered with horrifying injuries, a recent newspaper cutting pinned to her clothing.
A detective with everything to prove.
This is her only chance to redeem herself.
A serial killer with nothing to lose.
He’s waited years, and his reign of terror has only just begun . . .

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

I think this is the very first novel set in Aberdeen that I read, which kind of surprises me, since I assume there are plenty of stories set in that city. Since I’ve never visited it either, I had absolutely no idea what it looks like, so I couldn’t rely on my own knowledge of it. We get a few streets’ names to place the action, but not so many that it becomes confusing, and what the city’s areas stand for (posh districts, less savoury places, and so on) is clear and presented concisely. It had a gritty side, and a sometimes stifling atmosphere that went well with the nature of the crime/murder mystery here. On the other hand, I have no idea if the real Aberdeen feels like this. I was under the impression that the setting here, while fitting, was perhaps more generic than anything else (it would’ve worked just as well in Glasgow, Edinburgh, Birmingham or Manchester).

“Hold Your Tongue” deals with DI Eve Hunter getting back to her job after a couple of harrowing events that left her and Sanders, a colleague, heavily wounded—and not only does she have to immediately investigate a series of gruesome murders, but a lot of people aren’t happy to see her back, including other police officers who hold her responsible for what happened to Sanders. While the novel is not entirely clear about the latter point in the first pages, it’s still obvious how much this is weighing on Eve, and her coming to terms with this (psychologically, emotionally and physically) is just as much part of the plot as the murders themselves.

The story comes with plenty of turns and red herrings. These included focusing on a suspect in spite of a lack of clues; gut feelings; and also chapters narrated from the point of view of the killer, spreading little clues here and there, but still vaguely enough as to not make the killer’s identity too obvious from the start—I got close to guessing who it was, but not too close either, which is good for me. At times, I found the characters perhaps too prone on jumping on certain clues or making certain mistakes because of how their own experiences influenced them (for instance, Eve and Ferguson’s strained relationship clearly doesn’t help them keep a straight head); this was partly understandable, and partly cast a shadow on them, in that it made them look less professional in such moments.

I liked that some of the tension gets resolved in this first volume in the series, but not other things (Eve’s origins and how they may colour her future take on life, or how the killer’s actions will weigh on her team in general). This was a good introduction to Eve and her partners, hinting at more depth—although I regret that one of those relationships just can’t be exploited anymore, or not directly, in the following novels.

Conclusion: 3.5 stars. As a first story in a series, it sets the scene and characters well, with a partial resolution only, and therefore more left to explore later on. It was a bit slow in places, though, and could do with just a smidge of plot tightening. I’ll definitely be interested in book 2 no matter what.

Yzabel / November 19, 2019

Review: 17 Church Row

17 Church Row by James Carol
My rating: ★★☆☆☆

Blurb:

Three years ago, Ethan and Nikki Rhodes suffered a devastating loss. Their four-year-old daughter Grace was tragically killed when she ran from their garden into the path of a car. Ethan, a radio personality, escapes into work, while Nikki quits her job to care for their remaining child, Grace’s twin sister, Bella, who hasn’t spoken since that night.

Trying to give the family a fresh start, Ethan moves them to a revolutionary house designed by the world-famous architect, Catriona Fisher. For the Rhodes’, this is a life-changing move because a key feature of the house is the state of the art security system that allows them to be completely safe from the outside world within their own home.

But what if what they fear most is actually inside the house? What if 17 Church Row isn’t the safe haven that they think it is?

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

A pretty interesting premise here: after the death of one of their twin daughters, Nikki and Ethan Rhodes decide to acquire a new revolutionary house, entirely automated and equipped with a virtual assistant named Alice. All this hoping for a new start, for a place where they won’t see memories of their dead daughter everywhere, and for their remaining child, Bella, to finally speak again.

The house itself, I admit, was both super exciting and a dreadful prospect for me. Exciting, because of all the technological gizmos and automation—a house that anticipates your needs, doesn’t that sound great? And at the same time, it -is- also scary, because if anything goes wrong, if the power goes down, well, you’re trapped in there, aren’t you? Which is—no surprise here—what kind of starts to happen, with a few glitches here and there that worry the Rhodes, just as much as they worry the architect of the house, though not for the same reasons.

The first part of the book was less interesting, to be honest, and I think that’s because it took its sweet time to establish the life of the Rhodes, the ‘slice of life’ moments needed for the reader to see how things are going inside the new house. In itself, that was indeed necessary, since how would we care about what happens next if things hadn’t been desperately “normal” before to offer some contrast? Yet at the same time, I didn’t really connect with the Rhodes, perhaps because their life in general, especially Nikki’s, was pretty much so sheltered that the rest of the world might have not existed at all. Wealthy family (they could afford a Tesla and buy 17 Church Row just like that—in London, so I guess they had an oil well stashed under their garden at some point or something?), with Ethan always out working and Nikki alone at home with her child. Bella doesn’t speak, and we don’t really get to know her, apart from her drawing and speaking through her tablet. There were only a few external elements, such as Sofia the cleaner. And while that highlighted Nikki’s isolation when it comes to what happens next, that still made for a sort of bland universe with which the characters could only interact in a bland way, too.

The second part was more interesting, yet also drawn-out and perhaps trying to enforce the point a little too much. Some parts of it were definitely in line with current possibilities and fears related to AI, and some others had moustache-twirling villain vibes that were quite odd here. The ending, too, felt rushed and unsatisfying.

Style-wise, one thing I found really jarring was the cuts between paragraphs. We’d have a paragraph about, say, Nikki thinking of her dead child, and then suddenly the last sentence of the paragraph was “She got up and went to make coffee.” (where I would definitely expect this to be the start of a new paragraph). I don’t know if it’s just me, but it happened regularly throughout the novel, and it felt strange.

Conclusion: Interesting ideas around the theme of artificial intelligence, but it was difficult to connect with (and care about) the characters.

Yzabel / August 30, 2019

Review: Gone

Gone by Leona Deakin
My rating: 3/5

Blurb:

YOUR GIFT IS THE GAME.
DARE TO PLAY?

The police aren’t worried – it’s just a game. But the families are frantic. As psychologist and private detective Dr Augusta Bloom delves into the lives of the missing people, she finds something that binds them all.

And that something makes them very dangerous indeed.

As more disappearances are reported and new birthday cards uncovered, Dr Bloom races to unravel the mystery and find the missing people.

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

This mystery/thriller deal with psychologist Augusta Bloom and her partner Marcus Jameson, as both start investigating (first for personal reasons) the disappearances of four people, all after receiving a mysterious card on their birthday. A lot of the investigation rests on psychology rather than on typical clue analysis by the police, in that there are very few physical clues, and so Augusta tries to find out more by relying on what psychological profiling can tell her. Which in itself was pretty interesting, all the more after she develops her theory about who/what exactly the vanished people are.

The novel also makes use of contemporary internet, both when it comes to its strong points and to its weakness: one of the involved policemen goes to the deep web to look for clues, for instance, but it’s also clear that relying on social media to glean information is definitely a double-edged sword, since it allows other people (shady characters included) to get to know you.

Then there’s the setting—I always enjoy being able to relate to the places in a story, so with part of the action set in London (and the UK in general), that was good for me. And it was good, too, to see the investigation progress with both the ‘private eyes’ and the police working hand in hand, rather than have one try to hide information from the other.

It was a good story in general, but I admit I sometimes had trouble with the pace (in places, it was just a tad bit too slow) and with really connecting with the main characters. For reasons I won’t detail because Spoilers, Augusta was fairly aloof and emotionally remote, so it was difficult to empathise with her. I found Marcus, in spite of his past as an ex-MI6 agent, was too quick to trust certain people, which jarred with what I had expected of him. Finally, the ending was slightly too rushed, and too open as well—but then, I took this book as a standalone, so I guess that if it turns out not to be, then said open ending will not be a problem.

Yzabel / July 22, 2019

Review: The July Girls

The July Girls by Phoebe Locke
My rating: [user 4]

Blurb:

Every year, on the same night in July, a woman is taken from the streets of London; snatched by a killer who moves through the city like a ghost.

Addie has a secret. On the morning of her tenth birthday, four bombs were detonated across the capital. That night her dad came home covered in blood. She thought he was hurt in the attacks – but then her sister Jessie found a missing woman’s purse hidden in his room.

Jessie says they mustn’t tell. She says there’s nothing to worry about. But when she takes a job looking after the woman’s baby daughter, Addie starts to realise that her big sister doesn’t always tell her the whole story. And that the secrets they’re keeping may start costing lives…

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

Here’s a mystery about a killer, nicknamed “Magpie”, who every year, on July 7th, abducts and kills a woman. In this case, though, it’s not the police’s investigation we follow, but this story seen through the eyes of Abigail, a young girl born on July 7th as well: because on her 10th birthday, her father comes home covered in blood, and that’s when she starts questioning more and more what other secrets her family is hiding.

Just as much as a crime story—there is an investigation as well, after all—“The July Girls” is the story of a small family, specifically Addie and her big sister Jessie, who’s more a mother to her, since their mum has vanished abroad and never comes home. Their father is seldom around either, trying to make ends meet as an unlicensed cab driver, and it is clear from the beginning that Jessie loves Addie so much that she tries to shield her from basically everything, including their relatively bleak prospects in South London. And when things take a turn for the worst, we also get to see how the sisters’ life goes on, how Addie gets bullied at school because of her father, and how she tries to make sense of the events that unfolded until that point.

The novel spans about ten years in Addie’s life, which is good: it allows the readers to ‘see’ her voice mature, and her thoughts processes go from a girl’s to an adult’s. It’s also good in that it makes the killer’s arc into a slow-going investigation, as is definitely needed here, with the murders happening only once a year: if it had been solved in two years, it wouldn’t have been as suspenseful, for sure.

I kept guessing and guessing regarding who the killer might be, as there were a few valid options here. There were several twists and turns, and while a couple of them were slightly erring on the far-fetched side, I still found the novel as a whole a pretty good one, that kept me reading and interested until the end.

Yzabel / July 15, 2019

Review: The Escape Room

The Escape Room by Megan Goldin
My rating: [usr 1.5]

Blurb:

Welcome to the escape room. Your goal is simple. Get out alive.

In the lucrative world of Wall Street finance, Vincent, Jules, Sylvie and Sam are the ultimate high-flyers. Ruthlessly ambitious, they make billion-dollar deals and live lives of outrageous luxury. Getting rich is all that matters, and they’ll do anything to get ahead.

When the four of them become trapped in an elevator escape room, things start to go horribly wrong. They have to put aside their fierce office rivalries and work together to solve the clues that will release them. But in the confines of the elevator the dark secrets of their team are laid bare. They are made to answer for profiting from a workplace where deception, intimidation and sexual harassment thrive.

Tempers fray and the escape room’s clues turn more and more ominous, leaving the four of them dangling on the precipice of disaster. If they want to survive, they’ll have to solve one more final puzzle: which one of them is a killer?

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

A quick read, in that it’s not complicated and you don’t need a lot of focus. I didn’t find the story compelling, and the writing style was quite dry, with much more telling than showing.

The initial idea, that of four people trapped in a lift masquerading as an escape room, and forced to be together when in fact they’d probably much prefer to kill each other, was a good one. However, it was also difficult to execute—there isn’t much room in a lift, which limits action possibilities—and after the first couple of “lift chapters”, the thrill here dwindled down to our four bankers not doing much with the few clues they were given. I think there was an element of “things didn’t turn out exactly as the mastermind behind it had envisioned they would”, but it fell flat for me. It was also pretty obvious from the beginning who said mastermind was, and with this removed, the remaining “how” and “why” weren’t able to fully carry the story afterwards.

This said, I could’ve worked with the above under certain conditions: the twin narrative of Sara Hall and what happened within Stanhope a few years prior to the escape room scenes had interesting ideas, exploring the ruthless world of investment banking, colleagues smiling to each other but trying to undermine each other from behind, backstabbing, the women vs. the “old boys’ network”, and so on. I could’ve worked with this… if the characters had been compelling, only they weren’t. Almost all of them (except the one that dies mid-story) weren’t likeable people—and when I say likeable, I don’t mean that they necessarily have to be kind, positive, etc., but that they have to make me feel for them, and keep interested, in spite of their flaws. Here, though, they were just unlikeable, without many redeeming qualities; their more human aspects (struggling with their relationships, divorce, and so on) mostly make them look like what mattered to them wasn’t so much the relationship, but the standing that came with it; not so much saving one’s marriage, but avoiding losing alimony money; and so on. In other words, whether they got out of the lift or not, I didn’t care.

As for the plot behind the whole escape room, it felt more contrived, and a little ridiculous, than thrilling, and the few twists and turns didn’t awe me either.

(On the plus side, I did like the characters who died. Unfortunately. I mean, for them, because, well, they’re dead.)

Yzabel / July 1, 2019

Review: Whisper Network

Whisper Network by Chandler Baker
My rating: [usr 3]

Blurb:

Sloane, Ardie, Grace, and Rosalita are four women who have worked at Truviv, Inc., for years. The sudden death of Truviv’s CEO means their boss, Ames, will likely take over the entire company. Ames is a complicated man, a man they’ve all known for a long time, a man who’s always been surrounded by…whispers. Whispers that have always been ignored by those in charge. But the world has changed, and the women are watching Ames’s latest promotion differently. This time, they’ve decided enough is enough.

Sloane and her colleagues set in motion a catastrophic shift within every floor and department of the Truviv offices. All four women’s lives—as women, colleagues, mothers, wives, friends, even adversaries—will change dramatically as a result.

“If only you had listened to us,” they tell us on page one, “none of this would have happened.”

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

I enjoyed this novel for its theme and its message, along with the format: interspersed with interviews gradually unveiling more of the “present time” plot, while the chapters themselves started some 2 months before and showed what led to this point. I guessed some things, I didn’t guess some others, and all in all, piecing things together was fun.

The topic at hand, of course, wasn’t fun. It balanced between office politics and double-standards—how female employees are (often) viewed vs. the “old boys club” feeling—, between deciding whether to complain about potential harassment or shut up for fear of retaliation, between wondering what does constitute harassment and whether or not one is “overreacting”, and let’s not forget also the usual “these women are lying and destroying lives” (funny enough, the people complaining about this don’t seem to react as often about how rapists are ruining lives as well). All well-made points, including the latter, because it -is- true they come forward right as the guy is poised to become the new CEO, in reaction to feeling suddenly even more threatened, but also one of opportunism… but not everyone would think about it this way, since there’d be lots of money involved as well. All uncomfortable topics, too, yet that need to be pointed at and discussed.

This said, I really had trouble empathising with the characters. I don’t have much in common with them for starters—apart, that is, from encounters with sexist douchebags and other run-ins involving the usual patriarchy-fed bull, although I’m aware I haven’t had it the worst either (fingers crossed). But I’m not a new mother, nor a single one, nor someone who cheated on a partner, etc., so I usually need a bit of extra connection with such characters, a little dose of something else, something more, to relate to their problems, especially their rich people problems, and… that didn’t really happen here. The impression I got out of the main female characters was more that they weren’t very pleasant people, who yet kept trying to justify their behaviours to themselves, a little like “but at least I do this better” and “but -I- am not like that, right?” Kind of weak in my opinion.

The story also dragged in parts, and even though I read it in 3 days, at times I wished it would get to the point faster. And I’m still unsure of who the narrator exactly was. The author? Not one of the characters, or at least, it doesn’t sound like it. (Their voices were quite similar, so I needed to see them named in each chapter anyway in order to quickly get who it was about.)

Conclusion: 3 stars. I did like the story, but never really connected with the characters.