Yzabel / April 3, 2018

Review: After the End of the World

After the End of the World (Carter & Lovecraft, #2)After the End of the World by Jonathan L. Howard

My rating: [rating=4]

Blurb:

The Unfolded World is a bitter and unfriendly place for Daniel Carter and Emily Lovecraft. In this world, the Cold War never happened because the Soviet Union ceased to exist in 1941. In this world the Nazi Großdeutschland is the premier superpower, and is not merely tolerated but indulged because, in this world, the Holocaust happened behind the ruins of the Iron Curtain and consumed only Bolsheviks, Communists, and others the West was glad to see gone. In this world, there are monsters, and not all of them are human.

But even in the Unfolded World, there are still bills to pay and jobs to do. Carter finds himself working for the German secret security service to uncover the truth behind a major scientific joint project that is going suspiciously well. The trail takes Lovecraft and him to a distant, abandoned island, and a conspiracy that threatens everything. To fight it, Lovecraft must walk a perilously narrow path between forbidden knowledge and soul-destroying insanity.

Fortunately, she also has a shotgun.

Review:

[I received a copy of this book through Netgalley.]

This novel picks up where the previous one left (if you haven’t read it yet, stop here), or roughly, after Emily Lovecraft and Daniel Carter, alogn with Detective Harrelson, have been stranded in the Unfolded world for a few months, slowly adjusting to their lives in Arkham-instead-of-Providence.

And it’s not easy, because even though the Unfolded world is fairly similar when it comes to daily life (and better, in some ways, as in when Emily realises she own a nice house here instead of renting a flat), in many other ways, it is tremendously different. For starters, World War II ended much sooner, when the Third Reich dropped an A-bomb on Moscow in 1941, obliterating its whole leadership; and the Reich is now one of the world’s superwpoers, having been accepted because, well, the Holocaust didn’t concerned Jews but Communists, and for some reason this was much more acceptable to the West who turned a blind eye and ha-hemmed in a corner while it happened. Which infuriates Dan and Emily just as much, a different kind of evil still being evil after all; also, the Nazis are welcome in the USA and racism much more prevalent, so the Unfolded world isn’t so peachy for Emily herself.

(On a side note, I wish we had seen more of that. I don’t enjoy racist slurs in the least, but in terms of ‘show, don’t tell’, it never felt like Emily was really ostracised, apart from a couple of instances when some Gestapo guy said ‘who’s that black down there’ or something to that extent. In turn, the ‘lessons in political correctness’ given at times didn’t have the impact they could’ve had.)

The world is definitely not right by our heroes’ standards, who want nothing more than bring back its Folded version, but have no clues where to start… until Emily finds out she has the Necronomicon in her safe, Henry Weston is at his shenanigans again, and Daniel gets hired to spy on a joint German-US project in Miskatonic University. Weird stuff ensues, veering into spy-thriller-weird more than HPL-weird at first, but no worries, the latter is never too far behind.

Although I was hesitant at first about the spy thriller part, probably because of its apparent simplistic aspects (US vs Communists or US vs Nazis, it’s kind of the same… also Nazis make easy enemies: Instant Evil! Just add water!), the way it was handled was all in all interesting, in part because, let’s be honest, it makes for contrived enemies… but it also makes for entertaining scenarii. In fact, it reminded me of the Call of Cthulhu/Adventure! Crossover RPG I had played a few years ago, as well as of Indiana Jones movies, and I soon found my bearings again in that kind of plot and setting. We get typical but useful ingredients: scientists working on a secret project infiltrated left and right by Gestapo, Abwehr and probably a few others (Daniel even manages to throw the CIA in all that, and it blends in perfectly); research influenced by esoterism; evil cultists who’re all the more evil because they treat sacrifice as if it was a mere bureaucratic matter; a secret research facility on a remote island in the Pacific Ocean; not exactly human beings; and this mix works fairly well here.

Another thing I liked was that the focus shifted slightly in this book from Dan to Emily. We already know by now of Dan’s ancestor and the abilities he’s inherited, and there was a solid risk of Emily remaining more of a sidekick (a badass one, but a sidekick nonetheless) when it came to the weird/non-Euclidian parts. Well, let’s just say that reading can indeed empower people. (I bet you can already tell where this is going.)

Conclusion: 4 stars, it was an enjoyable read in spite of the few peeves I had about it, and I breezed through it, and now I want the next instalment.

Yzabel / April 2, 2018

Review: Wild Card

Jim Butcher's The Dresden Files: Wild Card (gn)Jim Butcher’s The Dresden Files: Wild Card by Jim Butcher

My rating: [rating=2]

Blurb:

Jim Butcher’s The Dresden Files saga continues in this original and in-continuity graphic novel, featuring a never-before-told story set after the bestselling novel White Night and graphic novel Down Town! A bizarre double murder draws the interest of Chicago’s only wizard-for-hire. But as Harry Dresden begins his investigation, the clues lead to troubling conclusions about the possible perpetrator, and set him on a path that will place him in the middle of a conflict between the city’s three most powerful factions — a conflict that could engulf all of Chicago!

Review:

[I received a copy of this book through Netgalley.]

I put up reading that one, thinking it’d spoil me too much about some of the Dreaden Files books I haven’t read yet, but, uhm, turned out it didn’t. Or maybe I’ve ‘forgotten’ just enough details from the books that whatever may have been a spoiler, I just didn’t realise it? Oh well. Good thing in any case.

Globally an entertaining story, with high stakes of the kind you’d find in one of the novels, and a plan coming from a devious enemy who’s clearly understood how to pit people against each other. Because, as silly as it may sound, sometimes the people in charge do act in what appears to be the non-smart way just not to lose face—as much as I find it non-rational, previous plots in the Dresden Files have seen the tension mount enough for this to be believable. This was helped by pretty dynamic fight/action scenes. Also, bonus point for little Karrin and her dad.

On the downside:
– As usual with a lot of comics, I could do without the sexualised-woman-poses, many of which looked definitely weird (you know, those ‘let’s strike a sexy pose while wielding heavy weapons, it’s not as if I need my balance for that’ poses). Just like that scene in the hospital, where a character’s wounds are listed, but when you see said character in bed, well… That didn’t look like such a beaten up and bruised body to me.
– That ending. WTF? In a way, it made sense, but it was so totally anti-climatic that I kept looking to see if I hadn’t missed a few more pages in the book.

So, yes… Something like 2.5 stars, because mostly it kept me entertained, right until that odd ending?

Yzabel / April 1, 2018

Review: Lady Mechanika – La Dama de la Muerte

Lady Mechanika: La Dama de la MuerteLady Mechanika: La Dama de la Muerte by Joe Benítez

My rating: [rating=3]

Blurb:

After suffering a tragic loss, Lady Mechanika takes a trip to a small Mexican village just in time for their Día de los Muertos celebration. But the festivities turn truly deadly after the arrival of the Jinetes del Infierno, the mythical Hell Riders!

Review:

[I received a copy of this book through Netgalley.]

Not sure where chronologically this volume is set, among the other ‘Lady Mechanika’ ones. In this story, Mechanika travels to Mexico without a goal, grieving for her friend Dallas, and finds herself taking a room in a village whose inhabitants are about to celebrate the dead.

The characters she meets throughout the pages were in general endearing and friendly, passing along their traditions and encouraging Mechanika to have fun for the sake of fun itself, and teaching her of a different way to celebrate her departed ones. To be fair, I don’t know that much about this specific tradition, but from what I know, the comics seemed to respect it and try to delve into it deeper than just ‘oh hey let’s paint skull faces’—a welcome addition.

Less steampunk-oriented than the previous volumes, the story follows some typical western codes: a village terrorised by bandits, and a lone vigilante stepping up to defend them. Not an unwelcome change, although in terms of scenario and plot twists, it was easy to guess where this was going, and that made the story unexceptional in that regard.

The art and style remain very good in this volume, too, mixing Victorian and steampunkish aesthetics with more traditional ‘Día de Muertos’ ones, including costumes and face paint. The latter somehow contributed to keeping the ‘outlandish costuming’ toned down, in that apart from one short corset, Mechanika appears in clothing that looks more tribal, but also easier to move in (much as I like the style, the ‘tiny corset + narrow sleeves’ combo is an awful one for fighting, so I’m all for graphically striking options that are also convenient). If just for the art, this series is definitely worth reading.

Yzabel / April 1, 2018

Review: The Trauma Cleaner

The Trauma Cleaner: One Woman's Extraordinary Life in the Business of Death, Decay, and DisasterThe Trauma Cleaner: One Woman’s Extraordinary Life in the Business of Death, Decay, and Disaster by Sarah Krasnostein

My rating: [rating=3]

Blurb:

Before she was a trauma cleaner, Sandra Pankhurst was many things: husband and father, drag queen, gender reassignment patient, sex worker, small businesswoman, trophy wife. . . But as a little boy, raised in violence and excluded from the family home, she just wanted to belong. Now she believes her clients deserve no less.

A woman who sleeps among garbage she has not put out for forty years. A man who bled quietly to death in his living room. A woman who lives with rats, random debris and terrified delusion. The still life of a home vacated by accidental overdose.

Sarah Krasnostein has watched the extraordinary Sandra Pankhurst bring order and care to these, the living and the dead—and the book she has written is equally extraordinary. Not just the compelling story of a fascinating life among lives of desperation, but an affirmation that, as isolated as we may feel, we are all in this together.

Review:

[I received a copy of this book through Netgalley.]

Ohh, I’m torn about this one.

On the one hand, it tells the touching story of a woman whose life started on a completely wrong footing, who had to both lose and find herself throughout various trials in her life—a marriage that couldn’t last, realising that she couldn’t be herself if she stayed a man, sex work, bad health, and so on; a woman whose memory is badly altered, so much so that her biographer admits how difficult it was at times to piece together all those events. And yet, at the end, in her daily job of running her trauma cleaning business, a woman capable of empathy and compassion towards other, even though she may still not have that same compassion towards herself, having been forced to disconnect herself from relationships due to her own trauma.

There’s the trauma cleaning business, too, showing various situations of the kind Sandra and her crew have to deal with on a regular basis: hoarders’ houses, a flat where a woman died of an overdose, another where a sexual offender lived, the sofa where a man bled to death, a house turning out to be so bad even the walls have grown soft with mold inside… Gruesome situations, but never considered with condescension or bad feelins, and always with the aime of both cleaning and making those people feel at ease with the job, especially when the ‘hoarders’ were concerned (that desire to ‘check that one last bag just in case something good got mixed up with the trash’… I mean, who’s never spent more time than they thought cleaning their place because they were distracted by checking the contents of this or that forgotten box?).

Going back and forth between eight trauma cleaning jobs and various periods of Sandra’s life, in chronological order, the book, the book clearly points at how entwined these two narratives are, the first one mirroring Sandra’s own trauma and how she got through life in spite of it, ‘cleaning’ behind her by severing ties with people who had hurt her, or always moving from city to another.

On the other hand, it also felt that the book could never decide what its focus was: the cleaning, or Sandra herself? These can’t fully be taken separately, but I admit I didn’t see as much as Sandra’s own insights as I wanted, nor as much of the trauma cleaning as I wanted—not in a voyeuristic way, ‘oh look at those hoarders living in squalor’, but from a practical as well as from a relationships standpoint. The author treats us to her observations of Sandra and her crew on various jobs, yet this was always coloured by her views of Sandra, and… I don’t know, for that specific part, I would’ve preferred if she had been more ‘detached’, more matter-of-fact (because I was genuinely interested of knowing the details: about how Sandra handled her contacts in the police when there was a murder house to clean, for instance; or about the exact techniques used to restore an apparently unsalvageable home to a clean state). Perhaps, in fact, this would have deserved to be two books instead of one, with more careful research regarding Sandra herself? But then, it would’ve made it difficult to show the connection, to show how Sandra, not in spite of, but thanks to her own hard life, is able to connect with her clients. It’s a tricky fence, this one.

Conclusion: 3 stars, it was enjoyable and compelling to a certain extent, but it left me feeling that something was missing nonetheless, that it wasn’t going in-depth enough.

Yzabel / March 30, 2018

Review: The Zanna Function

The Zanna FunctionThe Zanna Function by Daniel Wheatley

My rating: [rating=4]

Blurb:

When fourteen-year-old Zanna Mayfield gets an acceptance letter from St. Pommeroy’s School for Gifted Children, she jumps at the chance to put her considerable intellect to good use. But nothing can prepare her for the first day, when she discovers that she is a Scientist —one able to see and bend the basic functions of the universe like velocity, gravity, and chemical reactions to her own purposes. As Zanna struggles to make friends and learn how to use her abilities at her new school, her troubles multiply when a mysterious woman begins stalking her, dead set on keeping Zanna out of St. Pommeroy’s. If Zanna has any hope of finishing her first year, she’ll need to master every function she can get her mind around—including the one that defines Zanna herself.

Review:

[I received a copy of this book through Netgalley.]

This middle grade/YA novel deals with Zanna, a girl who loves puzzles, science, and whose curiosity is never satisfied. When she learns she’s been accepted to St. Pommeroy’s School for Gifted Children, of course she jumps for joy, but from the first chapter on, things aren’t like what she expected at all: the school is a nightmare, her schoolmates are horrible, her teachers seem incompetent… or is that only a facet of reality, and truth is in fact much more complex? Don’t trust what you see at first! At St. Pommeroy’s, Zanna discovers that mathematics, physics and chemistry are doors towards understanding the very functions defining the universe, and with this understanding, people like her can learn to manipulate the fabric of the universe itself.

Magic through Science is a concept I love, and I had much fun reading about here (but then, I find simplifying surds relaxing, so…). The school itself follows patterns that aren’t new in many MG novels: Zanna meets the people who’ll become her schoolmates, there are friendships and enmities, but overall I found the school’s atmosphere was a positive one, encouraging cooperation and understanding each other, with the story not veering into the usual Mean Queen Bee and Gang vs. Nice Girl. Although, to be fair, I didn’t always find Zanna herself very nice, especially with the way she immediately started to judge one of the other pupils, when in fact she was best placed to understand his actions, and why he behaved like that. Good thing that this kind of attitude usually paves the way for character growth (both characters), all the more with one of the teachers latching on this and poking at said pupils to force them to look at their true selves instead of pretending to already know who they are and never looking further.

Other characters were enjoyable, too, although I wish they had been more developed and that we had seen more of them. I especially liked the relationship between Zanna and her quirky grandfather, and how Scientists are somewhat hidden from ‘the normal world’, but with presidents, officials etc. still knowing they exist: this way, they’re exceptional, but there’s no need for complete secrecy, keeping both worlds separated, having Zanna forever unable to share her new life with her ‘mundane’ family, and so on.

Overall I found the writing pleasant, and the book a quick, fun read, with the story always moving. The ‘scientific explanations’ peppered here and there may be difficult to follow for a younger audience, however the author usually made his explanations short enough, and with some very basic knowledge in chemistry and physics, they remain understandable. (Do middle grade kids still leanr that? I had physics lessons when I was 11-12, and we started chemistry at 12-13.) Anyway, I believe one can enjoy the plot and characters here even if having to gloss over the more ‘sciencey’ bits, since they effects they have are akin to ‘magic’, so the results can be observed nonetheless, so to speak. For instance, manipulating and changing the proprieties of nitrogen to make balloons fly: the result’s still flying in the end. (Bit of a pet peeve, though, for the use of the word ‘metallurgical’ throughout the book, because as far as I know, this world is related to the the extraction, refining etc. of metals, and has nothing to do with ‘illusions so complex that they’re not only visual, and actually feel real’. Every time the word popped up, it distracted me.)

Another peeve was the villain’s tendency to not reveal anything: ‘I’m doing this for your own good, because if I don’t, terrible things will happen to All The People You Love… but I’m never going to tell you what exactly will happen, trust me even though I’m the villain.’ I mean, I don’t know who would ever believe this would make a teenager keep quiet and passively accept all that’s happening to her. I’m much older than Zanna, and I still wouldn’t take that at face value either. Those reasons are never disclosed even at the end, so I do hope that there’s going to be a second instalment at some point: between that and Zanna’s second year at school, there’s definitely holes to close, and material to exploit.

Conclusion: 3.5 stars.

Yzabel / March 28, 2018

Review: Globe

Globe: Life in Shakespeare's LondonGlobe: Life in Shakespeare’s London by Catharine Arnold

My rating: [rating=3]

Blurb:

The life of William Shakespeare, Britain’s greatest dramatist, was inextricably linked with the history of London. Together, the great writer and the great city came of age and confronted triumph and tragedy. Triumph came when Shakespeare’s company, the Chamberlain’s Men, opened the Globe playhouse on Bankside in 1599, under the patronage of Queen Elizabeth I. Tragedy touched the lives of many of his contemporaries, from fellow playwright Christopher Marlowe to the disgraced Earl of Essex, while London struggled against the ever-present threat of riots, rebellions and outbreaks of plague.

Globe takes its readers on a tour of London through Shakespeare’s life and work, as, in fascinating detail, Catharine Arnold tells how acting came of age. We learn about James Burbage, founder of the original Theatre in Shoreditch, who carried timbers across the Thames to build the Globe among the bear-gardens and brothels of Bankside, and of the terrible night in 1613 when the theatre caught fire during a performance of King Henry VIII. Rebuilt, the Globe continued to stand as a monument to Shakespeare’s genius until 1642 when it was destroyed on the orders of Oliver Cromwell. And finally we learn how 300 years later, Shakespeare’s Globe opened once more upon the Bankside, to great acclaim, rising like a phoenix from the flames Arnold creates a vivid portrait of Shakespeare and his London from the bard’s own plays and contemporary sources, combining a novelist’s eye for detail with a historian’s grasp of his unique contribution to the development of the English theatre. This is a portrait of Shakespeare, London, the man and the myth.

Review:

[I received a copy of this book through Netgalley.]

I love going to the Globe, although I can’t afford it very often (but I still try to enjoy at least a couple of plays a year, which is the least I can do considering I almost live on its doorstep by London standards ;)). My knowledge about how it came to be was a bit fragmented, so I was glad to be able to read this book.

Throughout it, you can feel the author’s passion for her subject—the device of fictionalising Shakespeare’s first visit to London isn’t what I’d expect from academic research, and I’m not sure it’s pareticularly welcome, but on the other hand, it’s definitely a window on that passion I mentioned, and is entertaining no matter what. It’s also a window on London at the end of the 16th and the early 17th centuries, and I admit I wish this window would’ve been larger, because I couldn’t get enough details on what the city must’ve looked and felt like at that time, all the more now that I can fully compare it to nowadays London (Shoreditch for Burbage’s original Theatre, Bankside for the Globe, the Rose and Blackfriars’ locations, and so on).

I appreciated that the book chronicled the building of the modern Globe, which I believe is as much part of that theatre’s history as the original one, for starters because it’s on its way to last just as long and possibly more, considering the length of its current lease. I learnt about quite a few interesting facts in both cases, from the controversy around Sam Wanamaker’s project (an American trying to resurrect the Globe! So shocking!) to how the original Globe came to be, built from the timbers of the Theatre that Burbage & Co happily scavenged to keep their dream going.

The book also sheds light on the political and social climate at the time, an interesting part since Shakespeare’s plays were often in accordance with current events for his public to better relate. On the other hand, I believe I spotted some factual mistakes that may have been corrected through more careful editing (but I’m not a specialist, so, well, for what it’s worth…).

Conclusion: A good introduction that paves the way for more reading, although not going in-depth.

Yzabel / March 14, 2018

Review: The Hazel Wood

The Hazel Wood (The Hazel Wood #1)The Hazel Wood by Melissa Albert

My rating: [rating=3]

Blurb:

Seventeen-year-old Alice and her mother have spent most of Alice’s life on the road, always a step ahead of the uncanny bad luck biting at their heels. But when Alice’s grandmother, the reclusive author of a cult-classic book of pitch-dark fairy tales, dies alone on her estate, the Hazel Wood, Alice learns how bad her luck can really get: Her mother is stolen away―by a figure who claims to come from the Hinterland, the cruel supernatural world where her grandmother’s stories are set. Alice’s only lead is the message her mother left behind: “Stay away from the Hazel Wood.”

Alice has long steered clear of her grandmother’s cultish fans. But now she has no choice but to ally with classmate Ellery Finch, a Hinterland superfan who may have his own reasons for wanting to help her. To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother’s tales began―and where she might find out how her own story went so wrong.

Review:

[I received a copy of this book through Netgalley.]

Kind of a darker retelling of “Alice in Wonderland”, down to the character’s name, but more hinged on fairy tales (the ones with not so happy endings, that is). Alice Crewe has spent her whole life going from one place to the other with her mother Ella, never meeting her famous grandmother, Althea, an author whose book is also impossible to find. When Althea dies, Ella and Alice startto believe they can finally have a normal life, but of course this isn’t meant to be, as things keep changing for the worst.

I liked this book, although I didn’t love it, possibly because I had a hard time connecting with the characters. I had mixed feelings about the time devoted to them, to be honest: on the one hand, I wanted the Hinterland part of the story to start much sooner, on the other hand, I felt that I also needed more time to get to know Alice and Finch better. Mostly they were all ‘on the surface’, and apart from Alice’s pent-up anger, I didn’t feel like there was much personality underneath. (I did like them, just in a sort of… indifferent way?)

The fairy tales / nonsensical parts of the book appealed to me more, in spite of similes that made me go ‘huh?’ more than a few times. I do have a soft spot for that kind of whimsical atmosphere, I guess. And what we see of the Hinterland tales Althea wrote made me think that I’d like to read *that* book, and know how its tales actually end.

The plot had its good sides and its downsides. I liked how its Hinterland part dealt with the power of stories, their straps, and the sort of twisted logic that one can find in them; however, I felt like it was a little lacklustre, and dealt with too fast (compared to the part devoted to the ‘real world’). There were a few loose threads, too—for instance, the red-haired man showing up at the café, then disappearing again. (Why did he go away at that specific moment? It was never really explained.)

All in all, it was an enjoyable novel, for one who likes this specific brand of atmosphere. It jusn’t wasn’t exceptional for me.

Yzabel / March 11, 2018

Review: Break Out

Break Out: How the Apple II Launched the PC Gaming RevolutionBreak Out: How the Apple II Launched the PC Gaming Revolution by David L. Craddock

My rating: [rating=5]

Blurb:

Around the world, millions of people hijack cars in Grand Theft Auto, role play fantastical heroes in World of WarCraft, and crush candy on phones as small as wallets yet nearly as powerful as desktop computers. But long before video games became a multi-billion-dollar industry, two hackers invented the Apple II, a PC that contained less memory than the average Microsoft Word document and bowled over consumers by displaying four colors at once. Some users tapped its resources to design productivity software. Others devised some of the most influential games of all time. From the perils along the Oregon Trail and the exploits of Carmen Sandiego to the shadowy dungeons of Wizardry and Prince of Persia’s trap-filled labyrinth, Break Out recounts the making of some of the Apple II’s most iconic games, illustrates how they informed the games we play today, and tells the stories of the pioneers who made them.

Review:

[I received a copy of this book through Netgalley.]

I never owned an Apple II, but my family did have a Commodore 64 when I was a kid, and I do have a soft spot for the history and evolution of computing (and computers) in general, and I was glad to read this book, for it reminded me of a lot of things. The Apple II, after all, was part of that series of personal computers on which a lot of developers cut their teeth, at a time when one still needed to dive into programming, at least a little, if one wanted to fully exploit their machine. (I’ve forgotten most of it now, and was never really good at it anyway since I was 7 and couldn’t understand English at the time… but I also tried my hand at BASIC to code a few simple games, thanks to a library book that may or may not have been David Ahl’s “101 BASIC Computer Games”, I can’t remember anymore now.)

In other words, due to a lot of these developers coding not only for the Apple II, and/or to their games being ported to other machines, C64 included, I was familiar with a lot of the games and software mentioned in Craddock’s book. Even though, 1980s and personal computer culture of the time oblige, most of what we owned was most likely pirated, as we happily copied games from each others to cassettes and 5 ¼ floppy disks on which we punched a second hole (instant double capacity! Just add water!).

A-hem. I guess the geek in me is just happy and excited at this trip down memory lane. And at discovering the genesis behind those early games which I also played, sometimes without even knowing what they were about. (So yes, I did save POWs with “Choplifter!”, and I haunted the supermarket’s PC aisle in 1992 or so in the hopes of playing “Prince of Persia”. And I had tons of fun with Brøderbund’s “The Print Shop”, which I was still using in the mid-90s to make some silly fanzine of mine. And even though that game wasn’t mentioned in the book, I was remembered of “Shadowfax”, which I played on C64, and some 30 years later, I’m finally aware that I was actually playing Gandalf dodging & shooting Nazgûls. One is never too old to learn!)

This book may be worth more to people who owned and Apple II and/or played the games it describes, but even for those who never owned that computer and games, I think it holds value anyway as a work retracing a period of history that is still close enough, and shaped the world of personal computing as we know it today. It’s also worth it, I believe, for anyone who’s interested in discovering how games (but not only) were developed at the time, using methods and planning that probably wouldn’t work anymore. All things considered, without those developers learning the ropes by copying existing games before ‘graduating’ to their own, so to speak, something that wouldn’t be possible anymore either now owing to said software’s complexity, maybe the software industry of today would be very different. And, last but not least, quite a few of our most popular post-2000 games owe a lot, in terms of gaming design, to the ones originally developed for the Apple II.

My main criticism about “Break Out” would be the quality of the pictures included on its pages. However, I got a PDF ARC to review, not a printed version, and I assumed from the beginning that compression was at fault here, and that the printed book won’t exhibit this fault. So it’s not real criticism.

Conclusion: If you’re interested in the history of computers and/or games; in reliving a period you knew as a gamer child or teenager; and/or in seeing, through examples and interviews, how developing went at that time: get this book.

Yzabel / March 7, 2018

Review: The Girl in the Tower

The Girl in The Tower (Winternight Trilogy, #2)The Girl in The Tower by Katherine Arden

My rating: [rating=3]

Blurb:

The magical adventure begun in The Bear and the Nightingale continues as brave Vasya, now a young woman, is forced to choose between marriage or life in a convent and instead flees her home—but soon finds herself called upon to help defend the city of Moscow when it comes under siege.

Orphaned and cast out as a witch by her village, Vasya’s options are few: resign herself to life in a convent, or allow her older sister to make her a match with a Moscovite prince. Both doom her to life in a tower, cut off from the vast world she longs to explore. So instead she chooses adventure, disguising herself as a boy and riding her horse into the woods. When a battle with some bandits who have been terrorizing the countryside earns her the admiration of the Grand Prince of Moscow, she must carefully guard the secret of her gender to remain in his good graces—even as she realizes his kingdom is under threat from mysterious forces only she will be able to stop.

Review:

[I received a copy of this book through Netgalley.]

This is the direct sequel to “The Bear and the Nightingale”, and resumes where the latter left off, following both Sasha and Vasya from that point onwards.

I’m a little torn about this book. While still calling upon Russian folklore and legends, these didn’t play as much of a part as they did in the first book, and I was a little disappointed to see them take the backburner. (Morozko was still here, but I don’t know if it was so good for him, all things considered when it comes to the ending.) Paradoxically, this time, I also liked that the focus shifted more towards city politics, with the characters having to grapple with ‘what consequences will our actions have in the grand scheme of things’, for instance Dimitrii re: the Golden Horde. And that, I think, ties into one of the big themes of the story, a.k.a it’s well and all to want your independence, but finding ways to achieve it with minimum damage should be part of your focus as well.

It followed that I liked Vasya less in this second instalment. On the one hand, I sympathised with her plea of not wanting a life where she’d be locked up in the terem most of the year, and forbidden to do what she loved (riding Solovey, for instance) because ‘it didn’t become a woman’. Because not having a choice is the lot of most people, doesn’t mean we have to always accept it meekly without fighting (I mean, if everybody did that, we’d still work 14 hours a day and send children to the factory at 12 or something, I suppose); and that she’d see her niece doomed to the same kind of fate was painful. On the other hand, more than in the first volume, Vasya’s desire to travel and not live under restraint like her sister caused even more problems, likely because of the stupid ways she often approached this, and/or completely ignored any other character’s warnings. One extremely obvious example: if you aim at passing for a boy, cut your hair first thing, don’t just hide it under a hood. I think this is one detail that kept baffling me every time Vasya’s hair was mentioned, because it was so illogical to me. Getting giddy with the feeling of freedom and making mistakes? Okay, understandable. But other problems could’ve been avoided with a little common sense.

I’m interested in the third book, to see how all this will unfold, but I definitely hope Vasya will have learnt from her mistakes this time.

Yzabel / February 11, 2018

Review: Why We Sleep

Why We Sleep: The New Science of Sleep and DreamsWhy We Sleep: The New Science of Sleep and Dreams by Matthew Walker

My rating: [rating=5]

Blurb:

Sleep is one of the most important aspects of our life, health and longevity and yet it is increasingly neglected in twenty-first-century society, with devastating consequences: every major disease in the developed world – Alzheimer’s, cancer, obesity, diabetes – has very strong causal links to deficient sleep.

Until very recently, science had no answer to the question of why we sleep, or what good it served, or why its absence is so damaging to our health. Compared to the other basic drives in life – eating, drinking, and reproducing – the purpose of sleep remained elusive.

Now, in this book, the first of its kind written by a scientific expert, Professor Matthew Walker explores twenty years of cutting-edge research to solve the mystery of why sleep matters. Looking at creatures from across the animal kingdom as well as major human studies, Why We Sleep delves in to everything from what really happens during REM sleep to how caffeine and alcohol affect sleep and why our sleep patterns change across a lifetime, transforming our appreciation of the extraordinary phenomenon that safeguards our existence.

Review:

[I received a copy of this book through NetGalley.]

It took me so long to get to this book (which I also requested late, it didn’t help), and I’m wondering why! Although it *was* definitely scary, it was really interesting—and anyway, the ‘scare’ makes a lot of sense, so I wouldn’t be inclined as to consider it ‘alarmist stuff I can probably safely ignore because all these doctors and scientists write alarming stuff anyway’. I’ve had trouble to sleep for decades—while not a full night own, I’m clearly not a lark either, and this is part of my problems—and let’s be honest, it doesn’t take a genius to realise that on periods when I sleep less than 6-7 hours/night, I feel sluggiosh, fall sick more easily, stay sick longer, and am less focused in general. Considering my natural chronic lack-of-attention-span disorder, you can guess what it looks like.

(And now I’m wondering how much of this attention problem was really related to my Tourette’s, and how much was actually due to not sleeping enough… considering that when tics are flaring while in bed, well, falling asleep becomes an issue, too!)

Mostly what the author mentioned makes sense to me from a layman standpoint. Not enough sleep leads to increased risks of car crashes, due to microsleep attacks: yes, definitely, I almost went through that, and when I had to assess the risk of falling asleep at the wheel on a French motorway vs. stopping in a parking lot along that same motorway at 4 am to catch a couple of hours of shut-eye… Let me tell you, no argument about ‘it’s dangerous to be a female being alone at night in a deserted place’ would have made me keep driving. That was a scary, scary moment: feeling that I was falling asleep, and having those two or three seconds of complete inability to react, before I regained control of my body and managed to pull out. Yes, it was that bad. And I was extremely lucky that time. So I was definitely willing to consider Walker’s research in earnest, and not with my usual rolling-of-eyes at ‘alarmist books’.

Now, I also understand why my ageing parents are chronically tired, to the point of crashing on the sofa for a long nap every afternoon, yet can’t sleep most of the night. And why I’m going the same way, with the difference that for now I can’t afford to nap due to being at work. Naps reset the build-up of ‘sleep pressure’, and this affects in turn the moment when you’d get naturally tired in the evening, pushing it back by a few hours. (Also, now I get why melatonin pills don’t work for me: apparently I’m not old enough yet. XD)

In short, I finally got to understand a lot of things about sleep, which in turn will help me—I’m the kind of person who needs to ‘do’ and ‘understand’ in order to acquire and retain knowledge and act upon it, so this was actually perfect for me. Now I now what happens while we sleep, all the waste it helps our bodies get rid of, why sleep deprivation affects our emotions and moods, and many more things. It’s not a self-help book—while it does have an appendix with a few ‘tips and tricks’ about how to sleep better, don’t expect to see only that for two hundred pages or to find miracle cures—but it’s already doing a lot for me, just thinking about it. I can’t change my work hours, and society is not going to rearrange itself around me to give me more sleep time; but I can do little things like filtering out blue lights from my screens, not drinking so much caffeine (the old saying ‘coffee is OK as long as it’s before 5pm’ isn’t good enough, so slowly does one’s body processes caffeine), and stop begging my GP for sleeping pills.

Bonus point for the book’s accessibility. You don’t need to have medical knowledge or master its jargon to understand the author’s points. There’s even a bit of humour thrown now and then (that part about the women’s fashion magazine that was delighted to hear confirmed that ‘yes, sleep deprivation favours weight loss’… before the interviewed researcher went on to talk about the loss being mostly muscle mass and not fatty tissue, and let’s not forget the skin sores and generally awful look one develops).

Conclusion: If you do have sleeping troubles, read this, it should help with at least a few things. If you don’t, read it anyway, because it’s interesting.