NetGalley Archives - Page 28 of 48

Yzabel / October 22, 2015

Review: Storm Fall

My rating: [rating=2]

Blurb:

Aris Haan gave up everything to join the Atalantan Military: her family, her boyfriend, even her identity. In the end, though, it didn’t matter that she was a war hero. When the all-male Military discovered that she was actually a woman, she was sent home and erased from history.

Now she has a chance to go back to the battlefield—as herself. But as hard as it was to be a soldier in disguise, it’s even more difficult now. The men in her unit undermine her at every turn. The Safaran army has spies everywhere, perhaps even on Aris’s stationpoint. And she’s falling for her mysterious superior officer, Milek. But their relationship is forbidden, just stolen moments between training sessions and missions. There’s no room for love in war.

Then Aris discovers that Safara’s leaders have set their sights on her, Atalanta’s hero. And she must find them before they find her . . .

Review:

[I received a copy of this novel through NetGalley, in exchange for an honest review.]

Sequel to “Rebel Wing” (which I read back when its title was “Shattered Veil”), this novel sheds light on Aris Haan’s life after she escaped Elom and helped free the Ward of Ruslana: on her fears at first (her love of flying tainted by her harsh experience), on her decision to go back to the Military, on the daily fight to be accepted in a sector where women are just newly accepted—even though quite a few, disguised as men, already proved that girls can do it just as well as boys.

Like its predecessor, “Storm Fall” deals with this issue of acceptance, in a different way since the whole “women in the army” is now in the open, but still as something worth fighting for, and difficult to accept for some. Aris and others are faced with insubordination, snide remarks, sexual harassment, and it’s painfully obvious that even proving their worth as flyers and fighters isn’t enough for some. And it’s not only the men being reluctant: other women outside of the Military aren’t so keen about this new opening. Aris still has to fight, still has to assert herself, and she does it with conviction and with open eyes: she knows she has to fend for herself if she doesn’t want to be seen as a damsel in distress—and yes, it’s something she definitely doesn’t want. She counts on other people’s help in circumstances where anyone would expect and need help, but not because she’s a woman in need of males to save her: because she’s a soldier in trouble, who needs the help of her fellow soldiers, period.

This was definitely a part of the story I enjoyed, because it was portrayed in quite a believable (if depressing) way. However, I wish it had been more a focus: I found it more interesting than the romance—but then, anyone who’s read my reviews must know by now that I’m not a huge fan of romantic subplots for the sake of romantic subplots only. No surprise here.

Calix here turned out to be a pretty decent guy, who did the right thing(s) and showed he had learnt to respect other people’s choices. He genuinely likes Aris, and I think that having him as a friend rather than a potential remaining love interest is a good move here. Also, very loyal guy, to the point of risking demotion or worse in order to help the ones he cares about: not only Aris, but her family as well. While at first, I wondered if this didn’t send the wrong kind of message (“women are men’s downfall”), it still seems to lean much more towards themes of friendship and loyalty, all the more because Calix cares about Aris’s parents and their grief—it’s not just about the girl, so to speak.

In general, there were good plot point and ideas, that would have deserved more spotlight: Elom’s role, the women’s struggles in the military (maybe seeing more of them “in action”, to find out the various range of possible reactions there)… The three romantic arcs were too heavy handed, and detracted from the really interesting parts.

Also, the relationship between Dysis and Daakon wasn’t always handled well. In the first book, the tension was understandable because Daakon thought she was a guy, and he was interested in guys, and Dysis actually being a woman made things complicated. But here, they ran around in odd circles. I’m thinking of one specific turning point here (spoilerish, so I don’t want to explain it too much), where something happened that doesn’t make much sense if Daakon’s not interested in women at all… but reaching that point, seeing it through the end, and then still being torn about loving a woman was kind of… illogical. Whether he was torn about finding himself bi, having to reconsider where it stood (hey, it happens), or torn about liking Dysis in a platonic way but not in a physical one, both were handled poorly.

Ultimately, I still liked this story, and may check the third book in this series, all the more because 1) the last chapter opens up on an even more dangerous situation, and 2) I keep expecting a twist when it comes to Elom, and would like to know whether I’m right or not. But I would welcome less romance, especially the thorny part about Milek and Aris, since it could very well undermine the latter’s efforts as a woman in the military.

2.5 stars (because of the romance), 3.5 or 4 otherwise.

Yzabel / October 13, 2015

Review: Ashstorm

Ashstorm by A.D. Starrling

My rating: [rating=3]

Blurb:

The Hunter who should have been king.

The Elemental who fears love.

The Seer who is yet to embrace her powers.

Three immortals whose fates are intertwined with that of the oldest and most formidable enemy the immortal and human societies have ever faced.

1599. While hunting a deadly adversary who has eluded him for two hundred years, Asgard Godard falls into an icy tomb that leaves him frozen in time.

1969. After more than a century on the run, Ethan Storm finds himself at the mercy of the man who ripped his family apart and sent him into exile.

2013. Following a hundred years of solitary existence, Olivia Ash wakes from a nightmare to find the home where she has lived her entire life under attack by a deadly foe.

Linked by an incredible destiny and with time very much against them, Asgard, Ethan, and Olivia must keep ahead of their common enemy and the rogue branch of the US army at his command. When an unlikely ally crosses their path, they come into possession of a set of clues that help them unearth their opponents’ devastating plans.

With the future of the whole world at risk, the three immortals and their allies must draw on all their skills and unique abilities to defeat the man who has inflicted so much loss and misery upon their lives.

Review:

[I received a copy of this novel through NetGalley, in exchange for an honest review.]

I read the first three books in this series last year, and found them enjoyable—not the best, but definitely enjoyable, and making me feel like checking if book 4 was out. Which it was.

New characters are introduced here, some of them bearing birth marks (and displaying powers) like the main characters in the previous installments, leading more and more to the gathering of a kind of “league” who, no doubt, will have to fight more and more dangerous odds. Olivia and Ethan complement and enhance each other’s powers nicely, while Asgard is tied to quite a few people among the most important ones, owing to his own birth. If there’s one thing, it’s how little we see of the others as the cast keeps on growing. I can’t help but feel impatient regarding the moment when they’re finally all together (is this book it, or will others appear in the next one?). Such a group is bound to have an impressive dynamics.

The focus was less on Kronos in general, and more on one specific antagonist pursuing goals tied partly to it and partly to his own ambitions. The idea of a secret base and secret experiments was a bit basic, though, so I hope later developments—the kind hinted at by the end of the novel—will go deeper. That Kronos isn’t “only that”. I’m sure it’s not.

I’m a bit torn, too, regarding relationships between the characters. Although the idea of soulmates finding each other is nice, it’s starting to feel like every set of people is meant to find their own love interest in each story. Maybe it’s just me, but at some point I’d like to see something different, bonds that would run very deep without necessary being “couple-love”. We have some of this here with Ethan and Asgard, and I wish we could see more: after all, they fought Jonah for decades, and their loyalty to each other is unswerving. Comrades to death, and all that.

I still enjoyed the blend of action and quieter moments nonetheless, all the more because the characters didn’t completely forget about their predicament (something that tends to happen too often in many books: as soon as the love interest appears, the impending end of the world doesn’t seem so important anymore, and too much time is spent on trifles).

Once again, I’m not rating this novel higher… yet I’ll still seek out volume 5.

Yzabel / October 7, 2015

Review: Harry Plotter and The Chamber of Serpents

Harry Plotter and The Chamber of Serpents, A Potter Secret Parody by M.J. Ware

My rating: [rating=2]

Blurb:

Austin comes to England knowing as an American he’ll stick out at his new school. But when an errant owl lands him at Hogwarts he’s in for more than he expected.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

A somewhat funny idea, although in the end it didn’t go far enough to be more than quaint fanfiction. The story is basically that of the second Harry Potter book, from the point of view of an American pupil thrown into Hogwarts. It was mildly interesting, in that it inserted a different take on why some events got to unfold the way they did in the original novel (the cat hair ending up in the potion, for instance), as well as peeked into what may have been the daily life of other students than the ones we saw throughout Rowling’s series.

However, this should have been taken further, and to greater lengths, I think, in order to become a story of its own. As it was, it didn’t bring much to the Potterverse, because the “blanks” it filled weren’t many, and so it was mostly a retelling from a different perspective, rather than something really interesting. Austin being American didn’t play much of a part either; he could have been German or French, and it would’ve been roughly the same. The reason why he ended up in second year when he hadn’t attended the first wasn’t really explained either: “so that he’d be on the level with the Harry, Hermione and Draco of the official timeline” and “because he wasn’t in England before” are a bit of an easy cop-out.

Some aspects were tentatively explored (a Slytherin/Slipperen being friends with a Gryffindor/Gryffinbore, opening up to other people, all Slytherins aren’t uptight worshippers of pure blooded ancestry…), only not enough. It felt like an attempt to redeem this House by downplaying the others (Harry seen negatively…), in a “Slytherins are misunderstood” way, instead of delving further into what could’ve been complex House relationships. This is reflected in general in how the novel remained too close to the original one, and never soared away from it to become its own.

Also, seeing the names changed (Harry Plotter, Hogworts…) was strange: everything’s so close to the original that it doesn’t fool anybody. No doubt a matter of copyright, yet it made me wonder where Rowling stood regarding all of this. Did she allow it, and if yes, then why not a joint effort of sorts, using the real names and places? And if not allowed… then what? (Yes, you can tell I’m always torn when it comes to fanfiction. That said, the book’s free, which I can appreciate—making money off it would’ve been shameful.)

Fun enough if you want something light to read and on which you don’t want to focus a lot. Otherwise nothing exceptional.

Yzabel / October 6, 2015

Review: The Dead House

The Dead House by Dawn Kurtagich

My rating: [rating=3]

Blurb:

Three students: dead.
Carly Johnson: vanished without a trace.

Two decades have passed since an inferno swept through Elmbridge High, claiming the lives of three teenagers and causing one student, Carly Johnson, to disappear. The main suspect: Kaitlyn, “the girl of nowhere.”

Kaitlyn’s diary, discovered in the ruins of Elmbridge High, reveals the thoughts of a disturbed mind. Its charred pages tell a sinister version of events that took place that tragic night, and the girl of nowhere is caught in the center of it all. But many claim Kaitlyn doesn’t exist, and in a way, she doesn’t – because she is the alter ego of Carly Johnson.

Carly gets the day. Kaitlyn has the night. It’s during the night that a mystery surrounding the Dead House unravels and a dark, twisted magic ruins the lives of each student that dares touch it.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

The kind of format I like (and I probably missed on a lot more, considering I had a digital copy, not a paper one), mixing extracts from diaries, interviews and camera clips, as well as a non-chronological narrative and an unreliable narrator.

The story mostly revolves around Carly and Kaitlyn, twin sisters of sorts, or perhaps not? They’re two minds in one body, and who can tell whether one is crazy and the other just a mere symptom, or whether they’re actually two souls who just happen to coexist in an unusual way—Carly during the day, and Kaitlyn at night? After their parents’ death, the “sisters” are sent to Elmbridge, a boarding school in Somerset, but their stay there is chaotic, as they’re regularly sent back to Claydon, a psychiatric facility for teens. Under the guidance of Dr. Lansing, Carly has to accept that Kaitlyn is only an alter, meant to hold the painful memory of the night when her family was torn asunder. And yet… Doesn’t Kaitlyn exist in her own way, too? Is she a construct, or a real person? Doesn’t her diary reflect how real she is, just as real as Carly?

“The Dead House” explores this idea, mainly from Kaitlyn’s point of view, but also through Naida’s camera footage and through the group of friends gathered around her: Naida, Carly’s best friend during daytime; Scott, Naida’s boyfriend; and Brett and Ari. Naida’s peculiar in her own way, in that she comes from a family of priests, brought up within the faith of “Mala”, an Scottish mix of traditional witchcraft and voodoo (it doesn’t actually exist, and was created specifically for this story). And she may be the only one to accept that Kaitlyn/Carly is something special, something unique.

However, there’s something rotten in the Dead House: the sisters grow estranged, pills may do more harm than good, the doctor may not be so competent as she thinks she is, and Kaitlyn’s losing herself more and more in the maze of her own mind. Fascinating elements here, that I really liked reading about. Creept imagery, too, even though I’ve read more gory and morbid.

I’m torn when it comes to other aspects of this book, though. First, the Mala part, which sometimes felt strange and… “not Scottish”? There was something unsettling about the names, whether the spirits’ or even the people’s (“Naida” and “Haji” definitely don’t sound Scottish, and their French family-name hints more at New Orleans/voodoo surroundings than British ones). It would also have been interesting to see a real set of beliefs used here, rather than an imaginary one.

Then the romance, which I didn’t particularly care about, as the story could likely have stood on its own just as well with pure friendship and similar relationships. (But I’m very nitpicky when it comes to romance, so don’t mind me here.) The love interests looked really flat compared to Kaitlyn. In fact, most characters seemed flat, including Carly. Perhaps more insights into her own diary, into the post-its the sisters left for each other, would have helped to get to know here better. As it was, I didn’t really care about her either.

I was also confused about the actual time when the story was set: the diary and footage were recovered more than 20 years later, yet there’s no real sense of “the future”. It could’ve been 2015, and it would’ve been just the same. As for the ending, it felt incomplete, and I couldn’t decide whether the supernatural element was a good thing, or if I would’ve enjoyed the novel more if it had been purely a matter of psychological disorders.

As it was, I did enjoy “The Dead House”, and I give it 3.5 stars out of 5. On the other hand, I can’t help but think that something was missing—perhaps several things, even.

Yzabel / October 5, 2015

Review: Lair of Dreams

Lair of Dreams by Libba Bray

My rating: [rating=2]

Blurb:

After a supernatural showdown with a serial killer, Evie O’Neill has outed herself as a Diviner. Now that the world knows of her ability to “read” objects, and therefore, read the past, she has become a media darling, earning the title, “America’s Sweetheart Seer.” But not everyone is so accepting of the Diviners’ abilities…

Meanwhile, mysterious deaths have been turning up in the city, victims of an unknown sleeping sickness. Can the Diviners descend into the dreamworld and catch a killer?

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

Interesting premise, all the more because dreams fascinate me—lucid dreaming, the power to travel in dreams and even shape them—but possibly too ambitious a book for its own good.

The good stuff:

* Dreams and dream walkers. People who can travel in dreams and remember everything upon waking up, consciously alter others’ dreams, find the spirits of the dead to ask them for answers… Meeting other dreamers like them: Henry, Ling, Wai-Mae. The many landscapes found in there, and how they may or may not have ties to the real world. As said: fascinating.

* More bits about the bigger picture: the man in the stove pipe hat. The mysterious men in suits, all with (obviously fake) names of dead presidents. Project Buffalo. Sam’s mother.

* The last chapters, and how the characters had to basically work in both worlds to save the day.

* The sleeping sickness.

* Vivid descriptions, sometimes really creepy and eerie.

And the not so good…:

* Half the characters were left aside or weren’t terribly relevant for a good two thirds of the plot. While I found Ling interesting, and Henry got more screen time, it was frustrating to see Jericho left dangling in his museum, Will pretty much out of the picture all the time, Evie doing her radio show (then partying/getting drunk, rinse and repeat), and Theta and Memphis… just standing there in the background, looking cool? I can easily appreciate a plot with a large cast, but here it felt like the two arcs (the sleeping sickness + Project Buffalo) could have benefitted from having each their own novel.

* Everything being all over the place, including the historical themes (immigrants, racial tensions, the KKK…): interesting, yet so many things to tackle that in the end, just like the main characters, they didn’t really come together.

* Inconsistencies. Why did Ling take ages to notice what should be absolutely oblivious, considering her own abilities within dreams?

* Mabel. There was no point in having her around. The poor girl should just forget about Jericho and go live her life.

* Still a lot of 20s slang. I didn’t particularly care for it, and it was repetitive. Like a good deal of the book, in fact.

Conclusion: Really good ideas, only the execution didn’t convince me, and I felt that more threads were left dangling, without any real, solid resolution (even the sleeping sickness arc isn’t 100% resolved, with questions remaining about what caused it in the first place).

Yzabel / October 3, 2015

Review: Tin Stars (Descender #1)

Descender, Vol. 1: Tin Stars by Jeff Lemire

My rating: [rating=3]

Blurb:

Young Robot boy TIM-21 and his companions struggle to stay alive in a universe where all androids have been outlawed and bounty hunters lurk on every planet.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

Some time in the far future, the worlds of the United Galactic Council are attacked by unknwon robots soon nicknamed “Harvesters”. Ten years later, after robots were outlawed and culled, a child-companion by the name of Tim-21 wakes up alone in a deserted mining colony, only to find out that the kid he was assigned to is gone. Tim doesn’t know yet that he may be the key to unlocking the secret behind the Harvesters, and potentially to fight them in case they ever return, which is why Captain Telsa and former robotics genius Quon try to find him before others do. Others who would like nothing more than to scrap him.

An enjoyable comics, even though it’s not the most original story I’ve read so far in term of such themes and how they’re being explored: the now fallen scientist, the sexy military officer following in her father’s steps, a cult bent on exterminating robots… Tim’s memories were quite interesting, as they touch upon his relationship with his foster family, and what it meant to him, but I can only hope they will be explored further in a next volume, since it’s definitely worth more. A couple of things didn’t make too much sense, too; for instance, why does Tim—a robot-companion created for *cgildren*—carry an embedded weapon? (Unless it’s related to how robots came to be, but even then, it doesn’t stand to logics to leave them with such weapons when everything else, like their height and AI programs, could be changed.)

I quite liked the artwork (watercolour illustrations); I found it really beautiful for close-ups, though a bit confusing when it came to larger-scope scenes. Some fonts were also hard to read, and didn’t fit too well with the overall mood set by the graphics.

This first volume ends on a cliffhanger that may have lots of potential in the next one, so here, too, I hope the story will find a good way to explore this new twist.

2.5/3 stars

Yzabel / September 28, 2015

Review: The Euthanasia Protocol

The Euthanasia Protocol by Grahame Howard

My rating: [rating=2]

Blurb:

In this vision of the future, set after the apocalyptic religious wars, the State is managed by a series of secular Life Protocols.

Drawn up by a young and idealistic civil servant called Giles, the Protocols soon become grossly misinterpreted as an end in themselves, rather than being an aid to government. Society becomes slavishly adherent to these documents, to the extent that they begin to take on pseudo-religious significance. Among the Protocols is one addressing the problem of an aging population, and this Euthanasia Protocol is implemented throughout the country as an income-generating, yet socially acceptable, method of age control.

Giles rapidly becomes disillusioned by the way in which his concept has been abused. However, when he attempts to rectify the situation, he falls foul of the system, being condemned to a life of ignominy. As an old man who is resigned to euthanasia, can he appeal the order in time?

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

A book whose review was long overdue, and since the copy I got wasn’t the fully edited, final product, there may have been some changes brought to it when it was actually published.

The society depicted in this novel, while definitely a caricature in many ways (including through some of its most outrageous characters, especially Doreese), gives food for thought, in that it deals with the issue of aging populations and the potential means to solving it. There’s no denying that euthanasia could very well become such a means, at some point in the future, and the farcical approach here manages to highlight it fairly well.

“The Euthanasia Protocol” is one of those dystopian stories where the world has gone a nonsensical road, with a government so entrenched within its ways and desires to “make things right” again after religious wars that it fell head first into the very same mistakes it was trying to avoid. The Protocol is revered like a messiah, officials make a point of convincing themselves that euthanasia for “criminals” is not capital punishment, and trials and verdicts are left in the digital hands of computers fed information through a system that just cannot ensure common sense to bear any weight. It is comical, it is a farce, and it has the potential to make people both laugh and shudder—because the execution (pun totally intended) may look ridiculous, but the contents are quite frightening. And it’s not all giggles, since quite a few characters throughout the story are killed in the name of the Protocol, to make an example, to cause other people to bend and break, or simply to fuel a wish for personal revenge.

My main criticism, and one that unfortunately mitigated my enjoyment, was the writing style itself. It may just be me, or it may be because I had an ARC and not a final copy (though in my experience, ARCs are so close to their published version that it’s approximately the same—I mean in style, not typos and the likes). I don’t know. I kept finding it too “dry”, describing the characters’ feelings and thoughts rather than letting me see them in action, so to speak. It made thoughts and dialogues rather stilted, all the more when The Boy was concerned: I’m all for stopping dumbing down teenager characters, but nobody thinks or talks like he (and others) did, even as adults. And I’m not sure it was absolutely necessary to enforce the satirical side and the novel’s messages through a narrative of the “tell, don’t show” kind.

Conclusion: 2.5 stars. Enjoyable, but I admit it would’ve worked better for me if the writing had been different.

Yzabel / September 26, 2015

Review: Ghost Fleet

Ghost Fleet: A Novel of the Next World War by P.W. Singer

My rating: [rating=1]

Blurb:

The United States, China, and Russia eye each other across a twenty-first century version of the Cold War, which suddenly heats up at sea, on land, in the air, in outer space, and in cyberspace. The fighting involves everything from stealthy robotic–drone strikes to old warships from the navy’s “ghost fleet.” Fighter pilots unleash a Pearl Harbor–style attack; American veterans become low-tech insurgents; teenage hackers battle in digital playgrounds; Silicon Valley billionaires mobilize for cyber-war; and a serial killer carries out her own vendetta. Ultimately, victory will depend on blending the lessons of the past with the weapons of the future.

Review:

[I received an advanced copy of this book through NetGalley, in exchange for an honest review.]

DNF at 56%. I tried, I really tried, but it’s been weeks and I just can’t get interested in the story or the characters. I don’t mind when there is more than two or three, I don’t mind short chapters in general; only it’s not working at all for me in this novel, and halfway in, I still don’t care about what’s happening to whom, whether the insurgents will survive, whether Carrie will be found out or not, whether Jamie will mend his relationship with his father… I see, strictly speaking, where it is going. Yet it doesn’t matter, because it’s going in a very dry way that makes everything confusing after a while, all the more as reading a few pages, then leaving the book again for a couple of days doesn’t help (not being interested enough to keep trudging through it, that is).

The other, really important thing not working for me is how little is actually given in terms of geopolitics, even though the characters talk about it; that’s info-dumping without actually giving enough information. There is the Directorate (the new China), allied with the Russians, waging a blitzkrieg on the United States by taking down satellite coverage and basically scrambling communications, GPS on board of planes, etc. Clever and efficient plan, yet why exactly? I would have wanted to learn so, so much about how this state of war came to be, what strings of events led to such a decision, why the NATO countries dropped out of it so fast. So many things just don’t make sense without more background here. I think such a book demands additional information (and handled differently), otherwise it’s not believable.

The technological aspect was somewhat OK. A bit heavy-handed, though (nothing really “new”, some devices were pretty similar to ours only with a more “futuristic” name). I didn’t love nor hate it, which is already something, I guess.

I’m rather sad, because this story had potential, especially regarding the level of creativity the insurgents came to (Walmart going to war as an underground supply chain: both funny and oddly logical), but it didn’t deliver on the human and global relationships factor, at least not when it comes to what I expected from it.

Yzabel / September 17, 2015

Review: Dreams of Shreds and Tatters

Dreams of Shreds and Tatters by Amanda Downum

My rating: [rating=3]

Blurb:

When Liz Drake’s best friend vanishes, nothing can stop her nightmares. Driven by the certainty he needs her help, she crosses a continent to search for him. She finds Blake comatose in a Vancouver hospital, victim of a mysterious accident that claimed his lover’s life – in her dreams he drowns.

Blake’s new circle of artists and mystics draws her in, but all of them are lying or keeping dangerous secrets. Soon nightmare creatures stalk the waking city, and Liz can’t fight a dream from the daylight world: to rescue Blake she must brave the darkest depths of the Dreamlands.

Even the attempt could kill her, or leave her mind trapped or broken. And if she succeeds, she must face the monstrous Yellow King, whose slave Blake is on the verge of becoming forever.

Review:

[I received an advanced copy of this book through NetGalley, in exchange for an honest review.]

Granted, I took my sweet time in reading it… so by now the book has been out for quite a few months.

Overall an interesting experience, though I expected more out of it. I’ve been fascinated by the original work behind this, The King in Yellow, for a couple of decades, from the weight it bore in Lovecraft’s works to the stories by Robert Chambers that actually inspired it. Simply suggest one nightmarish yet terribly beautiful and sublime (in a Burkian sense) city, and I will think “Carcosa”. And while we don’t have a play here, we do have art, including the painting of a door.

Mostly I liked the descriptions, especially of what happened in dreams and how some people in Vancouver were affected. Liz the dreamer, chasing after her friend Blake to bring him back from his coma. Blake, lost in a place he doesn’t understand, where pain and promises of eternal pleasure tempt him both. Rainer and his circle of artists who dabble in magic too potent for them. Rae and other people addicted to mania, a dream-inducing drug that does just that, and more, turning them into zombie-like creatures desperately wanting to taste the real dream. Above them all, the shadow of the King in Yellow, watching from his throne, and the Twins, waiting for an opening. Waiting for, yes, a door.

Such imagery I found quite fascinating, even though I admit it didn’t extend to the actual Vancouver (rain and cold is standard weather where I live), and that I found myself eagerly waiting for the oneiric dreams, the ones involving Liz seeking Blake in the strange streets, corridors and rooms in Carcosa, under inhuman skies. Those were the most interesting scenes for me. Also some other mysteries, such as Lailah and the two other “jackals”, which may or may not be akin to certain hounds living beyond the folds of time and space, but…

…But that’s one of the problems that prevented me from enjoying this story more: a lot of side stories and hints that made the characters more enjoyable, and paradoxically were really frustrating, as they’re not resolved in the end. Alex, for instance: his past involvment with Samantha was brushed upon, where it would have deserved more, considering the sequels it left him with. The artists, too: running from a Brotherhood, rivals of another wannabe sorcerer, the beginning of a strange relationship where Rae was concerned… yet all of this collided a bit too fast (almost in a chaos that may have been intended to mirror the circumstances everybody was thrown in, only it didn’t work that well). Such subplots deserved either more developement, or not to have been included at all, as the middle ground didn’t feel so satisfying. More answers as to who was what and what was who would have been appreciated. Where does Liz’s power come from? What about the memories she sacrificed, would those come back to bite her later? What exactly is Lailah? What role did Seker play, apart from being some deus ex machina?

Also, a lot of the characters had a sort of “hype” edge bordering on pedantic, as if they were trying too hard—including the asexual relationship thrown in there (are Liz and Alex happy that way? Because Alex sure doesn’t seem to be, not that much). I’m all for various kinds of relationships instead of the usual, often bland typical ones, but something didn’t quite fit here.

I still liked this story, mind you. I just expected more out of it, I guess.

Yzabel / September 13, 2015

Review: Pop Sonnets

Pop Sonnets: Shakespearean Spins on Your Favorite Songs by Erik Didriksen

My rating: [rating=5]

Blurb:

The Bard meets the Backstreet Boys in Pop Sonnets, a collection of 100 classic pop songs reimagined as Shakespearean sonnets. All of your favorite artists are represented in these pages–from Bon Jovi and Green Day to Miley Cyrus, Beyoncé, and beyond. Already a smash sensation on the Internet–the Tumblr page has 50,000+ followers–Pop Sonnets has been featured by the A.V. Club, BuzzFeed, and Vanity Fair, among many others. More than half of these pop sonnets are exclusive to this collection and have never been published in any form.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

Clever, very clever.

And in proper rhyming structure *and* iambic pentameters (yes, I counted; not for every single sonnet, but I still counted, just to make sure).

This collection of 100 famous songs—some dating back to the mid-20th centuries, some much more recent—revisited as Shakespearian sonnets was very funny to read, as well as interesting: the poetry does respect the form, appropriates some lines from actual plays (“the winter of our disco tent”), and translates modern concepts into Elizabethan wording. Guitars become lutes, cars become coaches… However, the content of the songs is very easy to recognise. Here’s an example from Roxanne by The Police:

“Pray, do not put those bawdy vestments on
or paint that vulgar rouge across thy face;
thou needest not those wanton garments don
nor with that ruddy brush thy cheeks debase.
I beg thee to this sordid life forego:
turn not a trick, but prithee turn the page!
O, dear Roxanne, thou dost not need to go
into that den of sin to earn thy wage.”

Compare with the song’s lyrics, and there you have it. In general, although the sonnets don’t include *all* lines (Bohemian Rhapsody, for instance, would be hard to translate in only 14 lines), mostly they really fit their songs counterparts.

Of course, the “downside” is that, to fully enjoy this book, you have to a) be a Shakespeare geek of sorts, and b) know the songs and their lyrics. Without that, odds are it won’t be as amusing, or at least not more than “heh, nice”. On the other hand, it’s also a good opportunity to go and discover/listen to the songs one knows less.

I spent a merry good time reading this book, and I highly recommend it to whoever likes Shakespeare, famous songs, and wants to have a laugh. Not to mention to have fun with friends and/or try to find the real Shakespearian lines in there.