Yzabel / July 31, 2014

Review: Deadly Little Sins

Deadly Little Sins: A Prep School Confidential NovelDeadly Little Sins: A Prep School Confidential Novel by Kara Taylor

My rating: [rating=2]

Summary:

It’s August and Anne is back in New York City for the summer, but she can’t escape the memories of the terrible things that happened at the Wheatley School last spring— and the possibility of being expelled looming over her. When an unexpected— and suspicious— turn of events gets Anne sent back to Wheatley, she’s determined to figure out what happened to her favorite teacher and only adult ally at the school: Ms. Cross.

After a shocking, gruesome murder with connections to the Wheatley School occurs, Anne is convinced there’s more to Ms. Cross’s sudden disappearance, and that her favorite teacher is in danger. But after an ugly breakup with Brent and a new, inexplicable distance between her and Anthony, Anne isn’t sure who she can trust. And even worse, Anne discovers evidence that someone at Wheatley is covering up what really happened to Ms. Cross— someone who will stop at nothing to keep Anne from learning the truth in this engrossing, unputdownable read.

Review:

(I got an ARC from NetGalley, in exchange for an honest review.)

Still a page-turner for me: there was something quite compelling to it no matter what. Unfortunately, I didn’t like it as much as I did the previous two books.

I felt Anne had lost some of her intensity, and that her needing to juggle with her school work, friends and investigation looked less like a conundrum, and more like her detaching herself from everything, not caring anymore. The daily scenes with friends, frenemies and people who didn’t like her at school were mostly gone. Her “love life” made me wonder what the point to the whole (slight) triangle was, after all. Of course her character couldn’t get unscathed from the previous series of events, but this wasn’t the Anne I knew and had grown to love.

The mystery this time also seemed less satisfying, perhaps because it was less tied to Wheatley’s daily life and occurrences than those in the other books? It answered some questions, which isn’t bad, yet it also left a few other strings hanging. For instance, what about Alexis’s part in here, what happened to her afterwards? She’s one of those unpleasant characters with a past that explains some of their reactions and attitude problems, and it would’ve been interesting to see her part of the story given an ending as well. However, it’s like her arc was just dropped and never picked up again. Same with Anthony’s, who barely appears anyway. And some characters were clearly introduced for the sake of being plot devices, like the rio of boys and their freshman girl target. This could have developed into more, yet never did.

Speaking of the ending, the big reveal and how it unfolded was sort of rushed; and what happened after, the offer made to Ann, was rather unrealistic. It hints at a potential new series, one that would happen on a whole other level, but I’m not sure if I’d appreciate that or not. Part of my interest for the series was the boarding school setting, so with this potentially removed, I don’t know…

I’m torn, really. I liked this series a lot, and I sort of liked this third installment as well, but it left me terribly unsatisfied, compared to the others, and way too flat. 2 to 2.5 stars here.

Yzabel / July 28, 2014

Review: The Very Best of Fantasy & Science Fiction, Volume 2

The Very Best of Fantasy & Science Fiction, Volume 2The Very Best of Fantasy & Science Fiction, Volume 2 by Gordon Van Gelder

My rating: [rating=3]

Summary:

Fantasy & Science Fiction continues to showcase some of the most famous authors writing in any genre. The magazine jumpstarted the careers of bestselling authors such as Roger Zelazny, Bruce Sterling, and Jane Yolen and continues to champion bold new crossover talents including Paolo Bacigalupi and Ken Liu.

Now drawing upon F&SF’s impressive history of classic and contemporary tales, this extraordinary companion anthology revisits and expands upon sixty-five years’ worth of top-notch fiction. These broad-ranging, award-winning tales appeal to readers of genre fiction and beyond, exploring alternate history, time travel, urban fantasy, virtual reality, modern myth, horror, interstellar travel, epic fantasy, mystery, and space opera.

Review:

(I got a copy of this book from NetGalley, in exchange for an honest review.)

3.5 stars for this collection of 27 stories, some of which are funny and grotesque, some others dark and disturbing.

Strangely, I didn’t feel that much of a connection with a lot of those. Maybe I’ve become picky after a few disappointing experiences with anthologies recently, or maybe I tend to expect more definite endings; I regularly got the feeling that this or that story was interesting (because of its theme and/or the questions it raised), but without going as far as I thought it should go, considering that I expected “the best”, yet felt I got “good only”. It’s definitely strange, indeed, since I wouldn’t say those texts are bad. Objectively, there’s a lot of creativity in here, lots of different concepts, lots of exploring, which all represent a variety of stages in the history of speculative fiction. Subjectively, they just didn’t touch me the way I thought they would.

My favourites:

* Maneki Neko: I really like the idea of a network linking people, everybody being a link in the large picture chain without knowing what it’s going to end in, but performing acts (of kindness, but also totally random sometimes) for strangers. It would almost seem of the conspiratorial kind… but it could also be seen as another way of living, with the awareness that whatever you do for others, someday a stranger will do something good for you as well.

* The People of Sand and Slag: An exploration in what being human entails, once technology/biotech have gone so far that human beings can regrow limbs, live on basically dirt if they need to, and have lost part of what make us who we currently are.

* The Paper Menagerie: Bittersweet and touching, a tale of magic and love gone misunderstood until it’s much too late for the protagonist to do anything about it.

* The Anything Box: An interesting reflection of people’s (especially children’s) ability to dream, and how this ability can be so easy to crush by other people who think they know so much better than you. After I read it, I was all the more determined to never let anything destroy my soul.

* The Prize of Peril: Probably not as original today as it was when it was first published, but as far as reality TV goes, it definitely felt “right”. The Good Samaritans, the people helping the protagonist, aren’t so good as willing to see danger pop up here and there for as long as possible. Very ambiguous.

Not so favourites, though still intriguing:

* The Bone Woman, as a tale of second chances and dreams given to those who’ve lost everything.

* The New York Times at Special Bargain Rates, for its blend of haunting longing and trying to fit into a new life.

* Winemaster: An exploration of microcosms on different scales, how they may be perceived, and where people would draw the line at, well, “people” and “not-people anymore.”

* The Aliens Who Knew, I Mean, Everything: Pretty amusing. I somehow expected the ending, yet it still made me chuckle no matter what.

* The Third Level: Here, too, I could somewhat sense the twist coming. However, it was one of those stories where it just doesn’t matter: you see it coming, you want it to come, and it’s really satisfying.

Overall, it is a pretty satisfying collection, and makes for an appropriate introduction to lots of different types of SF/F stories, especially for readers who’re not very familiar with what those genres at large have to offer. My “problem” with it is mostly personal, a matter of feeling, rather than of actual literary worth. Sometimes, it just happens…

Yzabel / July 21, 2014

Review: We Are All Completely Fine

We Are All Completely FineWe Are All Completely Fine by Daryl Gregory

My rating: [rating=4]

Summary:

Harrison is the Monster Detective, a storybook hero. Now he’s in his mid-thirties and spends most of his time not sleeping.

Stan became a minor celebrity after being partially eaten by cannibals. Barbara is haunted by the messages carved upon her bones. Greta may or may not be a mass-murdering arsonist. And for some reason, Martin never takes off his sunglasses.

Unsurprisingly, no one believes their horrific tales until they are sought out by psychotherapist Dr. Jan Sayer. What happens when these likely-insane outcasts join a support group? Together they must discover which monsters they face are within and which are lurking in plain sight.

Review:

(I got an ARC of this book through NetGalley, in exchange for an honest review.)

This was an intriguing and gripping novella, tackling a question that is probably seldom asked: what of the somewhat normal people in paranormal/supernatural stories, the ones who aren’t the powerful mage detective or powerful vampire or whatever, yet have also dealt with their share of anything-but-normal situations? What of those people’s psyche, can they ever go back to a semblance of normalcy, and how? In an attempt to reclaim their selves, five people gather around Dr. Jan Sayer to talk through their problems, some more reluctantly than others, gradually revealing what exactly happened to them, and how it left them scarred. Because no matter what befell them, whether true monsters or human cannibals or other deranged kinds of minds, it was just the right amount of too bizarre for them to find solace in traditional therapy, which basically ended up in a bunch of souls suffering without ever being able to truly express how… until the group started meeting, that is.

The world building rests on a lot of common themes, some well-known (Lovecraftian mythos—the town of Dunnmouth being obviously reminiscent of Innsmouth), some vague enough that they could be placed basically in any series, and all morbidly fascinating in their own ways. The family of human cannibals that fed off Stan’s and his friends’ bodies, for instance, is pretty close to typical stories of that kind (like the Sawney Bean clan). The Scrimshander could be a regular psychopath touched with a bit of sight… or something else altogether. Greta’s fiery little problem could be interpreted as a variety of spirits. As a result, I felt it allowed the story to fit a lot of potential settings, and gain a kind of legitimacy.

Though overall, I liked it a lot, I remain slightly frustrated. I wanted this book to be longer. I loved its premise, but I felt that it sometimes came short, and wasn’t exploited enough (especially when the doctor was concerned). The ending, too, left me somewhat dissatisfied, in that it seemed to leave the characters too close to where they started. In part, its outcome fits the bleak theme of the book as a whole, yet I couldn’t help but wonder if it went “far enough”.

A note about the style, quite atypical: a blend of first person plural (highlighting the sense of a collective, of a group) and third person. I thought it worked, but it could just as well detract from one’s enjoyment of the story. Be warned.

Nevertheless, I’d still recommend this novel no matter what.

Yzabel / July 18, 2014

Review: Sidekick

SidekickSidekick by Auralee Wallace

My rating: [rating=2]

Summary:

Bremy St James, daughter of billionaire Atticus St James, has been cut off from the family fortune and is struggling to survive in a world that no longer holds its breath every time she buys a new outfit. To make matters worse, her twin sister is keeping secrets, loan sharks are circling, and the man of her dreams — a newspaper reporter — is on assignment to bring down everyone with the last name St James.

Things are certainly looking bleak for the down-and-out socialite until a good deed throws her into the path of the city’s top crime-fighter, Dark Ryder. Suddenly, Bremy has a new goal: apprentice to a superhero, and start her own crime-fighting career.

Ryder has no need for a sidekick, but it turns out the city needs Bremy’s help. Atticus St James is planning the crime of the century, and Bremy may be the only one able to get close enough to her father to stop him.

Now all she needs to do is figure out this superhero thing in less than a month, keep her identity secret from the man who could very well be The One, and save the city from total annihilation.

Well, no one ever said being a superhero would be easy…

Review:

(I got a copy of this book throuhg NetGalley, in exchange for an honest review.)

OK for the most part, in that it provided me with a fluffy, fast, light reading, but nothing I’ll remember much, I’m afraid.

I liked the basic idea of the ex-rich girl deciding to tackle on the role of a hero’s sidekick: I thought it held a lot of potential for funny situations as well as superhero gadgets à la Batman. However, those situations were either not exploited enough to my liking, or too ridiculous to be actually funny. I smiled a few times, but after a while, Bremy’s membership in the Too Stupid To Live club reached such epic proportions that I would just roll my eyes and wonder why anyone even bothered with her, from her shady landlord to Ryder and Bart. Smaller doses of such clueless behaviours would’ve been funny in my eyes; here, there were just too many for me to care enough to laugh.

The characters in general weren’t fleshed out, and remained at face value level. While normally, this could work in humorous stories, at least in my own reading experience, a little depth is still somewhat needed for me to fully appreciate a cast. There wasn’t much of an explanation for Queenie’s involvement, for instance, and the whole thing with Jenny indeed seemed to have moved way too fast (one month?). Some elements remained unexplained, some loose ends weren’t tied, making the novel seem like it’s begging for a sequel. The villain’s plan also felt too stale. The love interest sparked zero interest here on my part. Again, it was supposed to be funny, I know. Only it just didn’t work in my case, owing to Bremy’s TSTL quality and Pierce’s naivety. That combo was a deadly one (not in a good nor amusing way).

Overall, this novel felt as if it was trying too hard to be funny, and in the end, it became sort of… tiring. Much to my dismay, because it’s one of the genres (humour + loser heroes) I’m usually attracted to.

Yzabel / July 17, 2014

Review: Dark Child – The Omnibus Edition

Dark Child: The Omnibus Edition (Covens Rising, #1)Dark Child: The Omnibus Edition by Adina West

My rating: [rating=1]

Summary:

Lately things have been getting weird for pathology technician Kat Chanter. She’s been craving raw meat, and having dreams so realistic they’re scary. When she accepts a job offer from the prestigious Hema Castus Research Institute, she hopes she’ll have the chance to discover what’s wrong with her, but instead, her move to New York thrusts her headlong into a treacherous hidden world, where the wrong move could be fatal . . .

Tarot, witchcraft and astrology all take on a frightening resonance in Dark Child’s richly imagined alternative reality where vampiric beings live among us, hidden by magic. Dark romance tangles with paranormal fantasy and page-turning suspense in this enthralling tale of ‘dark child’ Kat Chanter, half-human and half-vampire, who has woken an ancient prophecy and must face a formidable destiny.

Dark Child was originally released in serial form.

Review:

(I got a copy of this book through NetGalley, in exchange for an honest review.)

In the beginning, I found the story interesting… Then I lost interest pretty quickly, and struggled to finish it.

The premise was what drew me to it; while the whole vampire/shapeshifter thing is nothing new in urban fantasy, the mythology behind those here was pleasant to discover, though a bit heavy sometimes in terms of information dumping. I also liked Kat at first, as she took matters in hands, analysed her own blood to try and find out what the anomalies in it meant, and so on.

Unfortunately, it didn’t last. Mostly I’d chalk this out to four factors:

1) The pacing. At some point, I was seriously going into cabin fever mode, itching to read something else than “characters remain cooped up in hiding in some house in the mountains”. When action happened, it came a little too late to my liking, and was over too quickly. It made me think, really, so that was it? After that, the ending seemed to drag, too.

2) The characters. Kat turned out to be a rather bland, passive person who let a lot of other people talk about her as if she was an object (right under her nose). Some of it was understandable, because at some point she was compelled to remain quiet, through the use of another character’s power. But it went on later, even when such powers weren’t enacted anymore. I had good hopes for this character, and she clearly didn’t live up to them, not even a little. The others had a few distinctive features, but they never struck me as remarkable in any way. As for the “villains”… Yeah, well, not very active either.

3) The romance. Completely useless in my opinion. It didn’t bring anything to the plot, and the two male ends of the love triangle never registered as interesting for me. The only redeeming feature in it was Kat at least realising that getting involved with the Bad Boy wasn’t such a great idea.

4) Borderline Too Stupid To Live decisions. Totally subjective factor here, because I’m a geek and I get that people who’re less tech-savvy than I wouldn’t necessarily consider such issues, but… Seriously, when you’re on the lam, you do not use your cell phone to call your parents. Hello there? GPS tracking? Stuff like Facebook apps registering your location? Bad guys tapping the line? Whatever?

I wanted to like it. I really did. Alas, alas…

Yzabel / July 13, 2014

Review: The Steampunk Trilogy

The Steampunk TrilogyThe Steampunk Trilogy by Paul Di Filippo

My rating: [rating=1]

Summary:

An outrageous trio of novellas that bizarrely and brilliantly twists the Victorian era out of shape, by a master of steampunk alternate history

Welcome to the world of steampunk, a nineteenth century outrageously reconfigured through weird science. With his magnificent trilogy, acclaimed author Paul Di Filippo demonstrates how this unique subgenre of science fiction is done to perfection—reinventing a mannered age of corsets and industrial revolution with odd technologies born of a truly twisted imagination.

In “Victoria,” the inexplicable disappearance of the British monarch-to-be prompts a scientist to place a human-lizard hybrid clone on the throne during the search for the missing royal. But the doppelgänger queen comes with a most troubling flaw: an insatiable sexual appetite. The somewhat Lovecraftian “Hottentots” chronicles the very unusual adventure of Swiss naturalist and confirmed bigot Louis Agassiz as his determined search for a rather grisly fetish plunges him into a world of black magic and monsters. Finally, in “Walt and Emily,” the hitherto secret and quite steamy love affair between Emily Dickinson and Walt Whitman is revealed in all its sensuous glory—as are their subsequent interdimensional travels aboard a singular ship that transcends the boundaries of time and reality.

Review:

(I got an e-copy of this book through NetGalley, in exchange for an honest review.)

A strange read, not totally devoid of interest, but that didn’t do much for me, probably in part because its title is definitely misleading when it comes to “steampunk” as a genre, and isn’t representative of what it entails. It’s more Victoriana with a dash of paranormal and alternate history, and references to existing personae (poets, scientists…) and literary works (not always exact—Nana isn’t Balzac’s work, but Zola’s). This book’s title was seemingly what coined the term “steampunk”, though there’s not a whiff of “steam” in there. Sometimes the mind boggles.

As a whole, sometimes it was accurate enough in its depiction of 19th century society, and sometimes it just didn’t work at all.

“Victoria” was amusing enough, if you appreciate a somewhat rompish humour. But its ending was highly unbelievable and improbable, considering the person involved. I just don’t see how anyone in circles of power would consider that a good idea, certainly not in British politics.

“Hottentots” I found mostly boring and disjointed, with no real sense of a plot. I kept reading it because it made fun of Agassiz, and nothing else—the humour helps defuse his racist thoughts and jingoism, which otherwise are pretty cringeworthy and hard to stand. Also, Cesar’s transcribed accent distracted me and threw me out of the story’s flow basically every time he opened his mouth). While there’s a wide variety of accents in languages, such transcriptions in literature are seldom well-done, and too quickly fall in the “too much” category. Not a good idea here, and clearly the story I liked the least (oh, scratch that: I didn’t like it at all). I’d say its only interest was in the satire department.

“Walt and Emily” was more interesting to me, because I know their poetry well enough, could find my marks there, and the planned trip to the Summerland felt at least like there was some plot there, one that fit with the two poets’ works. Style-wise, it was also the most lyrical, and I quite liked this. Unfortunately, it couldn’t really make up for the rest of the book.

1.5 stars.

Yzabel / July 7, 2014

Review: Tales of the Hidden World

Tales of the Hidden WorldTales of the Hidden World by Simon R. Green

My rating: [rating=2]

Summary:

Seventeen delightfully unexpected stories from Simon R. Green–including a brand-new adventure of the Droods–take us deep into the Darkside, embroil us in the Secret Histories, and lead us into the shadowy places where monsters and demons roamWelcome to the worlds of Simon R. Green. In this wide-ranging collection, the “New York Times”-bestselling urban fantasist opens doors into hidden places: strange realms bordering our own mundane existence and prowled by creatures of fancy and nightmare. Here are the strange, frequently deadly–and sometimes even dead–things that lurk in garbage-strewn city alleyways and grimy subway stations after midnight, visible only to the most perceptive human or inhuman eye.In these tales, Green revisits the ingenious worlds within worlds that he created for his wildly popular novels. Take a stroll on the Darkside with a jaded street wizard, an underpaid government functionary responsible for keeping demons, vamps, and aliens in line. Enter the hidden recesses of Drood Hall, where the aging family member who creates powerful weapons that protect humankind recalls his long and bloody career. Join a squad of no-longer-human soldiers dispatched to combat the all-consuming jungle on a distant planet. Visit a house at the intesection of two realities that serves as a sanctuary from the evil of “all” worlds. Confront the unstoppable zombie army of General Kurtz in a brilliant homage to “Apocalypse Now.” And whatever you do, never forget that there “are” monsters out there. Really.Each story includes a new afterword by the author.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

I’m not quite sure what to make of this anthology. I only know Simon R. Green through his Hawk & Fisher series, of which I only read the first volume, so I applied for this one thinking it’d make a good introduction to his writing in general, but… I’m not so sure anymore. For instance, the first story, for instance, deals with the Armourer of the Drood family, and while I mostly got what it was about, it feels like not knowing the corresponding series is a slight problem. Or maybe it’s just me.

Also, I admit I skipped the second story (“Street Wizard”), because I had already read it a few weeks ago in another anthology.

Most of those stories were rather dark, which was all right with me, since I was in a mood to read about characters put in such situations. I guess mostly my problems with this anthology stemmed from the choice of stories, whose plots in general didn’t seem so thrilling, and whose twists were fairly predictable (“Dorothy Dreams”), or kind of flat (“Down and Out in Deadtown”). The last third of the book is made of older shorts dating back to the 70-80s, and they feel different, incomplete, somehow… unfinished? The last two in particular puzzled me: the prequel was printed after the “main” story, and it removed all suspense as to whether the characters would survive their adventure. I don’t really understand that choice.

I read Hawk & Fisher in French, not in English, so I can’t compare the author’s style here with that in his novels. When it comes to this specific collection, I thought it was heavy on the adverbs.

All in all, lots of good ideas, but not so well executed.

Yzabel / July 2, 2014

Review: Greene’s Calling

Greene's Calling (Seventeen, #3)Greene’s Calling by A.D. Starrling

My rating: [rating=3]

Summary:

An immortal healer.
An ancient legacy reborn.
A chain of cataclysmic events that threatens to change the fate of the world.

When a plane crashes in the Amazonian swamp where Conrad Greene is attempting to live out the rest of eternity, the jaded immortal who was once one of the Bastian First Council’s greatest assets stumbles across a conspiracy involving the recently elected president of the United States.

Caught in the middle of the intrigue is US Secret Service agent Laura Hartwell, the one immortal on Earth most likely to put a bullet through Greene’s skull.

Greene is coerced into returning to the life he had left behind by the leader of the Bastians and reluctantly agrees to assist the Americans in their investigation. As disturbing incidents start to unfold around the globe, Greene and a team of elite human and immortal agents must track down an elusive organization hell-bent on shifting the power balance of the world.

Can Greene stop the deadly countdown that threatens to alter the course of human history and regain the trust of the woman he loves?

Review:

(I got an e-copy of this novel through NetGalley, in exchange for an honest review.)

This is the third book in this series (“Seventeen”) I read, and even though I haven’t rated those any higher than 3/3.5 stars so far, I must say they do all fall in the “I liked it” category: there are slight changes in the genre itself (man-hunt, artifact/ancient secrets, special services…), things sometimes go too fast for serious character development, but all things considered, whenever I want an action-packed story with guns, helicopters, wild chases and people with powers (immortals), these novels deliver.

Both merit and flaw here: each novel focuses on a different character. Merit, because it allows the author to put these people (immortals as well as their human allies) into situations for which they are more suited than others, and have a bigger picture slowly come together—something tells me there should be at least two more installments to this series. Flaw, because said characters can’t be explored as deeply as they would if they were the heroes of two, three, four books. Somehow, we get a glimpse and back-story elements, but there are times when I’d like to see more.

However, as I mentioned above, the “Seventeen” books are pretty good in terms of action, lively fights, and from what I know, believable research, if a little over-the-top now and then (I tend to like a bit of over-the-top, by the way). Picturing each scene is fairly easy, and I’m positive they’d also do great as movies. Hardened secret services agents, assasination attempts, political play on a worldwide level, antagonists that go back to older days, an investigation taking place in several European cities… Mostly those elements make for an entertaining read. Not something I’d discuss at length for a book club, sure, but then, this isn’t what I expect from such novels. I expect to be entertained and awed with good action scenes—and those I get.

One interesting thing: the kickass medic. I haven’t seen that kind of combination too often (a healer-type character who can also hold his/her own and doesn’t have to be protected by the others). All right, Conrad’s power is kind of unique, in that all the others who had it are now dead, from what I understood, but it ties into the red thread intrigue going on from novel to novel. I really hope there’ll be more about that in the next volume, about those immortals with a specific mark on their skin, and what their role is supposed to be (because there must be one, right?). Both Crovir and Bastian societies are somewhat tied into working with each other, and it sort of hints at a bigger threat looming in later.

There’s one side of the story I would’ve liked to see explored more, though: the consequences of so many heads of state being targeted. The characters realise what’s at stake, and do their best to prevent it, but I thought we didn’t get to see exactly how things played out for regular people. Did they care? What about the lockdown on airports? How did international diplomacy unfold? It was here, but somehow “in the background”, and it made the threat less… tangible.

This qualm put aside, it was a pleasant read. Not too deep, but definitely entertaining.

Yzabel / June 24, 2014

Review: Shield and Crocus

Shield and CrocusShield and Crocus by Michael R. Underwood

My rating: [rating=4]

Summary:

In a city built among the bones of a fallen giant, a small group of heroes looks to reclaim their home from the five criminal tyrants who control it.

The city of Audec-Hal sits among the bones of a Titan. For decades it has suffered under the dominance of five tyrants, all with their own agendas. Their infighting is nothing, though, compared to the mysterious “Spark-storms” that alternate between razing the land and bestowing the citizens with wild, unpredictable abilities. It was one of these storms that gave First Sentinel, leader of the revolutionaries known as the Shields of Audec-Hal, power to control the emotional connections between people—a power that cost him the love of his life.

Now, with nothing left to lose, First Sentinel and the Shields are the only resistance against the city’s overlords as they strive to free themselves from the clutches of evil. The only thing they have going for them is that the crime lords are fighting each other as well—that is, until the tyrants agree to a summit that will permanently divide the city and cement their rule of Audec-Hal.

It’s one thing to take a stand against oppression, but with the odds stacked against the Shields, it’s another thing to actually triumph.

Review:

(I got a copy of this book through NetGalley, in exchange for an honest review.)

3.5* for an interesting read. Quite special at first: I must admit I was expecting more classical fantasy, yet this novel deals in fact more with superheroes in a fantasy world than with a typical “band of brothers” à la Robin Hood. So, with this in mind, it depends on the reader’s take on such stories: if superheroes aren’t your thing, getting into Shield and Crocus might be difficult. For instance, the characters have their normal identities and their heroes’ identities, which can be confusing in the beginning before you get used to Wonlar being also called First Sentinel, Rova being Sapphire, and so on. (Of course, I only noticed the presence of a glossary at the end after I had finished reading the novel. The beauty of ebooks on a Kindle app on a smartphone…)

The story’s set in an intriguing city by the name of Audec-Hal, a city that developed within the skeleton of a fallen Titan, twenty miles from head to toe. Its inhabitants live in his ribcage, along his legs and arms, streets are called “veins” as if they were still carrying his blood, and so on. Some fifty years ago, it was protected by the City Mother, a being whose power was however enslaved by a tyrant; since then, the faith and compassion bestowed on the inhabitants have turned to fear and servitude. The place is also regularly stormed by, well, literal storms (Spark-storms), possibly magical in origin, since they turn people and even buildings into strange things, mostly living. The lucky ones end up with couple of physical changes and/or a specific power; the others lose their humanity, so to speak—the people of Audec-Hal are humanoid in looks and behaviours, but their races aren’t called “human”. Six of them dwell in the city, all with their specific characteristics: the fast (and fast-aging Pronai); the Ikanollo, who can see the threads of emotions bonding people (oh the possibilities); the Freithin, created through alchemy to serve as slaves, empowered with empathy with their blood-kin; the Jalvai, who control stone; the Millrej, sharing features with animals (bear-kin, fox-kin…); and the eyeless, mouthless Qava, who feed on thoughts and communicate and feel through telepathy and telekinesy.

This may seem complicated, and it was in the beginning, but the novel’s detailed enough in its descriptions to make it clear after a couple of chapters. At least, I didn’t find it so complicated that I had to stop reading or check the glossary (as said, I didn’t even notice there was one). It was imaginative enough to my liking, and different from the usual elves-like, dwarves-like, and others-like species seen in fantasy in general.

In fact, the diversity is one of the reasons I liked this novel. Three of the six Shields are women, two of them are an item… and it just “is.” Not a major plot point, not a plot device, not a way of passing a message. I didn’t feel any judgemental attitude nor any preaching to the choir, which is pretty refreshing, and fits with my own take on people in general. (I consider people first as human beings, not as gendered beings. This is exactly how it felt here.) What mattered were those heroes’ strength, their ideas, their fight, their wishes for a better city for their fellow inhabitants. Species, gender, sexual orientation: those weren’t important, just background elements that happened to be, and didn’t take precedence on more intrisic, fundamental qualities.

The “super-hero fantasy” aspect beckons for an action-filled narrative (told mostly from First Sentinel’s, Sapphire’s and Aegis’s points of view); however, political undertones still permeate the story, in that five tyrants seized power decades ago, are keeping the city under their thumb, and are trying to gather for a summit that, if it succeeds, would make their stranglehold on Audec-Hal even stronger that before. They’re all vying for power, and are definitely not above striking alliances only to backstab their new allies at the first opportunity; on the other hand, the six Shields have to take their moves into consideration, anticipate, and as always in such cases, sometimes you’re victorious, and sometimes you get played. Consequently, although action and fights still make up two thirds of Shield and Crocus, the story’s a little more complex than “a group of heroes fight crime/one evil overlord”. This is something I tend to appreciate, especially since the Shields have to plan around, and are sometimes forced into moves that lead to loss of life (they can’t be everywhere to save the people who support them).

Speaking of the tyrants: the Smiling King. I so, so want to call this guy Hastur. Or the King in Yellow. Or something to that extent. I have no idea if it was the author’s intent, it’s just the way he resonated with me.

The writing was somewhat redundant. I didn’t have any problems when it came to picturing the city and the fights, but regularly, I found the style repetitive, probably because of names/nicknames that were dropped too often. (You can only read “First Sentinel” so many times in two paragraphs.) The book could’ve done with some tightening in that regard.

Another thing: the story didn’t leave that much room for character development, and I would’ve liked to see a little more of this as well. Mostly because of what revolution-related themes tend to involve: people dying. And their death usually impacts me more when I’ve gotten to know those characters first, not just see them in action. It’s not a big turn-off in this specific story, but it’s worth mentioning.

Although it seems like a standalone for now, the ending is open enough for a follow-up, so if there’s one, I’d gladly pick it. A few things were left wanting in my opinion—not enough to diminish my enjoyment of the story, just enough to make me wonder. Fahra’s existence, among other things, could pave the way to some interesting scenario about the Spark-storms. I’d also like to know more about the Titans, the storm’s origin, the world outside Audec-Hal. (As a microcosm, it works fairly well; only I tend to be curious about what’s outside “pocket-worlds” in general, so to speak.)

To be honest, I think this novel would shine more as a graphic novel/comics. Nevertheless, it wasn’t such an easy mix to come up with at first; it’s imaginative; and as it is, I still enjoyed it.

Yzabel / June 20, 2014

Review: The Bone Church

The Bone Church: A NovelThe Bone Church: A Novel by Victoria Dougherty

My rating: [rating=3]

Summary:

In the surreal and paranoid underworld of wartime Prague, fugitive lovers Felix Andel and Magdalena Ruza make some dubious alliances – with a mysterious Roman Catholic cardinal, a reckless sculptor intent on making a big political statement, and a gypsy with a risky sex life. As one by one their chances for fleeing the country collapse, the two join a plot to assassinate Hitler’s nefarious Minister of Public Enlightenment and Propaganda, Josef Goebbels.

But the assassination attempt goes wildly wrong, propelling the lovers in separate directions.
Felix’s destiny is sealed at the Bone Church, a mystical pilgrimage site on the outskirts of Prague, while Magdalena is thrust even deeper into the bowels of a city that betrayed her and a homeland soon to be swallowed by the Soviets. As they emerge from the shadowy fog of World War II, and stagger into the foul haze of the Cold War, Felix and Magdalena must confront the past, and a dangerous, uncertain future.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

I wanted a change of pace with this book; I seldom read Cold War era fiction, which is definitely something I should remedy to. In a way, I got that, and something else, too.

The novel weaves two timelines, 1943-44 and 1956, that end up meeting each other, bringing loose threads together. The author always provided time and location, so keeping track of what happened when wasn’t too hard. I found the beginning of the story a little confusing, and still don’t know if it was because of the writing style, the changing timelines, or if it was just me; after a short while, things fell into place, and it was all right.

As for the historical context, I must admit I know next to nothing to Prague’s history, and I probably missed a few subtleties here when it came to the Infant of Prague and its importance in the plot. On the other hand, I had no problems piecing out those details, and I think the author provided enough information for me to enjoy it without having to stop reading, go learn a few things, and come back later.

Some scenes bordered on the “too much” at times; readers who don’t like that may be put off by those. For instance, Felix and Srut stealing a fire lorry to escape the Germans, then making their exit skating on the Vltava river. I quirked an eyebrow, while grinning at the same time. Part of me was “what the heck?”, and the other part went “nice one, guys!” It was a strange, somewhat elating feeling.

The atmosphere was permeated with a heavy sense of foreboding, with distrust, danger, suspicion, featuring potential traitors, unsuspected allies, and half-hatched plans thwarted at the last moment, always forcing the characters to get back on their feet, to react to the unexpected. However careful their plans, it was obvious they wouldn’t be able to go through them seamlessly, and this added to the paranoia and tension. Sometimes, too, surrealistic descriptions gave an extra edge to the action, especially when Felix was concerned: you never know at first if the people he sees are friends or enemies, real or only in his mind. It reinforced the feeling of something not right going on.

My main gripes with this story:

1) Some of the plot twists rested on characters that are seldom seen or, worse, appear once only. For instance, the nun, or the bishop, who’re mentioned once: when they do their particular deed. Such things don’t sit well with me in general. Here, they made the twists feel contrived, and I think the latter would’ve had more of an impact on me if said characters had been introduced beforehand, even in a couple of scenes only (like Andrea). As a result, those threads confused me, and threw me out of the story a few times.

2) Magdalena’s involvement, compared to Felix’s, felt like a secondary role. I would’ve enjoyed seeing more of her, more of the path she had to walk alone. She seemed to stand in the background, more spectator than actor, and this made her character less “real” in my eyes.

An interesting story all in all, but not exactly an easy read, and one that might have benefitted from a little more development when it came to some of the secondary characters.