psychic powers Archives

Yzabel / November 9, 2019

Review: The Nobody People

The Nobody People by Bob Proehl
My rating: ★★☆☆☆

Blurb:

When a group of outcasts with extraordinary abilities comes out of hiding, their clash with a violent society will spark a revolution—or an apocalypse..

Avi Hirsch has always known his daughter was different. But when others with incredible, otherworldly gifts reveal themselves to the world, Avi realizes that her oddness is something more—that she is something more. With this, he has a terrifying revelation: Emmeline is now entering a society where her unique abilities unfairly mark her as a potential threat. And even though he is her father, Avi cannot keep her safe forever.

Emmeline soon meets others just like her: Carrie Norris, a teenage girl who can turn invisible . . . but just wants to be seen. Fahima Deeb, a woman with an uncanny knack for machinery . . . but it’s her Muslim faith that makes the U.S. government suspicious of her.

They are the nobody people—ordinary individuals with extraordinary gifts who want one only thing: to live as equals in an America that is gripped by fear and hatred. But the government is passing discriminatory laws. Violent mobs are taking to the streets. And one of their own—an angry young man seething with self-loathing—has used his power in an act of mass violence that has put a new target on the community. The nobody people must now stand together and fight for their future, or risk falling apart.

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

It took me a while to get through this one. I’m not exactly sure why I wasn’t thrilled and not in the mood, but part of it probably had to do with the fact several characters have their arcs develop throughout the book, without enough screen time for each. When this happens Moreover, while there will be a second volume, and I didn’t expect everything to be solved here, some of these arcs were also cut short, without any proper ‘aftermath’ time being given. It’s akin to someone being deemed as super important because they will save us all, then that person suddenly refuses to do it, or dies, or is out of the picture for any other reason, and… that’s all. It’s supposed to be bad, but no one really dwells on it. It felt very strange.

I also struggled to get through and not skim. Not sure if it was the style (present-tense narrative is fine with me in small doses, but not for hundreds of pages). Or the apparent ‘main character’ who turns out to be sidelined pretty quickly, and wasn’t super pleasant to read about anyway. Or the plot jumping between characters but without really giving a feeling of cohesion. Probably a mix of all. In the end, the story deals with heavy themes (acceptance & rejection, internment for people with powers instead of trying to integrate everyone in a new society, being killed just for being different…), that affect the characters a lot, but… I didn’t really care about the characters. In fact, to the risk of sounding awful, the one character I enjoyed reading about the most was Owen Curry. Yes, that one. Also the circus/freakshow subplot. I guess that’s quite telling.

It wasn’t a bad story in itself. Depressing in parts, sure, because we already have enough of that intolerance crap in our real world out there. But that doesn’t make a story bad. As far as I’m concerned, though, the above made it a slog for me, so it was okay-ish in the end, but I can’t say I absolutely liked it.

Yzabel / April 18, 2018

Review: The School for Psychics

School for Psychics by K.C. Archer

My rating: [rating=2]

Blurb:

Teddy Cannon isn’t your typical twenty-something woman. She’s resourceful. She’s bright. She’s scrappy. She can also read people with uncanny precision. What she doesn’t realize: she’s actually psychic.

When a series of bad decisions leads Teddy to a run-in with the police, a mysterious stranger intervenes. He invites her to apply to the School for Psychics, a facility hidden off the coast of San Francisco where students are trained like Delta Force operatives: it’s competitive, cutthroat, and highly secretive. They’ll learn telepathy, telekinesis, investigative skills, and SWAT tactics. And if students survive their training, they go on to serve at the highest levels of government, using their skills to protect America, and the world.

In class, Teddy befriends Lucas, a rebel without a cause who can start and manipulate fire; Jillian, a hipster who can mediate communication between animals and humans; and Molly, a hacker who can apprehend the emotional state of another individual. But just as Teddy feels like she’s found where she might belong, strange things begin to happen: break-ins, missing students, and more. It leads Teddy to accept a dangerous mission that will ultimately cause her to question everything—her teachers, her friends, her family, and even herself.

Review:

[I received a copy of this book through Netgalley.]

An enjoyable fast-read when it came to the ‘psychic powers’ theme. I really liked the premise: a young woman who’s been making questionable decisions, and gets a second chance in a school for people with psychic abilities, where they’re trained to protect and server… but a few people on the inside have different agendas, and it’s a constant game of trying to figure out what’s at stake, and if it’s going to be a bunch of revelations, or something much more lethal. The powers the students have are varied, ranging from precognition to telepathy and even pyrokinesis, and I liked how the novel tried to bring a scientific approach to it: after all, they’re training people who’re going to end up working for the FBI or NSA.

The first scene also engaged me from the beginning, what’s with Teddy being banned from Las Vegas casinos, but still sneaking into one, disguised as a different woman, to hopefully win the money she owes a Russian crime boss, because otherwise her own parents will be targeted. Well, OK, nevermind that she should never have let things go that far, all the more if she’s so good at reading people at the poker table, but ‘questionable decisions’ being a key here, alright, I can go with that.

On the other hand, I never really got a good feeling for Teddy, or for the other characters. Some of them had a sort of ‘larger than life’ vibe, with their quirks (the animal medium who likes doing yoga naked, the ex-cop who’s a charmer and can literally set things on fire, the hacker who’s also an empath…); but they remained fairly one-dimensional. Teddy barely thought of her family except in the beginning, we know nothing of the others except for a couple of things like ‘his family’s rich and he has a boat’, and so when the story took a more action/heist-oriented turn, it was hard to root for them.

The other thing I didn’t like—and which contributed to my not enjoying the sotry as much as I hoped—was the globally juvenile aspects. These people are 20-something (Teddy’s 24, and Pyro must be at least 25 considering he served in the police for some time, and I doubt you just start there at 15 or so), but the whole Whitfield academy had a strong high school feeling, and I constantly thought I was reading a YA novel when in fact it was marketed as geared towards adult, with adult characters. I don’t mind YA in general, even though I have my gripes about a lot of books; I don’t think that ‘because it’s YA, it’s necessarily stupid and uninteresting.’ This said, the aforementioned gripes involve a certain number of tropes that I find cringe-worthy, such as the mandatory romance and love triangle, the professor who immediately favours certain students and begrudges the heroine and her friends, or the whole ‘school stars vs. misfits’ aspect. And those tropes were clearly present here, to the point of making me forget that those characters were, uh, two years from going to work for the FBI? Suspension of disbelief was then shattered every time forensics or the shooting range was mentioned; it’s like the story couldn’t make up his mind about whether it was meant to be about teenagers or about adult people.

Not sure if I’ll be interested in the sequel.

Yzabel / September 22, 2017

Review: Darkover Landfall

Darkover Landfall by Marion Zimmer Bradley

My rating: [rating=1]

Blurb:

Darkover, a planet of wonder, world of mystery, has been a favourite of science fiction readers for many years. For it is a truly alien sphere – a world of strange intelligences of brooding skies beneath a ruddy sun, and of powers unknown to Earth. In this new novel, Mario Zimmer Bradley tells of the original coming of the Earthmen, of the days when Darkover knew not humanity. This is the full bodied novel of what happened when a colonial starship crashlanded on that uncharted planet to encounter for the first time in human existence the impact of the Ghost Wind, of the psychic currents that were native only to that world, and of the price that every Earthling must pay before Darkover can claim for itself.

Review:

Erf. I’ve started re-reading this series, because I remember how much I loved it when I was a teenager… but damn, I didn’t remember this one was so bad. (Or is it because I sometimes used to like shite as a teenager, and that was part of it?)

The story in itself is not uninteresting, all the more since it’s THE origins book in the Darkover series, but the relationships… especially the way women are viewed and treated… Wow. That was one special level of bad.

I can sort of accept a patriarchal society, women being treated as wombs, etc. in the more ‘medieval-like’ novels of the series, because 1) it fits a certain conception of ‘dark ages obscurantism’, as cliché as that may be, and 2) as far as I remember, in those books, it was often presented as something that isn’t so good: while it does remain infuriating, it’s part of the conflict underlying those narratives.

Here, though, in a group of engineers, colonists, space crew, scientists, where men and women have similar levels of skills, with gender equality laws on Earth? Nope. Doesn’t sit with me. Especially not as soon as pregnancies enter the picture, and give yet another reason for males (and some women!) to be patronising, chalk every reaction to ‘she’s pregnant’, veer towards gaslighting at times (because obviously, the guys in the story know better than Judy Lovat who’s the father of her child), and go spouting crap about how not wanting children is some sort of mental illness. Camilla’s arc was particularly painful, because, yes, she is being reduced to a walking womb, what’s with the doctor even threatening to sedate her during her pregnancy (actually, it does happen once), like some kind of stupid, ignorant being who needs to be locked for her own good. Empowering much, right?

So basically, you get accidentally pregnant (not through any fault of hers—ghost wind was to blame, same for her partner), while you thought your contraceptive was doing its job, you don’t want to have a child, but you’re denied an abortion. OK. Not cool. In the context of colonists stranded on a hostile planet, that poses an interesting conundrum (= it’s obvious that either they need to spawn as much as possible, or they’ll die in one or two generations). However, was it really necessary to lay it in such rude and demeaning ways? The Battlestar Galactica reboot has a similar subplot, but the episode about it was at least treated with much more gravitas and moral ambiguity.

It is also important to note that, no, Camilla didn’t sign up for this, so treating her as a spoiled kid throwing a tantrum was inappropriate. Putting it back into context: she’s an engineer and programmer, she signed up to be part of the ship’s crew during the trip, not to be a colonist meant to help populate a new planet. And even in the event of staying on that colony, it would’ve been in a society where she would’ve had a few years to make the decision.

I have no idea if anyone considers this book as a ‘feminist’ work, but if you do, please stop. This is not feminist, it’s patriarchy at its worst: insidious.

[To be fair, I didn’t remember this book as being the best in the series either, nor my favourite at all, so I’m still going to try rereading 2-3 others.]

Yzabel / August 22, 2016

Review: The Vengeful Half

The Vengeful Half by Jaclyn Dolamore

My rating: [rating=1]

Blurb:

Olivia might look human, but she’s grown up with a heavy secret: her mother is a potion-maker from a parallel world, the Hidden Lands.

Alfred is the blind, charismatic young heir to the illegal potions trade. When Mom is kidnapped by the magic dealers with whom she once made a bad bargain, Olivia has no choice but to trust Alfred’s offer of help. They travel to a strange new world of bootlegged American pop culture, lifelike doll people, and reincarnation. Alfred finds himself putting his position on the line to defend Olivia against his family’s conniving plans. Maybe he has morals…or maybe he’s just falling in love.

When Olivia escapes from an attack by a curiously familiar sorceress, she learns that potion dealers weren’t the only thing Mom was hiding from. Dark secrets lurk in Olivia’s past, and now Olivia must kill or be killed by the girl with whom she once shared everything…

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

This is one of those overdue reviews, since I’ve had this book on my tablet for quite a while. I remember requesting it partly because of its cover (the paperback one — by comparison, the Kindle cover on Amazon is pretty bland), which seemed quite ominous to me. What can I say, I’m weak when faced with a certain type of cover.

The plot was intriguing, for sure. A hidden world full of family secrets, alliances to be had, strange magic (the doll people and the potions), ancient feuds, revelations aplenty, and a hidden enemy who’s been bidding her time and is now bent on getting what she wants: possibly revenge… or something else? There’s almost too much going on at times. At first I thought it would be more a quest-like story, with Olivia going after her mother and braving danger to save her. It didn’t turn out like that, but that was alright, the kind of plot and intrigue it led to was pretty fine with me as well.

The characters: we have that girl, Olivia, who knows she’s from another world/civilisation, without having been brought up in it, which leaves room for showing this land to the reader, without necessarily having to explain *all* of it, since Olivia already knows part of it and we can dispense with. We have Alfred, rich heir and future boss to a crime family, who’s blind almost since birth and goes his way without whining about this—he’s used to it, he has trouble with some things but has found ways to cope. Alfred also has to constantly remind other people that he can do, not everything but a lot of things: a conundrum close, I think, to quite a few double standards going around disabled people (pitied and treated like children almost, or blamed for “not making enough efforts” by many, instead of being considered as human beings first and foremost…). There’s also Thessia, Alfred’s fiancée, who could have been a nasty bitch and/or a jealous whiner, especially since she fits the too-beautiful-to-be-true girl, and turns out to be an idealist, an activist, and, well, a fairly decent person to be around, even though she has her downside (Atlantean rich society seems to be hell-bent on having its girls marry rich heirs, and gods forbid they want to have a career of their own…).

So, all in all, a lot of interesting things here. Unfortunately, a lot more annoyed me, causing me not to enjoy this story in the end.

From the start, something kept nagging at me, and it took me a while to put my finger on it. At some point, the author mentioned when the story originated (more about that later), back when she was still a child or teenager; I think this was what I “felt” about it, for having gone myself through the same conundrum of taking a story I first created when I was 12 or so, and trying to trim it and make it something worth reading. This was something I found extremely hard to do, because what we perceive as wonderful plot twists and concepts when we’re younger aren’t necessarily good things to leave as is… yet “upgrading” them is easier said than done. And so, I had that strange feeling that I was reading something I might have written when I was younger, and my reaction to it was a little similar. It’s hard to explain. I could sum it up with “this feels like a very early work, and it needs more editing.”

Another thing that bothered me, when it comes to this theme of parallel/hidden worlds, is how close to ours the latter was, when a parallel world could pave the way to so many other things. Let me develop a bit more by giving a personal example: I grew up in France, with a lot of dubbed TV shows originating from the USA, and at the time I had that fascination for the USA. If I wrote a story, I set it in some imaginary US town. Not my home country, no, it wasn’t “good enough”: it had to be like the USA, feel like the USA, whatever. Obviously it didn’t occur to me at the time that Stephen King, for instance, set his stories in his country because that’s what he knew, and that I was under the impression everything was better there only because I hadn’t been exposed to shows from other countries. (Bear with me, I was 12-something.) And somehow, the way Atlantis people lived reminded me of this: their world felt like it hadn’t been so much evolving as trying to mimic Earth’s, and more specifically, well, you guess it. “Everything’s better if it looks like our world.” Kind of like being promised a walk in quaint little streets with exotic market stalls, and finding yourself in a mall instead—Atlanteans driving Ferraris didn’t exactly impress me. I’d stand with Olivia on that one, who was expecting a high fantasy world at first and found a place with chocolate and soda cans instead.

(To be fair, though, all this might still hold more appeal to a teenage audience than it did to me: I also remember thinking “those are plot devices/themes I would’ve used myself, since I loved them, when I was in my teens.” I had that thing going for telepathy and psychic powers in general, and parallel worlds, and “aliens/people with powers coming from those worlds to live hidden on Earth”. I seriously doubt I was the only one.)

Third annoying bit: the somewhat sexist, somewhat dismissive way a few characters tended to act. Alfred disappointed me towards the end when it came to Thessia (pretty assholish move to make if you ask me, and then she’s left to go away with the equivalent of “kthxbye see ya later, ah women, they always need some time to calm down huh”). Or what I mentioned above regarding heiresses only good enough to marry—any female character with a position/job of her own seemed to be either a villain or a reject/castaway/fugitive, as if no “proper woman” could hold her own. Although was pointed as backwards thinking, I felt a dichotomy, a certain hypocrisy in how it was mentioned, yet the people mentioning it still kept buying into the patriarchal model nonetheless.

Fourth: so many tropes. So, so many. You’ve got it all: pretty boy with a beautiful fiancée against which the main character feels so plain (but still becomes a love interest fairly quickly); people who were supposed to be dead but aren’t; telepathy/psychic powers being used and thrown in in vague descriptions, solving things a little too easily at times; mandatory love triangle; elite school in which talking to The Wrong Person will turn you into a black sheep, instantly, just add water. It felt like a soap opera at times, and since I’m not particularly keen on those, it didn’t help.

On the fence: the drawings, comic strips and short inserts. I didn’t care about the style, but I can certainly understand the appeal, and who would fault an author for including those and being enthusiastic about it? Not me! However, I think they disrupted the flow of the story in some cases, either by revealing too much about the characters at that specific point or by just being there in the middle (did we really need pictures of the various soda brands?). More annoying though were the written inserts: in between two chapters, we get a bit (twice!) about how the story was born. Not uninteresting, yet… this could and should be put at the end, otherwise it’s either disruptive or meant to be skipped, which would defeat the whole point.

Conclusion: could’ve been for me, but… nope, sorry.

Yzabel / December 27, 2015

Review: Marked

Marked by Sue Tingey

My rating: [rating=1]

Blurb:

With no family and very few friends, Lucky’s psychic ability has always made her an outcast. The only person she can rely on is Kayla, the ghost girl who has been with her since she was born.

But Kayla is not all that she appears.

And when Lucky is visited by a demonic assassin with a message for her friend, she finds herself dragged into the Underlands – and the political fight for the daemon king’s throne.

Lucky, trapped in the daemon world, is determined to find her way home… until she finds herself caught between the charms of the Guardian Jamie, the charismatic Daemon of Death Jinx – and the lure of finding out who she really is.

Review:

[I received a copy of this novel through NetGalley, in exchange for an honest review.]

I almost gave up. But I don’t like not finishing a book I’m supposed to review, so I made an effort.

First reason is because I didn’t exactly get what I expected. When I got the novel, the blurb I read led me to believe the story would be focused on paranormal investigation. The actual story, though, is more of the paranormal/supernatural romance type, with very little investigating in it. Not saying this is bad per se, but I’m not a huge proponent of romance at the best of times, and this one, like many others should I say, just didn’t work.

For the record, this is the blurb I first read:

In a world filled with charlatans, Lucinda “Lucky” de Salle’s psychic ability has always made her an outcast, even as it has also made her a sought-after (if reluctant) investigator of paranormal phenomena. With no remaining family and very few friends, she has only one “person” she can rely on–Kayla, the ghost girl who has been her constant companion since she was born.

When Lucky is called in to investigate a spectral disturbance at the all-girls school she attended as a child, she isn’t surprised. She herself had had a terrifying confrontation with the troubled spirits of two girls who died in the attic room. But when Lucky goes up to the attic, she discovers that the vicious little girls are the least of the problem–a demon has been released into this world, a creature of such malevolence that even the spirits of the two girls are afraid. When the demon demands that Kayla be handed over to him, Lucky realizes that this case will be like no other she has ever experienced.

For one thing, it seems that her chatty, snarky spirit companion is not what she has always seemed to be…

Second reason is… the one that always makes me grit my teeth and feel like climbing up the curtains and scream: “Stop holding back information!” Typically goes as follows: Important Character finds him/herself in dangerous circumstances, and needs to tread on eggs; however, in order to properly tread on eggs, you obviously need background information—background information that other characters have, bur refuse to disclose for Some Reason, usually of the “you don’t want to know” or “don’t look” kind. Which is the best way of getting Important Character killed, or at least committing some Horrible Faux-Pas, but whatever, I guess we’re dealing with some Schrödinger’s Logics here.

So when half the book is filled with such inane moments, of course I’m bound to be annoyed. Lucky being a bit of a doormat in that regard, too easily allowing shifty characters to derail the conversation, didn’t help.

Third: Male Posturing. I am oh so fed up with all those hot sexy love interests immediately crapping out testosterone as soon as they end up in the same room. I can understand Lucky not wanting to be involved with guys if it’s meant to be like that all the time. Also the whole “now you bear my mark” thing, a.k.a “You’re Mine In Whatever Way I Choose, by the way I never asked your opinion before lumping this on you but it’s fine, right, I’m sure you don’t mind”. In a nutshell (I hate that expression so I’m going to use it just out of spite): doormat female character being treated like an item, and thrown under false pretenses in a world where women’s most prized value is to allow their future husbands access to positions of power (and then they can pop out kids, then get offed when they’ve outlived their usefulness).

And there you also have the plot, not making much sense, and without much happening. The last chapters became a little more interesting (although still with the whole let’s-be-sex-toys-together thing at moments when it just shouldn’t have been there); yet what led to it could probably have been avoided had Lucky been a little less dumb, and her “protectors” more forthcoming with what may be taking place behind the scenes and how to start playing the political game. Seriously, you don’t dump a person into such a situation “for your own safety”, then tell her “actually you’re in great danger here too”, then add “but I’m not going to explain to you how it works because Reasons.”

I’m afraid I’ll have to pass on the next one. Definitely not my thing.

Yzabel / December 5, 2015

Review: Yesterday’s Gone (Season 1)

Yesterday’s Gone: Season One by Sean Platt

My rating: [rating=2]

Blurb:

On October 15 at 2:15 a.m. everyone on Earth vanished.

Well, almost everyone.

A scattered few woke alone in a world where there are no rules other than survival… at any cost.

A journalist wanders the wretched reality of an empty New York, in search for his wife and son.

A serial killer must hunt in a land where prey is now an endangered species.

A mother shields her young daughter from danger, as every breath ﬁlls her with terror.

A bullied teen is thrilled to ﬁnd everyone gone. Until the knock on his door.

A fugitive survives a ﬁery plane crash. Will he be redeemed, or return to what he’s best at: the kill?

An eight year old boy sets out on a journey to ﬁnd his missing family. What he ﬁnds will change him forever.

And there’s a few people who aren’t surprised that this happened at all. In fact, they’ve been dreaming about this day for years.

These survivors aren’t alone…
Someone or something is watching them.
And waiting…

Strangers unite.

Sides are chosen.

Will humanity survive what it never saw coming?

The only certainty is that Yesterday’s Gone.

Review:

(I received a copy through NetGalley, in exchange for an honest review.)

I seldom read serials, and I admit that reading one in the shape of a “novel” of gathered episodes kind of defeats the purpose (all the more since the authors mention their love of cliffhangers at the end), but… nevermind. I was in the mood for post-apocalyptic stuff, anyway.

So far, this first “season” isn’t the most original thing I’ve read when it comes to this theme: most people gone, survivors trying to figure out what happened (with some being really awful chaps), mysterious aliens-or-zombies creatures that may or may not be the reason behind the catastrophe, an infection… It’s part alien sci-fi, part zombie post-ap, and readers who enjoy the typical tropes of such stories are likely to get their share here, although at times it felt like a jumble of subplots more than a structured story, as if the authors were going along with whatever struck their fancy. This may or may not be true; I couldn’t make up my mind about it, as every time some new elements was introduced, I thought “yet another idea…, then “this could still come together in the end, with more seasons to go, depending on what they do, so let’s wait and see.” Truth be told, we don’t get a lot of clues about what’s happening behind the scenes; the hints are more of the gory variety (the worms, people being killed…)

The format itself is very TV-like, an obvious goal, and one I was looking for. It wouldn’t be difficult to imagine this serial as episodes, complete with regular shifts from group to group. This worked well enough for me. There’s no shortage of action, and as the focus jumped from one character to another, I often found myself wanting to know more about the one left in a predicament… while also wanting to read about the current focus, that is. There were a few boring parts (I didn’t really like the ones about the kids, the Uno game, etc., as I was of course interested in what the characters would do as survivors), especially in the middle, although the pacing managed to bring me back in again in the last third of the book.

The characters are fairly typical of such stories. Survivalists (both good and bad people), some of whom were united by strange dreams and knew beforehand they had to prepare for the apocalypse. An ex-government agent/spook. A pregnant teenager from a conservative family. A father who now regrets he let his work get in the way of his family. A mother trying to protect her daughter. A young man who finds himself stuck, supreme irony, with his abusive stepfather, instead of the latter being dead/gone like most other people. A guy whose last conversation with his now-gone wife was an argument. A kid who meets an old man, the latter taking him under his wing. Even a serial killer.

I remained torn about these characters for most of the story: some of them are uninteresting and would deserve more spotlight to be allowed to shine, but others are definitely intriguing, even though not always exploited to their best, plot-wise.

Boricio was one of the vilest ones in this story, and yet, in spite of all the revolting stuff about him, especially the way he treated women, he also had a sort of “heroic bastard” side to him, probably because he was written with a humorous, slapstick comedy side; oddly enough, some of his scenes were enjoyable… in a much twisted way–like a train wreck that you can’t help but keep looking at. Edward, too, was fascinating: I still don’t know what’s true about him, what’s make-believe, who’s right about him, and let’s not forget the twist at the end of his arc in this first season.

On the other hand, the female characters were a letdown: mostly here to be the object of violence (Callie, Paola after her dream) and/or to be rescued and protected (Teagan, Mary and Paola) by the guys. The only “active” female character is the one in Boricio’s narrative, and she’s clearly one of the baddies, on top of not being developed anyway (Callie is first shown as badass, same in her flashback, but quickly devolves into frightened-girl-in-need-of-protection). And don’t start me on the rape scene, so nicely wrapped and dropped under the rug as a sort of afterthought; that was seriously infuriating. Definitely not the way to write such a scene and its aftermath, to say the least.

In terms of writing style, something that bothered me was the use of numbers (it feels really weird to read “20 yards” and not “twenty yards” in a novel – though maybe it’s just me). Another issue was a tendency to resort to “descriptive” sentences (he did this, she did that), which ended up in a lot of cases of “telling, not showing.” Finally, the dialogues also felt stilted most of the time, with a lot of flashback-type narratives when characters revealed what had happened to them; not uninteresting in itself, but told in ways that didn’t feel very natural, as if they were, well, scripted.

Conclusion: 2.5 stars. I will likely read book 2, since I also got it through NetGalley anyway, because “Yesterday’s Gone” was interesting in more than one way. But I can only hope that this series will improve in terms of writing style and character development (and that we’ll get actual revelations about the monsters and the shady ops guys).

Yzabel / October 5, 2015

Review: Lair of Dreams

Lair of Dreams by Libba Bray

My rating: [rating=2]

Blurb:

After a supernatural showdown with a serial killer, Evie O’Neill has outed herself as a Diviner. Now that the world knows of her ability to “read” objects, and therefore, read the past, she has become a media darling, earning the title, “America’s Sweetheart Seer.” But not everyone is so accepting of the Diviners’ abilities…

Meanwhile, mysterious deaths have been turning up in the city, victims of an unknown sleeping sickness. Can the Diviners descend into the dreamworld and catch a killer?

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

Interesting premise, all the more because dreams fascinate me—lucid dreaming, the power to travel in dreams and even shape them—but possibly too ambitious a book for its own good.

The good stuff:

* Dreams and dream walkers. People who can travel in dreams and remember everything upon waking up, consciously alter others’ dreams, find the spirits of the dead to ask them for answers… Meeting other dreamers like them: Henry, Ling, Wai-Mae. The many landscapes found in there, and how they may or may not have ties to the real world. As said: fascinating.

* More bits about the bigger picture: the man in the stove pipe hat. The mysterious men in suits, all with (obviously fake) names of dead presidents. Project Buffalo. Sam’s mother.

* The last chapters, and how the characters had to basically work in both worlds to save the day.

* The sleeping sickness.

* Vivid descriptions, sometimes really creepy and eerie.

And the not so good…:

* Half the characters were left aside or weren’t terribly relevant for a good two thirds of the plot. While I found Ling interesting, and Henry got more screen time, it was frustrating to see Jericho left dangling in his museum, Will pretty much out of the picture all the time, Evie doing her radio show (then partying/getting drunk, rinse and repeat), and Theta and Memphis… just standing there in the background, looking cool? I can easily appreciate a plot with a large cast, but here it felt like the two arcs (the sleeping sickness + Project Buffalo) could have benefitted from having each their own novel.

* Everything being all over the place, including the historical themes (immigrants, racial tensions, the KKK…): interesting, yet so many things to tackle that in the end, just like the main characters, they didn’t really come together.

* Inconsistencies. Why did Ling take ages to notice what should be absolutely oblivious, considering her own abilities within dreams?

* Mabel. There was no point in having her around. The poor girl should just forget about Jericho and go live her life.

* Still a lot of 20s slang. I didn’t particularly care for it, and it was repetitive. Like a good deal of the book, in fact.

Conclusion: Really good ideas, only the execution didn’t convince me, and I felt that more threads were left dangling, without any real, solid resolution (even the sleeping sickness arc isn’t 100% resolved, with questions remaining about what caused it in the first place).

Yzabel / May 20, 2015

Review: Nine by Night

Nine by Night: A Multi-Author Urban Fantasy Bundle of Kickass Heroines, Adventure, & Magic by S.M. Reine

My rating: [rating=1]

Blurb:

Nine books. Nine bestselling authors. Nine heroines that take names—and chances—while confronting dark foes, whether by force of arms or magic, that threaten their entire world.

Over fifteen hundred pages of epic reading await! Let the adventures begin!

From NYT and USA Today Bestselling Author, SM REINE – WITCH HUNT –– Shaman on the run. Isobel Stonecrow speaks with the dead…for the right price. She brings closure to the bereaved and heals broken hearts. But when she resurrects someone for the wrong client, she ends up on the OPA’s most wanted list.

From NYT and USA Today Bestselling author, CJ ELLISSON – DEATH’S SERVANT –– Jonathan Winchester has clashed with his werewolf alpha one too many times. He returns to Virginia to find work and meets a young waitress, Raine. As their relationship progresses, Jon’s embroiled in more intrigue than he bargained for and a danger bigger than he can handle.

From bestselling author, LINDSAY BUROKER – TORRENT –– When Delia chose to major in archaeology, she imagined herself as the female Indiana Jones of the Southwest. She didn’t imagine herself stumbling across decapitated bodies in old mine shafts or learning that monsters are real…

From USA TODAY bestselling author, ANTHEA SHARP – SPARK –– What if a high-tech game was a gateway to the treacherous Realm of Faerie? Superstar gamer Spark Jaxley’s life might look easy, but she’s part of an elite few who guard a shocking secret; the Realm of Faerie exists, and its dark magic is desperate for a foothold in the mortal world.

From bestselling authors BOONE BRUX and CJ ELLISSON – DEATH TIMES TWO –– The V V Inn has a ghost problem. New grim reaper, Lisa Carron, accepts the job. She quickly learns the hotel is full of the dearly departed—and she’s working for vampires. Throw in Asa, a young vamp hot enough to melt the Arctic ice, and Lisa realizes she’s way out of her element.

From bestselling author, JC ANDRIJESKI – ROOK: ALLIE’S WAR EPISODES 1-4 –– Like most humans, Allie distanced herself from Seers, a race of human-like beings discovered on Earth. Yanked out of her life by the mysterious Revik, Allie finds out her blood may not be as “human” as she thought, the world is nothing like it appears to be…and she has more in common with Seers than she ever wanted to believe.

From bestselling author, ANNIE BELLET – JUSTICE CALLING –– Gamer. Nerd. Sorceress. Jade Crow lives a quiet life running her comic book and game store in Wylde, Idaho. After twenty-five years fleeing from a powerful sorcerer who wants to eat her heart and take her powers, quiet suits her just fine. Surrounded by friends who are even less human than she is, Jade figures she’s finally safe. As long as she doesn’t use her magic…

From bestselling author, JESI LEA RYAN – ARCADIA’S GIFT –– Teenager Arcadia (Cady) Day’s family tragedy unleashes a hidden power. After experiencing what can only be called a psychic episode, her home life crumbles. As her emotional control slips away, Cady begins to suspect that her first psychic episode was just the beginning…

From Urban Fantasy author, KARA LEGEND – WILD NIGHT ROAD –– One innocent hex sets off a chain reaction of trouble among the shifters of the Kinraven that threatens war between werewolves, seraphim and witches. Lilith Darke will do anything to be free of her seraphim master. All hell breaks loose when rival packs face off only to discover a new, deadly threat that will take all their magick to survive.

Review:

I got a copy through NetGalley, in exchange for an honest review.

This collection of nine novels is, obviously, huge to read, so I tackled each book one by one. Which took me quite some time.

Overall, I was rather disappointed. Apart from one novel that made me feel like reading some of the author’s other works, mostly the stories ranged from “it’s OK” to “no” for me. I can think of two major explanations to this:
1) Mostly the stories were of the sex/romance-oriented kind, and this isn’t really what I’m looking for in urban fantasy—not because of the themes themselves, but because they too often take precedence over the plot. I want to read urban fantasy, possibly with a dash of romance, not romance with a dash of supernaturals thrown in.
2) I’m still feeling cheated by the “kickass heroines” line. I didn’t find many of them kickass. At all. Being a witch or a demon hunter doesn’t make a kickass heroine if she stil lturns to mush at the first sight of The Male.

If these are your things, good for you… They just aren’t mine.

Breaking down Nine by Night to individual short reviews, the way I had posted them over the months while reading it novel by novel:

WITCH HUNT

2*
A quick, easy read, with a lot of action and not many breaks, which fits the theme of “man on the run, trying to find the answers before his enemies catch up to him”. No problem with that, although it was rather short, and so the characters weren’t that well-developed. The world seems interesting, with a Men In Black feeling combined with department-to-department tensions and underhanded maneuvers.

In general, it’s César’s decisions I had a problem with: he didn’t strike me as particularly savvy, considering the job he’s had for the past two years. Sure, going back to the crime scene to start looking for answers is as good a beginning as any, but he didn’t do it in a clever way—and the same pattern repeated throughout the story. The ending was unsatisfying: César wasn’t the one who actually solved the problem, he was more of a spectator at times, and I didn’t like how a couple of key clues turned out to be just there by chance.

(Also, the NbN cover blurb spoke of “strong women protagonists”, but I’m still looking. The only two prominent women here either don’t appear that much, or are more like the must-protect-her type under a varnish of strength.)

DEATH’S SERVANT:

2*
I haven’t read the V V Inn series, so I feel like I’m missing something here—kind of as if some things weren’t developed, character-wise, because readers are supposed to already know Jon, Dria and Rafe from the actual series? This prequel will likely be of more interest to those who want to know more about Jon before V V Inn, since it seems to answer some questions, but maybe not so much otherwise.

TORRENT:

1*
I struggled to finish this one. Overall I found it rather boring, the plot was muddled with too much running in circles, and too much was left unsaid at the end for the reader (there was a monster, but I still have no idea what it was, what the main threat was, who/what the strangers were, etc.) As for the characters, they felt really childish and too stupid to live. Also, cracking a whip doesn’t an archaeologist make. Indiana Jones would weep.

SPARK:

3*
A light and enjoyable read, but one that felt a little confusing at times, in the beginning: I hadn’t realised it followed a previous trilogy. However, it made me feel like reading said trilogy (perhaps I’m even more interested in it than in the second one, actually). I have a soft spot for stories where gamers have to face real dangers in a virtual world, and video games combined to traditional faerie lore seemed like a good blend. Spark also deals with the gamers’ real life, showing sides of their lives that aren’t always terribly glamorous. I’ll probably pick the first volume in the Feyland trilogy at some point, to see what exactly led to the Feyguard being established (even though it’s easy to guess, it doesn’t mean there’s no point anymore, after all).

DEATH TIMES TWO:

1*
I couldn’t get into this one at all, never knowing if it was supposed to be humorous or serious. Lisa seemed a silly stereotype, and apart from Asa, the other characters were just brushed over, in a way that made me feel that the ghost-reaping plot had to be solved as fast as possible for the protagonists to finally have sex. Which might have worked, why not, only the almost slapstick-like side of the story didn’t mesh well with it in my opinion (I contemplated facepalming for real when it came to a point where Lisa asked Asa to put his hands in her pants while kissing her so that a ghost couldn’t enter her to possess her). It read more like an amateur fic (with typical vaguely porny vocabulary) than an actual novel.

ROOK: ALLIE’S WAR:

0.5*
DNFed at 56%. I tried, really, I did, but I just cannot push myself to go on. This book is so terribly confusing, adding present/preterit shifts to a 1st person/3rd person mix I already have problems with in general. I get the reasons behind this choice, but they don’t work for me, and it makes for a painful reading.

I don’t understand the characters, who suffer of chronic cases of ain’t-telling-you-nothingitis. A.k.a “All those things we know because we’re telepaths/empaths, and you don’t because you’re human? I can’t tell you because you’re supposed to ask that guy, there, who’re not telling you on his own becasue Reasons.” So what does the heroine do? Not ask. For weeks. Then everybody assumes she knows, but she doesn’t, which leads to stuff like “why did you agree to marry him”, and… wait, when did that happen, and what did she do to make everyone and their dog think the two characters are married? Also are they in love, attracted to each other, wanting to have sex with each other, not wanting to have sex…? This isn’t even angst or conflicted feelings anymore; it’s just one huge muddle. (Interspersed with regular diving into some structure of light, Pyramid and other psychic-powerish mumbo-jumbo that doesn’t make much sense, all the more when it’s thrown into action scenes.)

The premise looked interesting. The first couple of chapters drew me in. And then… nope, sorry.

JUSTICE CALLING:

1*
Too short to allow for much character development. The story goes fast, but remains very formulaic—down to the hardened guy showing up to provide a love interest that Jade immediately starts fantasising about for… no reason? I’d have much preferred getting to know the characters better, and see a couple of actual twists and turns. As it is, the “villain” was dispatched too quickly, the promising plot wasn’t exciting, and Jade was just… annoying.

I read it because I needed to do something while waiting at the airport. I don’t think I’ll be back.

ARCADIA’S GIFT:

2.5*
Mostly an OK story, but one that I wouldn’t really qualify of “urban fantasy” (see my above comment, though—if not considered as part of this bundle, then disregard it). More like YA paranormal romance. I liked that the romance part developed more naturally than in most novels pertaining this genre, although I admit I’m not a good target audience for that in general. I also liked how it took into accout the whole family after the tragedy, not only Cady and her feelings for a boy. However, I didn’t like the way she reacted in the end (I would’ve expected such an outburst sooner, but not after everything that happened). Overall, it was an alright story, yet one that won’t leave me with much of an impression, I’m afraid.

WILD NIGHT ROAD

1*
Terribly confusing, and looking more like chapters plucked from a larger story. There seemed to be complex dynamics behind the shifters, witches and seraphim, that weren’t really explained, so the characters’ predicament was never really tangible. I didn’t feel close to any of them, the whole weres/alpha male/bonding thing was strange (way to give the “kickass women” room to decide and fend for themselves, huh?), and everything moved too fast, without enough development in between.

1.5 stars overall. (Not rounding to 2 because of the misleading “strong female protagonists” angle that was everything but.)

Yzabel / May 11, 2015

Review: The Deep Beneath

The Deep Beneath by Natalie Wright

My rating: [rating=1]

Blurb:

H.A.L.F. 9 has taken his first breath of desert air and his first steps in the human world. Created to be a weapon, he proved too powerful for his makers and has lived a sedated life hidden from humans. But H.A.L.F. 9 has escaped the underground lab he called home, and the sedation has worn off. He has never been more alive. More powerful. Or more deadly.

Erika Holt longs to ride her motorcycle east until pavement meets shore. She bides her time until graduation when she’ll say adios to the trailer she shares with her alcoholic mother and memories of her dead father. But a typical night in the desert with friends thrusts Erika into a situation more dangerous than she ever imagined.

Circumstances push the two together, and each must make a fateful choice. Will Erika help H.A.L.F. 9 despite her “don’t get involved” rule? And will H.A.L.F. 9 let Erika live even though he was trained to kill?

The two may need to forget their rules and training if either is to survive the dangers of the deep beneath them.

Review:

(I got a copy of this book from the publisher through NetGalley, in exchange for an honest review.)

I can’t say I liked this novel. Although the premise grabbed my attention, the story turned out to be too overdone to my liking. It partly had to do with the source of H.A.L.F. 9’s non-human side. It reminded me of what I’d call “Cold War era stories”: books, movies, comics tackling matters that were relevant a few decades ago (the way the Cold War provided an excellent building-ground for tense stories), but aren’t so much anymore. As a result, making them interesting rather than “it’s just another version of…” has become more difficult. Unfortunately, in my opinion, The Deep Beneath didn’t manage to get off the ground, whether in theme or in execution.

The characters remained too flat for me to warm up to them. I expected Erika to be more of a free mind—a proud, independant young woman riding her motorcycle through the desert—and not so obsessed with her love interest that she didn’t want to love because it would impede her freedom, but wait, she still keeps daydreaming about him and sniffing his scent. What could have been a good subplot, filled with questions about whether loving someone will set you back or allow you to soar, whether it will only shackle a person or not, got lost in the flow of teenage hormones. And when she opened her mouth, when she stood her ground, it was too often at the wrong moment, using the wrong words (at the 70% mark, I filed her as Too Stupid To Live).

Both Ian and Jack seemed to exist as background elements only, and never developed into actual characters with actual personalities. Sturgis had too much of a gloating villain edge, both cruel at times yet inexplicably powerless at others (in the way of the Villain Decay trope). Alecto’s budding thoughts and dilemma regarding H.A.L.F. 9’got lost somewhere along the road, when it could’ve been such an interesting thread to develop. As for H9, I guess he was alright, in the way he discovered the outside world and grew to care for the humans he had met, but here comes the third breaking part for me: the writing.

The writing was of the “tell, not show” varity, which quickly made the story feel as dry as the desert it was set in. I can definitely say that had H9’s growth been tackled in a different way, instead of that somewhat clinically detached tone, I would’ve appreciated it much more. Being detached made sense when it came to his stilted dialogue, since he had never been given the chance to communicate much with human beings; however, it wasn’t palatable when all his thoughts and actions were described that way.

Conclusion: a story that had potential to provide food for thought, yet didn’t in the end. 1.5 stars.

Yzabel / April 12, 2014

Review: Division Zero

Division Zero by Matthew S. Cox

My rating: [rating=3]

Summary:

Most cops get to deal with living criminals, but Agent Kirsten Wren is not most cops.

A gifted psionic with a troubled past, Kirsten possesses a rare combination of abilities that give her a powerful weapon against spirits. In 2418, rampant violence and corporate warfare have left no shortage of angry wraiths in West City. Most exist as little more than fleeting shadows and eerie whispers in the darkness.

Kirsten is shunned by a society that does not understand psionics, feared by those who know what she can do, and alone in a city of millions. Every so often, when a wraith gathers enough strength to become a threat to the living, these same people rely on her to stop it.

Unexplained killings by human-like androids known as dolls leave the Division One police baffled, causing them to punt the case to Division Zero. Kirsten, along with her partner Dorian, wind up in the crosshairs of corporate assassins as they attempt to find out who – or what – is behind the random murders before more people die.

She tries to hold on to the belief that no one is beyond redemption as she pursues a killer desperate to claim at least one more innocent soul – that might just be hers.

Review:

[I got a copy through NetGalley, in exchange for an honest review.]

3.5 stars. The idea of mixing cyberpunk, crime, psychic powers and ghosts was really interesting, and in general, I liked what the author created here. The world depicted here seemed true enough to what I expected of such a setting, seen through the eyes of a young police officer who’s had her share of difficult moments and knows how far from rosy and sheltered life is. It addressed the matter of consciousness in various ways, the main ones being ghosts, but also AIs (the most advanced ones are granted citizen status, and failing to repair them is legally considered as murder).

I really enjoyed the way the normal world existed alongside the “dead” world. Ghosts tend to linger due to various reasons, from revenge to being tied to items or places (we get to see a few of these throughout the course of the story). Apart from that, their options are to either “go to the light”, or to fall prey to the strange, shadowy Harbingers, who (which?) come for the darkest souls. The way the novel ends leaves room for more on that, I think, but since we already learn a lot in this first installment, I felt satisfied.

I found it a little hard at times to get into the story, especially in the first half, but after a while things flowed more seamlessly. I think what bothered me in the first part was that a couple of side characters popped up, without exactly being solved. (view spoiler) So I was left wondering, when do I see them again, and… nothing.

Kirsten also annoyed me in the first half, because she’s such a whiner about never finding a boyfriend (they all run away when they find out she’s psychic). She’s 22, there’s still plenty of time for that, and I don’t like it when a female character who has a lot of potential is shown as pining after men, as if everything else wasn’t important. Everytime it happened, I wondered why she kept putting herself in such situations, too (it was as if she set herself for failure?). I must admit that behaviour made me knock off one star here. Fortunately, the second half of the novel was better in that regard, and she was more focused on her job. She also got to battle her own demons, and with this came a new acceptance, too, and another perspective on life.

Dorian… Dorian had his annoying quirks, but I liked what the author did with him, and I hope he appears in the next story. (view spoiler)

In spite of my initial qualms with Kirsten, I do want to read the next installment. I’ve seldom seen ghosts used in such futuristic settings, so the whole premise was interesting, and remained so in my opinion. (Also, I still hope we’ll see some of the minor characters again, such as the ones I’ve already mentioned.)